Michigan Opera Theatre Orchestra
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CRAIN's LIST: LARGEST MEETING Facilitiesranked by Total Square Feet of Meeting Space
CRAIN'S LIST: LARGEST MEETING FACILITIES Ranked by total square feet of meeting space Total Capacity of largest square Square feet meeting room Number Facility feet of of largest theater/classroom of Address meeting meeting banquet/cocktail meeting Rank Phone; website Top executive space space style rooms Amenities Cobo Center Thom Connors 897,500 27,000 2,880 / 1,800 70 Free Wi-Fi, 2,200 on-site parking spots, concierge and business center, on-site 1. 1 Washington Blvd., Detroit 48226 general manager 1,800 / 2,200 catering, contractors on-site to provide services to meetings and trade shows (313) 877-8777; www.cobocenter.com The Henry Ford Patricia Mooradian 544,020 22,000 600 / 200 20 Horse-drawn carriages, Model T rides, historic carousel, steam locomotive, historic 2. 20900 Oakwood Blvd., Dearborn 48124 president 600 / 5,000 re-enactments, entertainment, tours, curators, audiovisual, fireworks, gardens and (313) 982-6001; www.thehenryford.org private courtyards with most venues, organic and local menus available Joe Louis Arena Tom Wilson 439,380 30,197 20,000 / 10,000 120 Unique event location for meetings, events, fundraisers, private ice skating parties 19 Steve Yzerman Drive, Detroit 48226 president and CEO, 2,500 / 3,500 and corporate experiential opportunities (313) 394-7593; www.olympiaentertainment.com Olympia 3. Entertainment/Detroit Red Wings Ford Field Tom Lewand 375,000 100,000 65,000 B/ 500 24 Caterer, stadium tours, on-field activities, attached parking structure 4. 2000 Brush St., Detroit 48226 president 1,200 B/ 3,500 B (313) 262-2000; www.detroitlions.com Suburban Collection Showplace Blair Bowman 350,000 215,000 12,000 / 6,000 30 Attached 126 room Hyatt Place Hotel, 25,000 square feet of pre-function space, 5. -
Jacob's Pillow Dance Festival 2018 Runs June 20-August 26 with 350+ Performances, Talks, Events, Exhibits, Classes & Works
NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK FOR IMAGES AND MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations and Publications Coordinator 413.243.9919 x132 [email protected] JACOB’S PILLOW DANCE FESTIVAL 2018 RUNS JUNE 20-AUGUST 26 WITH 350+ PERFORMANCES, TALKS, EVENTS, EXHIBITS, CLASSES & WORKSHOPS April 26, 2018 (Becket, MA)—Jacob’s Pillow announces the Festival 2018 complete schedule, encompassing over ten weeks packed with ticketed and free performances, pop-up performances, exhibits, talks, classes, films, and dance parties on its 220-acre site in the Berkshire Hills of Western Massachusetts. Jacob’s Pillow is the longest-running dance festival in the United States, a National Historic Landmark, and a National Meal of Arts recipient. Founded in 1933, the Pillow has recently added to its rich history by expanding into a year-round center for dance research and development. 2018 Season highlights include U.S. company debuts, world premieres, international artists, newly commissioned work, historic Festival connections, and the formal presentation of work developed through the organization’s growing residency program at the Pillow Lab. International artists will travel to Becket, Massachusetts, from Denmark, Israel, Belgium, Australia, France, Spain, and Scotland. Notably, representation from across the United States includes New York City, Minneapolis, Houston, Philadelphia, San Francisco, and Chicago, among others. “It has been such a thrill to invite artists to the Pillow Lab, welcome community members to our social dances, and have this sacred space for dance animated year-round. Now, we look forward to Festival 2018 where we invite audiences to experience the full spectrum of dance while delighting in the magical and historic place that is Jacob’s Pillow. -
Arizona Dance E-Star
