The Digital Public Sphere
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Roger Ebert's
The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked. -
Lights, Camera, Action! Gerald R. Ford International Airport Serves As Location for Filming of “The End of the Tour.”
Gerald R. Ford International Airport AIRPORT BOARD KENT COUNTY DEPARTMENT OF AERONAUTICS ROGER MORGAN, Chairman BRIAN D. RYKS, A.A.E. Executive Director RICHARD A. VANDER MOLEN, Vice Chairman PHILLIP E. JOHNSON, A.A.E. Deputy Executive Director STEVEN R. HEACOCK ROBERT W. BENSTEIN, A.A.E. Public Safety & Ops Director BIRGIT KLOHS BRIAN PICARDAT, A.A.E. Finance & Admin. Director DAVID A. SLIKKERS THOMAS R. ECKLUND, P.E. Facilities Director THEODORE J. VONK TARA M. HERNANDEZ Mktg. & Communications Mgr. FLOYD WILSON, JR. FOR IMMEDIATE RELEASE March 21, 2014 Contact: Tara M. Hernandez, Marketing & Communications Mgr. 616-233-6053 or [email protected] Lights, Camera, Action! Gerald R. Ford International Airport Serves as Location for Filming of “The End of the Tour.” Grand Rapids, MI. – The Gerald R. Ford International Airport had hundreds of extra visitors last week as the James Ponsoldt movie, “The End of the Tour,” was filmed on location. Due to security and contract regulations, the announcement was reserved until after filming commenced. A crew of over 100 people worked for over fourteen hours at GFIA, and filmed in various locations throughout the airport. Locations included the economy parking lot, the parking ramp, the airfield, the Concourse B hallway as well as two vacant ticket counter areas. Grand Rapids was standing in as both the Minneapolis-St. Paul and Chicago O’Hare airports with two different scenes created among the location. The Gerald R. Ford International Airport staff and security worked with the cast and crew for several weeks leading up to the filming to scout out locations, times for filming and acclimate “The End of the Tour” crew with strict security rules and regulations. -
Europacorp Announces Financial Results 2015/2016
EUROPACORP ANNOUNCES FINANCIAL RESULTS 2015/2016 A transitional year marked by: Net loss of €27.7 million primarily due to: o Reduced revenue with only 5 films in distribution, and only one film globally distributed; o Non-recurring expenses of €20.4 million Operating margin level maintained at a high level of 25.3% Significant volume of English language films in post-production and ready for worldwide distribution in coming months Saint-Denis, July 1st, 2016 – EuropaCorp, one of the leading independent film studios in Europe, film producer and distributor, today reports its annual consolidated income for FY2015/2016, which ended on March 31st, 2016, as approved by the Board of Directors at its meeting on June 28th, 2016. Consolidated annual income € million FY2015/2016 FY2014/2015 Δ 12 months Revenue 147.3 226.9 (79.6) Cost of Sales (110.0) (155.4) 45.4 Operating margin (before overhead) 37.3 71.5 (34.2) % of revenue 25.3% 31.5% (6.2) pts Operating profit (22.3) 19.5 (41.8) % of revenue -15.1% 8.6% (23.7) pts Net income (Group share) (27.7) 16.2 (43.9) Equity 155.2 184.7 (29.5) 1 WorldReginfo - 9b699450-ffb0-434b-998d-fcefa9a30a5f Consolidated annual revenues1 are down 35% from prior fiscal year when Taken 3 and Lucy generated significant revenues Revenue from International sales was €55.5 million or 37.7% of total revenue. Revenue from Theatrical distribution in France and the U.S. was €9.8 million or 6.6% of total revenue. Revenue from Home Entertainment in France and the U.S. -
MOVIES... COMING SOON... Next Week Hamilton Wrote Alongside the Image
14 Tuesday, April 18, 2017 Tuesday, April 18, 2017 15 Ellen DeGeneres @TheEllenShow I just did a monologue about first date rules. I probably should have mentioned something about vocal trumpeting. #FirstDates irector Rian Johnson has said that actress Carrie Fisherhad helped a lot in rewriting the screenplay of the upcoming Dfilm, ‘Star Wars: The Last Jedi’. Speaking at the Star Wars Celebration in Orlando, the 43 -year-old filmmaker said the late actress would host him at her house and help him firm up the film’s screenplay. Los Angeles “I’d go to her house and sit on her bed for hours, and we’d ctress Melissa McCarthy go through the script... I love her so much. I just adore her. I returned on the TV show connected with her first and foremost as a writer.” “She was an A“Saturday Night Live” to reprise incredible writer, with an incredible mind,” Johnson said at the her impression of White House launch of the first trailer of the eight instalment of the franchise. press secretary Sean Spicer, while The director described that time spent with Fisher as a “stream of taking a jibe at his gaffe involving consciousness, jazz poetry ad-lib sessions”. (TOI) Hitler and the Holocaust. In the show, McCarthy came out in a bunny suit, a reference to Spicer having played the Easter Bunny at one Los Angeles London of the White House’s Easter Egg Roll events during ormer star couple Ben Affleck and ritish the George Bush administration, reports variety.com. Jennifer Garner attended Easter Formula (IANS) ChurchF service together after filing for BOne driver divorce. -
