DOCUMENT RESUME ED 340 695 SP 033 509 AUTHOR Overby

Total Page:16

File Type:pdf, Size:1020Kb

DOCUMENT RESUME ED 340 695 SP 033 509 AUTHOR Overby DOCUMENT RESUME ED 340 695 SP 033 509 AUTHOR OverbY, Lynette Young, Ed.; And Others TITLE Early Childhood Creative Arts. Proceedings of the International Conference on Early Childhood Creative Arts (Los Angeles, California, December 6-9, 1990). INSTITUTION American Alliance for Health, Physical Education, Recreation and Dance, Reston, VA. National Dance Association. REPORT NO ISBN-0-88314-522-7 PUB DATE 91 NOTE 281p. AVAILABLE FROMAAHPERD, Publications Sales, 1900 Association Drive, Reston, VA 22091. PUB TYPE Collected Works - Conference Proceedings (021) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Art Education; Art Teachers; *Class Activities; *Creative Art; Cultural Awareness; Curriculum Development; *Dance Education; Dramatics; Early Childhood Education; Integrated Activities; Learning Activities; *Multicultural Education; *Music Education; Play ABSTRACT This conference focused on the central role of play and arts throughout the early childhood years, the unique learning styles of young children (ages 3-8), and children's developmental needs. Special emphasis was placed on curriculum, assessment, the essential role of the arts in learning, multicultural awareness, needs of special populations, and the interrelatedness of the arts in the learning process. The participants were early childhood and arts educators who have responsibility for designing and implementing quality educational experiences for young children. The book is organized into four major sections. Section 1, "General Sessions," provides theoretical material in the areas of curriculum development, arts assessment, and child development. The second section, "Specific Arts Instruction," contains many practical activities as well as theoretical discourses in music, art, dance, and drama. Section 3, "Model Programs," describes three well-developed arts programs. The final section, "Multicultural/International Programs," includes information about creative arts programs of various countries and a multicultural perspective for program development. (LL) *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** almtallEbs. a IL AIMS- immAMIER. eassok_AdlIRA. 111111. 11.911111, /111Oll S DEPARTMENT OP EDUCATION "PERMISSION TO REPRODUCE THIS MATERIAL Offs e of I ReSelete and lmpmvemenl IN OTHER THAN PAPER COPY HAS BEEN E DOCATIONAL RE SOURCES INFORMATION CENTER IERICI GRANTED BY s ad( umenl tem been moil:Altus(' as ,Eff- nrnd from the person or orpanttehon pog,natmg 4 Z Mtnce cnanges na .t. been mode fp anprove ,eproduchon quItthr Ponts of .kr* or ppinrons stated .n ms doc v TO THE EDUCATIONAL RESOURCES mem d4:1no?nPresSantyfePreSent Otht.41 OE RI posthnn or porry INFORmATION CENTER (ERIC)" zJ BEST COPY AYAIUBLE Early Childhood Creative Arts Proceedings of the International Early Childhood Creative Arts Conference Los Angeles, Californiao December 6-9, 1990 Senior Fzlitor Lynnette Young Overby Assistant Editors Ann Richardson and Lillian S. Hasko Managing Editor Luke Kahlich NATIONAL DANCE ASSOCIATION an associationof the AMERICAN ALUANCE FOR HEALTH, PHYSICAL EDUCATION, RECREATION AND DANCE Dedication For the children of the world who wait with open minds and hearts. Copyright 1991 American Alliance for Health, Physical Education, Recreation and Dance 1900 Association Drive Reston, Virginia 22091 ISBN 0-88314-522-7 4 Conference Goal Statement International Early Childhood Creative Arts Conference The goal of this conference was to affirm early childhood as a time for active, self-directed learning filled with the joy of playful interaction within a rich, stimulating, stress-free environment. The conference aimed to bring together early childhood and arts educators to provide a forum for dialogue among those individuals who have responsibility for designing and implementin,g quality educational experiences for children ages three through eight. Unprecedented attention is being focused on the lives of children in contemporary society. This interest in and concern for the welfare of children is being expressed world-wide (for example, UNESCO's Convention on the Rights of the Child, including the right to cultural and artistic activities, and the World Summit on Children, September 1990). A primary objective of this conference was to increase awareness of aitical issues and to foster international netwcxking to seek solutions on behalf of thechildren of the world. Speakers and presenters from a variety of countries were invited to be on the program, and an open invitation to attend the conference wasextended internationally to all those individuals having an interest in the Imes which were addressed. The conference program was designed to: heighten awareness of the richness provided by cultural diversity, celebrate differences