MEASURE FOR MEASURE By William Shakespeare Directed by Lise Bruneau FEBRUARY 7-23, 2020 LAUGH CREATE LEARN PERFORM Summer at the Studio Camp begins June 22!

Enjoy an action-packed summer at the Studio! Your child will join other Rising 2nd – Rising 9th Graders for week-long day camp programs to develop acting, vocal, and physical skills. Each week will focus on a different theme such as performance, design, combat, comedy, tragdy, and much more! Chesapeake Shakespeare Company Teaching Artists provide age-appropriate activities and a non-competitive environment in which students grow, learn, and laugh together. No audition required. Each week ends with a sharing for friends and family on Fridays at 3:00 pm. June 22 – August 28, 2020 Monday – Friday from 9:00 am – 4:30 pm Breakfast and lunch provided | Before- and After-Care available BUY MORE, SAVE MORE! Save 20% on 4-8 weeks, Save 25% on 9 weeks, and Save 30% on all 10 weeks! Register online at: ChesapeakeShakespeare.com/Education

The Studio at the Chesapeake Shakespeare Company 206 E Redwood St., Baltimore, MD 21202

2 MEASURE FOR MEASURE MEASURE FOR MEASURE 3 MY CSC PARTNER A Note from CSC's Artistic Director

People often get confused as to what exactly an Artistic Director and a Managing Director do. In the simplest sense, Artistic Directors concern themselves with the art and Managing Directors concern themselves with the business of making art. With the Chesapeake Shakespeare Company, those lines that separate Ian Gallanar the two get a little blurred. Why? Well, first of all, I don’t think it’s useful to pigeonhole the skills of people in that way. Additionally, just as I would not like to be excluded from the business decisions that our organization makes (because I think I have skills and knowledge that adds to the conversation, I would not want our Managing Director to be separated from creating the art. Therefore, more than most theatrical organizations, Lesley and I cross the divide between art and business.

On occasion, I ask Lesley to “produce” a show in our season. Essentially, she acts as Artistic Director on these productions that she “produces.” Usually, it a show for which she has a particular passion or one that she feels would make a timely impression on our audience. 2016’s Anne of the Thousand Days and 2018 A Winter’s Tale are the two most recent examples of this. (So, for these productions, Lesley serves as Managing Director and serves many of my functions as Artistic Director. One of these days, she might catch on that she’s doing double work on these and I get some time off, but until that day…).

Lesley thought Measure for Measure might have something specifically to say about the current social dialogue. I think she’s right. Shakespeare’s plays can resonate differently at different times in the history of their being presented. I think this play might do just that. I think it has something to contribute to the modern discourse of sexual politics. I am so glad that we are presenting this play at this particular time.

Lesley and I would like to say thanks for coming to see Measure for Measure. We’re glad you’re here.

Ian Gallanar, Artistic Director

BOARD OF TRUSTEES Laura Boydston, President Robin Hough, Vice President Sean Rhoderick, Treasurer CHESAPEAE SHAESPEARE Lesley Malin, Secretary COMPANY Kevin G. Burke Ian Gallanar Jack McCann Kimberly Citizen Scott Helm Linda Pieplow Joseph Ferlise Bill Henry Earle W. Pratt, III Neal Flieger Renée Lane-Kunz Emily Rockefeller Nan Rohrer

4 MEASURE FOR MEASURE SHAKESPEARE’S #METOO PLAY A note from the Managing Director and Measure for Measure Producer

Sometimes I think I’ve seen more productions of Measure for Measure than any other Shakespeare play. The first was one of those 1980s BBC video productions. I just stumbled on it and I was knocked out, though I was just a teenager, by Isabella’s Lesley Malin story and this complex, dramatic play. After that, I took every opportunity to see it—productions outdoors in parks, productions in London or in New York, community theatre productions, productions at Shakespeare's Globe (with the great Mark Rylance).

And back in 2004, Chesapeake Shakespeare Company did our own workshop production in the black box theatre at the Howard County Center for the Arts, with then and now company members Christopher Niebling (director), Valerie Fenton (producer), Scott Alan Small (the Duke) and…well, me! We did four performances for 217 people and had ticket sales of $2,000—enough to pay our expenses. We’ve sure come a very long way in fifteen years!

No matter where or how it is staged, Measure for Measure is always compelling. Isabella’s voice rings true across the centuries. Angelo’s perfidy is sadly confounding. The Duke’s behavior is perplexing but somehow, you want him to pull off his complicated schemes. And the comic characters’ conniving would fit in just fine in any city street—be it Vienna or Baltimore.

Now that #MeToo has further deepened how seriously we view sexual harassment, Measure for Measure is more topical than ever. People laugh, thinking that I’m joking when I say it’s Shakespeare’s #MeToo play—as if sexual harassment was a recent phenomenon. And what do we do with a story about sexual blackmail that Shakespeare clearly considered a comedy?

I don’t think a play has roused so much passionate discussion with our community since, perhaps, The Merchant of Venice. Either our promotional image was too disturbing or brilliantly distilled. Our intimacy choreographer was on hand for a scene of emotional violence that features almost no physical contact. What do we do when Shakespeare’s heroine is silent at the end…do we interpret her silence as present-day politics practically demands, or do we make room for other perspectives?

Measure for Measure’s mirror up to our natures is different yet again in 2020. I’m eager to hear what you think.

Lesley Malin, Managing Director

MEASURE FOR MEASURE 5 6 MEASURE FOR MEASURE MEASURE FOR MEASURE 7 of Periander, the tyrant of Corinth, developed a strong desire for her son. She persuaded him to take a lover, but insisted that the union take place in the dark, and substituted herself for the woman.

As time went on, Periander began to fall in love with his secret lover and one night brought in a lamp to reveal her identity. Horrified by his dis- covery, he went mad, attempted to kill his mother, and killed many of his citizens. What is disturbing about this tale is not just the incest, but also the violence involved in the deception, and the damage that it causes. This example highlights that the “bedtrick” involves sex through deception, sex without consent. This approach to the “bedtrick” is corroborated by a rare real-life instance of the deception: in 2009 a sleeping California woman woke up and had sex with a man she presumed was her boyfriend, but was in fact a stranger who had sneaked in when he saw her boyfriend leave. The courts found the impersonator guilty of “rape-by-fraud.”

What does it mean for Measure for Measure if we recognize the “bedtrick” as a form of rape? If we understand Angelo to have been raped by Mar- iana, a rape orchestrated by the Duke, in cahoots with Isabella, then the play’s resolution is darker and more disquieting than is often realized, even by those who view the ending as problematic.

