DOCSLIB.ORG

Claire Omhovère Curriculum Vitae

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Claire Omhovère Curriculum Vitae Claire Omhovère Curriculum Vitae Professional address Home address Professor 1473 rue de Las Sorbes University Paul Valéry – Montpellier 3 34070 Montpellier Department of English Route de Mende Tel. 04 67 75 12 31 34000 Montpellier [email protected] AREAS OF RESEARCH AND TEACHING SPECIALIZATION Postcolonial Studies Contemporary Literature in English Canadian literature Literature and the environment Landscape writing Rhetoric and Geography ACADEMIC APPOINTMENTS Since 2008 Professor, Department of English, Université Paul Valéry (Montpellier, France) 1997-2008 Associate Professor, Department of English, Université de Lorraine (Nancy, France) EDUCATION Habilitation à diriger les recherches (English) University Paris 3 – Sorbonne Nouvelle Ph.D. (English) University of Bourgogne (Dijon, France) M.A. (Honours English) University Lumière (Lyon, France) B.A. English University Lumière (Lyon, France) SELECTED COURSES TAUGHT Undergraduate and graduate courses in British and American literature, British and American culture. Graduate courses in postcolonial studies and interculturality Postgraduate seminars on postcolonial studies and literary theory. SELECTED PUBLICATIONS Books • Essais sur le paysage. Ed. Claire Omhovère. Paris : Michel Houdiard, 2014. • Perceptions et représentations de l’espace dans le monde anglophone. Ed. Claire Omhovère. Nancy : PUN, 2011. • Sensing Space: The Poetics of Geography in Contemporary English-Canadian Writing. Canadian Studies Series. Bruxelles; Bern; Berlin: Editions Peter Lang, 2007. Book chapters • « ‘For there is no easy way to get to Jubilee from anywhere on earth’: Place in Alice Munro’s Dance of the Happy Shades. » The Inside of a Shell : Alice Munro’s Dance of the Happy Shades. Ed. Vanessa Guignery. Newcastle-Upon-Tyne: Cambridge Scholars Publishing, 2015. 26-45. • « Quelques reconfigurations urbaines du ‘Wilderness’ dans la fiction canadienne anglophone des années 1990-2000. » Les Cultures du déplacement. Dir. L.S. Fournier, C. Chastagner, C. Bernié-Boissrd, et D. Crozat. Collection Aménagements et Territoires. Aix-en-Provence : PU d’Aix-Marseille, 2014. 79-91. • « Documenting Disappearance: A Century of Canadian Photography, from William McFarlane Notman to Edward Burtynsky and Douglas Coupland ». The Memory of Nature in Aboriginal, Canadian and American Contexts. Ed. Besson, Françoise, Héliane Ventura, and Claire Omhovère. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2014. 254-272. • « Profils urbains et territoires littéraires au Canada anglophone ». Ville et environnement: regards croisés sur le monde postcolonial. Ed. André Dodeman et Cyril Besson. Paris : Michel Houdiard éditeur, 2014. 17-34. • « Inconclusiveness in Ben Okri’s The Famished Road. » The Famished Road: Ben Okri’s Imaginary Homelands. Ed. Vanessa Guignery. Cambridge Scholars Press : Cambridge, 2013. 59-76. • « The Memory of Landscape: Canadian Explorations on Site ». Re/Membering Place. Dir. Catherine Delmas et André Dodeman. Bern : Peter Lang, 2013. 271-287. • “The Artialisation of Landscape in Jane Urquhart’s The Whirlpool.” Crosstalks: Canadian and Global Imaginaries in Dialogue. Ed. Diana Brydon and Marta Dvorak. Waterloo: Wilfrid Laurier UP, 2012. 