DOCSLIB.ORG

Nigel Pegrum by Karen White, Axio 1 P/L (Marketing Services), Australia –

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nigel Pegrum by Karen White, Axio 1 P/L (Marketing Services), Australia – Pegasus Studios, Cairns / Nigel John Pegrum – Productions/projects list to 31 Mar 2014 March 2014 Albums Andrew Stephan Hot Rubber Glove Pearse Coleman ‘Devil Heart’ Andy Collins Ian Williams ‘No Worries Ray Molloy ‘Conversation With A Andy Collins Cassawary’ Stranger ’ Andy Collins ‘Lake St Serenade’ Jane Modric ‘Humm’ Ray Molloy ‘Live In Concert’ Ashley Coleman ‘Mona Mona’ Jayson Watkin Ray Molloy ‘Songs From A Austranesia ‘self titled’ Jeremiah Johnson Northern Town’ Black Image ‘Beautiful Land and Jeremiah Johnson ‘Homeland’ Rita Mills ‘Mata Nice’ Sea’ (Winners Best New Band- Jill Saunders ‘Universal Knowing’ Roz Papparlardo Deadly Awards) Johnos Blues Band ‘The First Set’ Ruedi Homberger Black Image ‘Too Deadley’ June Graham Russell Harris ‘Simple Life’ Black Label Kamerunga ‘Worlds Keleid’ Russell Harris ‘Survivor’ Brenda Hall Kamerunga Seaman Dan ‘Follow The Sun’ Byron Short Kamerunga The Push (ARIA Seaman Dan ‘Island Way’ (ARIA Cameron Henderson (Australia’s nominated 2011) Nominated 2006) Got Talent 2nd place 2011) Karnack Theatre Lasershow Seaman Dan ‘Perfect Pearl’ (ARIA Carinda Christie ‘Blast Off’ Soundtrack WINNER 2004) Carinda Christie Ken Davis ‘Innocence’ Seaman Dan ‘Sailing Home’ Clancy Grigg ‘Go With The Flow’ Kevin Treloar Seaman Dan ‘Steady Steady’ Clancy Grigg ‘Mallee Roots’ Kick Start Seaman Dan ‘Still On Deck’ Daniel Webb ‘First Moves’ Kim Hurley Seaman Dan ‘Sunnyside’ Danny Bani ‘db’ Lia Scallon Simone Elias Danny Bani ‘db’ Libby Brockenshire ‘Lets Go Play’ The Borellas David Hudson ‘Dream Road’ Lionel Robinson The Chemists Eddie Skiba and the Durrand Line Listen Up ‘Emerging Indigenous Thelonius Funk ‘The Promise’ Eddie Skiba talent from FNQ” Tony Rose ‘Many Hands’ Emma-Louise Lobb Listen up 2 as above Tribe Of Jubal (PNG’s premier Endorphin (ARIA Nominated) Living Waters fusion band) Gnidrolog ‘Gnosis’ Mangrove Jack Virginia Greene Gudju Gudju Miss Kate ‘More Please’ Wavedancer ‘Memories’ Gypsy Mundy Turner ‘Hi Life’ Will Kepa Hillbilly Goats ‘Out of The Mundy Turner ‘Naked’ Wilma Reading Mountains’ Northern Exposure Zenith Hillbilly Goats ‘Still In the Northern Exposure Zephyr Deluxe Mountains’ Pat Wade Hot Ice ‘Breaking Away’ Paul Hay SCHOOLS Atherton State High School x 2 CDs Ravenshoe State High School x 3 St Augustines High School x 2 CDs Cairns State High School x 2 CDs CDs Thursday Island State High School Mossman State High School x 1 CD Smithfield State High School x 3 x 1 CD CDs SPECIAL PROJECTS David Hudson (didgereedoo) x 18 Lockhart River Community CD Andrew Matthews ‘Follow Your CDs (gross sales in excess of one Thursday Island Community CD Dreams’ Book recording million) St Pauls (Moa Island) Community Shawn Creek CD (Mossman Ashly Dargan (Didgereedoo) x 20 CD Community) CDs TSRA Musical Audit of all Torres Tjapukai Cultural Park New Zealand Series x 12 CDs Strait Islands (1 CD plus DVD of Kasa Por Yarn Radio series for Qld (Traditional based soundscapes) each island 4 islands covered so Health Great Britian Series x 12 CDs far) ‘Condoman’ Qld Health Animation (Moods and Atmospehres of the Coen Indigenous Festival