It is perhaps a fitting punishment for Angelo — fitting that the man who thinks that he has committed rape is himself raped — measure for measure — but is it a just one? This raises the larger question of how rapists should be punished. In our society there is wild disagreement about this. Some ar- gue for tougher punishments, while acknowledging that wealthy white men tend to be treated more leniently in the courts than poorer people and people of color. Feminist Germaine Greer, in contrast, has recently argued for the punishment for rape to be lessened — perhaps two hundred hours of community service, she suggests, and an “R” tattoo imposed on the rapist’s hand, arm or cheek. Continued on page 19

Helen Morales is Argyropoulos Professor of Hellenic Studies at the University of California, Santa Barbara. She has a PhD. from the University of Cambridge and has written and edited several books. She is the editor of the journal Ramus. Written in conjunction with Measure for Measure (Pushkin Theatre/Cheek by Jowl), Part of Brooklyn Academy of Music’s 2018 Next Wave Festival. This article is part of Eidolon’s collaboration with BAM (Brook- lyn Academy of Music) for their “Speaking Truth to Power” series, co-presented by BAM and the Onassis Cultural Center New York and was reproduced with permission from BAM, Eidolon, and Helen Morales.

8 MEASURE FOR MEASURE Chesapeake Shakespeare Company Ian Gallanar Artistic Director Lesley Malin Managing Director Measure for Measure By William Shakespeare Season Sponsor: BGE Director: Lise Bruneau** Production Manager: Kyle Rudgers+ Production Stage Manager: Alexis E. Davis+ Technical Director/Scenic Designer: Dan O’Brien+ Lighting Designer: Katie McCreary + Costume Designer: Sandra Spence Sound Designer: Sarah O’Halloran

SETTING: Vienna, The Present.

CAST (in order of appearance) DUKE VINCENTIO, the leader of Vienna...... Ron Heneghan*+ ESCALUS, a counselor to the Duke...... Keith Snipes ANGELO, the Duke’s deputy...... Séamus Miller*+ LUCIO, Mistress Overdone’s customer and friend to Claudio...... Jonas David Grey+ FROTH, Mistress Overdone's customer...... Fabiolla da Siva A GENTLEMAN...... Michael Crowley+ MISTRESS OVERDONE, a brothel owner...... Anna DiGiovanni+ POMPEY, Mistress Overdone’s pimp and bartender...... Terrance Fleming+ CLAUDIO, Isabella’s brother...... J. Bradley Bowers JULIET, Claudio's fiancée...... Fabiolla da Silva PROVOST, an official who oversees the prison...... Dawn Thomas Reidy FRIAR PETER, a monk...... Michael Crowley+ ISABELLA, a novice nun...... Amanda Forstrom FRANCISCA, a nun...... Kathryne Daniels+ ELBOW, a police officer...... Michael Crowley+ JUSTICE...... Anna DiGiovanni+ MARIANA, Angelo’s former fiancée...... Anna DiGiovanni+ ABHORSON, an executioner...... David Hanauer BARNARDINE, a condemned prisoner...... Kathryne Daniels+ MESSENGER...... Christopher Bennett SERVANT TO ANGELO...... Mercedes Fuller AIDE TO THE DUKE...... Christopher Bennett AN OFFICER...... Sarah Rodman

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

**Member of the Stage Directors and Choreographers Society, a national theatrical labor union.

+CSC Company Member

There will be one 15-minute intermission.

Videotaping, recording, and photography of any kind are prohibited during the performance. After the performance, actors will be available for pictures.

On the Cover: Amanda Forstrom as Isabella. Photo and design by Brandon W Vernon.

MEASURE FOR MEASURE 9 ARTISTIC AND CREATIVE TEAM

Director...... Lise Bruneau** Production Manager...... Kyle Rudgers+ Production Stage Manager...... Alexis E. Davis+ Technical Director/ Scenic Designer...... Dan O’Brien+ Lighting Designer...... Katie McCreary + Costume Designer...... Sandra Spence Properties Designer...... Cole Owens Sound Designer...... Sarah O’Halloran Intimacy Choreographer...... Chelsea Pace Music Director...... Grace Srinivasan+ Assistant Stage Manager...... Katie Nisbit Dramaturg...... Michael Lonegro+ Wardrobe Supervisor...... CJ Arbaugh Light Board Operator...... Jonathan Kollin House Managers...... Pamela S. Forton+, Mary Pohlig+, Stacey Morrison

SPECIAL THANKS CSC Volunteers and Ushers, The Studio at the Chesapeake Shakespeare Company, Arrow Parking, Bin 604, Chez Hugo, Mount Royal Printers, Maryland Public Television, Kathryne Daniels, Sam Himmelrich, David Pace, Todd Zimmerman.

WHAT HAPPENS IN MEASURE FOR MEASURE Vienna is teeming with brothels and loose morality, but the Duke fears to use his authority to clean up the city. He departs hurriedly for Poland, leaving his deputy, Angelo, in charge. Angelo is at first reluctant, but he soon starts to make changes. Changing the law A young man, Claudio, gets the girl he intends to marry, Juliet, pregnant. Under a forgotten old law that Angelo has just reinstated, Claudio is arrested and sentenced to death. Angelo revives other harsh laws and threatens to demolish all the brothels. Meanwhile, the Duke returns to the city in disguise as a Friar. Lucio and other patrons of Mistress Overdone's brothel are shocked to hear of Clau- dio's fate. Lucio hurries to Claudio's sister, Isabella, who is about to become a nun, and she agrees to beg Angelo to spare her brother. A bargain Angelo, struck with a sudden passion for Isabella, offers to spare Claudio's life if Isabella will sleep with Angelo; appalled, she refuses to give up her chastity and endanger her immortal soul. When Isabella visits her brother and explains Angelo's offer and her refusal, he begs her to submit. The disguised Duke overhears their conversation and afterwards tells Claudio to prepare for certain death. Immediately afterward, he explains to Isabella a plan to save Claudio's life if they can persuade Angelo’s discarded ex-fiancee, Mariana, to secretly take Isabella’s place, consummat- ing his marriage contract with his unhappy ex. Mariana agrees and Angelo sleeps with Mariana, fooled into thinking she is Isabella. Meanwhile in prison... Constable Elbow brings Pompey into the prison for being a pimp. Lucio meets the disguised Duke and pretends that he knows the Duke well, describing him as immor- al. The Duke is outraged and determined to get revenge. Mistress Overdone is also imprisoned and discloses that Lucio has made one of her prostitutes pregnant and refused to marry her. The Provost of the jail receives instructions from Angelo, demanding that Claudio be put to death at once, breaking his bargain with Isabella. Luckily, another prisoner has just died of a fever, and his head is sent to Angelo instead of Claudio's. The dis- guised Duke tells Isabella that Claudio has been executed but says she will be able to speak to the Duke personally about Angelo.

Once the Duke's 'return' is announced, Angelo regrets executing Claudio. Isabella publicly denounces Angelo, but the Duke pretends to disbelieve her and has her arrested. Watch the rest of Act Five to hear what happens next. . .