199-214. Articles • “Pop Culture and the Construction of Ethnicity in Miriam Toews’s A Complicated Kindness and Richard Van Camp’s The Lesser Blessed.” Ranam 46 (2013): 151-162. • « De l’obsession du septentrion : Rudy Wiebe et le cas Albert Johnson ». L’Atelier 3.2 (2011). Accessible en ligne <http://ojs.u-paris10.fr/index.php/latelier/article/view/106>. • “Incorporating Otherness: Food Imagery in Anita Desai’s In Custody (1984).” Commonwealth Essays and Studies 31.2 (Spring 2009): 107-115. • “The Poetics of Geography in English-Canadian Literature.” Anglia. Zeitschrift für Englische Philologie 126.2 (2008): 345-362. PROFESSIONAL MEMBERSHIPS - Full member of Société des Anglicistes de l’Enseignement Supérieur (SAES) - Member of the Administration Board of the French Association of Canadian Studies (AFEC) - President of the Société d’étude des Pays du Commonwealth (SEPC) Claire Omhovère is a Professor of English and Commonwealth Literature at University Paul Valéry – Montpellier (France) where she is affiliated to the research group EMMA (Etudes Montpellieraines du Monde Anglophone). She is the current editor of Commonwealth Essays & Studies and the president of the SEPC (Société d’Etude des Pays du Commonwealth). She has published articles in French and Canadian journals and contributed book chapters on the novels of Robert Kroetsch, Rudy Wiebe, Jane Urquhart and Miriam Toews (notably in H. Ventura, and M. Dvorak, eds., Resurgence in Jane Urquhart’s Oeuvre, Peter Lang, 2010; P. Guibert, ed., Reflective Landscapes of the Anglophone Countries, Rodopi, 2011; Diana Brydon and Marta Dvorak, eds. Crosstalks: Canadian and Global Imaginaries in Dialogue. Wilfrid Laurier UP, 2012). She is the author of Sensing Space: The Poetics of Geography in Contemporary English-Canadian Fiction (Peter Lang, 2007) and she has edited L’Art du paysage (Michel Houdiard, 2014), which gathers the translations into French and critical presentations of a wide selection of essays on landscape from the English-speaking world. .
Load more

Recommended publications
  • The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
    Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian
    [Show full text]
  • The Story and Its Writer
    CONTENTS Preface v Introduction: Te Story and Its Writer 1 Part One: Stories 7 Sherman Alexie, Te Lone Ranger and Tonto Fistfght in Heaven 9 Isabelle Allende, An Act of Vengeance 15 RELATED CASEBOOK: Jorge Luis Borges, Borges and I, 1020; Alejo Car- pentier, On the Marvelous Real in America, 1022; Alejo Carpentier, Te Baroque and the Marvelous Real, 1024; Luis Leal, Magical Realism in Spanish American Literature, 1026; William Gass, Te First Seven Pages of the Boom, 1028; Ursula K. Le Guin, Te Kind of Fiction Most Charac- teristic of Our Times, 1030; Mario Vargas Llosa, Te Prose Style of Jorge Luis Borges and Gabriel García Márquez, 1034 Sherwood Anderson, Hands 22 RELATED COMMENTARY: Sherwood Anderson, “Form, Not Plot, in the Short Story,” 878 Margaret Atwood, Happy Endings 27 RELATED COMMENTARY: Margaret Atwood, “Reading Blind,” 881 James Baldwin, Sonny’s Blues 31 RELATED COMMENTARY: James Baldwin, Autobiographical Notes, 884 Toni Cade Bambara, Te Lesson 55 RELATED STORY: ZZ Packer, Brownies, 740 Russell Banks, Black Man and White Woman in Dark Green Rowboat 62 RELATED STORY: Ernest Hemingway, Hills Like White Elephants, 416 Ann Beattie, Janus 69 Ambrose Bierce, An Occurrence at Owl Creek Bridge 73 Jorge Luis Borges, Te South 82 RELATED CASEBOOK: Jorge Luis Borges, Borges and I, 1020; Alejo Car- pentier, On the Marvelous Real in America, 1022; Alejo Carpentier, Te xi 00_CHA_6555_FM_i-xx.indd 11 11/06/14 2:46 PM xii CONTENTS Baroque and the Marvelous Real, 1024; Luis Leal, Magical Realism in Spanish American Literature, 1026; William Gass, Te First Seven Pages of the Boom, 1028; Ursula K.