CD (Live soundtrack British Isles) recording) Complied with Nigel Pegrum by Karen White, AXiO 1 P/L (Marketing Services), Australia – http://axio.com.au. LEGAL NOTE: whilst the author is comfortable with the accuracy of information contained herein persons wishing to rely on it, in part or whole, in a legal sense are advised to verify such information via other reliable resources before doing so. AXiO’s file ref: Z:\WEB\Websites_Info\pegasusstudios\nigel_pegrum-productions_list-v1.0.doc Page: 1/2 Pegasus Studios, Cairns / Nigel John Pegrum – Productions/projects list to 31 Mar 2014 March 2014 TV ADS Bills Marine Pacific Pools Teletalk Boland Centre Paronella Park (Winner Townsville Value Homes (Winner Cairns Brothers Leagues Club Media awards) Media Awards) CCA Patio World Westcourt Plaza CRGT Training Organisation Redlynch Valley Estate (Winner World Wide Pawn Brokers Mount Sheridan Plaza Cairns Media Awards) Wyreema Novotel Palm Cove Resort Sportsbar END. Complied with Nigel Pegrum by Karen White, AXiO 1 P/L (Marketing Services), Australia – http://axio.com.au. LEGAL NOTE: whilst the author is comfortable with the accuracy of information contained herein persons wishing to rely on it, in part or whole, in a legal sense are advised to verify such information via other reliable resources before doing so. AXiO’s file ref: Z:\WEB\Websites_Info\pegasusstudios\nigel_pegrum-productions_list-v1.0.doc Page: 2/2 .
Load more

Recommended publications
  • Cultural and Natural Histories of the Island of Mabuyag, Torres Strait Edited by Ian J
    Goemulgaw Lagal: Cultural and Natural Histories of the Island of Mabuyag, Torres Strait Edited by Ian J. McNiven and Garrick Hitchcock MEMOIRS OF THE QUEENSLAND MUSEUM |CULTURE Volume 8 (2) Brisbane | June 2015 ISSN 1440–4788 Memoirs of the Queensland Museum | Culture Volume 8 Part 2 Goemulgaw Lagal: Cultural and Natural Histories of the Island of Mabuyag, Torres Strait Edited by Ian J. McNiven and Garrick Hitchcock Minister: Annastacia Palaszczuk MP, Premier and Minister for the Arts CEO: Suzanne Miller, BSc(Hons), PhD, FGS, FMinSoc, FAIMM, FGSA , FRSSA Editor in Chief: J.N.A. Hooper, PhD Editors: Ian J. McNiven, PhD FSA FAHA and Garrick Hitchcock, PhD FLS FRGS Issue Editor: Geraldine Mate, PhD PUBLISHED BY ORDER OF THE BOARD 2015 © Queensland Museum PO Box 3300, South Brisbane 4101, Australia Phone: +61 (0) 7 3840 7555 Fax: +61 (0) 7 3846 1226 Web: qm.qld.gov.au National Library of Australia card number ISSN 1440-4788 VOLUME 8 IS COMPLETE IN 2 PARTS COVER Image on book cover: Pearlshelling station at Panay, Mabuyag, 1890s. Photographer unknown (Cambridge University Museum of Archaeology and Anthropology: N23274.ACH2). NOTE Papers published in this volume and in all previous volumes of the Memoirs of the Queensland Museum may be reproduced for scientific research, individual study or other educational purposes. Properly acknowledged quotations may be made but queries regarding the republication of any papers should be addressed to the CEO. Copies of the journal can be purchased from the Queensland Museum Shop. A Guide to Authors is displayed on the Queensland Museum website qm.qld.gov.au A Queensland Government Project Design and Layout: Tanya Edbrooke, Queensland Museum Printed by Watson, Ferguson & Company CONTENTS SHEEHAN, C.
