Diderot and the Encyclopaedists
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The Atheist's Bible: Diderot's 'Éléments De Physiologie'
The Atheist’s Bible Diderot’s Éléments de physiologie Caroline Warman In off ering the fi rst book-length study of the ‘Éléments de physiologie’, Warman raises the stakes high: she wants to show that, far from being a long-unknown draf , it is a powerful philosophical work whose hidden presence was visible in certain circles from the Revolut on on. And it works! Warman’s study is original and st mulat ng, a historical invest gat on that is both rigorous and fascinat ng. —François Pépin, École normale supérieure, Lyon This is high-quality intellectual and literary history, the erudit on and close argument suff used by a wit and humour Diderot himself would surely have appreciated. —Michael Moriarty, University of Cambridge In ‘The Atheist’s Bible’, Caroline Warman applies def , tenacious and of en wit y textual detect ve work to the case, as she explores the shadowy passage and infl uence of Diderot’s materialist writ ngs in manuscript samizdat-like form from the Revolut onary era through to the Restorat on. —Colin Jones, Queen Mary University of London ‘Love is harder to explain than hunger, for a piece of fruit does not feel the desire to be eaten’: Denis Diderot’s Éléments de physiologie presents a world in fl ux, turning on the rela� onship between man, ma� er and mind. In this late work, Diderot delves playfully into the rela� onship between bodily sensa� on, emo� on and percep� on, and asks his readers what it means to be human in the absence of a soul. -
Kant and the Culture of Enlightenment / Katerina Deligiorgi
KANT AND THE CULTURE OF ENLIGHTENMENT KATERINA DELIGIORGI Kant and the Culture of Enlightenment SUNY series in Philosophy George R. Lucas Jr., editor Kant and the Culture of Enlightenment Katerina Deligiorgi State University of New York Press Cover image: Immanuel Kant. Steel engraving by J. L. Raab (ca. 1860). Used by permission of the Bildarchiv Preussischer Kulturbesitz, Berlin. Published by State University of New York Press, Albany © 2005 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Judith Block Marketing by Anne M. Valentine Library of Congress Cataloging-in-Publication Data Deligiorgi, Katerina, 1965– Kant and the culture of enlightenment / Katerina Deligiorgi. p. cm. — (SUNY series in philosophy) Includes bibliographical references and index. ISBN 0–7914–6469–5 (hardcover : alk. paper) 1. Kant, Immanuel, 1724–1804. 2. Enlightenment. 3. Philosophy, Modern—18th century. B2798.D452 2005 190Ј.9Ј033—dc22 2004021559 10 9 8 7 6 5 4 3 2 1 Contents Acknowledgments vii Note on the Texts Used ix Introduction: A Critical Answer to the Question, What Is Enlightenment? 1 Chapter 1. The Enlightenment in Question 13 1. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Style and Form of Authority Permalink https://escholarship.org/uc/item/4g31034x Author Mannies, Whitney Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Style and Form of Authority A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Political Science by Whitney Mannies June 2017 Dissertation Committee: Dr. John Christian Laursen, Chairperson Dr. Georgia Warnke Dr. John Medearis Copyright by Whitney Mannies 2017 The Dissertation of Whitney Mannies is approved: Committee Chairperson University of California, Riverside Acknowledgements Writing a dissertation is an individual effort that is only possible because of the consistent and generous support of others. I have benefitted from a loving family and intelligent and funny friends. I am grateful for the opportunity to sort out my not-yet coherent ideas with my graduate school colleagues who fostered friendship and collaboration, especially Steven Cauchon, Andrea Silva, Andrew Flores, Diego Esparza, Nosh McTaggert, Kevin Pham, and Dylan Rohr. I am also very lucky to have landed at the University of California, Riverside, where the faculty so often combined brilliance with generosity—a rare feat in academia. Also, the students I have taught along the way at UCR, Pitzer College, and Pomona College have been a constant reminder of the purpose of education and the enduring significance of political theory (really!). This dissertation would not have been possible without them. My sincerest thanks go as well to the Political Science Administrative Assistant, Sara Palmer, who so patiently shepherded me through many a kafkaesque situation. -
This Ph.D. Submission Is in Two Parts : a Dissertation : a Series of Visual Works
Language Games in a Visual Environment This Ph.D. submission is in two parts : a dissertation : a series of visual works. The two parts of the submission are complimentary. Neither should be thought of as a 'commentary' on each other. The subject of the dissertation is the relationship of the visual to the discursive and its subsequent effect on the notion of the 'Plan'. The opening of the dissertation builds up a view of the different relationships these two may have, and how it is possible to discuss these relationships in different ways. As a model for these relationships I have used Diderot's Sa lon of 1767. In this essay Diderot begins to reassess the relationship between beholder and artist. and the nature of the relationship between the seen and the recorded. The seven sections [Diderot's 'Sites'] each serve to introduce a particular relationship between criticism and practice, and introduce consideration of such topics as the Sublime, the incestuous relationship between the work and its critique, and the relationship of landscape, model [as in the form of landscape garden], and the painting. The second section takes a look at more specific relationships, in a historical sense as in Emblems and Devices, and in a linguistic sense as discussion of Heidegger's work on 'Form' and Lyotard's Discourse/figure. These chapters are distillated in the final chapter 'PPP' in which aspects of these notions are reassessed in relation to a potential visual work. The third section begins with a precis of Steinberg's thoughts about inconsistencies found in the plan of Borromini's church of San Carlo and then moves on to consider possible explanations which may occur through the reading of Deleuze's book Th e fold. -
Stanford Encyclopedia of Philosophy Copyright C 2019 by the Publisher
pdf version of the entry Denis Diderot https://plato.stanford.edu/archives/sum2019/entries/diderot/ Denis Diderot from the Summer 2019 Edition of the First published Wed Jun 19, 2019 Stanford Encyclopedia Because of his public leadership of the philosophe party in eighteenth- century France, Voltaire stands today as the iconic example of the French of Philosophy Enlightenment philosopher. Denis Diderot (1713–1784) is often seen as Voltaire’s second in that role since it was around both men that the Enlightenment philosophes rallied as a movement after 1750. The epochal project, which Diderot jointly pursued with Jean le Rond D’Alembert, to “change the common way of thinking” through a comprehensive Edward N. Zalta Uri Nodelman Colin Allen R. Lanier Anderson Encyclopedia, or Reasoned Dictionary of the Arts, Sciences, and Trades Principal Editor Senior Editor Associate Editor Faculty Sponsor provided the emergent philosophe movement with the cause around which Editorial Board they would coalesce. Diderot also fought vigorously with Voltaire on https://plato.stanford.edu/board.html behalf of the Encyclopédie project and its principles, becoming as a result Library of Congress Catalog Data a public leader of the Enlightenment philosophical party in France ISSN: 1095-5054 alongside Voltaire. He also worked, like Voltaire, as a writer and critical Notice: This PDF version was distributed by request to mem- intellectual who willingly positioned himself against the grain of bers of the Friends of the SEP Society and by courtesy to SEP established authority, and one who used philosophy as a vehicle for content contributors. It is solely for their fair use.