For the Love of Song
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Here Any Question When a Cut and a Slice Are Just the Same
Architectural Association The Slice: School of Architecture Cutting to See A cut and a slice is there any question when a cut and a slice are just the same. A cut and a slice has no particular exchange it has such a strange exception to all that which is different. A cut and only slice, only a cut and only a slice, the remains of a taste may remain and tasting is accurate. A cut and an occasion, a slice and a substitute a single hurry and a circumstance that shows that, all this is so reasonable when every thing is clear. — Gertrude Stein, What Happened: A Play (1922) Seeing is a matter of surfaces. It’s for this a secret order, spill lurid innards and open reason that both vision and representation new views. The convention of the architec- are continually haunted by the problem tural cross-section here finds its parallel of insides and outsides – the relationship in the physical sectioning of histological between the external and what lies within. specimens. The pleasures of the Paris- A merely perceptual matter? If only. It has ian voyeur meet the dutiful labours of the crept on us: the ocular paradigm of post- lumberjack. The earth itself, like an onion, Cartesian metaphysics gradually sublimed reveals its hidden structure. So take a look. this pervasive visual anxiety, creating in But remember, cutting to see is an object the process our basic metaphors for critical lesson in the violence of vision. The world inquiry itself: ‘superficial’ propositions, looks different when you wield an edge. -
Jason Newsted, Art and Loud
Jason Newsted: Art Out Loud By Juan Sagarbarria ! JUPITER, FL October 30, 2017 An energetic and highly amplified electronic rock music having a hard beat, that is how Merriam-Webster defines heavy metal. If there was a viable channel in which to personify this description, then Jason Newsted would surely be one of its embodiments. A six-time Grammy winner, Rock and Roll Hall of Fame artist, Newsted—also known as “Jasonic”—is the former bassist of the band that arguably bred the metal genre—Metallica. From 1986 to 2001, Newsted forged his name in the annals of rock history with his beefy, fast-paced, and at times, nostalgic bass lines, as Metallica took the world by storm. Eternal staples like “Enter Sandman,” “The Unforgiven,” “Nothing Else Matters,” “One,” and “Fuel,” are but a brief sampling of the songs that were hatched during Newsted’s tenure. By singing lead on a few songs during the band’s live performances and astounding countless audiences with his remarkable bass solos, Newsted stamped his musical footprint. He even took over lead vocals for a whole show at the Kentucky Speedway during the 1999 Summer Sanitarium Tour, while frontman James Hetfield recovered from injury—and fiercely delivered. “I got to join my favorite band,” Newsted remarks. “I got real, real f***** lucky and got to travel around the world five times. Just imagine being in a dreamlike state for 15 years—that is the only way I could sum up what the experience entailed. Suffice it to say, I had too much fun.” Upon meeting Newsted, my impression of him was that, although he did not have his characteristic long hair that flailed aggressively during his early days with Metallica, he is still as spirited as ever; a character’s character. -
The Song of the Lark I
HE ONG OF THE ARK T S L BY WILLA CATHER © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor This PDF eBook was produced in the year 2010 by Tantor Media, Incorporated, which holds the copyright thereto. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. © 2010 Tantor Media, Inc. -
Program Guide Report