    [Show full text]
  • Paying Attention to Public Readers of Canadian Literature
    PAYING ATTENTION TO PUBLIC READERS OF CANADIAN LITERATURE: POPULAR GENRE SYSTEMS, PUBLICS, AND CANONS by KATHRYN GRAFTON BA, The University of British Columbia, 1992 MPhil, University of Stirling, 1994 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2010 © Kathryn Grafton, 2010 ABSTRACT Paying Attention to Public Readers of Canadian Literature examines contemporary moments when Canadian literature has been canonized in the context of popular reading programs. I investigate the canonical agency of public readers who participate in these programs: readers acting in a non-professional capacity who speak and write publicly about their reading experiences. I argue that contemporary popular canons are discursive spaces whose constitution depends upon public readers. My work resists the common critique that these reading programs and their canons produce a mass of readers who read the same work at the same time in the same way. To demonstrate that public readers are canon-makers, I offer a genre approach to contemporary canons that draws upon literary and new rhetorical genre theory. I contend in Chapter One that canons are discursive spaces comprised of public literary texts and public texts about literature, including those produced by readers. I study the intertextual dynamics of canons through Michael Warner’s theory of publics and Anne Freadman’s concept of “uptake.” Canons arise from genre systems that are constituted to respond to exigencies readily recognized by many readers, motivating some to participate. I argue that public readers’ agency lies in the contingent ways they select and interpret a literary work while taking up and instantiating a canonizing genre.
    [Show full text]
  • Alice Munro and the Anatomy of the Short Story
    Alice Munro and the Anatomy of the Short Story Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Oriana Palusci and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0353-4 ISBN (13): 978-1-5275-0353-3 CONTENTS Introduction ................................................................................................. 1 Alice Munro’s Short Stories in the Anatomy Theatre Oriana Palusci Section I: The Resonance of Language Chapter One ............................................................................................... 13 Dance of Happy Polysemy: The Reverberations of Alice Munro’s Language Héliane Ventura Chapter Two .............................................................................................. 27 Too Much Curiosity? The Late Fiction of Alice Munro Janice Kulyk Keefer Section II: Story Bricks Chapter Three ............................................................................................ 45 Alice Munro as the Master
    [Show full text]
  • Cahiers-Papers 53-1
    The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf.
    [Show full text]
  • Narrative Voice in David Elias's Sunday Afternoon
    Speaking Redemption: Narrative Voice in David Elias’s Sunday Afternoon Edna A. Froese, St. Thomas More College, Saskatoon Whatever the recent developments in narrative theology have accomplished by way of allowing Christian believers to negotiate postmodern challenges to the authority of the scriptural foundations of their beliefs, the newly emphasized parallels between theology and literature open up wonderful possibilities for reading fiction as well as the Bible itself. Catherine Wallace, for example, in “Faith and Fiction: Literature as Revelation,” argues that literature “has much to offer religion that religion fails to understand and to accept” (2). With Coleridge and then Steiner, Wallace observes that faith is neither “an act of will [nor] an act of knowledge” but “a creative act, the act of imagination”; thus “art and the encounter with God share a common origin in the human spirit” (5). Since “the knowledge of God is not propositional but visionary” (5-6), the poet (or novelist or playwright) is also an “autonomous and significant theologian” (1), whose task it is “to take all the muddled disruptive incoherence of real fact and actual memory – whether communal or personal – and then select and arrange, reform and recast them into a coherent aesthetic whole that tells a visionary truth that facts alone cannot reveal” (10).1 If the 202 Journal of Mennonite Studies truth that the poet thus reveals is to be understood, whether that poet happens to be the redactor of Scripture or a contemporary novelist, “we must first of all read properly, which is to say attentively, details regarded not as historical facts but as poetic choices” (Wallace 10).
    [Show full text]
  • The Canadian Writer & the Iowa Experience
    THE CANADIAN WRITER & THE IOWA EXPERIENCE Anthony Bukoski Τ PURPOSE OF THIS PAPER IS TWO-FOLD: to try to piece together from interviewlHsE and correspondence I have had with a number of Canadian authors — twenty-seven to be exact — a sort of general history, a chronological overview of their involvement in the Iowa Writers' Workshop, and to try to assess the significance of that involvement not only to the writers them- selves but to Canadian literature in general. I intend hedging a bit by including some writers who became Canadians only after leaving Iowa.1 Could so many writers have studied at the same institution in the United States without its having left some mark? What attitudes about teaching creative writing or the commitment to the writer's life and craft did they form? Given the method of Workshop investigation, the fragile egos of most young writers, and the fact that the Workshop is in another country, not all of them profited from the experi- ence of studying at Iowa. Speaking of her experiences there in the late 1950's, for instance, Carol Johnson, who teaches at the University of Victoria, noted, "Writ- ers on the whole seem notorious for their unhappiness. Legends of particularly unhappy types prevailed [though not necessarily Canadians]. Since writers are apparently predisposed to neurosis, it would be safe to assume that most of them would be unhappy anywhere."2 Those who were satisfied found the programme valuable, the atmosphere con- ducive to work — though perhaps neither so attractive nor congenial as the main character finds Iowa in W.