The Circle (Movie Review)
Digital Collections @ Dordt Faculty Work Comprehensive List 5-12-2017 The Circle (Movie Review) Joshua Matthews Dordt College, [email protected] Follow this and additional works at: https://digitalcollections.dordt.edu/faculty_work Part of the American Film Studies Commons Recommended Citation Matthews, J. (2017). The Circle (Movie Review). Retrieved from https://digitalcollections.dordt.edu/ faculty_work/715 This Blog Post is brought to you for free and open access by Digital Collections @ Dordt. It has been accepted for inclusion in Faculty Work Comprehensive List by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. The Circle (Movie Review) Abstract "The prevailing point in The Circle is that privacy-eliminating technology exemplifies a growing, heinous class division in American society." Posting about the movie The Circle from In All Things - an online journal for critical reflection on faith, culture, art, and every ordinary-yet-graced square inch of God’s creation. http://inallthings.org/the-circle/ Keywords In All Things, movie review, The Circle Disciplines American Film Studies Comments In All Things is a publication of the Andreas Center for Reformed Scholarship and Service at Dordt College. This blog post is available at Digital Collections @ Dordt: https://digitalcollections.dordt.edu/faculty_work/715 The Circle inallthings.org /the-circle/ May 12, 2017 Josh Matthews Movie Title: The Circle Release date: April 28, 2017 (USA) Director: James Ponsoldt Adapted from: The Circle Story by: Dave Eggers Producers: Tom Hanks, James Ponsoldt, Gary Goetzman, Anthony Bregman When In All Things asked me to review The Circle, I worried. -
Europacorp Annonce Ses Resultats Annuels 2015/2016
EUROPACORP ANNONCE SES RESULTATS ANNUELS 2015/2016 Un exercice de transition : Perte nette de 27,7 M€ expliquée essentiellement par : o Un chiffre d’affaires réduit avec seulement 5 films distribués, dont un seul qui a bénéficié d’une large distribution o Des coûts non récurrents de 20,4 M€ Maintien d’un taux de marge opérationnel à un niveau élevé de 25,3% Nombre significatif de films en langue anglaise en post-production et prêts à être distribués au niveau mondial dans les prochains mois Saint-Denis, le 1er juillet 2016 – EuropaCorp, l’un des tout premiers studios de cinéma indépendants en Europe, producteur et distributeur d’œuvres cinématographiques, annonce ses résultats annuels consolidés, approuvé par le Conseil d’administration en date du 28 juin 2016, clos le 31 mars 2016. Résultats annuels consolidés Exercice Exercice En millions d’euros Δ 12 mois 2015/2016 2014/2015 Chiffre d'affaires 147,3 226,9 -79,6 Coût des ventes -110,0 -155,4 45,4 Marge opérationnelle (avant frais généraux) 37,3 71,5 -34,2 En % du CA 25,3% 31,5% -6,2 pts Résultat opérationnel -22,3 19,5 -41,8 En % du CA -15,1% 8,6% -23,7 pts Résultat net (part du Groupe) -27,7 16,2 -43,9 Capitaux propres 155,2 184,7 -29,5 1 Un chiffre d’affaires annuel1 en baisse de 35% par rapport à l’exercice précédent qui comprenait le chiffre d’affaires significatif de Taken 3 et Lucy Le chiffre d’affaires lié aux Ventes Internationales représente 55,5 M€ sur l’exercice, soit 37,7% du chiffre d’affaires annuel. -
General Insights From: “The Intellectual Dark-Web”
Intersect, Vol 14, No 3 (2021) General insights from: “The Intellectual Dark-Web” Francesco C. Mannella Queen’s University Smith School of Business Within the modern era, personal ideology and political affiliation, in particular, have become absolutely integral components of social identity. In-group bias, and out-group prejudice based on political stance are currently more palpable than biases regarding race, religion, and other facets of personal identity (Iyengar and Westwood, 2015). It simply goes unquestioned that the bipartisan values one holds serve as an all- encompassing test of character and must be subject to incessant scrutiny and questioning, with little nuance or restraint (Peterson et al., 2017). Moreover, close personal relations across party lines have become a rarity, with people increasingly disassociating themselves from those of whom support non-partisan groups (Huber and Malhotra, 2017; Iyengar, Konitzer, and Tedin, 2018; Iyengar and Westwood, 2015; Westwood et al., 2017; Peterson