Schedule Program Guide For TCN/GO Sun Jan 10, 2010 06:00 CHOWDER Repeat G Chowder's Catering Company / The Catch Phrase Chowder has created what he thinks is his best dish creation ever! He calls it a Foof sandwich, but it's made with stuff that's garbage material. 06:30 SQUIRREL BOY Repeat G Stranger Than Friction/Don't Cross Here Andy and Salty Mike discover that they have the same weird hobby, which leads them to hanging out together. 07:00 THUNDERBIRDS Captioned Repeat G Cry Wolf Part 2 Follow the adventures of the International Rescue, an organisation created to help those in grave danger in this marionette puppetry classic. 07:30 CAMP LAZLO Repeat G Sweet Dream Baby / Dirt Nappers Lumpus is forced to invite the Jellies for a sleepover and he gets no sleep at all! 08:00 LOONATICS UNLEASHED Repeat WS G Cape Duck When Duck takes all the credit for catching the Shropshire Slasher, Tech gets annoyed. But when Duck starts to suspect that the Slasher is out for revenge, he's more than willing to let Tech take the glory. 08:30 TOM & JERRY TALES Repeat WS G Sasquashed/ Xtreme Trouble/ A Life Less Guarded When Jerry and Tuffy go camping, Tom frightens them by pretending to be the legendary Bigfoot, but then the real Bigfoot teams up with the mice to scare the wits out of Tom. 09:00 GRIM ADVENTURES OF BILLY AND MANDY Repeat G Waking Nightmare / Because of the Undertoad Mandy needs her beauty sleep, but Billy risks his hide to keep her up all night. -
Recognizing Female Desire and Subjectivity in the Oedipus Complex
Jenna Davis 1 Beyond Castration: Recognizing Female Desire and Subjectivity in the Oedipus Complex Je=aDavis Critical Theory Swathmore College December 2011 Jenna Davis 2 CHAPTER 1 Argument and Methodology Psychoanalysis was developed by Austrian physician Sigmund Freud in the late nineteenth and early twentieth centuries. One of Freud's most celebrated theories was that of the Oedipus complex, which explores the psychic structures that underlie sexual development. In the following chapters I will be examining the Oedipal and preoedipal stages of psychosexual development, drawing out their implicit gendered assumptions with the help of modern feminist theorists and psychoanalysts. I am pursuing a Lacanian reading of Freud, in which the biological roles of mother and father are given structural importance, so that whomever actually occupies these roles is less important than their positional significance. After giving a brief history of the evolution of psychoanalytic theory in the first chapter, I move on in the second chapter to explicate Freud's conception of the Oedipus complex (including the preoedipal stage) and the role of the Oedipal myth, making use of theorist Teresa de Lauretis. In the third chapter, I look at several of Freud's texts on femininity and female sexuality. I will employ Simone de Beauvoir, Kaja Silverman and de Lauretis to discuss male and female investments in femininity and the identities that are open to women. After this, Jessica Benjamin takes the focus away from individuals and incorporates the other in her theory of intersubjectivity. I end chapter three with Helene Cixous, Julia Kristeva and Luce Irigaray, who all attest to the necessity of symbolic female representation--Cixous proposes a specifically female manner of writing called ecriture feminine, Kristeva introduces the semiotic realm to contend with Lacan's symbolic realm, and Irigaray believes in the need for corporeal Jenna Davis 3 representation for women within a female economy. -
OP 323 Sex Tips.Indd
BY PAUL MILES Copyright © 2010 Paul Miles This edition © 2010 Omnibus Press (A Division of Music Sales Limited) Cover and book designed by Fresh Lemon ISBN: 978.1.84938.404.9 Order No: OP 53427 The Author hereby asserts his/her right to be identified as the author of this work in accordance with Sections 77 to 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage or retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages. Exclusive Distributors Music Sales Limited, 14/15 Berners Street, London, W1T 3LJ. Music Sales Corporation, 257 Park Avenue South, New York, NY 10010, USA. Macmillan Distribution Services, 56 Parkwest Drive Derrimut, Vic 3030, Australia. Printed by: Gutenberg Press Ltd, Malta. A catalogue record for this book is available from the British Library. Visit Omnibus Press on the web at www.omnibuspress.com For more information on Sex Tips From Rock Stars, please visit www.SexTipsFromRockStars.com. Contents Introduction: Why Do Rock Stars Pull The Hotties? ..................................4 The Rock Stars ..........................................................................................................................................6 Beauty & Attraction .........................................................................................................................18 Clothing & Lingerie ........................................................................................................................35 -