    [Show full text]
  • Publisher Version (Open Access)
    Issue No. 7 (September 2003) — New Media Technologies The Technology, Aesthetic and Cultural Politics of a Collaborative, Transnational Music Recording Project: Veiga, Veiga and the Itinerant Overdubs By Denis Crowdy and Karl Neuenfeldt New media innovations and the popularity of ‘world music’ have facilitated crosscultural and transnational recording projects in the past few decades. New media technology makes collaboration at a distance feasible and a market for the very eclectic genre(s) of ‘world music’ makes projects potentially economically viable. Beginning approximately in the mid- 1980s with the popularity, and contentiousness, of Paul Simon’s Graceland project (Meintjes 1990) and other ‘world music’ projects such as Deep Forest (Feld 2000), academic researchers have explored the nature, legality and cultural dynamics of such recordings (e.g. Mills 1996; Zemp 1996). An ancillary to such research has been research into the multifaceted roles of academics in such kinds of cultural production. Cultural production here includes the overlapping components of most contemporary cultural products, including their ‘circuit of culture’ (production, regulation, identity, representation and consumption) (Du Gay 1997). Such research provides insights into the processes and end products of cultural production of a particular ‘art world’ of shared aesthetics (Becker 1982), in this case popular music. Examples of such academic involvement include: production and participation in educational dance performances (Mackinlay 2001), soundscape and acoustic ecology recordings (Feld 1991, 2001; Feld and Crowdy 2002), and commercial or community-orientated music CDs (Scales 2002, Neuenfeldt 2001). This article describes and analyses the aesthetic, technological and cultural processes informing the cultural production of Veiga, Veiga, a song recorded by 73-year-old Australian Torres Strait Islander Henry (Seaman) Dan.
    [Show full text]
  • 2001—2002 TORRES STRAIT REGIONAL AUTHORITY Annual Report 2001—2002 ES ST RR RA O I T T
    Annual Report 2001—2002 TORRES STRAIT REGIONAL AUTHORITY TORRES STRAIT REGIONAL AUTHORITY Annual Report 2001—2002 ES ST RR RA O I T T R Y E T G I I R O O N H AL AUT TORRES STRAIT REGIONAL AUTHORITY Annual Report 2001-2002 TSRA annual report 2001-02 i © Commonwealth of Australia ISSN 1324–163X This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced by any process without prior written permission from the Torres Strait Regional Authority (TSRA). Requests and inquiries concerning reproduction rights should be directed to the Public Affairs Officer, TSRA, PO Box 261, Thursday Island, Qld 4875. The cover art is a lino block fabric print by Rosie Barkus, a Torres Strait Islander artist who lives on Thursday Island. Rosie’s works are displayed in museums, galleries and private collections throughout Australia. Copyright © Commonwealth of Australia (1986,1988,1993) ii CONTENTS letter of transmittal iv Our Vision v Our Goals vi Preface 1 Chairperson’s Report 2 General Manager’s Overview 5 TSRA Board 12 About the TSRA 20 Torres Strait Region 20 Operating environment 20 Extent of need 21 Formation 22 Enabling Legislation 23 Functions 23 Powers 24 Powers of Direction by the Minister 24 Review of Electoral System 25 Corporate Overview 25 Corporate Documents 28 Torres Strait Development Plan 28 Outcome and Outputs 29 Prices of Outcome and Outputs - Planned and Actual 30 Performance Against Outputs 31 Overview of Outputs 34 Output 1 – Economic Development 34 Output 2 – Community Development, Employment
