Copper and Copper Alloys: Casting, Classification and Characteristic Microstructures
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cast Stainless Steel Technology Developments
Cast Stainless Steel Technology Developments Raymond Monroe SFSA CN3MN CF8 CD4Cu CB 7 Cu CA 15 Calculation of Chromium Equivalent and Nickel Equivalent CrE = %Cr + 2 × %Si + 1.5 × %Mo + 5 × %V NiE = %Ni + 0.5 × %Mn + 30 × %C + 0.3 × %Cu Ferrite from Chemistry Schoefer Diagram 2.2 2.1 • Chemistry: C=0.07, 2 Mn=0.56, Si=1.30, 1.9 P=0.028, S=0.009, 1.8 o i t 1.7 Cr=19.5, Ni=10.7, a 1.6 on R i t i Mo=2.18 (Cb ~ 0.05 1.5 pos m o and N ~ 0.04) 1.4 C i N / r 1.3 C • ASTM A800 predicts 1.2 10.5 volume percent 1.1 1 ferrite with a range of Cr Cr (%) + 1.5Si (%) + 1.4 Mo (%) + Nb (%) − 4.99 0.9 e = 6.5 to 14.5 (chromium Ni e Ni (%) + 30 C (%) + 0.5Mn (%) + 26 ( N − 0.02 %) + 2.77 0.8 0 10203040506070 equivalent to nickel Volume Percent Ferrite equivalent = 1.19) Means of Calculating Ferrite • Severn Gage: 11 • Feritscope: 7 • Magne-Gage: 2 • Two different instruments: 5 • Manual point count • ASTM A800 • 1949 Schaeffler Diagram • WRC Diagram Unit of measure: • FN: 8 (all 4 of the non- foundry) • Volume percent: 7 • Use both methods: 2 Identification of Phases by Composition FERRITE AUSTENITE Stainless Steels - Strength Grade Yield (ksi) UTS (ksi) CF8 70 30 CF3MN 75 37 4A(2205) 90 60 6A(Zeron 100) 100 65 Stainless Steel - Corrosion Grade Critical pitting temperature oC CF8 5 (calculated) CF3MN 29 (calculated) 4A(2205) 35 - 40 6A(Zeron100) 45 – 55 Pseudo Phase Diagram for 68 % Fe – Cr Ni CCT Diagram - CD3MN 5oC/min 2oC/min 1oC/min 0.5oC/min 0.1oC/min 0.01oC/min 1100 1050 TTT curves 1000 (initial & final) 950 900 850 800 750 700 Temp. -
Repoussé Work for Amateurs
rf Bi oN? ^ ^ iTION av op OCT i 3 f943 2 MAY 8 1933 DEC 3 1938 MAY 6 id i 28 dec j o m? Digitized by the Internet Archive in 2011 with funding from Boston Public Library http://www.archive.org/details/repoussworkforamOOhasl GROUP OF LEAVES. Repousse Work for Amateurs. : REPOUSSE WORK FOR AMATEURS: BEING THE ART OF ORNAMENTING THIN METAL WITH RAISED FIGURES. tfjLd*- 6 By L. L. HASLOPE. ILLUSTRATED. LONDON L. UPCOTT GILL, 170, STRAND, W.C, 1887. PRINTED BY A. BRADLEY, 170, STRAND, LONDON. 3W PREFACE. " JjJjtfN these days, when of making books there is no end," ^*^ and every description of work, whether professional or amateur, has a literature of its own, it is strange that scarcely anything should have been written on the fascinating arts of Chasing and Repousse Work. It is true that a few articles have appeared in various periodicals on the subject, but with scarcely an exception they treated only of Working on Wood, and the directions given were generally crude and imperfect. This is the more surprising when we consider how fashionable Repousse Work has become of late years, both here and in America; indeed, in the latter country, "Do you pound brass ? " is said to be a very common question. I have written the following pages in the hope that they might, in some measure, supply a want, and prove of service to my brother amateurs. It has been hinted to me that some of my chapters are rather "advanced;" in other words, that I have gone farther than amateurs are likely to follow me. -
Piece Mold, Lost Wax & Composite Casting Techniques of The
Piece Mold, Lost Wax & Composite Casting Techniques of the Chinese Bronze Age Behzad Bavarian and Lisa Reiner Dept. of MSEM College of Engineering and Computer Science September 2006 Table of Contents Abstract Approximate timeline 1 Introduction 2 Bronze Transition from Clay 4 Elemental Analysis of Bronze Alloys 4 Melting Temperature 7 Casting Methods 8 Casting Molds 14 Casting Flaws 21 Lost Wax Method 25 Sanxingdui 28 Environmental Effects on Surface Appearance 32 Conclusion 35 References 36 China can claim a history rich in over 5,000 years of artistic, philosophical and political advancement. As well, it is birthplace to one of the world's oldest and most complex civilizations. By 1100 BC, a high level of artistic and technical skill in bronze casting had been achieved by the Chinese. Bronze artifacts initially were