Arizona e December 2018 statewide listing DANCEof performances master classes auditions | jobs tips | news social dancing Holiday Performances Masquerade Ball New Year's Eve Dance Parties Semester End Concerts Holiday Dance Gift Ideas Mia Williams Ballet Yuma Photo by Bill Butler Arizona Dance e-Star Arizona Dance e-Star a publication of the Arizona Dance Coalition Volume 8, Issue 11 December 2018 Dear readers, Table of Contents The year is coming to an end and, as always, we are Calendar of Events 3-16 very busy doing what we love There are many holiday- themed performances and Canyon Movement Company Holiday Gift Ideas. .. .. .. .. .. .. .. .. .. 19 in Flagstaff has produced a new one - A Christmas Carol AzDEO News. .. .. .. .. .. .. .. .. .. ..20-21 in Modern Bare Feet Their school show concert was School Field Trips. .. .. .. .. .. .. .. ..22-23 cancelled due to snow (heartbreaking), so let's hope the weather cooperates for all future performances for ADC Performance TICKET EXCHANGE. .24 everyone! ADC Member Announcements. .... .... 25 The Masquerade Ball returns benefiting ADC member Photo of the Month 26 DanceSport Education They are raising money for ADC Website Screenshots.. .. .. .. .. .. 28 ballroom dance instruction in the schools It's formal! Make sure to dance into the New Year and thank you Regional News. .... 29-31 for a year of amazing dance in AZ! Social Dance . .. .. .. .. 32-35 Seasons Greetings! Krystyna Parafinczuk, Editor NYE Dance Events .. .. .. .. .. .. .. .. .. 34 JOBS . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .36 Auditions . .. .. .. .. .. .. .. .. .. .. .. .. .37 Dance at the Cinema 37-39 ADC Member Benefits . .... .... .... .. 40 Warmth & Recovery Tip . .. .. .. .. .. .. .41 SUBSCRIBE to Arizona Dance e-Star 41 JOIN the Arizona Dance Coalition 41 Arizona Dance Coalition SPONSORS . -
Treasure Is Where You Find It
TREASURE I S W HER E YOU FIN D IT Williaa Cowie Residenoe Northeast corner o£ Canfield Avenue We.t and Third Avenue Built in 1676 - Razed after 1957 1'rom ~ '!istoQ: ~ Detro! t ~ Michigan by Silas F .......r Volume I, 1689, page 420 Publication underwritten by a grant trom The Hiatorio Memorials Sooiety in Detroit, Miohigan April 1969 OUTLINE HISTORY OF CANFIELD AVENUE WEST BETWEEN SECOND BOULEVARD AND THIRD AVENUE IN HONOR OF ITS ONE HUNDREDTH BIRTHDAY 1869 - 1969 by Mrs. Henry G. Groehn One lovely Wednesday afternoon, in the 1870's, two little girls sat on the McVittie front steps on the south side of Canfield Avenue West, between Second Boulevard and Third Avenue. They were watching the carriagos and horses as they clip-clopped to a stop in front of the Watton carriage stone next door. The ladies in elegant afternoon attire were "com!"" to call" on Mrs. Walter I"atton, the wife of a prominent Detroit denti"t.. Wednesday was the day Mrs. Watton IIreceived," and this was duly noted in a Detroit society blue book, which was a handy reference book for the lIin societyll ladies. Once again, almost one hundred years later, the atmosphere of ele gantly built homes with beautiful, landscaped lawns and quiet living can become a reality on tilis block. The residents who are now rehe.bilitating these homes are recognizing the advantage of historic tOlm house lh-;.ng, wi th its proximity to the center of business, cultural, and educati'm"~_ facilities. Our enthusiasm has blossomed into a plan called the CanfIeid West-Wayne Project, because we desire to share with others our discovery of its unique historical phenomenon. -
Nisbett Building and Fairman Building Rehabilitation Projects
Historic Preservation in HistoricMichigan Preservation Big Rapids Housing Commission and Hollander Development Nisbett Building and Fairman Building Rehabilitation Projects Nisbett Building The Big Rapids Housing Commission, responding to increasing demand for high quality affordable housing, recognized that a downtown location offered potential residents a broader and more accessible service base than more suburban locations while expanding Fairman Building the market for downtown merchants. The commission partnered with Hollander Development to rehabilitate the Nisbett and Fairman Buildings, located in the heart of Big Rapids. By combining a wide variety of public and private funding with the federal and state historic preservation tax credits, the development team was able to make this combined $5.2-million-dollar investment possible. The projects created 47 new residential units, 38 of which are guaranteed to be affordable units; rehabilitated nearly 126,000 square feet of under- utilized commercial space; and created outdoor space for the use of the residents. The partnership between the