    [Show full text]
  • The Analysis of Female Consciousness in Alice Munro's Novels
    2020 3rd International Conference on Arts, Linguistics, Literature and Humanities (ICALLH 2020) The Analysis of Female Consciousness in Alice Munro's Novels Haixia Zhang Ningxia Normal University, Guyuan, China Keywords: Alice munro, Novel, Female, Female consciousness Abstract: Nobel Prize winner Alice Munro is an evergreen tree in the Canadian literary world. She began to publish works in the late 1960s, and many of her works have gained worldwide reputation during her more than 50 years of writing career. This article draws the outline of the trajectory of women’s lives in Munro’s novels, analyzes the heroine’s living environment in the works and their relationship with men and nature, and explores the significant contributions that Munro’s literary works have made to the development of female consciousness for more than half a century with positive impact. 1. Introduction Alice Munro in Canada has a high reputation in the international society, it is not only depend on her works and success, but also because of her works with highly overall level, therefore, Alice Munro also became one of the 100 most influential contemporary writers. Under her ceaseless effort, she won the Nobel Prize for literature in 2013, became the 13th female winner of the Nobel Prize for literature, and accepted by more and more people in the world, it is not common in the history of the Nobel Prize for literature, which is out of her work, certainly also of her personal effort. [1] Alice Munro’s works should be undoubtedly with a very high artistic value, but for the thought of female consciousness in her works still remains to be further discussed.
    [Show full text]
  • Identity, Gender, and Belonging In
    UNIVERSITY OF DUBLIN, TRINITY COLLEGE Explorations of “an alien past”: Identity, Gender, and Belonging in the Short Fiction of Mavis Gallant, Alice Munro, and Margaret Atwood A Thesis submitted to the School of English at the University of Dublin, Trinity College, in fulfilment of the requirements for the Degree of Doctor of Philosophy Kate Smyth 2019 Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. ______________________________ Kate Smyth i Table of Contents Summary .......................................................................................................................................... iii Acknowledgements ...................................................................................................................... iv List of Abbreviations ..................................................................................................................................... v Introduction ..................................................................................................................................... 1 Part I: Mavis Gallant Chapter 1: “At Home” and “Abroad”: Exile in Mavis Gallant’s Canadian and Paris Stories ................ 28 Chapter 2: “Subversive Possibilities”:
    [Show full text]
  • Abortion in Canadian Literature
    Citation for the following article: Jeff Koloze, “Abortion in Canadian Literature: Comparisons with American Literature and Canada’s Unique Contributions,” Proceedings of the Nineteenth University Faculty for Life Conference at the University of St. Thomas School of Law, Minneapolis MN (2009), ed. Joseph W. Koterski, S.J. (Washington, D.C.: University Faculty for Life, 2013), pp. 207-225. Abortion in Canadian Literature: Comparisons with American Literature and Canada’s Unique Contributions Jeff Koloze A BSTRACT: After reviewing the scholarship on abortion in twentieth- century Canadian fiction written in English, the essay discusses various abortion scenes in major Canadian works by comparing and contrasting them with major works from the United States. The essay then discusses post-abortion syndrome and illustrates passages in Canadian fiction on abortion where numerous characters display features of that syndrome. OCATING CANADIAN NOVELS concerned with abortion often approximates an archaeological dig since compilations of literary Lcriticism frequently obscure, minimize, or lack references to abortion. Margaret Atwood’s Survival: A Thematic Guide to Canadian Literature1 has much to say about babies being an inappropriate solution for a plot’s denouement, calling this technique the “Baby Ex Machina,”2 1 Margaret Atwood, Survival: A Thematic Guide to Canadian Literature (Toronto ON: McClelland & Stewart, 1972). 2 Atwood, Survival, p. 247. The “Baby Ex Machina” denouement is well- established in Canadian fiction. Frederick Philip Grove’s 1925 Settlers of the Marsh (Toronto ON: Penguin Canada,2006) ends with two instances of children bringing closure to an otherwise disastrous plot: Bobby, a young man befriended by Niels, the main character, and encouraged to do well, has five children; Ellen, the love of Niels’s life, realizes at novel’s end that she needs to be a mother (pp.