et al., 2017). Rather than working to solve issues collectively, the pressures to either wholly reject or accept ideas have become overwhelming, causing people to be avoidant and exceedingly distrustful of oppositional figures (Rowson, 2020). Suffice it to say, the parameters for amiable discourse are slimming, even though the issues we universally face are nonetheless worsening. There is no singular cause for this growing polarization; it is truly a multivalent problem. However, exogenous forces such as social media do play a significant role. Recently, a movement known as "The Intellectual Dark-Web" has taken the academic sphere within these virtual networks by storm. Furthermore, this group has indoctrinated millions of users in the last decade, effectively strengthening the already divided population. -
Conservative Media's Coverage of Coronavirus On
University of South Carolina Scholar Commons Theses and Dissertations Fall 2020 Conservative Media’s Coverage of Coronavirus on YouTube: A Qualitative Analysis of Media Effects on Consumers Michael J. Layer Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Mass Communication Commons Recommended Citation Layer, M. J.(2020). Conservative Media’s Coverage of Coronavirus on YouTube: A Qualitative Analysis of Media Effects on Consumers. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/ etd/6133 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. CONSERVATIVE MEDIA’S COVERAGE OF CORONAVIRUS ON YOUTUBE: A QUALITATIVE ANALYSIS OF MEDIA EFFECTS ON CONSUMERS by Michael J. Layer Bachelor of Arts Goucher College, 2017 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Arts in Mass Communications College of Information and Communications University of South Carolina 2020 Accepted by: Linwan Wu, Director of Thesis Leigh Moscowitz, Reader Anli Xiao, Reader Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Michael J. Layer, 2020 All Rights Reserved. ii DEDICATION To the wonderful creators on the internet whose parasocial relationships have taught me so much about the world and myself - namely Olly Thorn, Philosophy Tube; Carlos Maza; Natalie Wynn, Contrapoints; Lindsey Ellis; Bryan David Gilbert; Katy Stoll and Cody Johnson, Some More News; and Robert Evans, Behind the Bastards - thank you. To Dr. Linwan Wu - I am profoundly grateful for your understanding, guidance, and patience. -
DAVE RUBIN DAVE NO EDICIÓN • Salir Del Armario Político
SELLO Ediciones península COLECCIÓN FORMATO BESTSELLER DEL NEW YORK TIMES 15X23-RUSITCA CON SOLAPAS «No quemes este libro quizá no traiga la paz ¿Crees que la izquierda hoy es más reaccionaria que mundial, no salde la deuda nacional ni mejore «Oportuno, convincente, ameno y, sobre todo, esperanzador.» SERVICIO 4-12 tu vida sexual, pero, aunque todas esas progresista? ¿Estás harto de que se ponga siempre Jordan B. Peterson aspiraciones son encomiables, mi objetivo no CORRECCIÓN: PRIMERAS era ese. En cambio, quiero impulsar los valores el foco en los sentimientos y no en las ideas? ¿Temes que velan por la seguridad, lucidez y libertad de que las políticas de identidad funcionen como un DISEÑO Lucrecia las personas. Este libro es tu manual para lograr la autenticidad en diez pasos: elemento censor, pero evitas decirlo en voz alta? REALIZACIÓN DAVE RUBIN DAVE NO EDICIÓN • Salir del armario político. CORRECCIÓN: SEGUNDAS • Hacer caso a los toques de atención. DISEÑO • Pensar libremente o morir. En ese caso, vives aún en el armario político y ya es hora REALIZACIÓN • Dejar de preocuparte por si eres un nazi de que salgas de él. o un fascista. QUEMES Dave Rubin, discípulo estrella de Jordan B. Peterson y presentador CARACTERÍSTICAS • Tener presentes los hechos, no tus del exitoso programa The Rubin Report, se ha convertido en uno de DAVE RUBIN privilegios. los librepensadores de referencia para millones de personas en todo es el creador y presentador del talk show IMPRESIÓN CMYK el mundo. Partiendo del ejemplo de su mismo viaje ideológico, Rubin político The Rubin Report, programa en el 230 mm • No rendirte nunca a la mafia progre. -
2012 Sundance Film Festival Announces Films in Competition