copies of clay objects, but soon evolved into shapes invoking bronze material characteristics. Essentially, the bronze alloys represented in the copper-tin-lead ternary diagram are not easily hot or cold worked and are difficult to shape by hammering, the most common techniques used by the ancient Europeans and Middle Easterners. This did not deter the Chinese, however, for they had demonstrated technical proficiency with hard, thin walled ceramics by the end of the Neolithic period and were able to use these skills to develop a most unusual casting method called the piece mold process. Advances in ceramic technology played an influential role in the progress of Chinese bronze casting where the piece mold process was more of a technological extension than a distinct innovation. Certainly, the long and specialized experience in handling clay was required to form the delicate inscriptions, to properly fit the molds together and to prevent them from cracking during the pour. -
Chats on Old Jewellery & Trinkets, Maciver Percival
SANTA SARSARA \ THE UBRAKY OF / \ il als. I? CHATS ON OLD JEWELLERY AND TRINKETS BOOKS FOR COLLECTORS With Coloured Frontispieces and many Illustrations. Large Crown 8vo, cloth. CHATS ON ENGLISH CHINA. By ARTHUR HAYDKN. CHATS ON OLD FURNITURE. By ARTHUR HAYDBN. CHATS ON OLD PRINTS. By ARTHUR HAYDBN. CHATS ON COSTUME. By G. WOOLLISCROFT RHEAD. CHATS ON OLD LACE AND NEEDLEWORK. By E. L. LOWES. CHATS ON ORIENTAL CHINA. By J. F. BLACKER. CHATS ON MINIATURES. By J. J. FOSTER. CHATS ON ENGLISH EARTHENWARE By ARTHUR HAYDBN. (Companion Volume to "Chats on English China.' CHATS ON AUTOGRAPHS. By A. M. BROADLBY. CHATS ON OLD PEWTER. By H. J. L. J. MASSE, M.A. CHATS ON POSTAGE STAMPS. By FRED J. MELVILLE. CHATS ON OLD JEWELLERY AND TRINKETS. By MACIVER PERCIVAL. LONDON : T. FISHER UNWIN. NEW YORK : F. A. STOKES COMPANY. CHATS ON OLD JEWELLERY AND TRINKETS BY MACIVER /PERCIVAL NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS (All rights reserved.) PREFACE THIS little book has been written mainly for minor collectors those who love old things, but cannot afford to pay large prices for them. A piece, the possession of which involves the writing of a cheque three is out of their reach for figures, definitely ; even two figures is not a light matter to them, and they prefer to pursue their hobby in those less exalted regions where ten pounds goes a long way, and quite desirable things can be had for a sovereign or two. Of course they will not, at their price meet with things of the kind that it has been the aim of generations of collectors to add to their treasures. -
The Lost-Wax Casting Process—Down to Basics by Eddie Bell, Founder, Santa Fe Symposium
The Lost-Wax Casting Process—Down To Basics By Eddie Bell, Founder, Santa Fe Symposium. Lost-wax casting is a ancient technique that is used today in essentially the same manner as it was first used more than 5,000 years ago. As they say, there's no messing with success. Today, of course, technology has vastly expanded the technique and produced powerful equipment that makes the process faster, easier and more productive than ever, but the basic steps remain the same. The steps below represent a simple overview and are intended to provide a beginning understanding of the casting process. Concept This is obviously where the design is initally conceived, discussed,evolved, and captured on paper—or on computer; CAD (computer aided design) software is increasingly popular among designers. You create the design you envision using the computer tool and the software creates a file that can be uploaded into a CNC mill or 3D printer. Model Build a model, either by hand-carving, guided by the paper rendering, or by uploading the CAD file into a computer controlled milling machine or a 3D printing machine. Models are made using carving wax, resin or similar material. This process can also be done in metal by a goldsmith or silversmith. Note: If a 3D printer or other rapid prototyping equipment is used, it is possible to skip the molding and wax-injection steps by using one of the resins that are specially made to go directly to the treeing process. Molding Create a mold from your master model, placing it in one of a variety of rubber or silicone materials, curing the material, then removing the model from the finished mold. -