and nurture uniqueness, and provide participants with strategies for infusingmulticultural arts experiences into early childhood programs; provide knowledge of the unique developmental needs and learning styles of young children ages three to four and five to eight and models for creating environments andactivities appropriate for those age levels; increase awareness of the value of the arts in the human experience and their contributions to cognitive, affective, kinesthetic and aesthetic development; and challenge participants to reflect on the issues surrounding assessment of young children and the arts and facilitate the exploration of child-centered, child-sensitive approaches. Permeating the conference was a philosophical commitment to child-centered, holistic learning; the central role of play and the arts throughout the early childhood years; valuing and responding to the unique needs and contributions of all special populations of children; and the integral role which parents, community members, caregivers, and artistsplay in providing quality educational experiences for young children. PURPOSES OF ME AMERICAN ALUANCE FOR HEALM, PHYSICALEDUCATION, RECREATION AND DANCE The American Alliance is an educational organization, structuredfor the purposes of supporting, encouraging, and providing assistance tomember groups and their personnel throughout the nation as they neck to initiate, develop, andconduct programs in health, leisure, and movement-related activities for the enrichmentof human life. Alliance objectives include: 1. Professional growth and developmentto support, encourgeand provide guidance in the development and conduct of programs inhealth, leisure, and movement-related activities which are based on the needs, interests, and inherentcapacities of the individual in today's society. 2. Communicationto facilitate public and professionalunderstanding and appreciation of health, leisure, and movement-related activities, and todisseminate the findings to the profession and other interested and concerned publics. 4. Standards and guidelinesto further the continuousdevelopment and evaluation of standards within the profewion for personnel and programs inhealth, leisure, and movement- related activities. 5. Public affairsto coordinate and administer aplanned program of professional, public, and governmental relations that will improve educationin areas of health, leisure, and movement-related adivities. 6. To conduct such other activities as shall be approvedby the Board of Governors and the Alliance Assembly, provided that the Alliance shall not engagein any activity which would be inconsistent with the status of an educational andcharitable organization as defined in Section 501 (cX3) of the Internal Revenue Codeof 1954 or any successor provision thereto, and none of the said purposes shall at any time be deemed orconstrued to be purposes other than the public benefit purposes and objectives consistentwith such educational and charitable status. iv Table of Contents Preface, by Luke Kablicb viii Foreword, by Margie R. Hanson ix Introduction, by Lynnette Young Overby Acknowledgments xi SECTION I GENERAL SESSIONS The Arts and Development, by Barbara T. Bowman 3 She's Just Pulled the Blanket Over Her Face: The Essential Role of the 14 Creative Arts in Early Childhood, by Joyce Boorman A Developmental Approach to the Early Childhood Curriculum, 25 by Lifian G. Katz The Assessment Dilemma, by Doris 0. Smith 38 Assessment through Observation: A Profile of Developmental 44 Outcomes (Ages 5-8), by Elizabetb Jones anellane Afeacle-Robern Promising Praqices in Arts Education Assessment, by Susan W. Stinson 51 Assewment as Dialogue: Involving Students in the Assessment Process, 57 by Nancy Alison Place Three A's: Arts, Art Education, and Advocacy, by Lauren Tewes 61 SECTION II SPECIFIC ARTS INSTRUCTION 63 MUSIC Developmentally Appropriate Musical Experiences for Young Children, 65 by Bathara Andrvss Music in Early Childhood, by John M. Feierabend 74 The Magical Question of *Why? Nurturing Thinking While Enjoying 82 Music (Five- to Eight-Year-Olds), by Mary P. 1VWz Music Is Child's Play: A Developmental Approach for Kindergarten Musk, 93 by Diane Cummings Persellin Environments for Exploring Music and Dance Music, by Susan Kenney 100 Dance, by Theresa M. Pwrell 108 ART More than Movement: Scribbling Reassessed, by Patricia Tarr 112 The Care and Feeding of aay, by Karen Neubent 121 Private Rituals and Public Performances: The Social Context of Early 128 Childhood Art, by Christine M. Thompson DANCE Transforming Movement inio Dance for
Recommended publications
  • No Chuckling I've Just Invented the Chortle: a New Book Reveals The