Big Rapids Housing Commission and Hollander Development demonstrates that creativity is the key to reinvigorating communities. Historic Preservation in HistoricMichigan Preservation Eric, Tobi and Ryan Breisach 714 Wheaton Avenue, Kalamazoo, State TaxCredit Project The house at 714 Wheaton Avenue was built in 1891 and modified in 1950 by removing the front porch and building an enclosed stair addition to convert the resource to a triplex rental. The interior’s historic character suffered from the installation of false ceilings, inappropriate materials that covered plaster walls and floors, and water damage. Eric and Ryan Breisach, the father and son construction crew, hired a local contractor to help them finish a complete rehabilitation of the resource during the summer and fall of 2003. -
2019-2020 SCHOOL GROUP GUIDE Winter Or Summer, 7 TOURIST ATTRACTIONS Day Or Night, Montréal Is Always Bustling with Activity
2019-2020 SCHOOL GROUP GUIDE Winter or summer, 7 TOURIST ATTRACTIONS day or night, Montréal is always bustling with activity. 21 ACTIVITIES Known for its many festivals, captivating arts and culture 33 GUIDED TOURS scene and abundant green spaces, Montréal is an exciting metropolis that’s both sophisticated and laid-back. Every year, it hosts a diverse array of events, exhibitions 39 PERFORMANCE VENUES and gatherings that attract bright minds and business leaders from around the world. While masterful chefs 45 RESTAURANTS continue to elevate the city’s reputation as a gourmet destination, creative artists and artisans draw admirers in droves to the haute couture ateliers and art galleries that 57 CHARTERED BUS SERVICES line the streets. Often the best way to get to know a place is on foot: walk through any one of Montréal’s colourful and 61 EDUCATIONAL INSTITUTIONS vibrant neighbourhoods and you’ll discover an abundance of markets, boutiques, restaurants and local cafés—diverse expressions of Montréal’s signature joie de vivre. The energy 65 ACCOMMODATIONS is palpable on the streets, in the metro and throughout the underground pedestrian network, all of which are remarkably safe and easy to navigate. But what about the people? Montréalers are naturally charming and typically bilingual, which means connecting with locals is easy. Maybe that’s why Montréal has earned a spot as a leading international host city. From friendly conversations to world-class dining, entertainment and events, there are a lot of reasons to love Montréal. All email and website addresses are clickable in this document. Click on this icon anywhere in the document to return to the table of contents. -
Kansai-Yamamoto Paper
Alexandria Lewis-Hawthorne Kansai Yamamoto is a Japanese designer, born on February 8, 1944 in Yokohama, Japan. Kansai studied both civil engineering and english at Nippon University. He then completed his studies at Bunka Fashion College and pursued a career in design. Kansai opened his own boutique in Tokyo in 1968. In 1971, he started his own company, Yamamoto Kansai Company Ltd, with his two partners ( Journal Runway Archive, 2018). Kansai set the foundation for Japanese fashion going mainstream in western fashion. Kansai was the first Japanese designer to move to Europe, a decade before Rei Kawakubo and Yohji Yamamoto started showing their collections in Paris. He was at the forefront of contemporary Japanese fashion during the 1970s and 1980s. His saturated patterns and exaggerated silhouettes were influenced by the colorful art of the Momoyama period of Japanese art, 1573-1615 along with vibrant costumes of Kabuki theatre and classic manga illustrations, some of which could be seen in prints and mask motifs during Louis Vuitton’s 2018 Cruise Collection. Kansai is known for his avant-gardist designs which reference Japanese art and theatre. He is also credited with renewing interest in the traditional Kimono. David Bowie reached out to Kansai about making costumes for him after seeing one of his looks featured on the cover of Harper’s and Queen. Kansai was then commissioned by David Bowie to design the costumes for his Ziggy Stardust tour. He was the first designer to create a Bowie stage costume. The costumes consisted of widely cut and printed Kimono, extravagant silhouettes and suits made out of synthetic shiney materials. -