How Female Musicians Are Treated Differently in Music
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 10x The Talent = 1/3 Of The Credit: How Female Musicians Are Treated Differently In Music Meggan Jordan University of Central Florida Part of the Sociology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Jordan, Meggan, "10x The Talent = 1/3 Of The Credit: How Female Musicians Are Treated Differently In Music" (2006). Electronic Theses and Dissertations, 2004-2019. 946. https://stars.library.ucf.edu/etd/946 10X THE TALENT = 1/3 OF THE CREDIT HOW FEMALE MUSICIANS ARE TREATED DIFFERENTLY IN MUSIC by MEGGAN M. JORDAN B.A. University of Central Florida, 2004 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Sociology in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2006 © 2006 Meggan M. Jordan ii ABSTRACT This is an exploratory, qualitative study of female musicians and their experiences with discrimination in the music industry. Using semi-structured interviews, I analyze the experiences of nine women, ages 21 to 56, who are working as professional musicians, or who have worked professionally in the past. I ask them how they are treated differently based on their gender. -
Conceptually Androgynous
Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION ................................................................................................................................. -
CS4102 Algorithms Summer 2020 Warm Up
CS4102 Algorithms Summer 2020 Warm Up How many arithmetic operations are required to multiply a 푛 × 푚 Matrix with a 푚 × 푝 Matrix? (don’t overthink this) 푝 푚 푚 푛 × 1 Warm Up How many arithmetic operations are required to multiply a 푛 × 푚 Matrix with a 푚 × 푝 Matrix? (don’t overthink this) 푝 푝 푚 푛 × 푚 = 푛 • 푚 multiplications and additions per element • 푛 ⋅ 푝 elements to compute • Total cost: 푚 ⋅ 푛 ⋅ 푝 2 Dynamic Programming • Requires Optimal Substructure – Solution to larger problem contains the (optimal) solutions to smaller ones • Idea: 1. Identify the recursive structure of the problem • What is the “last thing” done? 2. Save the solution to each subproblem in memory 3. Select a good order for solving subproblems • “Top Down”: Solve each recursively • “Bottom Up”: Iteratively solve smallest to largest 3 Matrix Chaining • Given a sequence of Matrices (푀1, … , 푀푛), what is the most efficient way to multiply them? 푐4 푐2 푐 1 푐3 푟 × 푟 푀 × 푀 푟1 푀1 × 2 푀2 3 3 푟4 4 4 Order Matters! 푐2 푐3 푐1 = 푟2 푐1 푐2 = 푟3 푟 × 푟 푟1 푀1 × 2 푀2 3 푀3 푐2 푟1 • 푀1 × 푀2 × 푀3 – uses 푐1 ⋅ 푟1 ⋅ 푐2 + c2 ⋅ 푟1 ⋅ 푐3 operations 5 Order Matters! 푐2 푐3 푐1 = 푟2 푐1 푐2 = 푟3 푟 × 푟 푟1 푀1 × 2 푀2 3 푀3 푐3 푟2 • 푀1 × (푀2 × 푀3) – uses c1 ⋅ r1 ⋅ 푐3 + (c2 ⋅ 푟2 ⋅ 푐3) operations 6 Order Matters! 푐1 = 푟2 푐2 = 푟3 • 푀1 × 푀2 × 푀3 – uses 푐1 ⋅ 푟1 ⋅ 푐2 + c2 ⋅ 푟1 ⋅ 푐3 operations 푀1 = 7 × 10 – 10 ⋅ 7 ⋅ 20 + 20 ⋅ 7 ⋅ 8 = 2520 푀2 = 10 × 20 • 푀1 × (푀2 × 푀3) 푀3 = 20 × 8 – uses 푐1 ⋅ 푟1 ⋅ 푐3 + (c2 ⋅ 푟2 ⋅ 푐3) operations 푐1 = 10 푐2 = 20 – 10 ⋅ 7 ⋅ 8 + 20 ⋅ 10 ⋅ 8 = 2160 푐3 = 8 푟1 = 7 푟2 = 10 푟3 = 20 7 Dynamic Programming • Requires Optimal Substructure – Solution to larger problem contains the solutions to smaller ones • Idea: 1. -
Statistical Text Analysis for Social Science