    [Show full text]
  • Hansard 2 May 2001
    2 May 2001 Legislative Assembly 539 WEDNESDAY, 2 MAY 2001 Mr SPEAKER (Hon. R. K. Hollis, Redcliffe) read prayers and took the chair at 9.30 a.m. PETITION The Clerk announced the receipt of the following petition— Somerset Dam Mrs Pratt from 1,600 petitioners, requesting the House to intercede and, if possible, prevent the closure of the Somerset Dam camping and picnic ground. PAPERS MINISTERIAL RESPONSE TO PETITION The following responses to a petition was tabled by The Clerk— Response from the Minister for Local Government and Planning (Mrs J Cunningham) to a petition presented by Mr Horan from 84 petitioners, regarding the regulation of inner-city parking by the Brisbane City Council: 27 APR 2001 Mr R Doyle The Clerk of the Parliament Legislative Assembly of Queensland CENTRAL DOCUMENT EXCHANGE M29 Dear Mr Doyle I refer to your letter of 5 April 2001 forwarding a copy of a petition tabled in the Parliament on 4 April 2001 regarding the regulation of inner-city parking by the Brisbane City Council. Under the Local Government Act 1993, the Brisbane City Council has control of all local government roads in its area. The Council's control of roads includes the regulation of the movement of traffic and parking of vehicles. Local governments are afforded considerable autonomy and there exists no powers for the State Government to intervene or direct the Council in this matter. With respect to the signage used, the Transport Operations (Road Use Management) Act 1995 provides that local governments must install official traffic signs to regulate parking in their areas.
    [Show full text]
  • The Black List Is an Important Addition to Reference Material B
    T h e Produced by Screen Australia’s Strategy & Research Unit, The Black List is an important addition to reference material B on Indigenous filmmaking in Australia, cataloguing the work l a of 257 Indigenous Australians with credits as producer, c director, writer or director of photography on a total of k 674 screen productions. L he i Listings go back as far as 1970 for feature films and telemovies, ! Film and TV to 1980 for documentaries and mini-series, and to 1988 for T shorts and series. projects since 1970 Titles are indexed by year and by filmmaker, and the book with also features a statistical summary and timeline of key titles and events. Indigenous Australians in key creative SCREEN A Black roles US TRALIA Li! he OVX:YD+1 T cf[TEChg gOYCEÐÖõÏ pOhM YDOLEY[jg jghf:VO:Yg OYUErCfE:hOoE Black f[VEg Li! ÛÛ #!1!1/ 0 .0 Yhf[DjChO[YÒ _nSKi@mnQKvxK@lm_JURK_apm~\^^@[KlmS@uKHla[K_nSlapRSna@ISUKuKHanSIlUnUI@\@_J Ia^^KlIU@\mpIIKmmvUnS-@ISK\*Kl[U_m¡3`O\?bS5OSn@[U_R^alKnS@_ Ý^U\\Ua_@nnSK Mf[Y[V[Lr[K pmnl@\U@_HawaQ~IK7@lvUI[0Sal_na_vU__U_RnSK @__Km @^Kl@J¡"lQalO[]\5SZWZOV YDOLEY[jgxVXò+1Ó @_J^p\nUi\K@v@lJmQalilaRl@^mmpIS@m7W`a2ba`OZWO\@_JDVS4W`QbWa DVS3ZOQY=WaIK\KHl@nKmnSKmKIa_nK^ial@lxmIlKK_mnalxnK\\Klm@_JnSamKnS@nS@uK Ergh:hOghOCgÐÑ Ra_KHKQalKilauUJU_RJKmIlUinUuK\UmnU_RmaQJl@^@@_JJaIp^K_n@lxnUn\KmvSKlK_JURK_apm pmnl@\U@_mS@uKHKK_IlKJUnKJU_nSK[KxIlK@nUuKla\KmaQilaJpIKlJUlKInalvlUnKlalJUlKInal +OhVEgBrrE:f aQiSanaRl@iSx¼ "*½ E:hjfEg ÐÔ 0SKI@n@\aRpK@U^mnaHK@mIa^ilKSK_mUuK@miammUH\KvUnSU_nSKnU^KiKlUaJmIauKlKJQal +1Df:X: ÐÔ K@ISQal^@n [CjXEYh:fOEg[YL
    [Show full text]
  • Cultural and Natural Histories of the Island of Mabuyag, Torres Strait Edited by Ian J