    Like 3.4m Follow @MailOnline Friday, Feb 5th 2016 10AM 26°C 1PM 27°C 5­Day Forecast Home News U.S. Sport TV&Showbiz Australia Femail Health Science Money Video Travel Fashion Finder Latest Headlines News World News Arts Headlines Pictures Most read News Board Wires Login YOU MIGHT LIKE Sponsored Links by Taboola 10 Things Men Find Unattractive MillennialLifestyle.com Building Your Website? Try One of These Site Builders Top 10 Best Website Builders The Best Animal Photos of the Year Visboo Educational Posts The Ultimate Way to Get Cheap Hotel Rooms Save70 15 Most INSANE Pictures Of The Amazon TravelTips4Life OMG ­ These 15 Plastic Surgery Pictures Will SHOCK You FitTips4Life No chuckling ­ I've just invented the chortle: Site Web Enter your search A new book reveals the bizarre origins of our wackiest words By PAUL DICKSON PUBLISHED: 01:12 GMT, 26 June 2014 | UPDATED: 06:37 GMT, 26 June 2014 56 View comments The English language has given us some wonderful words and phrases — such as gremlins and flibbertigibbets. But where did they come from? In his fascinating new book, Paul Dickson reveals all — and here are some of the best . Beastly innuendo Making the ‘beast with two backs’ is a metaphor Like Follow coined by Shakespeare to describe the love­ Daily Mail @dailymailuk making between Othello and his bride Desdemona. Follow +1 Daily Mail Daily Mail Shakespeare was a great minter of new words. He gave us 229, including bedazzle, archvillain, fashionable, inauspicious, vulnerable, DON'T MISS sanctimonious, bump, hurry and outbreak. Another of the Bard’s words, which deserves to Hilary BUFF! Star slips into a striped bikini as be used more, is ‘smilet’ — a half­smile of she reunites with ex amusement.
    [Show full text]
  • What Happens in Kavos: Filming of Channel 4 Show Suspended After Cr
    What Happens in Kavos: Filming of Channel 4 show suspended after cr... http://www.dailymail.co.uk/news/article-2379998/What-Happens-Kav... Cookie Policy Feedback Like 2.1m Follow @MailOnline Tuesday, Oct 28th 2014 0AM 12°C 3AM 12°C 5-Day Forecast Home News U.S. Sport TV&Showbiz Australia Femail Health Science Money Video Travel Fashion Finder News Home Arts Headlines Pictures Most read News Board Wires Login Site Web By ABIGAIL FRYMANN DON'T MISS PUBLISHED: 14:29, 27 July 2013 | UPDATED: 16:16, 27 July 2013 Not scampi-ing on the star treatment! Simon Cowell is treated to View comments dinner at Harvester by X Factor contestant Channel 4 has suspended filming of a documentary series about hedonistic British holiday-makers in Stevi Ritchie Corfu after it was accused of targeting young British girls holidaying in Kavos who have unprotected Nobu or The Ivy it ain't! sex. Lola's incredible A 20-strong team of filmmakers were flown back to Britain last night after it was alleged that transformation, Simon's producers of What Happens In Kavos had offered their staff a prize if they could find drunken anger over Fleur East's women using the morning-after pill as contraception. hair and Cheryl's £130,000 jewels: Scroll down for video FEMAIL goes backstage at X Factor Cheryl Fernandez- Versini sings haunting acoustic rendition of track from her new album... as she prepares to perform live on Sunday's X Factor Putting on a brave face! Renée Zellweger enjoys Mississippi break with boyfriend Doyle Bramhall II as speculation rages about her altered
    [Show full text]
  • Ballet West Student In-Theater Presentations
    Ballet West for Children Presents Ballet and The Sleeping Beauty Dancers: Soloist Katie Critchlow, First Soloist Sayaka Ohtaki, Principal Artist Emily Adams, First Soloist Katlyn Addison, Demi-Soloist Lindsay Bond Photo by Beau Pearson Music: Peter Ilyich Tchaikovsky Adapted from Original Choreography: Marius Petipa Photo: Quinn Farley Costumes: David Heuvel Dear Dance enthusiast, Ballet West is pleased that you are viewing a Ballet West for Children Presentation as a virtual learning experience. Enclosed you will find the following information concerning this performance: 1. Letter from Artistic Director, Adam Sklute. 2. Letter to the parent/guardian of the students who will be viewing. 3. Specific Information on this Performance, including information on the ballet, music, choreography, follow-up projects and other pertinent material has also been compiled for the teacher's information. 4. We report to the Utah State Board of Education each year on our educational programs, and need your help. Usually, we gather information from teachers as to how the student reacted and what they may have learned from their experience. We’d love to hear from you by filling out our short Survey Monkey listed on our virtual learning page. We don’t have a way to track who and how many people are taking advantage of this opportunity and this will help us to know how we’re doing. You can always email me directly. Thank you very much for your interest in the educational programs of Ballet West. Please call if I may provide any additional information or assistance to you and your school. I can be reached at 801-869-6911 or by email at [email protected].
