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Irish Authors Collections Guide 18 August 2020 English Literature Is One of the Two Greatest Strengths of the Rosenbach's Libr
Irish Authors Collections Guide 18 August 2020 English Literature is one of the two greatest strengths of the Rosenbach’s library collections (the other being American history). What we usually call English Literature is more precisely the English-language literature of Great Britain, Ireland, and surrounding islands. Some of the greatest writers in the English language have been Irish. Dr. Rosenbach certainly recognized this, and although we don't know that he had a special interest in Irish writers as such, it means that he did collect a number of them. His interest was chiefly in pre-20th-century literature, so apart from James Joyce there are few recent writers represented. Although they are not segregated by country of origin on the Rosenbach shelves, this guide highlights Irish authors as a particular sub-set of English-language authors. The guide is arranged in alphabetical order by author’s last name, and in the instances of James Joyce, Bram Stoker, and Oscar Wilde, the list is further broken down by collections category. Throughout this guide, all objects owned by Dr. Rosenbach are marked with an asterisk (*). Those marked with double (**) are part of Philip Rosenbach’s gift to the Foundation on January 12, 1953, consisting partly of objects from Dr. Rosenbach’s estate. This guide will be updated periodically to reflect new acquisitions and further cataloging of the Rosenbach collections. Objects acquired since 2014 are marked with a “+”. For further information on any item listed on this collections guide, please contact us at https://rosenbach.org/research/make-an-inquiry/. For information about on-site research, or to request an appointment to see specific materials, visit http://rosenbach.org/research/make-an- appointment/. -
The Sun Also Rises a Book Catalogue from Capitol Hill Books and Riverby Books
The Sun Also Rises A Book Catalogue from Capitol Hill Books and Riverby Books January 27, 2017 On Hemingway, the Lost Generation, Cocktails, and Bullfighting This winter, Shakespeare Theater Company will perform The Select, a play based on Ernest Hemingway’s iconic novel The Sun Also Rises. To kick off the performance, Capitol Hill Books and Riverby Books have joined forces to assemble a collection of books and other materials related to Hemingway and the “Lost Generation.” Our catalog includes various editions (rare, medium rare, and reading copies) of all of Hemingway’s major works, and many associated materials. For instance, we have a program from a 1925 bullfight in Barcelona, vintage cocktail books, a two volume Exotic Cooking and Drinking Book, and an array of books from Hemingway’s peers and mentors. On Jan. 27th, the Pen Faulkner Foundation, the Shakespeare Theater Company, and the Hill Center are hosting an evening retrospective of Hemingway’s writing. Throughout the evening, actors, scholars, and writers will read, praise, and excoriate Hemingway. Meanwhile mixologists will sling drinks with a Hemingway theme, and we will be there to discuss Gertrude Stein, bullfighting, Death in the Gulfstream, and to talk and sell books. All of the materials in this catalog will be for sale there, and both Riverby and Capitol Hill Books will have displays at our stores set up throughout the month of February. So grab a glass of Pernod, browse through the catalog, and let us know if anything is of interest to you. Contact information is below. We hope to see you on the 27th, but if not come by the shop or give us a call. -
Film Music Week 4 20Th Century Idioms - Jazz