Adapted from The Royal Shakespeare Company

10 MEASURE FOR MEASURE Who’s Who CAST PHOTOS, in alphabetical order

Christopher J. Bradley Michael Fabiolla da Bennett Bowers Crowley+ Silva

Kathryne Anna Amanda Terrance Daniels+ DiGiovanni+ Forstrom Fleming+

Mercedes Jonas David David Ron Fuller Grey+ Hanauer Heneghan*+

Séamus Dawn Sarah Keith Miller*+ Thomas Rodman Snipes Reidy

+CSC Company Member

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States

MEASURE FOR MEASURE 11 Bios CAST, in alphabetical order Christopher Bennett (Ensemble) is making and Juliet (movable and matinees); Henry his CSC debut. He has been a participant IV, Parts 1 & 2; Julius Caesar; and A in the CSC Olive Branch and Laurel Crown Christmas Carol. Other credits include program and acting ensemble since Sex with Strangers (Fells Point Corner 2018, and recently performed as Puck Theater); Urinetown (Stillpointe Theater); and Lysander in the Creative Forces/ A Midsummer Night’s Dream (Baltimore CSC production of A Midsummer Night’s Shakespeare Factory); and A New Brain, Dream, and as Fluellen in the Olive Branch Cloud 9, and Wild Party (Iron Crow and Laurel Crown production of Henry V. Theatre). She holds a BA from Jacksonville State University. J. Bradley Bowers (Claudio) is making his CSC Debut. Regional credits include Anna DiGiovanni (Mistress Overdone / Caroline, or Change; Ah Wilderness! Mariana / Justice) is thrilled to be returning (Center Stage); Oliver! and An Enemy of to Chesapeake Shakespeare Company the People (Olney Theatre); and Assassins as a Resident Actor this season. Other (Signature Theatre), as well as many other CSC credits include Romeo and Juliet and local productions. She Stoops to Conquer. Other recent DC credits include She Kills Monsters (Rorshach Michael Crowley (Elbow / 1st Gentleman/ Theatre), Venus in Fur (4615 Theatre), and Friar Peter) is an Associate Company The Explorers Club (Prologue Theatre). Member of CSC, where he previously Anna is a proud MFA graduate of the appeared in Henry IV, Parts 1 & 2; Julius Shakespeare Theatre Company's Academy Caesar; and Richard III. Other area credits for Classical Acting at George Washington include Enron (4615 Theatre Company); University. www.annadigiovanni.com The Member of the Wedding and The Farnsworth Invention (1st Stage); The Amanda Forstorm (Isabella) is making her Frederick Douglass Project (Solas Nua); CSC debut. Off-Broadway credits include Henry IV, Parts 1 & 2 (Shakespeare Theatre Julius Caesar and Color Between the Company); and Macbeth (Annapolis Lines (The Irondale Ensemble). DC-area Shakespeare Company). Mike is a graduate credits include Junk (Arena Stage); Timon of the Academy for Classical Acting and of Athens, Sense and Sensibility, Julius the Studio Acting Conservatory. Caesar, and Twelfth Night (Folger Theatre); Tartuffe (Shakespeare Theatre Company); Fabiolla da Silva (Juliet / Froth) is making and Miss Bennet: Christmas at Pemberley her CSC debut. Regional credits include (Round House Theatre). She has also Love's Labor's Lost (Folger Shakespeare); worked with Constellation Theatre, Keegan Guerrilla Theatre Works: A New Nation and Theatre, 1st Stage, Taffety Punk Theatre This is All Just Temporary (Convergence Company, Arts on the Horizon, Rorschach Theatre); Junie B. Jones is Not a Crook! Theatre, and 4615 Theatre Company. and Aladdin and the Wonderful Lamp Other regional credits include The Lion in (Adventure Theatre); Blood, Sweat, and Winter (Cape May Stage) and Hamlet and Fears: A Grand Guignol Cabaret (Molotov Cymbeline (Virginia Shakespeare Festival). Theatre Group); and The Alchemists of Film/TV credits include News Around Jerusalem (Mosaic Theatre Company: America (host), Newswatch, and Union. Kennedy Center Page to Stage Festival). www.amandaforstrom.net. Film credits include Immoral Activity, The Dinner Party, That Engagement Thing, Terrance Fleming (Pompey) is a member The Importance of Finding the Other, and of the CSC Resident Acting Company. Autumn's Room. Originally from Mobile, AL, Terrance graduated from the University of Southern Kathryne Daniels (Francisca / Barnardine) Mississippi with his BFA in performance is an Associate Company Member and with an emphasis in acting. Some of Teaching Artist for CSC. She has appeared Terrance's previous works includes Dracula with CSC in Dracula; Macbeth; Romeo and Macbeth (Chesapeake Shakespeare

12 MEASURE FOR MEASURE Bios

Company), The Wiz (ArtsCentric Theatre), Company, Merrimack Repertory Theatre, Hamlet (Baltimore Shakespeare Factory), Utah Shakespearean Festival, and PCPA and Jerusalem (Fells Point Corner Theatre). Theatrefest in California. His TV and film credits include Sally Pacholok, Better Living Mercedes Fuller (Ensemble) is a freshman Through Chemistry, VEEP, and House acting student at UMBC making her CSC of Cards. Ron holds an MFA from the debut. Previous credits include her high University of Washington and a BS from school productions as Stella in A Streetcar the University of Maryland. He is a member Named Desire; Tanya in Mamma Mia!; and of Actors’ Equity Association. Ron is also Friar Lawrence in Romeo and Juliet. CSC’s Director of Education.