    Memoirs of the Queensland Museum | Culture Volume 8 Part 2 Goemulgaw Lagal: Cultural and Natural Histories of the Island of Mabuyag, Torres Strait Edited by Ian J. McNiven and Garrick Hitchcock Minister: Annastacia Palaszczuk MP, Premier and Minister for the Arts CEO: Suzanne Miller, BSc(Hons), PhD, FGS, FMinSoc, FAIMM, FGSA , FRSSA Editor in Chief: J.N.A. Hooper, PhD Editors: Ian J. McNiven, PhD FSA FAHA and Garrick Hitchcock, PhD FLS FRGS Issue Editor: Geraldine Mate, PhD PUBLISHED BY ORDER OF THE BOARD 2015 © Queensland Museum PO Box 3300, South Brisbane 4101, Australia Phone: +61 (0) 7 3840 7555 Fax: +61 (0) 7 3846 1226 Web: qm.qld.gov.au National Library of Australia card number ISSN 1440-4788 VOLUME 8 IS COMPLETE IN 2 PARTS COVER Image on book cover: Pearlshelling station at Panay, Mabuyag, 1890s. Photographer unknown (Cambridge University Museum of Archaeology and Anthropology: N23274.ACH2). NOTE Papers published in this volume and in all previous volumes of the Memoirs of the Queensland Museum may be reproduced for scientific research, individual study or other educational purposes. Properly acknowledged quotations may be made but queries regarding the republication of any papers should be addressed to the CEO. Copies of the journal can be purchased from the Queensland Museum Shop. A Guide to Authors is displayed on the Queensland Museum website qm.qld.gov.au A Queensland Government Project Design and Layout: Tanya Edbrooke, Queensland Museum Printed by Watson, Ferguson & Company Two nineteenth century copper ingots from waters off Mabuyag, Torres Strait, Queensland Peter GESNER, Garrick HITCHCOCK Gesner, P.
    [Show full text]
  • Torres Strait Islander Women Performing Contemporary Music
    Barney – Torres Strait Islander Women’s Music ON THE MARGINS Torres Strait Islander Women Performing Contemporary Music KATELYN BARNEY Aboriginal and Torres Strait Islander Studies Unit, University of Queensland, Brisbane <[email protected]> Abstract Despite the increasing number of Torres Strait Islander musicians who are now recording their contemporary music, and aside from the work of a few notable exceptions (eg Beckett 1981; Neuenfeldt, 2002; Magowan and Neuenfeldt, 2005), Torres Strait Islander performers continue to remain marginalised in academic discourse. Further, what has been written about contemporary Indigenous Australian performance is largely about male performers—the voices of Torres Strait Islander women are noticeably absent. With reference to feminist theories of marginalisation and difference and drawing on first-hand interviews, this paper examines how Torres Strait Islander women negotiate issues of marginalisation, differentiation and identity through their music. It also considers what it means to Torres Strait Islander women to perform on the margins and the ways that contemporary music performance functions in this context as a site for resistance and affirmation of their Torres Strait Islander identities. Keywords Torres Strait Islanders, women, contemporary music, marginalisation Figure 1: Map of the Torres Strait Islands (http://www.mja.com.au/public/issues/sep2/hanna/hanbox1.html) _____________________________________________________________ Shima: The International Journal of Research into Island Cultures Volume 1 Number 2 2007 - 70 - Barney – Torres Strait Islander Women’s Music Introduction Drawing on theories of marginalisation, in this article I first provide an overview of the existing literature on Torres Strait music and the limited scholarship that focuses on Torres Strait Islander women and discuss how this is played out in mainstream popular culture.