    [Show full text]
  • The Career of Lola Montez in the American Theatre
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1994 The aC reer of Lola Montez in the American Theatre. Sara Elizabeth Gotcher Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Gotcher, Sara Elizabeth, "The aC reer of Lola Montez in the American Theatre." (1994). LSU Historical Dissertations and Theses. 5727. https://digitalcommons.lsu.edu/gradschool_disstheses/5727 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • KT 16-1-2017.Qxp Layout 1
    SUBSCRIPTION MONDAY, JANUARY 16, 2017 RABI AL-THANI 18, 1438 AH www.kuwaittimes.net Iraqi invasion Outgoing CIA Ringling Bros Ibrahimovic memorial chief rips into circus closing strikes late museum faces Trump over show after to rescue demolition4 tweets,7 Russia 14640 years Man20 United In Paris, Trump warned Min 6º Max 20º over Middle East peace High Tide 01:29 & 15:18 Low Tide Kuwait urges ‘final settlement’ of conflict 08:53 & 20:53 40 PAGES NO: 17112 150 FILS PARIS: France warned of “serious consequences” yester- Eurowings flight day if Donald Trump recognizes Jerusalem as Israel’s capital as representatives from 70 countries met in Paris lands in Kuwait to try to revive stalled Israeli-Palestinian peace efforts. Neither Israel nor the Palestinians are attending the after bomb threat conference, which Israeli Prime Minister Benjamin Netanyahu has dismissed as “futile”. France called the KUWAIT: A Germany-bound Eurowings passenger gathering to reaffirm global support for a two-state flight from Oman landed in Kuwait yesterday over a solution to the seven-decade-old conflict, seen as bomb threat, but no explosives were found onboard, increasingly reclusive. authorities said. The Airbus A330 from Salalah heading The Palestinians have warned that Trump’s campaign to Cologne, Eurowings flight EW117, landed at 8 am at pledge to move the US embassy to the contested city of Kuwait International Airport after the captain received Jerusalem could torpedo their chances of obtaining an word of the threat, said Mansour Al-Hashemi, a independent state. French Foreign Minister Jean-Marc spokesman for Kuwait’s civil aviation authority.
    [Show full text]
  • Dc5m United States Art in English Created at 2016-10-09 18:07
    Announcement DC5m United States art in english 67 articles, created at 2016-10-09 18:07 1 Clinton Gains Double-Digit Lead Over Trump in Pennsylvania (10.99/11) Clinton leads by 3 points in Fla., and has a double-digit lead in Penn. 2016-10-09 10:28 1KB abcnews.go.com 2 Three Americans are among the 17 new cardinals appointed by Pope Francis (9.99/11) Thirteen of the 17 cardinals named by Pope Francis on Sunday are under the age of 80, meaning that they are eligible to vote for the next pope if either the pontiff dies or resigns. 2016-10-09 10:02 3KB www.dailymail.co.uk 3 Ahead Of Presidential Debate, Can Donald Trump Apologize For Lewd Comments? (9.99/11) That may be the question for Republicans who haven't yet joined the growing chorus of calls for Trump to withdraw his candidacy as he heads into the second presidential debate on Sunday. 2016-10-09 09:59 7KB www.npr.org 4 Andy Murray beats Grigor Dimitrov in the China Open final (4.46/11) Andy Murray secures his fifth singles title of 2016 by beating Grigor Dimitrov 6-4 7-6 (7-2) in the China Open final. 2016-10-09 10:24 2KB www.bbc.co.uk 5 'Saturday Night Live' grabs Donald Trump by the hot mic "Are you not entertained? " Alec Baldwin asks as Trump on 'SNL'. 2016-10-09 07:48 2KB rssfeeds.usatoday.com (4.21/11) 6 Radwanska powers past Konta to capture China Open title Oct 9 (Reuters) - Agnieszka Radwanska collected her 20th career WTA title after a (3.41/11) dominant 6-4 6-2 victory over Britain's Johanna Konta in the China Open fin..