Jonas David Grey (Lucio) is an Associate Séamus Miller (Angelo) is a member of Member of the CSC Acting Company CSC’s Resident Acting Company, having and was last seen on the CSC stage as previously appeared in Henry IV, Parts the title role in Richard II. Other CSC 1 & 2; Red Velvet; Julius Caesar; Romeo credits include Panthino and Thurio in and Juliet; Wild Oats; Titus Andronicus; Two Gentlemen of Verona; Mr. Bennett in Richard II; The Merry Wives of Windsor; Pride and Prejudice; the Prince in Romeo and Hamlet, as well as directing student and Juliet; and Catesby in Richard III. In matinee productions of Romeo and Juliet addition to acting, Jonas teaches Drama and Macbeth. Regional stage credits at the Odyssey School. He also serves as include Folger Theatre, Shakespeare the school's Diversity, Equity and Inclusion Theatre Company, 1st Stage, Longacre Faculty Resource. Lea, Arts on the Horizon, Imagination Stage, and others. He holds a BA from David Hanauer (Ensemble) is making his Cornell University and an MFA from The mainstage debut with CSC after three Academy for Classical Acting. years of training and performances with www.seamusactor.com Olive Branch and Laurel Crown—CSC’s military veterans acting ensemble. He has Dawn Thomas Reidy (Provost) is making also trained at the Community College of her CSC debut. Area credits include The Baltimore County, and recently appeared Few, Romeo and Juliet, Danny Boy, The as Thomas Putnam in The Crucible at Lady in the Van, and Candy & Dorothy Vagabond Players. He has appeared in (Unexpected Stage Company); Phaeton Kidnapped (pilot), Hustle (series), and (Taffety Punk Theatre Company); Overruled Redemption (feature film) by LoveStar (Washington Stage Guild); and How the Entertainment. Other Half Loves and The Boys Next Door (Brown County Playhouse). She also works Ron Heneghan (Duke Vincentio), a CSC with Shakespeare for the Young and is Resident Acting Company Member, has a teaching artist with Everyman Theatre appeared with CSC in Macbeth; Henry and Baltimore Shakespeare Factory. Dawn IV, Parts 1 & 2; She Stoops to Conquer; holds a BFA in Acting from UMBC and an Julius Caesar; Red Velvet; The Taming of MFA for Acting at Indiana University. the Shrew (2017); Richard III (2012 and 2017); Anne of the Thousand Days (2016); Sarah Rodman (Ensemble) appeared Much Ado About Nothing (2015); Uncle in The Road to Bedlam as a member of Vanya; and Our Town. Other area credits CSC’s Olive Branch and Laurel Crown include Olney Theatre Center, Everyman acting ensemble in 2019. After working Theatre, Ford’s Theatre, and Alliance for decades behind the scenes at theaters for New Music Theatre. Regional credits and arts organizations from coast to coast include Pennsylvania Shakespeare Festival, and abroad—including American Repertory Philadelphia Shakespeare Festival, Seattle Theater in Cambridge, Massachusetts, Repertory Theatre, Empty Space Theatre, Juilliard School at New York City’s Lincoln Idaho Repertory Theatre, Lyric Stage Center, and Mark Taper Forum in Los Company of Boston, Huntington Theatre Angeles—she is honored to be onstage

MEASURE FOR MEASURE 13 Bios

once again. Sarah is a grandmother as recently joined the Grrrls onstage as the arch well as a graduate of Bennington College, villain Lago. Lise trained at RADA in London. Harvard University, and the Neighborhood Playhouse. CJ Arbaugh (Wardrobe Supervisor) is excited to return for another year with Keith Snipes (Escalus) has appeared with CSC after joining for Romeo and Juliet and A Christmas Carol Anne of the CSC in ; A Christmas Carol in 2019. They graduated Thousand Days Julius Caesar Romeo and ; ; with a degree in theatre design and Juliet Henry IV, Parts 1 & 2 ; and . He is production from UMBC in 2018 also a lyricist and jazz vocalist. Keith has narrated classic and contemporary works Alexis E. Davis (Production Stage such as Aaron Copeland's Lincoln Portrait Manager, CSC Resident Stage Manager, and Henry William Curry's Eulogy for A and Production Assistant) See staff bio on Dream. He has been a frequent guest artist page 17. with the Durham Symphony Orchestra and has toured with the North Carolina Jonathan Kollin (Light Board Operator) Symphony Orchestra. His original poetry Jonathan has been CSC's Light Board has been performed with symphonies, Operator going on three years. As a third choral companies, and dance ensembles. A occupation after retiring from a career in Baltimore native, he has played lead roles business, he enjoys his job and his part in in numerous stage productions such as CSC's creativity and professionalism. Jitney, The Meeting, A Raisin in the Sun, and Fences. Michael Lonegro (Dramaturg) See staff bio on page 18. CREATIVE TEAM Lise Bruneau (Director) is enjoying herself Katie McCreary (Lighting Designer) as immensely on her maiden voyage here at a company member, has designed for CSC. Born in Baltimore, she is a DC actor, CSC’s The Diary of Anne Frank; Henry coach and director, having appeared at IV, Parts 1 & 2; Alice in Wonderland; The Arena Stage, Shakespeare Theatre, Round Winter's Tale; The Fantasticks; Anne of House, and most recently in Eureka Day for the Thousand Days; Uncle Vanya; and Mosaic Theater in DC. In the early aughts, The Importance of Being Earnest. Other she appeared at Baltimore Center Stage recent and favorite designs include Blight in Mrs. Warren’s Profession, Blithe Spirit, (Pinky Swear Productions); [410]Gone Mary Stuart, and others. She has performed and A Bid to Save the World (Rorschach at theaters across the country from Boise Theatre, company member); A Midsummer to Syracuse and many in between, in such Night's Dream (WSC/Avant Bard); Leonard shows as The Threepenny Opera, Heartbreak Bernstein’s Mass (Peabody Opera Theatre); House, and Othello. She appeared in and Hello, My Name Is… (The Welders). The Cherry Orchard with Diane Lane on Katie is also Director of Development and Broadway; and last spring was featured in Curriculum Development for Educational Junk and The Heiress at Arena Stage. As Theatre Company a director, she has helmed productions of MomBabyGod, Savage in Limbo, Hamlet, and 4,000 Miles, among others; but she Katie Nisbet (Assistant Stage Manager) is often found causing trouble with the is thrilled to be working on her eighth wonderful and riotous Taffety Punk Theatre production with CSC. During 2019, she A Christmas Company, located on the Hill in DC. She has served as Deck Manager for Carol directed the all-female ensemble Riot Grrrls and the Assistant Stage Manager on Macbeth in multiple Shakespeare plays (Tempest, (moveable), as well as Assistant Titus Andronicus, Julius Caesar, Measure Stage Manager for the student matinees of Romeo and Juliet Macbeth for Measure, and Romeo and Juliet), as well and . Additional The Comedy as The Devil in His Own Words, Owl Moon, CSC credits include include of Errors The Three Musketeers The Oxygen, Bloody Poetry, and more. She , , and

14 MEASURE FOR MEASURE Bios

Tempest. Katie is a recent graduate from Drew University, majoring in English and Thank You Communications with a double minor in Arts Administration and Creative Writing. High sparks of honor Dan O’Brien (Technical Director, Scenic in thee have I seen. Designer) See staff bio on page 18. - Richard II

Sarah O’Halloran (Sound Designer) returns to CSC where she previously designed sound and wrote original music for Anne Season 2019-2020 is presented by of the Thousand Days. Other theater credits include She the People: The Resistance Continues (The Second City at Woolly Mammoth); E2, The 39 Steps, The Heidi Chronicles, and Things That Are Round (Rep Stage); Labour of Love and Our Town (Olney Theatre Center); Dinner with Friends and Proof (Everyman Theatre); The Brothers Size, Swimming with Whales, Trevor, and When the Rain Stops Falling (1st Stage); Cry it Out (Studio Theatre); Talley’s Folly (Theater J); The Return (Mosaic Theater); and Nat Turner in Jerusalem, What Every Girl Should Know, Additional Sponsors and Funders Include and Dry Land (Forum Theatre). Sarah holds a Ph.D. in Composition and Computer Technology from the University of Virginia as well as degrees from University College Cork and Queen’s University Belfast.