    [Show full text]
  • The Technology, Aesthetics and Cultural
    ISSN 1444­3775 2003 Issue No. 07 — New Media Technologies The Technology, Aesthetic and Cultural Politics of a Collaborative, Transnational Music Recording Project: Veiga, Veiga and the Itinerant Overdubs By Denis Crowdy and Karl Neuenfeldt New media innovations and the popularity of ‘world music’ have facilitated crosscultural and transnational recording projects in the past few decades. New media technology makes collaboration at a distance feasible and a market for the very eclectic genre(s) of ‘world music’ makes projects potentially economically viable. Beginning approximately in the mid-1980s with the popularity, and contentiousness, of Paul Simon’s Graceland project (Meintjes 1990) and other ‘world music’ projects such as Deep Forest (Feld 2000), academic researchers have explored the nature, legality and cultural dynamics of such recordings (e.g. Mills 1996; Zemp 1996). An ancillary to such research has been research into the multifaceted roles of academics in such kinds of cultural production. Cultural production here includes the overlapping components of most contemporary cultural products, including their ‘circuit of culture’ (production, regulation, identity, representation and consumption) (Du Gay 1997). Such research provides insights into the processes and end products of cultural production of a particular ‘art world’ of shared aesthetics (Becker 1982), in this case popular music. Examples of such academic involvement include: production and participation in educational dance performances (Mackinlay 2001), soundscape and acoustic ecology recordings (Feld 1991, 2001; Feld and Crowdy 2002), and commercial or community-orientated music CDs (Scales 2002, Neuenfeldt 2001). This article describes and analyses the aesthetic, technological and cultural processes informing the cultural production of Veiga, Veiga, a song recorded by 73-year-old Australian Torres Strait Islander Henry (Seaman) Dan.
    [Show full text]
  • The Black List
    The Black Li Produced by Screen Australia’s Strategy & Research Unit, The Black List is an important addition to reference material on Indigenous filmmaking in Australia, cataloguing the work of 257 Indigenous Australians with credits as producer, director, writer or director of photography on a total of 674 screen productions. Listings go back as far as 1970 for feature films and telemovies, ! Film and TV to 1980 for documentaries and mini-series, and to 1988 for The shorts and series. projects since 1970 Titles are indexed by year and by filmmaker, and the book with also features a statistical summary and timeline of key titles and events. Indigenous Australians in key creative SCREEN AUSTRALIA Black Li! roles COVER PHOTOGRAPHY: (left to right) 1. Fat Pizza 2. Nana (on location) 3. Jacob (Murray Lui on location) Photographer: Sam Oster 4. Director Beck Cole & DOP Warwick Thornton on location in Tasmania for First Australians Photographer: Ricky Mainard Screen Australia GPO Box 3984 Sydney NSW 2001 Australia Tel: +61 2 8113 5800 © Screen Australia June 2010. Amended August 2014. Design by Alison White Designs Pty Limited Printed by No Time To Lose This information is to be used as a guide only and is of a general nature. Screen Australia has undertaken all reasonable measures to ensure its accuracy and specifically disclaims any liability, loss or risk, personal or otherwise, which is incurred as a consequence, directly or indirectly of the use and application of any of the contents. The Black List: Film and TV projects since 1970 with