    [Show full text]
  • International Exchange in Dance Annual of Contemporary Dance Double Issue 3.50 1963 • 1964
    7 INTERNATIONAL EXCHANGE IN DANCE ANNUAL OF CONTEMPORARY DANCE DOUBLE ISSUE 3.50 1963 • 1964 • • WW * Copyright 1963 by Impulse Publications, Inc. l^yyKA' \s<s y Inde x S. I. Hayakawa THE UNACKNOWLEDGED LEGISLATORS 5 Rhoda Kellogg THE BIOLOGY OF ESTHETICS 9 Adele Wenig "IMPORTS AND EXPORTS" —1700-1940 16 Walter Sorell SOL THE MAGNIFICENT 29 Arthur Todd DANCE AS UNITED STATES CULTURAL AMBASSADOR 33 Walter Sorell A FAREWELL AND WELCOME 44 RECENT "EXPORTS" 46 as told to Rhoda Slanger Jean Erdman Meg Gordeau Paul Taylor as told to Joanna Gewertz Merce Cunningham Ann Halprin Jerry Mander THE UNKNOWN GUEST 56 Isadora Bennett SECOND THOUGHTS 63 Letter from Thomas R. Skelton STAGING ETHNIC DANCE 64 Thomas R. Skelton BALLET FOLKLORICO 71 Antonio Truyol NOTES FROM THE ARGENTINE 73 Ester Timbancaya DANCE IN THE PHILIPPINES^ 76 Joanna Gewertz THE BACCHAE 80 Ann Hutchinson NOTATION — A Means of International Communication 82 in Movement and Dance QLA Margaret Erlanger DANCE JOURNEYS 84 SPONSORSHIP AND SUPPORT 88 t> Editor: Marian Van Tuyl Editorial Board: Doris Dennison, Eleanor Lauer, Dorothy Harroun, Ann Glashagel, Joanna Gewertz; Elizabeth Harris Greenbie, Rhoda Kellogg, David Lauer, Bernice Peterson, Judy Foster, Adele Wenig, Rhoda Slanger, Ann Halprin, Dorrill Shadwell, Rebecca Fuller. Production Supervision: Lilly Weil Jaffe ACKNOWLEDGMENTS: Cover design by David Lauer Photographs by courtesy of: San Francisco Chronicle 15 Harvard Theatre Collection 18, 19, 22, 23 Dance Collection: New York Public Library 21, 25, 26 Hurok Attractions, New York 29, 30, 31 Studio Roger Bedard, Quebec 31 Fay Foto Service, Inc., Boston 32 U.S. Information Service, Press Section, Photo Laboratory, Saigon, Vietnam 33 U.S.
    [Show full text]
  • Ballet and the Nutcracker
    Ballet West for Children Presents Ballet and The Nutcracker Photo: Quinn Farley Music: Peter Ilyich Tchaikovsky Adapted from Original Choreography: Willem Christensen Costumes: David Heuvel 304 Trolley Square | Salt Lake City, UY 84102 | 801-869-6900 | www.balletwest.org Dear Principal: This letter is to confirm the arrangement we made for a performance of Ballet West for Children in your school. Please check the enclosed confirmation sheet for the correct date and performance start time. Please fill in the additional information about your school's facilities. With the current freeway construction please give directions for the best route and the open exit numbers so that the dancers can travel easily from school to school. Kindly sign and return the form immediately to me at Ballet West. I am also enclosing a letter from Adam Sklute, Artistic Director of Ballet West, which describes the program. Please duplicate his letter and all the educational materials for pre- performance student preparation and follow-up projects The Ballet West dancers will arrive 15-30 minutes before the performance. The group leader will check in with your office when the dancers arrive. They travel with their own dance floor to cover the performing area and a sound system in case the school’s equipment is limited. They will need the performing area to be clear, recently swept, and warm with electrical outlets and changing rooms as close as possible. The group leader will contact you if he/she has any questions about the directions or performance area. If you have any questions, please call me at Ballet West: 801-869-6911 Sincerely, Peter Christie Director of Educational Programs Enclosures www.balletwest.org 304 Trolley Square | Salt Lake City, UY 84102 | 801-869-6900 | www.balletwest.org Dear Teachers: It is with pleasure that I write to tell you of our Ballet West for Children program that is offered to you free of charge through the combined efforts of Ballet West and the Utah State Office of Education.