Cole Owens (Properties Designer) is making their CSC debut. Previously, they served as properties designer for the Levine School of Music production of Matilda. They recently graduated from McDaniel College with specializations in properties and costume design.

The Citizens of Baltimore County Chelsea Pace (Intimacy Coordinator) is a member of SDC and is returning to CSC after her work choreographing the intimacy and violence for Dracula and The Diary of Anne Frank. Chelsea is an Assistant Professor at the University of Maryland, Education Partners and Acknowledgments Baltimore County and she choreographs and consults on best practices for staging Morgan State University intimacy for professional and educational High Point University Vet Arts Connect theatre and film across the country. She Institute for Integrative Health is a co-founder of Theatrical Intimacy Creative Forces®: NEA Military Healing Arts Network Education and President of the Association Howard County Public School System of Theatre Movement Educators. www.chelseapace.com

MEASURE FOR MEASURE 15 Bios

Kyle Rudgers (Production Manager) See Council) winner. He is the recipient of staff bio on page 18. the Distinguished Alumni Award from Indiana University of Pennsylvania, Sandra Spence (Costume Designer) is where he is a Member of the College of thrilled to be back and working on her fifth Fine Arts Advancement Council. He is show at CSC. Sandy has also designed President of the international Shakespeare costumes at NextStop Theatre Company, Theatre Association, an organization for UMBC, Arkansas Shakespeare Theatre, professional Shakespeare companies and Illinois Shakespeare Festival, among around the globe. others. Her design experience also includes eight years as a fashion designer Lesley Malin (Managing Director and in Seattle and New York City. She was Measure for Measure Producer) is a nominated for a 2019 Helen Hayes award founder of the Chesapeake Shakespeare in the Outstanding Costume Design - Company, and has served as its Helen category. She holds a BFA in Theatre Managing Director since 2003. She from the University of Utah and an MFA managed CSC’s building renovation of an in Costume Design from Illinois State 1885 bank into our modern Shakespeare University. www.sandyspence.com playhouse as well as the associated $6.7 million capital campaign. She has Grace Srinivasan (Music Director and CSC performed in 28 CSC productions and Resident Music Director) has directed the previously in New York. She has, for music for many CSC productions including 20 years, been Vice President of the Dracula (2019); She Stoops to Conquer; Board of Trustees of The Lark, a new Henry IV, Parts 1 & 2; A Christmas Carol play development center in New York (2017 and 2018); and A Midsummer Night’s City, where she earlier was Managing Dream (2018). A soprano who performs a Director. She served for five years on the wide-ranging repertoire throughout the Executive Committee of the international region, she has appeared as a soloist in a Shakespeare Theatre Association and program of works inspired by Shakespeare’s organized its annual conference that plays, If Music Be the Food of Love, CSC hosted in Baltimore in 2017. She with CSC artists, the Peabody Baroque is a graduate of Washington University Band, and the Peabody Renaissance in St. Louis, NYU’s Arts Management Ensemble. Grace holds a master’s degree program, Leadership Howard County, in vocal performance from the Peabody and LEADERship Baltimore (2018). Conservatory and sings professionally at St. Stephen Martyr Church and the National STAFF Cathedral. www,gracesrinivasan.com Elizabeth Berman (Finance Manager and Development Manager) holds a Master LEADERSHIP of Arts degree in Arts Administration Ian Gallanar (Artistic Director) In addition from Goucher College and two bachelor’s to founding the Chesapeake Shakespeare degrees from Johns Hopkins University. Liz Company in 2002, Ian has worked as a is a classically trained musician who serves professional actor, director, and writer for as the Principal Oboist of the Columbia more than 150 professional productions. Orchestra. She has been with CSC since He has directed 40 productions for CSC. 2012. Previously, Ian has served as Artistic Director for the National Theatre for Pamela Burns (Education Coordinator) Children, Minnesota Shakespeare in has trained students in medical billing, the Park, and the Repertory Theater of coding, and electronic medicine records. America. Ian is a proud member of the In addition, she has experience as an distinguished National Theatre Conference Accounts Receivables Manager for the and the Dramatists Guild of America; a University of Maryland, Faculty Physicians Helen Hayes Tribute Award, Telly Award, in Baltimore, and as a Programmer/ and Howie Award (Howard County Arts Analyst/Trainer and Instructional Designer

16 MEASURE FOR MEASURE Bios for JHU Health Systems. She co-founded Stephen Gearhart (Audience Services Freedom Road Productions, Inc, a concert Manager) has worked at various arts and series presenting music and workshops to cultural non-profits over the years, in audiences of all ages and the Susquehanna positions including box office manager at Music and Arts Festival. Her new project Arena Stage in Washington, DC. He has is Closer to the Heart Productions, which worked in the Department of Institutional plans retreats and workshops. Advancement at the Enoch Pratt Free Library here in Baltimore, and at other Jane Coffey (Director of Development) theatrical venues, including the Baltimore is a business development, sales and Opera Company and the Olney Theatre IT professional who has worked in the Center. He spent seven years working with banking, staffing, IT, and renewable wine at the Cellars of McHenry Row before energy industries, most recently with joining Chesapeake Shakespeare Company. Microsoft and Clean Choice Energy. Jane has serves on the Board of Trustees Ron Heneghan (Director of Education) for Arts Education Alliance of Maryland oversees education programs for CSC. (AEMS) since 2017. She served on More than 13,000 students attended the Board of Trustees of Chesapeake performances in the 2018-2019 student Shakespeare Company from 2006 to 2015, matinee program, while the in-school and for several years was its president. residency, where CSC Teaching Artists She is an ardent supporter of the arts in embed in English/Language Arts Baltimore. Her husband is the professional classrooms as a resource for teachers and musician and song writer Arty Hill and her a learning experience for their students, daughter, Josie, is an animation artist-in- served more than 2,500 students in training at the Columbus College of Art Baltimore City, Baltimore, Anne Arundel, and Design. and Howard Counties. Ron is a member of the CSC Resident Acting Company and Alexis E. Davis (CSC Resident Stage a member of Actors’ Equity Association. Manager and Production Assistant) was the He holds an MFA from the University of Stage Manager for CSC’s Dracula; Henry Washington and a BS from the University IV, Parts 1 & 2; She Stoops to Conquer; of Maryland. Alice in Wonderland; Romeo and Juliet (student matinees: 2016-2019); Red Velvet; Kristina Lambdin (Resident Costume A Christmas Carol (2017 - 2019); Julius Designer and Business Manager) won the Caesar; The Fantasticks; and Othello; and Broadway World Best Costume Design Assistant Stage Manager for A Christmas award for her designs for A Christmas Carol (2016). At Single Carrot, she was Carol (2016). Some of her costuming Stage Manager for A Beginner’s Guide credits with CSC include Dracula (2013 to Deicide and Drunk Enough to Say I and 2019); The Diary of Anne Frank; She Love You. With Everyman Theatre she was Stoops to Conquer; Alice in Wonderland; Assistant Stage Manager for By the Way, Red Velvet; Anne of the Thousand Days; Meet Vera Stark; stage crew for TopDog/ The Fantasticks; Macbeth (2016); A Underdog; and Stage Management Intern Christmas Carol (2014-2018); A Midsummer for God of Carnage. She was also a Stage Night’s Dream (2005, 2011 and 2014); The Management intern for Wild! With Happy! Importance of Being Earnest; The Taming at Baltimore Center Stage. She holds a of the Shrew (2006 and 2013); Romeo and bachelor’s degree in Theater Production Juliet (2003, 2012, and student matinees from McDaniel College. 2015-2019); A Doll’s House; As You Like It (Broadway World Best of Baltimore Pamela S. Forton (Senior House Manager) Award); and The Country Wife. Broadway supports the Box Office and coordinates World named her as a top artist of the many of the front-of-house and patron 2007 Baltimore Theatre, and she won the services that make audiences feel welcome Greater Baltimore Theater Award for A in our beautiful theater. Midsummer Night’s Dream (2005). For more than a decade, she served as the Costume