    [Show full text]
  • WARNING: Please Be Aware That Some Caption Lists Contain * * Language, Words Or Descriptions Which May Be Considered * * Offensive Or Distressing
    *************************************************************** * * * WARNING: Please be aware that some caption lists contain * * language, words or descriptions which may be considered * * offensive or distressing. * * These words reflect the attitude of the photographer * * and/or the period in which the photograph was taken. * * * * Please also be aware that caption lists may contain * * references to deceased people which may cause sadness or * * distress. * * * *************************************************************** Scroll down to view captions TORRESSTRAIT.001.CS (S00169-S00185; S00207-S00228; S00258) Torres Strait: community portraits from the 'After 200 Years' Collection. Waiben Island, Saibai Island, Dauan Island, Qld., 26 August - 3 September 1986 ++++++++++++++++++++++++++ Item no.: TORRESSTRAIT.001.CS-S00169_01 Date/Place taken: August 1986 : Torres Strait Islands, Qld. Title: [Dragon figure painted on the side of a building] Photographer/Artist: Angelicas, Emmanuel Access: Open access Notes: ++++++++++++++++++++++++++ Item no.: TORRESSTRAIT.001.CS-S00169_02 Date/Place taken: August 1986 : Torres Strait Islands, Qld. Title: [Dragon figure painted on the side of a building] Photographer/Artist: Angelicas, Emmanuel Access: Open access Notes: ++++++++++++++++++++++++++ Item no.: TORRESSTRAIT.001.CS-S00169_03 Date/Place taken: August 1986: [Thursday Island], Torres Strait, Qld. Title: [Tourist information map of Thursday Island] Photographer/Artist: Angelicas, Emmanuel Access: Open access Notes: ++++++++++++++++++++++++++
    [Show full text]
  • Steady-Steady-Index.Pdf (Pdf, 105.16
    164 INDEX Aboriginal and Torres Strait Islander Bin Awel, Hassan, 134 Arts Board, 118 Bin Awel, Karim, 134 Adams, Raymond, 46 Bin Dol, Jenap, 16, 17 Adams, Tidja, 16 Bin Gapore, Baddah, 14 African-American music, influence Bin Garape, Doseena, 17 of, 30, 73, 141 Bin Hoosen, Dahlia, 17 Ah Boo, Manji, 14 Bin Juda, Betty, 31 Ah Mat, Budden, 32, 40, 124 Bingarape, Desiree, 152 Ah Mat, Jaffa, 14, 29, 79 Bingarape-Minniecon, Sade, 152 Ah Mat, Sarina, 31, 90 Binjuda, Frances, 95 Ahwang, Ernest, 132 Binjuda, Leilani, 95 ailan kastom, 3 ‘Black Swana’, 75–6 ‘Ailan Kwiktaim’, 88–9; use in The Straits Bligh, Anna, 122 TV series, 89 ‘Blues on a Ukulele’, 123–4 ‘Ailan Man’, 122–3 Bolton, Helen, 74, 75 Akee, Fred, 80 Bolton, Roger, 74, 75 Aniba, Alfred, 146 Bon, Father Dalton, 116 Aniba, Wilfred, 147 Bonham, Emily, 114 Anno, Ketchell, 14, 33, 126 Bowie, Mary, 31 Anu, Christine, 151 Bran Nue Day, 102 ‘The Arafura Sea’, 82 Brandy, Peter, 103 ‘Are You from TI?’, 97–8 Bridie, David, 120 ARIA Awards, 64, 117, 118, 133, 148 Brockenshire, Libby, 85, 133 Artback NT, 104 Arts Queensland, 104 Cairns Gondwana Indigenous Children’s ‘As the Goodwill Sailed Away’, 29 Choir, 80, 151 Asai, Iona, 48 Cairns; Alligator Creek, 29–30; cultural Australia Council for the Arts, 100, 104, 118 life during Second World War, 29–32; awards, 64 homegrown entertainment 30–1; Malay Town, 29–30, 141; periods living in, 60 ‘Baba Waiar’, 145–6; re-recorded for Still Cam, Dave, 80 on Deck album Carr, Bob, 122 Bagiri, Norah, 118, 130 Cedar, Olive, 31, 32 Bani, Danny, 151 Cedar, Pensio,
    [Show full text]