Jay's Casting Demonstration
Making a Master to Cast & Process for Casting It October 6 2018: Jay Levy What is “casting”? Casting is a manufacturing process in which a liquid material is usually poured into a mold, which contains a hollow cavity of the desired shape, and then allowed to solidify. The solidified part is also known as a casting, which is ejected or broken out of the mold to complete the process. https://en.wikipedia.org/wiki/Casting Why cast? Process and concept – When creating jewelry, you consider casting if a piece is far too difficult to make with fabrication (metalsmithing) or when you want to produce many identical pieces using a reusable mold. Professional casters generally make castings faster and/or cheaper than you can. (fyi: Casters are lower paid than bench technicians or metalsmiths). How is a model for a casting created? Lost wax techniques are 5000-6000 years old with bee wax and clay used instead of wax. Apart from wax, your model can be anything that melts away clean. Rules for working with Wax: None or few. Don’t contaminate wax with things that don’t burn out – e.g., not bones; Flowers and pine cones are castable “doable” but the cast piece may be too heavy. Styrofoam gives off formaldehyde, only floral green foam (Sternofoam) doesn’t have formaldehyde. All metals shrink, typically 5-7%, except antimony which expands. Therefore, make models for metal rings ¼ size larger. On average, make other models about 10% larger. Edges are never clean on a casting. Consider rounding edges on outside and thin, carve out or fillet the inside. -
Writing for the California Numismatist
Numismatic Summer 2010 California State Association of V. 7, No. 2 Numismatic Southern California $7.95 Association The California Numismatist Collections Experience Singles Integrity Sets Honesty Gold Financial strength Silver Professional Copper Confidential Early type Life: ANA, CSNA, Liberty seated CSNS, FUN, NASC Morgan/Peace dollars We buy it all! If you have coins to sell, Retailer—we can pay see us first. You'll see more because we sell to why we are one of the the public one on one. most fair and respected dealers in California. Eliminate the "middle man"—we buy over 85% We are buying, buying, of our coins from other buying! dealers. Michael Aron Rare Coins Tel (949) 489-8570 Fax (949) 489-8233 www.coindaddy.com [email protected] —serving the numismatic community since 1972— The California Numismatist Offi cial Publication of the California State Numismatic Association and the Numismatic Association of Southern California Summer 2010, Volume 7, Number 2 About the Cover The California Numismatist Staff I’ve again used images from each of Editor Greg Burns the articles in this issue to grace our front P.O. Box 1181 cover. Quite a diverse group: raw gold, Claremont, CA 91711 slabbed silver, paper money, a publica- [email protected] tion, and a token—I think we’ve covered a signifi cant part of the spectrum in just this Club Virginia Bourke one issue. Reports 10601 Vista Camino From our last cover, here are the two South Lakeside, CA 92040 lucky winners that each received a BU [email protected] 1954 silver dime (my birth year). -
96 Metal Artifacts from South Coastal Guatemala
96 METAL ARTIFACTS FROM SOUTH COASTAL GUATEMALA Elisa Mencos Regina Moraga Keywords: Maya archaeology, Guatemala, Escuintla, Pacific Coast, South Coast, metals, copper, Postclassic, Pipil Project, Carolina, Gomera The sites of Carolina and Gomera are located in the township of La Gomera, department of Escuintla. These lands are now used for sugar cane plantations and cattle breeding. During the excavations carried out by the South Coast Regional Archaeological Project (Pipil Project) in that zone, a number of copper artifacts were found, located in the central area and in apparent elite residential contexts (Figure 1). Figure 1. Map of Postclassic sites in Escuintla (provided by Frederick Bove, Pipil Project). 