FOR IMMEDIATE RELEASE Media Contacts: November 30, 2011 Sarah Eaton 310.360.1981 [email protected] Casey De La Rosa 310.360.1981 [email protected] 2012 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN COMPETITION Park City, UT — Sundance Institute announced today the films selected for the U.S. and World Cinema Dramatic and Documentary Competitions of the 2012 Sundance Film Festival. The Sundance Film Festival will take place January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival. Robert Redford, Founder and President of Sundance Institute remarked, “We are, and always have been, a festival about the filmmakers. So what are they doing? What are they saying? They are making statements about the changing world we are living in. Some are straight-forward, some novel and some offbeat but always interesting. One can never predict. We know only at the end, and I love that.” John Cooper, Director of the Sundance Film Festival, said, “In these challenging economic times, filmmakers have had to be more resourceful and truly independent in their approaches to filmmaking. Looking at this year’s submissions, the result is more fully realized visions and stronger stories; we are proud to see the Festival emerging as a key indicator of the health and creativity of our filmmaking community. The overall quality of the films in the 2012 Competition section will make for an exciting Festival and a remarkable year ahead for independent film audiences everywhere.” For the 2012 Sundance Film Festival, 110 feature-length films were selected, representing 31 countries and 44 first-time filmmakers, including 24 in competition. -
Don't Burn This Book
PRAISE FOR DAVE RUBIN “Dave Rubin’s willingness to have tough conversations with those with whom he disagrees has made him a political force—and a target. This book shows why.” —Ben Shapiro, author of The Right Side of History “Dave Rubin is bridging America’s great divide. He reminds us that, while we may not always agree with the ‘other,’ we need to LISTEN to them. Rubin has mastered the vital skills of listening and of asking questions that do not serve an ideological agenda.” —Eckhart Tolle, author of The Power of Now and A New Earth “Dave Rubin has been years ahead of the mainstream media, for years.” —Peter Thiel, entrepreneur and investor, author of Zero to One “Dave Rubin is one of the bravest, smartest people I know, as well as a tremendous television presence.” —Tucker Carlson, Fox News host and author of Ship of Fools “Dave Rubin is one of a kind. A truly great interviewer. Bright, curious, and funny.” —Larry King, host of The Larry King Show “Dave Rubin’s genuine curiosity and willingness to seriously consider opinions across the political spectrum have rightly made The Rubin Report a necessary corrective to modern journalism. Don’t Burn This Book charts his personal and political transformation from predictable progressive to independent and informed thinker in a manner that his readers should find topical, engaging, personable, and, above all, reassuring.” —Dr. Jordan B. Peterson, author of 12 Rules for Life and Maps of Meaning SENTINEL An imprint of Penguin Random House LLC penguinrandomhouse.com Copyright © 2020 by Emma Dog Productions LLC Penguin supports copyright. -
The Circle (2017)
The Circle (2017) The Circle ist ein US-amerikanischer Science-Fiction- Filmdaten Thriller aus dem Jahr 2017. Der Film basiert auf dem dystopischen Roman Der Circle (Originaltitel The Circle) Deutscher Titel The Circle von Dave Eggers aus dem Jahr 2013, der von einer nahen Originaltitel The Circle Zukunft erzählt, in der ein riesiger Konzern die Dienstleistungen von Facebook, Google und Apple aus einer Hand anbietet und hierdurch eine große Menge an Informationen über die Kunden erhält. Dabei untergräbt das Unternehmen jedoch die Privatsphäre der Bevölkerung und kann hierdurch nahezu alle zwischenmenschlichen Interaktionen kontrollieren. Regie führte James Ponsoldt, der auch die Drehbuchadaption für den Film übernahm. Der Film kam am 28. April 2017 in die US- amerikanischen und am 7. September 2017 in die deutschen Kinos. Inhaltsverzeichnis Produktionsland USA Handlung Produktion Originalsprache Englisch Hintergrund und Stab Erscheinungsjahr 2017 Besetzung und Synchronisation Filmmusik Länge 110 Minuten Dreharbeiten und Finanzierung Altersfreigabe FSK 12[1] Vermarktung und Veröffentlichung JMK 6[2] Rezeption Altersfreigabe Stab Kritiken Einspielergebnis Regie James Ponsoldt Einsatz im Schulunterricht Drehbuch James Ponsoldt Auszeichnungen Weblinks Produktion Anthony Bregman, Gary Goetzman, Einzelnachweise Tom Hanks, James Ponsoldt Handlung Musik Danny Elfman Die junge, ehrgeizige Mae hat einen Uni-Abschluss in Kamera Matthew Libatique Psychologie, arbeitet jedoch in einem Zeitarbeitsjob, als Schnitt Lisa Lassek sie mit Hilfe ihrer Freundin Annie einen Traumjob bei The Circle bekommt, dem weltweit einflussreichsten Besetzung Technologieunternehmen und Social Media-Giganten. Die wichtigste Innovation der Firma ist TruYou: Es führt Emma Watson: Mae Holland sämtliche Benutzerprofile, E-Mail- und Online-Konten Tom Hanks: Eamon Bailey sowie Zahlungssysteme einer Person zusammen und Karen Gillan: Annie überführt sie in eine einzige Online-Identität, mit der man Glenne Headly: Bonnie Holland sich zentral für alle Dienste anmelden kann.