MEASURE FOR MEASURE 17 Bios Supervisor for the Baltimore Opera Kyle Rudgers (Resident Production Company and then Lyric Opera Baltimore. Manager) holds a BA from William and Mary and an MFA in Stage Management Anna Mills Russell (Director of Marketing from UC San Diego. As a production and Communications) has worked for manager, he has worked at the Atlas over 15 years in the performing arts as an Performing Arts Center, the Washington administrator. She held various positions in Performing Arts Society, and in a similar marketing, communications, and audience capacity at the Clarice Smith Performing development at Round House Theatre, Arts Center. As a stage manager, he has Arena Stage, Virginia Opera, Shakespeare worked at theaters in Boston, Los Angeles, Theatre Company, and Washington San Diego, and Singapore. National Opera. She holds a Master's in Arts Administration from Goucher College. Gerrad Alex Taylor (Director of The Studio at CSC) directed Dracula Russell Laury (Porter) worked with (2019); A Christmas Carol (2018); and Southway Builders on the transformation A Midsummer Night’s Dream (2018), of our landmark building into this beautiful and co-directed Henry IV, Part 2 (2019) theater before joining the CSC staff. for CSC. He oversees all programming in The Studio at the Chesapeake Michael Lonegro (Information Systems Shakespeare Company, which offers Manager and Development Associate) classes year-round for area youth and was the lighting designer for CSC’s Julius adults. Gerrad also teaches in the Caesar (2017) and has operated lighting theatre departments at UMBC and for numerous CSC productions. He is a George Washington University. He member of the Resident Technical and holds a BA in Neuroscience from The Design Company. Before joining CSC in Johns Hopkins University and an MFA 2014, he studied law at the University of in Performance from the University of Maryland and comparative literature at the Nevada, Las Vegas. He is a member of University of Chicago and worked for 10 CSC's Resident Acting Company, and years as a university press editor. He holds has worked as an actor, director, and a BA from Yale University, where he also educator for theaters and educational designed lighting for undergraduate and institutions across the country including graduate theatre productions. the Great River Shakespeare Festival, Shakespeare Festival St. Louis, Pacific Dan O’Brien (Resident Technical Director Conservatory Theatre-PCPA, Everyman and Facilities Manager) is a founding Theatre, Constellation Theatre Company, member of CSC. Daniel has performed, Washington Stage Guild, and the designed scenery, lights, and served as Children's Theatre of Annapolis. He Technical Director for many productions is a member of the Actors’ Equity (among other jobs too numerous to name). Association. He oversaw the construction of CSC’s theatre in Baltimore and designed the Brandon W Vernon (Marketing Manager) sets and lighting for Macbeth (2016); for is an animator, illustrator, and graphic the inaugural season plays A Midsummer designer who has worked for numerous Night’s Dream and Richard II; Romeo and publications and theaters including Juliet (2015-2019); A Christmas Carol the Williamstown Theatre Festival (2014-2019), and many others. in Massachusetts. He served as the Dramaturg for Dracula (2019). He holds Talani Richardson (Box Office and Group an MFA in Visual Communication from Sales Associate) previously worked as Box Jacksonville State University in Alabama, Office and House Manager for Baltimore and a BFA in Traditional Animation from Theatre Project, a non-profit community the School of Visual Arts in New York. He theatre. She is an art therapy group has designed for theatre, film, television, instructor at Kennedy Krieger’s Center for and has been a featured artist on MTV.com Child and Family Traumatic Stress.

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MEASURE FOR MEASURE 19 Artistic Programming, Education, and Operations Donors A theater is so much more than a building. It is a living, breathing community where audiences and actors meet to create art that enlightens, inspires, transforms, awes, and entertains. We are grateful for your gifts that support this artistry, our outreach and education programs, and our operations. This list recognizes gifts of $100 and greater, received as of January 21, 2020. The FRIENDS of Chesapeake Shakespeare Company