Film Music Week 4 20th Century Idioms - Jazz alternative approaches to the romantic orchestra in 1950s (US & France) – with a special focus on jazz... 1950s It was not until the early 50’s that HW film scores solidly move into the 20th century (idiom). Alex North (influenced by : Bartok, Stravinsky) and Leonard Rosenman (influenced by: Schoenberg, and later, Ligeti) are important influences here. Also of note are Georges Antheil (The Plainsman, 1937) and David Raksin (Force of Evil, 1948). Prendergast suggests that in the 30’s & 40’s the films possessed somewhat operatic or unreal plots that didn’t lend themselves to dissonance or expressionistic ideas. As Hollywood moved towards more realistic portrayals, this music became more appropriate. Alex North, leader in a sparser style (as opposed to Korngold, Steiner, Newman) scored Death of a Salesman (image above)for Elia Kazan on Broadway – this led to North writing the Streetcar film score for Kazan. European influences Also Hollywood was beginning to be strongly influenced by European films which has much more adventuresome scores or (often) no scores at all. Fellini & Rota, Truffault & Georges Delerue, Maurice Jarre (Sundays & Cybele, 1962) and later the Professionals, 1966, Ennio Morricone (Serge Leone, jazz background). • Director Frederico Fellini &composer Nino Rota (many examples) • Director François Truffault & composerGeorges Delerue, • Composer Maurice Jarre (Sundays & Cybele, 1962) and later the • Professionals, 1966, Composer- Ennio Morricone (Serge Leone, jazz background). (continued) Also Hollywood was beginning to be strongly influenced by European films which has much more adventuresome scores or (often) no scores at all. Fellini & Rota, Truffault & Georges Delerue, Maurice Jarre (Sundays & Cybele, 1962) and later the Professionals, 1966, Ennio Morricone (Serge Leone, jazz background). -
Original Music in Film - Part One - Clips Shown for Educational Purposes Only
Original Music In Film - Part One - Clips Shown for Educational Purposes Only: The Gold Rush (Cabin Scene) - Charlie Chaplin Street Scene (Main Title and Cityscape) - Alfred Newman King Kong (Main Title and Sacrifice of Maiden) - Max Steiner Lawrence of Arabia (The Desert) - Maurice Jarre Captain Blood (Main Title) - Erich Wolfgang Korngold Swing Time (The Way You Look Tonight) - Jerome Kern, Dorothy Fields Coco and Igor (‘The Rite of Spring’ - premiere Paris 1913) - Stravinsky Lost Horizon - (Main Title and Panic) Dimitri Tiomkin (cond. by Max Steiner) The Adventures of Robin Hood (Main Title) - Erich Wolfgang Korngold Alexander Nevsky (Battle on the Ice) - Sergei Prokofiev Gone with the Wind (Main Title) - Max Steiner The Sea Hawk (Main Title) - Erich Wolfgang Korngold The Sea Hawk (Strike for the Shores of Dover - Shanty) - Erich Wolfgang Korngold Citizen Kane (Opening - Xanadu) - Bernard Herrmann The Devil and Daniel Webster (AKA - All that Money Can Buy) - (Main Title) - Bernard Herrmann The Devil and Daniel Webster (The Devil’s Hoedown) - Bernard Herrmann King’s Row (Main Title ) - Erich Wolfgang Kornold Star Wars (Opening) - John Williams Casablanca (Main Title and Spy Round-up) - Max Steiner Laura (Main Title) - David Raksin The Lost Week-End (Hallucinations) - Miklos Rozsa Spellbound (Open Doors - Love Theme) - Miklos Rozsa The Best Years of Our Lives (Homecoming) - Hugo Friedhofer Henry V (Opening) - Sir William Walton The Killers (Main Title) - Miklos Rozsa Lost Horizon (Main Title/Crowd Panic) - Dimitri Tiomkin (cond. M. Steiner) -
Izbor Muzike Za Film
IZBOR MUZIKE ZA FILM Priredila Irena Paulus za WAM GEORGES AURIC LA BELLE ET LA BETE Marco Polo 8223765 AU YEUX DU SOUVENIR ORPHEÉ Marco Polo 8225066 ELEMER BERNSTEIN MAN WITH THE GOLDEN ARM Spectrum Music 544627-2/Trax Music MODEM CD 1013 THE TEN COMMANDMENTS Soundtrack Library CD-72/MCA Classics MCAD 42320 THE MAGNIFICENT SEVEN RCA Records 09026-63240-2/Koch Records 3-7222-2 H1 TO KILL A MOCKING BIRD Varese Sarabande VSD 5754 & VSD 5266 THE WALK ON THE WILDSIDE Mainstream MDCD 103 THE GREAT ESCAPE Intrada MAF 7025D/ RCA 63241 HAWAII Tsunami TSU 0105 MY LEFT FOOT Varese Sarabande VSD 5244 CHARLIE CHAPLIN CHARLIE CHAPLIN – THE FILM MUSIC RCA Records 09026 68271 2 BERNARD HERMANN CITIZEN KANE Varese Sarabande VSD 5806/ RCA Victor GD 80707 JANE EYRE Marco Polo 8.223535/ Soundtrack Library 002 GHOST AND MRS. MUIR Varese Sarabande VSD 5850 & VSD 47254 THE