Super ACRONYM 2 - Round 9
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Hollyoaks Actor Juan Pablo Yepez on His HD Connection from Our from Our Chief in This Edition… Chair of Trustees Executive
Research updates Ideas and insights for activities in HD #TeamHDA fundraising successes Branch and support group news Winter 2016 Hollyoaks actor Juan Pablo Yepez on his HD connection From our From our Chief In this edition… Chair of Trustees Executive 4 HDA news Supporting As a member of a family affected 7 Research by Huntington’s disease, and Updates and clinical trials Chair of our Trustees, I’m lucky one another enough to see some of the range 12 Special feature of work which the HDA does, and I’m consistently impressed Hollyoaks actor Juan Pablo by the passion and dedication of the HDA team, and It was wonderful to see so many people at our feedback about the look and content of our Yepez on his HD connection all the amazing volunteers and fundraisers. I hope this recent Family Weekend and AGM in Telford. We materials, please email [email protected] 14 magazine gives you a flavour of some of what you’ve all hope the workshops and talks by HD experts Advice feature been up to around the country. gave people insight into developments in HD Recent changes to the ESA assessment Ideas and insights for research and practical advice to help them in process signal a positive shift in the DWP’s activities Of course behind what we see, there’s a huge amount their day to day life. I feel incredibly privileged approach to benefits for those people with of work behind the scenes, to support our vital national to attend this weekend each year and witness long term illnesses. -
J.\ \'/J.(F WESTWOOD ONE COMPANIES
J)'/J.\ \'/J.(f WESTWOOD ONE COMPANIES 9540 Washington Boulevard • Culver City, California 90232-2689 • (310) 204 -5000 Casey's Countdown Show #93-05 for broadcast the weekend of January 30/31, 1993 *** Disc One *** lncue: "And now the Westwood One ... " Seg 1 -11:32 Track 1 Open Bbds.: Reese's Pieces, Trident, Hershey's 5th Avenue Content: #25. Angel / Jon Secada #24. Come In Out Of The Rain / Wendy Moten Commercials: :30 Hershey's 5th Ave. :30 MTV Promo; McCartney :30 Citibank Cards Outcue: " ... not just Visa -- Citibank Visa." Local Break 1 :30 I Content: #23. Soul Drifter/ Lindsey Buckingham Seg 2 - 16:58 R&D. Tears In Heaven / Eric Clapton Track 2 #22. Chains Around My Heart / Richard Marx Commercials: :30 Trident :30 Oxy :30 U.S. Navy :30 Chewy Granola Bars Outcue: " ... Quaker Chewy Granola Bars." Local Break 1 :00 I Content: #21. In This Life / Collin Raye Seg 3 - 9:08 #20. Tell The Truth / Jude Cole Track 3 Commercials: :30 Reese's Pieces :30 Greyhound :30 MTV Promo; McCartney Outcue: " ... and say thanks to Frank." Local Break 1 :30 I Content: #19. In The Sti ll Of The Night / Boyz II Men Seg4-15:36 #18. Do You Believe In Us?/ Jon Secada Track 4 #17. All At Once/ Bonnie Raitt Commercials: :30 Oxy :30 Chewy Granola Bars :60 Dash Detergent Outcue: " ... IRI average Dash price data." Local Break 1 :00 I Content: #16. Not Gonna Change / Swing Out Sister Seg 5 - 4:17 Track 5 Outcue: Jingle into music bed for local ID Insert local ID over :06 jingle bed *** Casey's Countdown continues on next page *** J)YJ.\ \YJ.(f WESTWOOD ONE COMPANIES 9540 Washington Boulevard· Culver City, California 90232-2689 • (310) 204-5000 Casey's Countdown Show #93-05 for broadcast the weekend of January 30/31, 1993 Content: #15. -
80S 697 Songs, 2 Days, 3.53 GB
80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr. -
HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge. -
“The Music Man” -‐ Rehearsal Schedule