A Comparative Mechanical Analysis of the Pointe Shoe Toe Box an in Vitro Study Bryan W
0363-5465/98/2626-0555$02.00/0 THE AMERICAN JOURNAL OF SPORTS MEDICINE, Vol. 26, No. 4 © 1998 American Orthopaedic Society for Sports Medicine A Comparative Mechanical Analysis of the Pointe Shoe Toe Box An In Vitro Study Bryan W. Cunningham,* MSc, Andrea F. DiStefano,† PT, Natasha A. Kirjanov,‡ Stuart E. Levine,* MD, and Lew C. Schon,*§ MD From *The Orthopaedic Biomechanics Laboratory, Department of Orthopaedic Surgery, The Union Memorial Hospital, Baltimore, †Health South Spine Center, St. Joseph Hospital, Towson, and the ‡Ballet Theatre of Annapolis, Annapolis, Maryland ABSTRACT ical demands on the body while requiring the production of aesthetic and graceful movements. From the 1581 in- Dancing en pointe requires the ballerina to stand on troduction of ballet at the French Court (attributed to her toes, which are protected only by the pointe shoe Catherine de Medici), the popularization of this art form toe box. This protection diminishes when the toe box by Louis XIV, and the 1661 creation of the Academie loses its structural integrity. The objectives of this study Royale de Danse,2 the technique of ballet has become more were 1) to quantify the comparative structural static and fatigue properties of the pointe shoe toe box, and demanding, requiring refinement of the dancer’s strength, 2) to evaluate the preferred shoe characteristics as technique, and tools. This was highlighted by Marie determined by a survey of local dancers. Five different Taglioni, who, in 1832, was the first to dance en pointe. pointe shoes (Capezio, Freed, Gaynor Minden, Leo’s, This was originally done with soft satin slippers contain- and Grishko) were evaluated to quantify the static stiff- ing a leather sole. -
The Limón Legacy Still Thrives After 70 Years by Jeff Slayton March 25, 2017
The Limón Legacy Still Thrives After 70 Years By Jeff Slayton March 25, 2017 The Limón Dance Company - Photo by Joseph Schembri “There is a dance for every single human experience.” José Limón The Limón Dance Company lit up the stage at the Wallis Annenberg Center for the Performing Arts, presenting three works choreographed by José Limón over seventy years ago, and two recent works by Colin Connor and Kate Weare. Thanks to dance artists like Carla Maxwell, Risa Steinberg, Gary Masters and the new Artistic Director Colin Connor, the company has kept the Limón legacy alive and vibrant. In addition, the company continues to present new works by seasoned and up-and-coming choreographers. Born in Culiacan, Mexico, José Limón (1908-1972) formed his company in 1946 after performing for 10 years with modern dance pioneers Doris Humphrey and Charles Weidman. Throughout his life, Limón continued to create new works; his last one being Carlota in 1972, the year of his death. In 1997, this great dance master was inducted into the Hall of Fame at the National Museum of Dance in Saratoga Springs, NY. The program opened with Limón’s CONCERTO GROSSO which premiered in 1945 at the Humphrey-Weidman Studio in New York. Through his choreography, Limón artfully and brilliantly visualizes Antonio Vivaldi’s Concerto #11 in D Minor, Opus 3. The work is, simply put, pure and joyful dancing. Staged and directed by former company member Risa Steinberg, dancers Kathryn Alter, Elise Drew Leon and Jesse Obremski performed with great musicality, clarity and ease. CONCERTO GROSSO is a jewel and these three dance artists are wonderful in it. -
WHY ARE YOU CREATIVE? Teilnehmerinnen Und Teilnehmer
Leipziger Straße 16 Telefon +49 (0)30 202 94 0 D-10117 Berlin Telefax +49 (0)30 202 94 111 E-Mail [email protected] www.museumsstiftung.de WHY ARE YOU CREATIVE? Teilnehmerinnen und Teilnehmer ARTISTS ACTORS Marina Abramovic – Amsterdam 2012 Johnny Depp – Berlin 1994 Christo & Jeanne-Claude – Berlin 2001 Mel Gibson – Los Angeles 2000 Damien Hirst – Berlin 1994 Dennis Hopper – Marrakesh 1995 David Hockney – Bonn 1999 Sean Penn – San Francisco 1999 Jeff Koons – Berlin 2000 Gérard Depardieu – Berlin 2012 Jonathan Meese – Berlin 2007 Ben Kingsley – London 1995 Georg Baselitz – Derneburg 2000 Till Schweiger – Los Angeles 2000 Mordillo – Frankfurt 1999 Sir Ian McKellen – Los Angeles 1995 Yoko Ono – Venice 