SNOWS OF KILIMANJARO Marco Polo 8.225168 TROUBLE WITH HARRY Varese Sarabande VSD 5971 VERTIGO Intersound/Pro Arte CDS 524/ Var. Sar. VSD 5759 JOURNEY TO THE CENTER OF THE EARTH Varese Sarabande VSD 5849 NORTH BY NORTHWEST Rhino Music/TCM Turner Music R272101 PSYCHO Varese Sarabande VSD 5765 CAPE FEAR Tsunami TCI 0605/Soundstage Records 525 FAHRENHEIT 451 Varese Sarabande VSD 5551 TAXI DRIVER Varese Sarabande VSD 5279 THE TWIGLIGHT ZONE Varese Sarabande VSD 302-066-087 B. HERMANN THE FILM SCORES Sony SK 62700 MAURICE JARRE LAWRENCE OF ARABIA Varese Sarabande VSD – 5263/ Silva America SSD 1010 DR. ZHIVAGO CBS Special AK 45437/ Rhino R2 71957/MCA Records MCAD 37164 RYAN'S DAUGHTER EMI Records -
A Space Odyssey
THE JOURNAL OF FILM MUSIC VOLUME 2, NUMBER 1, FALL 2007 PAGES 1–34 ISSN 1087-7142 CO P YRIGH T © 2007 THE IN T ERNA T IONAL FILM MUSIC SOCIE T Y , INC . “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey Paul A. merkley, frsc n 1968 Stanley Kubrick Kubrick’s compilation score and the inadequate for the film. With premiered his landmark controversial rejection of North’s the premiere looming up, I had no time left even to think about I science-fiction film on the music have excited considerable another score being written, dawn of human consciousness discussion in the intervening years. and had I not been able to use and its future.1 2001: A Space Most commentators have based the music I had already selected Odyssey astonished its audience their remarks on the premise that for the temporary tracks I don’t know what I would have done. with elaborate sets, an enigmatic the director became so enamored plot, and stunning music with his “temp track”—the presented “in the open.”2 Instead excerpts of classical music he The composer’s agent phoned Robert O’Brien, the then head of accompanying his imaginative was using as placeholders for the of MGM, to warn him that if and painstakingly processed screen eventual score while filming and I didn’t use his client’s score images with the music that he had doing rough editing—that he could the film would not make its commissioned from the eminent not accept North’s music. -
Hollywood As Music Museum & Patron
Hollywood as Music Museum & Patron: Bringing Various Musical Styles to a Wide Audience Charlotte Greenspan Abstract: The role of Hollywood ½lms in holding up a mirror–albeit sometimes a distorted one–to the Downloaded from http://direct.mit.edu/daed/article-pdf/142/4/73/1831595/daed_a_00235.pdf by guest on 29 September 2021 American public is indisputable. Less discussed is their role in bringing a wide range of music–popular, classical, jazz, avant-garde, ethnic–to an unsuspecting audience. Whether the music is in the foreground, as in biographical movies about composers, for example, or in the background supporting the narrative, watching a movie educates the viewers’ ears. Indeed, the role of movies in widening the public’s aural palate has parallels with the role of art museums in broadening the public’s visual taste. To supply the music needed for movies, Hollywood studios have employed a large number of composers of the most varied backgrounds, taking on a signi½cant function as patron of contemporary music. This essay briefly examines some of the varied interactions of movies, music, and the public. The Hollywood ½lm industry plays a crucial role in the preservation and dissemination of music of many styles. This role is not much discussed, how- ever, because it is an unintended side effect of most Hollywood ½lms, the primary aim of which is com- mercial success. Nevertheless, despite differences in stated or inherent aims, and despite differences in ½nancial structure, the effect that Hollywood studios CHARLOTTE GREENSPAN is a have on the American public with regard to music musicologist and pianist based in is surprisingly similar to the effect the great museums Ithaca, New York. -
An Examination of Jerry Goldsmith's