    [Show full text]
  • Ballet West Student In-Theater Presentations Presents Fairy Tale Theatre
    Ballet West Student In-Theater Presentations Presents Fairy Tale Theatre Photo: Beau Pearson Dancers: Janae Korte and David Huffmire Aladdina Dear Dance enthusiast, Ballet West is pleased that you are viewing a Ballet West’s Student In-Theatre Presentation as a virtual learning experience. Enclosed you will find the following information concerning this performance: 1. Letter from Artistic Director, Adam Sklute. 2. Letter to the parent/guardian of the students who will be viewing. 3. Specific Information on this Performance, including information on the ballet, music, choreography, follow-up projects and other pertinent material has also been compiled for the teacher's information. 4. We report to the Utah State Board of Education each year on our educational programs, and need your help. Usually, we gather information from teachers as to how the student reacted and what they may have learned from their experience. We’d love to hear from you by filling out our short Survey Monkey listed on our virtual learning page. We don’t have a way to track who and how many people are taking advantage of this opportunity and this will help us to know how we’re doing. You can always email me directly. Thank you very much for your interest in the educational programs of Ballet West. Please call if I may provide any additional information or assistance to you and your school. I can be reached at 801-869-6911 or by email at [email protected]. Sincerely, Peter Christie Director of Educational Programs Enclosures Dear Teachers and Administrators, It is with pleasure that I write to tell you of Ballet West’s Student In-Theatre Presentations which are offered to you free of charge through the combined efforts of Ballet West and your State Board of Education through the POPS program.
    [Show full text]
  • La Competencia Docente "Tiempo" En La Clase De Danza Clásica. Variabilidad En Relación Con El Soporte Musical Emplea
    TESIS DOCTORAL LA COMPETENCIA DOCENTE «TIEMPO» EN LA CLASE DE DANZA CLÁSICA. VARIABILIDAD EN RELACIÓN CON EL SOPORTE MUSICAL EMPLEADO AUTORA Hayda García Molero Programa de Doctorado: Educación y Comunicación Social Facultad de Ciencias de la Educación. Universidad de Málaga DIRECTORES Dr. José Carlos Fernández García Dr. Óscar Romero Ramos Departamento de Didáctica de las Lenguas, las Artes y el Deporte Facultad de Ciencias de la Educación. Universidad de Málaga UNIVERSIDAD DE MÁLAGA MÁLAGA 2020 ! AUTOR: Hayda García Molero http://orcid.org/0000-0003-1658-3469 EDITA: Publicaciones y Divulgación Científica. Universidad de Málaga ! Esta obra está bajo una licencia de Creative Commons Reconocimiento-NoComercial- SinObraDerivada 4.0 Internacional: http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cualquier parte de esta obra se puede reproducir sin autorización pero con el reconocimiento y atribución de los autores. No se puede hacer uso comercial de la obra y no se puede alterar, transformar o hacer obras derivadas. Esta Tesis Doctoral está depositada en el Repositorio Institucional de la Universidad de Málaga (RIUMA): riuma.uma.es DECLARACIÓN DE AUTORÍA Y ORIGINALIDAD DE LA TESIS PRESENTADA PARA OBTENER EL TÍTULO DE DOCTOR Dña HAYDA GARCÍA MOLERO Estudiante del programa de doctorado EDUCACIÓN Y COMUNICACIÓN SOCIAL de la Universidad de Málaga, autor/a de la tesis, presentada para la obtención del título de doctor por la Universidad de Málaga, titulada: LA COMPETENCIA DOCENTE «TIEMPO» EN LA CLASE DE DANZA CLÁSICA. VARIABILIDAD EN RELACIÓN CON EL SOPORTE MUSICAL EMPLEADO Realizada bajo la tutorización de José Carlos Fernández García y dirección de José Carlos Fernández García y Óscar Romero Ramos.