1 Figure 2. Representation of Xipe Totec (taken from the Diccionario de Mitología y Religión de Mesoamérica, 2002). HISTORIC BACKGROUNDS The Postclassic period begins around 900 AD, and extends to 1520 AD. It is characterized by struggles between the different cultural groups that populated Mesoamerica, by constant migrations, and the militarization of society. A large number of cities within this time frame present some type of defensive system as a consequence of the different conflicts between populations. The political, economical and religious power was concentrated on the ruler, who in turn had the support of a dominant class integrated by the nobility. In the religious aspect, human sacrifices became more frequent in relation with the gods and mostly with warfare. The trade networks were intensified and could reach farther away through terrestrial and maritime routes. 2 The Postclassic period is frequently subdivided in two parts: the Early Postclassic (900 to 1250 AD), and the Late Postclassic (1250 AD and up to the Spanish arrival). -
Silicon Tombac Tensile Strength
Tensile strength: 500 N/mm2 Construction material: Silicon tombac Process: Pressure die casting Silicon tombac provides new opportunities C1.EN Pressure die casting using silicon tombac – The technical and economical alternative This is a construction material with a high solidity. It is also known under the names of JAKUSIL, OLKUSIL and TOMBASIL. This alloy is very suitable for thin-walled and highly-stressed structural parts. Brass is a collective term for the group of alloys with the main components copper and zinc. A brass alloy with a copper content of over 70% is also referred to as tombac. Our silicon tombac is an alloy with a high copper content made from the components copper (CU), zinc (Zn) and silicon (Si). It is standardised under the EN 1982 Standard with the designation CuZn16Si4-C. Material number: CC761S / 2.0492.05 Abbreviated designation: CuZn16Si4-C Composition conforming to the Standard: Copper (Cu) : 78.0 – 83.0 % Silicon (Si) : 3.0 – 5.0 % Zinc (Zn) : Remainder Metallurgy: Si strongly influences the CU-ZN alloy by limiting the solubility of Zn in Cu in theα -area. In the α-brass, up to 4% Si can be dissolved in the solid solution. As the Zn content increases, the solubility of the Si in α-solid solution decreases. In the case of CuZn16Si4, the highest level of Si is alloyed with the highest possible Zu content. This is why the quick cooling rate of pressure die and permanent mould casting is significant. Theα -phase crystallised Si is supersaturated. This effect is of practical importance: The higher mechanical values for pressure die and permanent mould casting when compared to sand casting are explained by the supersaturation of the primary, non-disintegrated α-solid solution. -
Casting Alloys: the Saga of Their Existence and the Recipe of Their Blend
Review Article International Journal of Dental Materials 2019; 1(1) Casting alloys: The saga of their existence and the recipe of their blend Guduri Vineeth1,*, Rama Krishna Alla2, Srinivasa Raju D3, Suresh Sajjan MC4, Ramaraju AV4, Harika Yeleti5, 1Senior Lecturer, Department of Prosthodontics, Vishnu Dental College, Bhimavaram, West Godavari, 534202, Andhra Pradesh, India. 2Assistant Professor, Department of Dental Materials, Vishnu Dental College, Bimavaram, West Godavari, 534202, Andhra Pradesh, India. 3Professor, Department of Dentistry, Maharaja Institute of Medical Sciences, Nellimarala, Vizainagaram,, Andhra Pradesh, India. 4Professor, Department of Prosthodontics, Vishnu Dental College, Bhimavaram, West Godavari, 534202, Andhra Pradesh, India. 5Senior Lecturer, Department of Prosthodontics, Lenora Institute of Dental Sciences, Rajahmundry, East Godavari District, Andhra Pradesh 533294, India. INFORMATIO N ABSTRACT Though a variety of metals and combinations have been in use since dec- Article History ades in the field of dentistry, there are only a few which have sustained the challenges of evolving material science. The history of these alloys, their Received 28 April 2019 constituent metals and properties impart the rationale of their use both in Received revised the past and advancing future perspectives. Also bearing the environmen- 11 May 2019 tal hazards in laboratory and clinical environments, safe levels of exposure Accepted 13 May 2019 to these alloys and aspects of selecting the best option among the different Available online 15 May 2019 alternatives is important. KEYWORDS 1. Introduction In dentistry, metals represent one of the four major classes of materials used Alloy for the reconstruction of damaged or missing oral tissues while the others Casting being ceramics, polymers and composites [1]. -