THE FORBIDDEN ZONE, ESCAPING EARTH AND TONALITY: AN EXAMINATION OF JERRY GOLDSMITH’S TWELVE-TONE SCORE FOR PLANET OF THE APES VINCENT GASSI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MAY 2019 © VINCENT GASSI, 2019 ii ABSTRACT Jerry GoldsMith’s twelve-tone score for Planet of the Apes (1968) stands apart in Hollywood’s long history of tonal scores. His extensive use of tone rows and permutations throughout the entire score helped to create the diegetic world so integral to the success of the filM. GoldsMith’s formative years prior to 1967–his training and day to day experience of writing Music for draMatic situations—were critical factors in preparing hiM to meet this challenge. A review of the research on music and eMotion, together with an analysis of GoldsMith’s methods, shows how, in 1967, he was able to create an expressive twelve-tone score which supported the narrative of the filM. The score for Planet of the Apes Marks a pivotal moment in an industry with a long-standing bias toward modernist music. iii For Mary and Bruno Gassi. The gift of music you passed on was a game-changer. iv ACKNOWLEDGEMENTS Heartfelt thanks and much love go to my aMazing wife Alison and our awesome children, Daniela, Vince Jr., and Shira, without whose unending patience and encourageMent I could do nothing. I aM ever grateful to my brother Carmen Gassi, not only for introducing me to the music of Jerry GoldsMith, but also for our ongoing conversations over the years about filM music, composers, and composition in general; I’ve learned so much. -
Rezervirano Mjesto Za Tekst
The Story of Woman Anna Eleanor Roosevelt (born October 11, 1884, New York, New York, U.S. — died November 7, 1962, New York City, New York)) She was a leader in her own right and in volved in numerous humanitarian causes throughout her life. By the 1920s she was involved in Democratic Party politics and numerous social reform organizations. In the White House, she was one of the most active first ladies in history and worked for political, racial and social justice. After President Roosevelt’s death, Eleanor was a delegate to the United Nations and continued to serve as an advocate for a wide range of human rights issues. Find more on: https://www.history.com/topics/first-ladies/eleanor-roosevelt https://www.britannica.com/biography/Eleanor-Roosevelt Billie Jean King née Billie Jean Moffitt (born November 22, 1943, Long Beach, California, U.S.) American tennis player whose influence and playing style elevated the status of women’s professional tennis beginning in the late 1960s. In her career she won 39 major titles, competing in both singles and doubles. Find more on: https://www.britannica.com/biography/Billie-Jean-King https://www.billiejeanking.com/ Jerrie Mock Geraldine Lois Fredritz (born November 22, 1925, Newark, Ohio — died September 30, 2014, Quincy, Fla.) "Jerrie," was the first woman to fly around the world. On March 19, 1964, Mock took off from Columbus in her plane, the "Spirit of Columbus", a Cessna 180. Mock's trip around the world took twenty-nine days, eleven hours, and fifty-nine minutes, with the pilot returning to Columbus on April 17, 1964. -
Film Score Blogs by Bill Wrobel Monday, October 4, 2004 at 8:04 Pm [Blog # 5]
Film Score Blogs by Bill Wrobel Monday, October 4, 2004 at 8:04 pm [Blog # 5] I went to the chiropractic this morning at 8 am. He said I am doing very well with my neck (I had a bike collision with a car door in late May!) after over a dozen sessions, and I won’t need to return until October 20 (my day off). My lawyer is handling the setup with the chiropractor while my medical plan pays for $26 for each session. Then I went to Office Depot to purchase some #19 thin rubber bands, Sharpwriter # 2 pencils, and a Scotch tape dispenser. Then I went up the street to Del Taco and bought a Veggie Works for myself and an egg & bacon quesadilla for my wife. She was awake when I returned home, appreciative of the mini-breakfast (she likes the taste of bacon!). Of film music research interest this morning, I also phoned Bob at Paramount Studios Music Library to see if I can finally get a chance to research Herrmann’s The Man Who Knew Too Much on Friday. I tried last year during a vacation week but he was too busy with studio work. This time he indicated that it may be possible! I’m to phone him early on Friday to see what the status is and to also arrange to get me on the lot (thru the Studio guard!). So I am keeping my fingers crossed! I’ve been trying for some years now (once a year or every two years), and now may be the right timing. -