    [Show full text]
  • Nurse Aide Employment Roster Report Run Date: 9/24/2021
    Nurse Aide Employment Roster Report Run Date: 9/24/2021 EMPLOYER NAME and ADDRESS REGISTRATION EMPLOYMENT EMPLOYMENT EMPLOYEE NAME NUMBER START DATE TERMINATION DATE Gold Crest Retirement Center (Nursing Support) Name of Contact Person: ________________________ Phone #: ________________________ 200 Levi Lane Email address: ________________________ Adams NE 68301 Bailey, Courtney Ann 147577 5/27/2021 Barnard-Dorn, Stacey Danelle 8268 12/28/2016 Beebe, Camryn 144138 7/31/2020 Bloomer, Candace Rae 120283 10/23/2020 Carel, Case 144955 6/3/2020 Cramer, Melanie G 4069 6/4/1991 Cruz, Erika Isidra 131489 12/17/2019 Dorn, Amber 149792 7/4/2021 Ehmen, Michele R 55862 6/26/2002 Geiger, Teresa Nanette 58346 1/27/2020 Gonzalez, Maria M 51192 8/18/2011 Harris, Jeanette A 8199 12/9/1992 Hixson, Deborah Ruth 5152 9/21/2021 Jantzen, Janie M 1944 2/23/1990 Knipe, Michael William 127395 5/27/2021 Krauter, Cortney Jean 119526 1/27/2020 Little, Colette R 1010 5/7/1984 Maguire, Erin Renee 45579 7/5/2012 McCubbin, Annah K 101369 10/17/2013 McCubbin, Annah K 3087 10/17/2013 McDonald, Haleigh Dawnn 142565 9/16/2020 Neemann, Hayley Marie 146244 1/17/2021 Otto, Kailey 144211 8/27/2020 Otto, Kathryn T 1941 11/27/1984 Parrott, Chelsie Lea 147496 9/10/2021 Pressler, Lindsey Marie 138089 9/9/2020 Ray, Jessica 103387 1/26/2021 Rodriquez, Jordan Marie 131492 1/17/2020 Ruyle, Grace Taylor 144046 7/27/2020 Shera, Hannah 144421 8/13/2021 Shirley, Stacy Marie 51890 5/30/2012 Smith, Belinda Sue 44886 5/27/2021 Valles, Ruby 146245 6/9/2021 Waters, Susan Kathy Alice 91274 8/15/2019
    [Show full text]
  • OPINION by Assoc
    OPINION by Assoc. Prof Katya Gineva Kayryakova, PhD Varna Free University “Chernorizets Hrabar” on Dissertation work for awarding educational and scientific degree “Doctor” Professional field (code 8.3) “Music and dance Art”, Doctoral program “Choreography” Doctoral student: Dushanka Gradishki Ivanova, doctoral student at the Department of Choreography of the Faculty of Musical Folklore and Choreography – AMDFA “Prof Asen Diamandiev” Topic: The role of the Russian ballet school in the creation of ballet in America in the 20th century. Comparative analysis between the American and the Russian ballet schools Scientific adviser: Prof Lilyana Draguleva This opinion is prepared on the basis of Order RD-27068/ 22.10.2020 of the Rector of the Academy of Music, Dance and Fine Arts "Prof Asen Diamandiev” – Plovdiv, regarding the approval of a scientific jury and the presented by the doctoral student dissertation work, abstract, reference for the contributions to the dissertation work, publications on the topic of the dissertation, in accordance with the requirements of Development of the Academic Staff in the Republic of Bulgaria Act (DASRBA), and the Regulations for its implementation, for obtaining educational and scientific degree “doctor” and scientific degree “doctor of sciences”. I. General characteristics and evaluation of the dissertation The biography and professional career of the author of the dissertation proposed for review, Dushanka Gradishki Ivanova, clearly suggests the reason for the orientation to the researched topic “The role of the Russian ballet school in the creation of ballet in America in the 20th century. Comparative analysis between the American and the Russian ballet schools”. The development of Dushanka Gradishki is connected with the ballet dance, during her training at AMDFA “Prof.
    [Show full text]