Benefactor ($5,000+) Joseph Ferlise Carole and Scott Greenhaus Sherilyn Brinkley and Jeff Tom and Nancy Brandt The Flieger Family Marie Hartman Brotman C. Sylvia and Eddie C. Ruby and Bob Hearn Heneghan Family Fund Donna Lee Burke Brown Eva P. Higgins Bill and Ruth Henry Glenn and Sandy Campbell Nick and Cynthia Islin Glenn and Renate Charlow Louise Cather Robin and Don Hough Chris and Mary Ellen Kiehne Yara Cheikh and Firmin Robert and Gladys Renée Lane-Kunz Dr. and Mrs. Stephen Malin DeBrabander Helm Richard Ley Tom and Janet McGlynn Ernie and Linda Czyryca Scott Helm Jack and Donna McCann Frank B. and Mary Ellen Dana DiCarlo Barbara and Sam Wally and Brenda Stone Moorman Jonathan Dubin Himmelrich Paul and Chandler Kevin and Joyce Parks Dennis Gallagher and Carol Pam and Sam Tagliabue, in honor of Rev. Patricia Payne Barthel Himmelrich, Jr. Emily Rockefeller Linda and Jeff Pieplow David and Barbara Gamble Charlton and Patrick Walter and Mary-Ann Frank Gannon Pinkard Glen R. Goodwin and Dr. Hughes Friend ($1,000–$2,499) Mr. Earle Pratt and Dr. Kelly Jennifer Cooper Bob Lienhardt† and Anonymous (4) Emerson Mark A. G. Huffman Barbara Leons Anonymous, in memory of Kyoko and Steve Redd Matthew Imholte Lesley Malin Barry Neal Ochrach Sean Rhoderick and Ana Tim and Jennifer Kingston Jeanne E. Marsh Steve Beall and Carmel Kornegay Vivian and Robert Manekin Bob and Deeley Roques Nan Rohrer Edward and Lucille Middleton Mr. and Mrs. A. Stanley Sharon and Michael Runge McCarthy Brager, Jr. Scott and Sharon Stewart Suzan and Alex Mecinski Mary and James Miller Kevin G. and Susan A. Burke Emily and John D. George and Holly Stone Monica Nicolau Virginia Tyler Campbell Michael P. and Joanna Lee and Marilyn Ogburn Rockefeller, V Kim Citizen and Biffrey Sullivan Fred and Grazina Pearson David Warnock and Braxton Doris Sweet Mark and Joanne Pollak Michele Speaks Bryan and Pamela Crockett Penny Thompson and Mary Ann and Chuck Scully Ted and Mary Jo Wiese Jeffrey and Carolyn Crooks Charlie Riesz Julie Suman and Mark Jane Eisner Toohey Patron ($2,500–$4,999) John Clinton Eisner and Player ($500-$999) Michele and Ed Swing Laura Boydston Jennifer Dorr White Anonymous (2) Patrick Tarwater The Epp Family Isabelle Anderson Khahn Uong and Dana Patricia L. Delk-Mercer Ian Gallanar and Maria Trujillo Elizabeth and Ira Berman and Raymond Mercer Tharrett Mr. and Mrs. Jesse Gardner Richard Berndt Marguerite VillaSanta Edward and Nanci Judith Golding and Robert Paulette Bowles Feltham Brager † Deceased

Corporate, Foundation, and Government Support $100,000+ Shakespeare in American $5,000–$9,999 $100–$4,999 Bloomberg Philanthropies Communities: National The Arts Insurance Program, LLC Anonymous The France-Merrick Endowment for the Arts Baltimore County Commission Applied Development LLC Foundation in partnership with Arts on Arts and Sciences and the The Campbell Foundation The Helm Foundation Midwest citizens of Baltimore County CE Science Inc. State of Maryland $10,000–$24,999 Baltimore National Heritage Howard Bank Maryland State Arts Council The Herbert Bearman Area The M&T Charitable Mayor Bernard C. “Jack” Young Foundation $25,000–$99,999 Foundation BGE and the Baltimore Office of The Macht Philanthropic Fund The Abell Foundation Promotion and the Arts of The Associated Paul M. Angell Family The Jacob and Hilda Blaustein Foundation Caroline Fredericka Holdship Dr. Frank C. Marino Foundation Charitable Trust, through the Foundation The William G. Baker, Jr. Howard County Arts Council, through a grant PNC Charitable Trusts Grant Miles & Stockbridge Memorial Fund, creator of Review Committee Foundation the Baker Artist Portfolios, from Howard County Government The Morris A. and Clarisse Quinn Evans www.Bakerartist.org Mechanic Foundation The Nora Roberts Foundation Ensign C. Markland Kelly, Jr. The John J. Leidy Foundation PNC Bank The Sylvia Meisenberg Southway Builders, Inc. Memorial Foundation Endowment for Shakespeare Middendorf Foundation The Sheridan Foundation T. Rowe Price Foundation Education The Wells Fargo Foundation

20 MEASURE FOR MEASURE Individual Donors

Mechanicals David and Treva Stack Michael and Colleen Gottlieb Nicole Ripken and Family Anonymous Carolan and Brian Stansky Caroline Griffin and Henry E. Maureen Roberts Michael and Teri Bennett Emil and Shauna Sueck Dugan, Jr. Lori and Renee Rocheleau Elizabeth and Ira Berman Andrew Tagliabue and Mark Jose Guzman Mr. and Mrs. Scott Rodgville Jean Waller Brune Jones, in honor of Emily Susan Hahn Donald Ross Donna Lee Burke Rockefeller Lorraine E. Harding Susan Rucker Kim Citizen and Biffrey Mary Tooey Mr. and Mrs. Stephen G. Richard and Kayleen Saucier Braxton Lorraine and Leon Ukens Heaver Alice Schreiber Pamela Forton Mitch, Mary, Melanie, and Rabbi Joanne and Dr. Gary Courtney Semmes Kristen Vanneman-Gooding Danielle Vitullo Heiligman Judy Sheldon and Chris and Ira Gooding Eric Walker Ralph and Beth Heimlich Gorman Susan K. Goodman Dale Woodring Lal Heneghan Patricia E. Smeton Mark A. G. Huffman Jenny Wright and Josh Lily Hill, in honor of Will Dr. Thomas Smith The Klipp-Lischner Family Osborne Fletcher-Hill F. Louise and Wayne F. Smith The La Count Family Marylou Yam Terri Hodes Florence Solonche Michael Lonegro Kathy Hogue and Nick Jeffrey Sterrette Mr. Lou Nolan and Ms. Sommese Margaret Sullivan Korrina Nolan $100 - $249 Steven Hoochuk Stephen and Carolyn Sutton Brian and Barbara Scheetz Anonymous (7) Wayne Hunt and Jan Staples David and Irene Tabish Curtis Tatum Anonymous, in memory of Marc and Carolyn Hurwitz Curtis Tatum Jenny Wright and Josh Gregory David Cooke Deeba Jafri Michael Terrin and Bess Keller Osborne Anne Agee Patricia Jonas The Thompson Family, in Charley Albert, in honor of The Joseph Family memory of Alva “Dolly” Lizzi Albert Brian Kantsiper Griffith $250 - $499 Paul and Irene Aldridge Eric and Hattie Katkow Carl Vanderweyden Anonymous (5) The Alleman Family Kendall and Debbie The Velapoldi Family The Babij Family Clifford Amend Kennison Frank Vitrano Dr. Murry Bentley and Ms. Tamara Anderson Felicia Korengel Charles Emerson Walker Linda Clark Teresa Audia Barbara Kornblatt, in memory Danielle Walter-Davis Susan Betso and Carol Clark Franklyn Baker of David Kornblatt Michael Wentworth Barbara and Thomas Bozzuto Nicole Balliette Zach Kung Karen Wessel David Brown Richard and Kathleen Baum The La Count Family Kem and Susan White Jean Waller Brune Edward and Ellen Bernard Yolan and Ann Laporte Suellen Wideman and Bob Burke and Helen Leslie and Hugh Bethell Michael Lasinski Virginia Shimak Blumberg Lea Billingslea Frank G. Lemoine Nadya Workman Mike and Elsa Cain David Bobart John and Carrie Leovy Donna and Susan Zagar Jeffrey and Elaine Christ Douglas Borg Jill and Aaron Levin Mr. and Mrs. H. Ronald Zielke The Courtesan David Nelson Bradford Brooke Lierman and Eben Miranda Dover Stephen and Lori Bruun Hansel Matching Gift and Chris and Mary Alane Downs Maureen Capps Michael Lonegro Employee Giving Jim Eisner Michael Carducci Billie Lupher Programs Sue and Drew Carlson Joseph N. Mariano Charles Fertsch Exelon Foundation Caslow Family Ganesha Martin Robert and Jennifer The Robert Wood Johnson Ing-Jye Cheng, Stephen Sara Marie Massee, in Feuerbach Foundation Schenkel and Family memory of Tina Blevins Ashly Fishell Macy’s Foundation Jane Coffey and Arthur Judy and David Mauriello Bruce and Lindsay Fleming Maryland Charity Campaign Renkwitz Emily Mendenhall Kevin and Sherry Frick T. Rowe Price Program for Alan and Deborah Cohen Kavita and Sandor Mester Mr. and Mrs. William H. Charitable Giving Janet and Sean Coleman Robin Miller Gregory, in loving memory United Way of Central Robert Connors and Jonas Molly Moores of their grandson, Gregory Maryland David Cooke David Grey Christina Morganti Forrest Hall David and Sara Cooke Ken Moss and Patryce Toye Jonathan Katz and Terri Randall Cover Charles and Rosemary In-Kind Support Moreland Rae and Jim Cumbie Mountain The Afro-American The Klipp-Lischner Family Grace and Frank Jennifer C. Munch Newspapers Ben Kramer Cunningham Dr. and Mrs. Michael S. Bach in Baltimore Kim Leisey The Curtis Family Murphy Baltimore Jewish Times Alison and Laddie Levy Marty and Debbie Disney Janet and Douglas Neilson Baltimore Style Tom and Fran Lonegro Tim Dugan David Neubauer The Beacon Darren McGregor David and Marian Entin Mr. Lou Nolan and Ms. Bin 604 Bodil Bang Ottesen Karen and Dave Eske Korrina Nolan Charm City Meadworks William and Nancy Marcy Feeney and Mark Mary North Maryland Public Television Paternotte Klotzbach Thomas L. and Leslie V. Miles & Stockbridge P.C. Alan Penczek Valerie Fenton and Chris Owsley Oculus VR / Facebook Keven Perkins and Christine Niebling David Pace Technologies, LLC Bordine Bruce and Lisa Field James Passarelli Tuckie Pillar The Fletcher-Hill Family Rebecca Pearlman and Peter Susan H. Pratt Deborah Ford Evans Barbie and James Prince Pamela Forton Tamara S. Plant Erin and Steven Prumo Jim Fritsch Kelvin Pollard Dr. Tedine Ranich Jacquelyn Galke Anne and Jim Porterfield Keenan and Natasha Rice Judy Gibson Robert E. Pownall Sarah S. Robinson Tom and Jeanne Gildee Julie Press Brian and Barbara Scheetz Gil and Terry Gleim Rebecca Ranich Mary Shock Kristen Vanneman-Gooding Mr. and Mrs. Arthur Renkwitz, Sr. Janet Simons and Ira Gooding Pat and Stasia Reynolds, in Mr. and Mrs. David Smith Susan K. Goodman honor of William R. Stott, Jr.