    [Show full text]
  • Engl 3803A Canadian Fiction
    Carleton University Department of English Language and Literature Winter 2011 ENGL 3803A CANADIAN FICTION Time: Wednesdays and Fridays 1:00 – 2:30 p.m. Location: 402 SA [Please confirm location on Carleton Central] Dr. Eli MacLaren Office: 1903 Dunton Tower Office Hours: Wednesdays after class or by appointment [email protected] DESCRIPTION The twentieth century witnessed the transformation of English-Canadian fiction from a marginal phenomenon into a substantial category of literature, characterized by international-prize- winning writing, sustained authorial careers, and momentum in local publishing. This course will track this rise through the novels and short stories of a dozen major authors, including Sara Jeannette Duncan, Morley Callaghan, Leonard Cohen, Alice Munro, Margaret Atwood, Miriam Toews, and Eden Robinson. We will compare and contrast the factors that allowed each to flourish, and consider the ongoing process of forming new authors by examining a contemporary literary magazine. Students will engage in secondary research, write two essays, develop their oral presentation skills, and deepen their knowledge of the writers whom critics have returned to again and again in the shaping of the Canadian canon. REQUIRED BOOKS Purchase at Octopus Books, 116 Third Ave. (@ Bank St.), <http://www.octopusbooks.ca>: Leonard Cohen, The Favourite Game and Beautiful Losers (M&S 2009) (n.b. We will be reading only Beautiful Losers.) Alice Munro, Friend of My Youth (Penguin 2007) Miriam Toews, The Flying Troutmans (Knopf 2010) Julie Paul, The Jealousy Bone (Emdash 2008) Margaret Atwood, Year of the Flood (Vintage 2010) Eden Robinson, Blood Sports (Emblem 2007) Subscribe to the following Canadian literary magazine: Grain (Saskatoon: 1973–) <http://www.grainmagazine.ca/> 2 Online through Carleton University Library catalogue: Charles G.D.
    [Show full text]
  • 150 Canadian Books to Read
    150 CANADIAN BOOKS TO READ Books for Adults (Fiction) 419 by Will Ferguson Generation X by Douglas Coupland A Better Man by Leah McLaren The Girl who was Saturday Night by Heather A Complicated Kindness by Miriam Toews O’Neill A Fine Balance by Rohinton Mistry The Handmaid’s Tale by Margaret Atwood Across The Bridge by Mavis Gallant Helpless by Barbara Gowdy Alias Grace by Margaret Atwood Home from the Vinyl Café by Stuart McLean All My Puny Sorrows by Miriam Toews Indian Horse by Richard Wagamese And The Birds Rained Down by Jocelyne Saucier The Island Walkers by John Bemrose Anil’s Ghost by Michael Ondaatje The Jade Peony by Wayson Choy Annabel by Kathleen Winter jPod by Douglas Coupland As For Me and My House by Sinclair Ross Late Nights on Air by Elizabeth Hay The Back of the Turtle by Thomas King Lives of the Saints by Nino Ricci Barney’s Version by Mordecai Richler Love and Other Chemical Imbalances by Adam Beatrice & Virgil by Yann Martel Clark Beautiful Losers by Leonard Cohen Luck by Joan Barfoot The Best Kind of People by Zoe Whittall Medicine Walk by Richard Wagamese The Best Laid Plans by Terry Fallis Mercy Among The Children by David Adams The Birth House by Ami McKay Richards The Bishop’s Man by Linden MacIntyre No Great Mischief by Alistair Macleod Black Robe by Brian Moore The Other Side of the Bridge by Mary Lawson Blackfly Season by Giles Blunt The Outlander by Gil Adamson The Book of Negroes by Lawrence Hill The Piano Man’s Daughter by Timothy Findley The Break by Katherena Vermette The Polished Hoe by Austin Clarke The Cat’s Table by Michael Ondaatje Quantum Night by Robert J.
    [Show full text]