Statistical Text Analysis for Social Science Brendan T. O’Connor August 2014 CMU-ML-14-101 Statistical Text Analysis for Social Science Brendan T. O’Connor August 2014 CMU-ML-14-101 Machine Learning Department School of Computer Science Carnegie Mellon University Pittsburgh, PA, USA Thesis Committee: Noah A. Smith, chair Tom Mitchell Cosma Shalizi Gary King, Harvard University Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy This work was supported by NSF CAREER IIS0644225, NSF CAREER IIS1054319, NSF grant IIS1211277, NSF grant IIS1251131, DARPA grant N10AP20042, IARPA contract D12PC00347, an Alfred P. Sloan grant, Mi- crosoft’s support for Machine Learning graduate students, Google’s support of the Worldly Knowledge project at Carnegie Mellon University, the Berkman Faculty Development Fund at Carnegie Mellon University, the Center for Applied Research in Technology at the Tepper School of Business, computing resources from the Open Source Data Cloud (Grossman et al. (2012), sponsored by the Open Cloud Consortium, the Gordon and Betty Moore Foundation, the NSF, and the University of Chicago) and computing resources from the Pittsburgh Supercomputing Center. Keywords: computational social science, natural language processing, text mining, quantitative text analysis, machine learning, probabilistic graphical models, Bayesian statistics, exploratory data analysis, social media, opinion polling, sociolinguistics, event data, international relations. 2 Abstract What can text corpora tell us about society? How can automatic text analysis algorithms efficiently and reliably analyze the social processes revealed in language production? This work develops statistical text analyses of dynamic social and news media datasets to ex- tract indicators of underlying social phenomena, and to reveal how social factors guide linguistic production. -
Sydney Program Guide
6/19/2020 prtten04.networkten.com.au:7778/pls/DWHPROD/Program_Reports.Dsp_ELEVEN_Guide?psStartDate=05-Jul-20&psEndDate=11-… SYDNEY PROGRAM GUIDE Sunday 05th July 2020 06:00 am Toasted TV G Toasted TV Sunday 2020 163 Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons. 06:05 am Dora The Explorer (Rpt) G Baby Bongo's Big Music Show Dora and Boots take Baby Bongo on a musical adventure as they race to the Big Music Show in time for Baby Bongo's first performance. 06:25 am Toasted TV G Toasted TV Sunday 2020 164 Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons. 06:30 am Blaze And The Monster Machine (Rpt) G The Jungle Horn Stripes loves his jungle horn, a special instrument that can summon all the animals in the jungle, but when a jealous Crusher steals it, Blaze & Stripes must speed after him in a chase to get it back. 06:55 am Toasted TV G Toasted TV Sunday 2020 165 Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons. 07:00 am The Bureau Of Magical Things (Rpt) CC G Forces Of Attraction Ruksy, Imogen and Lily venture into the dangerous Restricted Section of the Library in search of the truth about Kyra's new magical powers. -
All Audio Songs by Artist
ALL AUDIO SONGS BY ARTIST ARTIST TRACK NAME 1814 INSOMNIA 1814 MORNING STAR 1814 MY DEAR FRIEND 1814 LET JAH FIRE BURN 1814 4 UNUNINI 1814 JAH RYDEM 1814 GET UP 1814 LET MY PEOPLE GO 1814 JAH RASTAFARI 1814 WHAKAHONOHONO 1814 SHACKLED 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT SHORT MAN 28 DAYS RIP IT UP 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN HERE WITHOUT YOU 3 JAYS IN MY EYES 3 JAYS FEELING IT TOO 3 THE HARDWAY ITS ON 360 FT GOSSLING BOYS LIKE YOU 360 FT JOSH PYKE THROW IT AWAY 3OH!3 STARSTRUKK ALBUM VERSION 3OH!3 DOUBLE VISION 3OH!3 DONT TRUST ME 3OH!3 AND KESHA MY FIRST KISS 4 NON BLONDES OLD MR HEFFER 4 NON BLONDES TRAIN 4 NON BLONDES PLEASANTLY BLUE 4 NON BLONDES NO PLACE LIKE HOME 4 NON BLONDES DRIFTING 4 NON BLONDES CALLING ALL THE PEOPLE 4 NON BLONDES WHATS UP 4 NON BLONDES SUPERFLY 4 NON BLONDES SPACEMAN 4 NON BLONDES MORPHINE AND CHOCOLATE 4 NON BLONDES DEAR MR PRESIDENT 48 MAY NERVOUS WRECK 48 MAY LEATHER AND TATTOOS 48 MAY INTO THE SUN 48 MAY BIGSHOCK 48 MAY HOME BY 2 5 SECONDS OF SUMMER GOOD GIRLS 5 SECONDS OF SUMMER EVERYTHING I DIDNT SAY 5 SECONDS OF SUMMER DONT STOP 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER KISS ME KISS ME 50 CENT CANDY SHOP 50 CENT WINDOW SHOPPER 50 CENT IN DA CLUB 50 CENT JUST A LIL BIT 50 CENT 21 QUESTIONS 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 6400 CREW HUSTLERS REVENGE 98 DEGREES GIVE ME JUST ONE NIGHT A GREAT BIG WORLD FT CHRISTINA AGUILERA SAY SOMETHING A HA THE ALWAYS SHINES ON TV A HA THE LIVING DAYLIGHTS A LIGHTER SHADE OF BROWN ON A SUNDAY AFTERNOON