MEASURE FOR MEASURE 21 STAFF OUR CREATIVE MEDIA TEAM Ian Gallanar, Artistic Director Brandon W Vernon, Lesley Malin, Managing Director Todd M. Zimmerman, Graphic Design Kyle Rudgers, Production Manager Molly Moores, Program Advertising Jane Coffey, Development Director Anna Mills Russell, Director of Marketing and ASSOCIATE ARTISTIC DIRECTORS Communications Scott Alan Small Elizabeth Berman, Finance and Development Manager Gerrad Alex Taylor Dan O’Brien, Technical Director and Facilities Manager RESIDENT ARTISTS Ron Heneghan, Director of Education Isabelle Anderson, Distinguished Artist in Residence Gerrad Alex Taylor, Director, The Studio Kevin Costa, Educator in Residence Pam Burns, Education Coordinator Kristina Lambdin, Resident Costume Designer Kristina Lambdin, Business Manager Nellie K. Glover, Resident Dance Choreographer Stephen Gearhart, Audience Services Manager Grace Srinivasan, Resident Music Director Pamela Forton, Senior House Manager Talani Richardson, Box Office Associate and Group TEACHING ARTISTS Sales Associate Tamieka Chavis Jaclyn McGloughlin Michael Lonegro, Information Systems Manager Lauren Davis Molly Moores and Development Associate Kathryne Daniels Laura Rocklyn

Alexis E. Davis, Resident Stage Manager Abigail Funk Caitlin Rogers Brandon W Vernon, Marketing Manager and Alexandra Hewett Luke Scaros Emily Karol Graphic Designer Gregory Burgess Russell Laury, Porter

RESIDENT ACTING COMPANY RESIDENT TECHNICAL AND DESIGN COMPANY Tamieka Chavis Elana Michelle Mindy Braden Michael Lonegro Anna DiGiovanni Séamus Miller Alexis E. Davis Katie McCreary Vince Eisenson Molly Moores Lauren Engler Jessica Rassp Terrance Fleming Scott Alan Small Ruthie Griffith Chester Stacy Jose Guzman Michael P. Sullivan Heather C. Jackson Brandon W Vernon Ron Heneghan Gerrad Alex Taylor Lesley Malin

ASSOCIATE MEMBERS EMERITUS MEMBERS Lizzi Albert Steven K. Hoochuk Steve Beall Robby Rose Gregory Atkin Elliott Kashner Blythe Coons Christina Schlegel Mike Boynton Brendan Edward Jenny Crooks Dave Tabish Ian Charles Kennedy Karen Eske Wayne Willinger Michael Crowley Briana Manente B. J. Gailey Kathryne Daniels Frank B. Moorman Lauren Davis Christopher Niebling Chesapeake Shakespeare Company creates Valerie Fenton JC Payne Ashly Ruth Fishell Mary Pohlig performances and education programs out of great Kate Forton Laura Rocklyn classic theater. Classic plays can be awfully good, but Dave Gamble Erin Bone Steele only if they speak to their audience and the community Jonas David Grey Nathan Thomas in a way that is dynamic, personal, and pleasurable. We produce plays that people like and we perform them in innovative and intimate ways that intensify the connection between audiences and artists. We do this OLIVE BRANCH LAUREL CROWN because we want to know what makes Shakespeare so CSC Veterans Ensemble great – and we ask our audience and our community to Jennifer Austin Matthew Imholte explore that question alongside us. Chesapeake Christopher Bennett Sharon Preator Shakespeare Company is a 501c3 nonprofit organization. Zach Fellers Sarah Rodman David Hanauer Richard Wirth

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