2002 Forest Whittaker - Los Angeles 2002 Tracey Emin – London 1999 Armin Mueller-Stahl – Los Angeles 1998 Eva & Adele – Berlin 2001 Sir Peter Ustinov – London 1999 Tom Sachs – New York 2000 Gary Oldman – Los Angeles 2001 Kenny Scharf – Los Angeles 1999 Karl-Heinz Böhm - Frankfurt 1997 Douglas Gordon – Frankfurt 2012 Vadim Glowna – Berlin 1998 Okwui Enwezor - New York 2002 Anthony Quinn – New York 1995 Joe Coleman – New York 2003 Otto Sander - Berlin 1997 Mariscal - Barcelona 1999 Bruno Ganz – Berlin 2002 Olu Oguibe – London 2000 Bill Murray – Los Angeles 2004 Klaus Staeck – Frankfurt 1995 Michael Madsen – Los Angeles 2010 Roland Topor - Hamburg 1994 John Hurt – London 2013 George Lois – New York 1995 Stephen Dorff – Istanbul 2013 Ana Zarubica – Prague 2009 Michael Douglas - Berlin 2013 Sebastian Horsley – London 2008 Willem Dafoe – New York -
Global Music Report 2018 ANNUAL STATE of the INDUSTRY
Global Music Report 2018 ANNUAL STATE OF THE INDUSTRY Global top 10 recording artists of 2017 Untitled-3 1 3/4/18 3:58 PM GLOBAL MUSIC REPORT 2018: STATE OF THE INDUSTRY Welcome · 3 Welcome As an artist, I am privileged to perform One of the crucial roles for record com- before audiences around the world and panies is to support and invest in artists see first-hand how essential music is for and to help them develop for their greatest people from every walk of life. creative and commercial success, so that But even as music’s essence is endur- their music can be enjoyed by fans around ing, much about music is changing. the world. The IFPI Global Music Report tells the It is therefore essential that all music cre- PLÁCIDO DOMINGO story of recorded music’s ongoing journey. ators are fairly compensated for their work. I CHAIRMAN, IFPI Today, artists are reaching music fans in have met with policymakers in Europe and ways I never could have imagined when I elsewhere to call on them to back legislation began my own career. Music is global and that would support this by addressing the increasingly digital. This transformation value gap, thereby ensuring a fair and bal- has been fundamental and rapid and offers anced digital marketplace for all. great opportunities. We are living in an incredibly exciting But we can never forget that music time for recorded music. We must persevere does not just happen. It requires the hard with our efforts to ensure its journey benefits work, commitment, investment and artist- the music creators and fans of today, and ry of so many people. -
San Francisco's Historic Club Fugazi to Reopen Fall 2021
FOR IMMEDIATE RELEASE Media Contact: Kevin Kopjak | Prismatic Communications | [email protected] “Sets the benchmark of modern circus” —The London Evening Standard “A whole new kind of awe-inspiring theatre” —NBC SAN FRANCISCO’S HISTORIC CLUB FUGAZI TO REOPEN FALL 2021 THE 7 FINGERS, THE WORLD-RENOWNED CIRCUS AND ARTS COLLECTIVE, TO CREATE AN ONLY-IN-SAN-FRANCISCO INTIMATE AND IMMERSIVE THEATRICAL EXPERIENCE SAN FRANCISCO (May 19, 2021)—Today, internationally recognized arts leader David Dower announced the launch of Club Fugazi Experiences, a new arts and culture venture conceived and created by a team of celebrated and award-winning producers. Under this new venture, Club Fugazi—the former home of Steve Silver’s Beach Blanket Babylon—will become the site of a brand-new theatrical experience from the world-renowned circus and arts collective, The 7 Fingers. The intimate and immersive resident production, created by Bay Area natives and The 7 Fingers co-founders Gypsy Snider and Shana Carroll, will serve as a love letter to the City by the Bay. Performances of the new production will begin in Fall 2021. Tickets will go on-sale in late June 2021. Additional details, including upcoming arts initiatives and events from Club Fugazi Experiences, will be announced at a later date. For more information and to sign-up for email updates, visit www.clubfugazisf.com. "This project is a labor of love for all involved,” said Dower. “I launched my career in theater here in San Francisco. Gypsy and Shana are native San Franciscans. To have the opportunity to reanimate a venue with such a rich history, at the very moment we are coming out from under this long, dense cloud, is a powerful and energizing privilege for us.