“The Music Man” - Rehearsal Schedule January 2014 Sunday Monday Tuesday Wednesday Thursday Friday Saturday 1 2 3 4 WINTER BREAK- WINTER BREAK- WINTER BREAK- NO SCHOOL NO SCHOOL NO SCHOOL 5 6 Read-Thru 7 Music Rehearsal 8 Music 9 Music Rehearsal 10 Music 11 FULL CAST 3:30-3:45 “Shipoopi” Rehearsal 3:30-4:00 “Rock Island” Rehearsal 3:30-5:30 pm 3:45-3:55 “76 Trom.” Pick-a-little Ladies 4:00-4:30 Marcellus 3:30-4:15 Harold/ 3:55-4:00 “Columbia” 3:30-4:00 4:30-5:00 “Gary, IN” Marian 4:00-4:30 “Iowa” Barbershop Quartet Mrs. Paroo/Marian 4:15-4:30 Marian/ 4:30-5:00 “Trouble” 4:00-5:30 5:00-5:30 Amaryllis 5:00-5:30 “Wagon” 4:30-5:00 Marian 5:00-5:30 Harold 12 13 Staging 14 Music 15 Staging 16 Music 17 Dance 18 3:30-4:30 Act I, Sc. 2 Rehearsal 3:30-3:45 Act I, Sc. 3 Rehearsal Rehearsal Including “Iowa” & 3:30-3:45 “Shipoopi” 3:45-4:30 Act I, Sc. 4 3:30-4:30 Barbershop “Shipoopi” “Trouble” 3:45-3:55 “76 Trom.” 4:30-5:30 Act I, Sc. 10 4:30-5:00 Harold 3:30-5:30 pm 4:30-5:30 Act I, Sc. 1 3:55-4:00 “Columbia” 5:00-5:30 Marian Including “Rock 4:00-4:30 “Iowa” Island” 4:30-5:00 “Trouble” 5:00-5:30 “Wagon” 19 20 21 Dance 22 Staging 23 Staging 24 Dance 25 MLK JR. -
Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
From Jay-Z to Dead Prez: Examining Representations of Black
JBSXXX10.1177/0021934714528953Journal of Black StudiesBelle 528953research-article2014 Article Journal of Black Studies 2014, Vol. 45(4) 287 –300 From Jay-Z to Dead © The Author(s) 2014 Reprints and permissions: Prez: Examining sagepub.com/journalsPermissions.nav DOI: 10.1177/0021934714528953 Representations of jbs.sagepub.com Black Masculinity in Mainstream Versus Underground Hip-Hop Music Crystal Belle1 Abstract The evolution of hip-hop music and culture has impacted the visibility of Black men and the Black male body. As hip-hop continues to become commercially viable, performances of Black masculinities can be easily found on magazine covers, television shows, and popular websites. How do these representations affect the collective consciousness of Black men, while helping to construct a particular brand of masculinity that plays into the White imagination? This theoretical article explores how representations of Black masculinity vary in underground versus mainstream hip-hop, stemming directly from White patriarchal ideals of manhood. Conceptual and theoretical analyses of songs from the likes of Jay-Z and Dead Prez and Imani Perry’s Prophets of the Hood help provide an understanding of the parallels between hip-hop performances/identities and Black masculinities. Keywords Black masculinity, hip-hop, patriarchy, manhood 1Columbia University, New York, NY, USA Corresponding Author: Crystal Belle, PhD Candidate, English Education, Teachers College, Columbia University, 525 West 120th Street, New York, NY 10027, USA. Email: [email protected] Downloaded from jbs.sagepub.com at Mina Rees Library/CUNY Graduate Center on January 7, 2015 288 Journal of Black Studies 45(4) Introduction to and Musings on Black Masculinity in Hip-Hop What began as a lyrical movement in the South Bronx is now an international phenomenon. -
Biggest Moments in Mad Men We Learn That Don's Girlfriend Midge Is
Biggest Moments In Mad Men We learn that Don's girlfriend Midge is in fact his mistress and he is actually married. Betty shoots the pigeons. We learn about Don's true identity Peggy and Stan get naked in the hotel Joan's room mate makes a pass at her Betty sets up her friend with the guy from the stables Don's brother Adam kills himself. We learn that Peggy is pregnant. Joan's fiancé (Greg Harris) rapes her in Don's office Roger has his first of two heart attack! Roger proposes to Jane Siegel, a secretary, and ends his marriage with Mona. Sal turns down the opportunity to sleep with Elliot. Sal is fired from SC. An unhappily and pregnant Betty has anonymous sex in a bar with a complete stranger. Freddie Rumsen pissing himself in the middle of an alcoholinduced blackout and is later fired. Don gets Roger to throw up after getting revenge for him making a pass at Betty. PPL buys out SC leaving Duck out of the deal. Betty finally gets access to Don's office drawer and learns about his true identity. Lois Sadler runs over Guy MacKendrick's foot with John Deere lawnmower in “Guy Walks Into an Advertising Agency” Betty makes the decision to file for divorced and leave Don for Henry. Bert, Roger and Don are fired by Lane and then turn around and start SCDP. Anna Draper dies of cancer. Joan becomes pregnant with Rogers child and tries to pass the child off as Gregs. Don proposes to Megan. -