Grain Structure Identification and Casting Parameters of Austenitic Stainless Steel (CASS) Piping
PNNL-19002 Prepared for the U.S. Nuclear Regulatory Commission under an Interagency Agreement with the U.S. Department of Energy Contract DE-AC05-76RL01830 Grain Structure Identification and Casting Parameters of Austenitic Stainless Steel (CASS) Piping CO Ruud AA Diaz MT Anderson November 2009 DI SCLA IM ER This report was prepared as an account of work sponsored by an agency of the United States Government. Neither the United States Government nor any agency thereof, nor Battelle Me morial Institute, nor any of their employees, makes any warranty, express or implied, or assumes any legal liability or responsibility ror t he accuracy, completeness, or useruln ess or any inrormation, apparatus, product, or process disclosed, or represents that its use would not inrringe prh'ately owned rights. Reference herein to any specific commercial product, process, or service by trade name, trademark, manufacturer, or otherwise does not necessarily constitute or imply its endorsement, recommendation, or favoring by the United States Gove rn me nt or any agency thereof, or Battelle Memorial Institute. The views and opinions of authors expressed herein do not necessarily state or reflect those of the Uni ted States Government or any agency thereof PAC IFIC NORTH WEST NATIONAL LABORATORY operated by BATfELLE for the UN ITED STATES DEPARTMENT OF ENERG Y under Contracf DE-ACO>76RLO/830 @T his document was printed on recycled paper. (912003) Grain Structure Identification and Casting Parameters for Austenitic Stainless Steel (CASS) Piping CO Ruud AA Diaz MT Anderson November 2009 Prepared for U.S. Nuclear Regulatory Commission under an Interagency Agreement with the U.S. -
Steel Castings Handbook, Sixth Edition
Steel Castings Handbook, 6th Edition (#06820G) Copyright © 1995 ASM International ® Editor(s): Malcolm Blair, Thomas L. Stevens All rights reserved. www.asminternational.org 1-2 Part 1: General Information high strength, low and high temperature service and corrosion resis Introduction tance. There are approximately 300 steel foundries in North America. Steel is the most versatile engineering material available today. Due to the diversity of market requirements such as size, tolerances, Steel can be easily welded and processed and plays a vital role in chemistry, volume, etc., a single foundry cannot serve all of the maintaining the high standard of living enjoyed by the industrialized market and each company will tend to specialize in a portion of the nations of the world. total market. Some of the specialized areas are: The versatility of steel can be easily recognized by its applications which range from high strength structural applications to excellent • railroad, construction equipment, truck and mining industries. corrosion resistance in aggressive fluids. • high alloy stainless steel used in corrosion and heat resistant The differences between steel castings and its wrought counter applications or low volume prototype and service parts. parts are principally in the method of production. In the case of The balance of this chapter indicates chapters which will contain wrought steel cast bars, slabs and ingots are mechanically worked to detailed information regarding the casting processes, applications produce sheet, bar, tube and other product forms. However, steel for steel castings and suggestions regarding the use of steel castings. castings are produced in the final product form without any interme diate mechanical working.