Writing Communities: Aesthetics, Politics, and Late Modernist Literary Consolidation
WRITING COMMUNITIES: AESTHETICS, POLITICS, AND LATE MODERNIST LITERARY CONSOLIDATION by Elspeth Egerton Healey A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2008 Doctoral Committee: Associate Professor John A. Whittier-Ferguson, Chair Associate Professor Kali A. K. Israel Associate Professor Joshua L. Miller Assistant Professor Andrea Patricia Zemgulys © Elspeth Egerton Healey _____________________________________________________________________________ 2008 Acknowledgements I have been incredibly fortunate throughout my graduate career to work closely with the amazing faculty of the University of Michigan Department of English. I am grateful to Marjorie Levinson, Martha Vicinus, and George Bornstein for their inspiring courses and probing questions, all of which were integral in setting this project in motion. The members of my dissertation committee have been phenomenal in their willingness to give of their time and advice. Kali Israel’s expertise in the constructed representations of (auto)biographical genres has proven an invaluable asset, as has her enthusiasm and her historian’s eye for detail. Beginning with her early mentorship in the Modernisms Reading Group, Andrea Zemgulys has offered a compelling model of both nuanced scholarship and intellectual generosity. Joshua Miller’s amazing ability to extract the radiant gist from still inchoate thought has meant that I always left our meetings with a renewed sense of purpose. I owe the greatest debt of gratitude to my dissertation chair, John Whittier-Ferguson. His incisive readings, astute guidance, and ready laugh have helped to sustain this project from beginning to end. The life of a graduate student can sometimes be measured by bowls of ramen noodles and hours of grading. -
1916 at a Glance – Events in America
What was happening at the time that Harvey Browne Presbyterian was chartered? 1916 AT A GLANCE – EVENTS IN AMERICA Woodrow Wilson was re-elected as President. Wilson was the only president with a Ph. D., and one of 10 Presbyterian presidents. Montana suffragist Jeannette Rankin was the first woman elected to Congress – before women had the vote in national elections. Her first vote was against the U.S. entering World War I. In a later, non-consecutive, term, she voted against participating in World War II. The National Park Service was created by an act of Congress “to conserve the scenery and the natural and historic objects and the wildlife therein ...” At the time, 35 existing parks, including Yellowstone, came under its management. Lincoln's birthplace in Hodgenville Kentucky became a national park site in 1916, but was not managed by the NPS until 1933. A Jim Crow law regarding segregated neighborhoods in Louisville was declared unconstitutional by the Supreme Court. America's first birth control clinic opened in Brooklyn, New York. Nine days after it opened, its director, nurse and activist Margaret Sanger, was subsequently arrested for distributing written instructions on contraception. Emma Goldman (above) was arrested for giving public lessons on birth control. Louis Brandeis, born in Louisville, became the first Jew to be appointed to the Supreme Court. His nomination was hotly contested because, as Justice William O. Douglas wrote, “Brandeis was a militant crusader for social justice … He was dangerous … because of his brilliance … his courage …. because he was incorruptible.” The Statue of Liberty was damaged by shrapnel from a munitions depot explosion in the New York Harbor, attributed to German saboteurs.