Adam Stier, Ties That Bind.Pdf
Ties That Bind: American Fiction and the Origins of Social Network Analysis DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Adam Charles Stier, M.A. Graduate Program in English The Ohio State University 2013 Dissertation Committee: Dr. David Herman, Advisor Dr. Brian McHale Dr. James Phelan Copyright by Adam Charles Stier 2013 Abstract Under the auspices of the digital humanities, scholars have recently raised the question of how current research on social networks might inform the study of fictional texts, even using computational methods to “quantify” the relationships among characters in a given work. However, by focusing on only the most recent developments in social network research, such criticism has so far neglected to consider how the historical development of social network analysis—a methodology that attempts to identify the rule-bound processes and structures underlying interpersonal relationships—converges with literary history. Innovated by sociologists and social psychologists of the late nineteenth and early twentieth centuries, including Georg Simmel (chapter 1), Charles Horton Cooley (chapter 2), Jacob Moreno (chapter 3), and theorists of the “small world” phenomenon (chapter 4), social network analysis emerged concurrently with the development of American literary modernism. Over the course of four chapters, Ties That Bind demonstrates that American modernist fiction coincided with a nascent “science” of social networks, such that we can discern striking parallels between emergent network-analytic procedures and the particular configurations by which American authors of this period structured (and more generally imagined) the social worlds of their stories. -
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'. -
Metric Ambiguity and Flow in Rap Music: a Corpus-Assisted Study of Outkast’S “Mainstream” (1996)
Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast’s “Mainstream” (1996) MITCHELL OHRINER[1] University of Denver ABSTRACT: Recent years have seen the rise of musical corpus studies, primarily detailing harmonic tendencies of tonal music. This article extends this scholarship by addressing a new genre (rap music) and a new parameter of focus (rhythm). More specifically, I use corpus methods to investigate the relation between metric ambivalence in the instrumental parts of a rap track (i.e., the beat) and an emcee’s rap delivery (i.e., the flow). Unlike virtually every other rap track, the instrumental tracks of Outkast’s “Mainstream” (1996) simultaneously afford hearing both a four-beat and a three-beat metric cycle. Because three-beat durations between rhymes, phrase endings, and reiterated rhythmic patterns are rare in rap music, an abundance of them within a verse of “Mainstream” suggests that an emcee highlights the three-beat cycle, especially if that emcee is not prone to such durations more generally. Through the construction of three corpora, one representative of the genre as a whole, and two that are artist specific, I show how the emcee T-Mo Goodie’s expressive practice highlights the rare three-beat affordances of the track. Submitted 2015 July 15; accepted 2015 December 15. KEYWORDS: corpus studies, rap music, flow, T-Mo Goodie, Outkast THIS article uses methods of corpus studies to address questions of creative practice in rap music, specifically how the material of the rapping voice—what emcees, hip-hop heads, and scholars call “the flow”—relates to the material of the previously recorded instrumental tracks collectively known as the beat.