64 Elementarization-Segmentation, 1965-80

Total Page:16

File Type:pdf, Size:1020Kb

64 Elementarization-Segmentation, 1965-80 10 Michael Govan, Foreword 11 Alain Seban, Foreword 13 Bernard Blistene, Preface 14 The Organon of Frank Gehry, Frederic Migayrou 34 The Promise of Cities, Aurelien Lemonier 54 Interview with Frank Gehry 64 ELEMENTARIZATION-SEGMENTATION, 1965-80 Danziger Studio / Residence Davis Studio / Residence Gemini G.E.L. Mid-Atlantic Toyota Gunther Residence Wagner Residence Familian Residence Gehry Residence Spiller Residence Berger, Kahn, Shafton & Moss Law Offices 88 COMPOSITION-ASSEMBLAGE, 1980-90 Indiana Avenue Houses House for a Filmmaker Wosk Residence Smith Residence Tract House Norton Residence Winton Guest House Sirmai-Peterson Residence California Aerospace Museum and Theater Edgemar Development Loyola Law School Chiat\Day Building Schnabel Residence http://d-nb.info/1059843765 116 Frank Gehry in the Workshop: 180 CONTINUITY-FLUX, 2000-10 Furniture Experiments DZ Bank Eliza Culea Experience Music Project Samsung Museum of Modern Art 126 FUSION-INTERACTION, 1990-2000 The Richard B. Fisher Center for the Performing Arts at Bard College Vitra International Furniture Manufacturing Hotel at Marques de Riscal Facility and Design Museum Jay Pritzker Pavilion Lewis Residence Cleveland Clinic Lou Ruvo Center Frederick R. Weisman Art for Brain Health and Teaching Museum Quanzhou Museum of Contemporary Art (QMoCAl EMR Communication and Technology Center Guggenheim Museum Bilbao The Neuer Zollhof 200 SINGULARITY-UNITY, 2010-15 Campus Novartis, Gehry Building USTRA Office Building IAC Building 146 TENSION-CONFLICT, 1990-2000 8 Spruce Street Fondation Louis Vuitton Walt Disney Concert Hall The Luma Foundation / Pare des Ateliers Nationale-Nederlanden Building Santa Monica Mixed-Use Development Ray and Maria Stata Center for Computer, Information, and Intelligence Sciences Dr Chau Chak Wing Building MARTa Herford Museum Sonderborg Kunsthalle Corcoran Gallery of Art National Art Museum of China (NAMOC) Biomuseo Monaco Competition Jerusalem Museum of Tolerance National Art Museum of Andorra - Center for Human Dignity The Peter B. Lewis Science Library Guggenheim Abu Dhabi 228 Territories Gwenael Delhumeau 168 Form-building 233 Chronology of Major Urban Projects Andrew Witt (1967-2014) 173 Frank Gehry. The Interlacing of the Material 248 Bibliography and the Digital Marie-Ange Brayer .
Recommended publications
  • The Fondation Louis Vuitton
    THE FONDATION LOUIS VUITTON A new ambition for LVMH's corporate patronage Created by the LVMH group and its Maisons in 2006 on the initiative of Bernard Arnault, the Fondation Louis Vuitton forms part of the art and culture patronage programme developed by the group for over twenty years. It also marks a new step driven by a renewed ambition: – A lasting commitment with the desire to become firmly rooted in a particular place and bring an institution to life over the long term. – A major philanthropic gesture towards the city of Paris with the construction of an exceptional building on municipal state property and the signature of a 55-year occupancy agreement with Paris city council. Driven by a desire to work for the common good, the Fondation Louis Vuitton demonstrates a clear commitment to contemporary art and looks to make it accessible to as many people as possible. To foster the creation of contemporary art on a national and international scale, the Fondation Louis Vuitton calls on a permanent collection, commissions from artists, temporary modern and contemporary art exhibitions and multidisciplinary events. One of its priorities is to fulfil an educational role, especially among the young. A new monument for Paris Frank Gehry has designed a building that, through its strength and singularity, represents the first artistic step on the part of the Fondation Louis Vuitton. This large vessel covered in twelve glass sails, situated in the Bois de Boulogne, on the edge of avenue du Mahatma Gandhi, is attached to the Jardin d'Acclimatation. Set on a water garden created for the occasion, the building blends into the natural environment, amidst the wood and the garden, playing with light and mirror effects.
    [Show full text]
  • New York by Gehry Architect Brochure
    architect “I’ve always been fascinated with folds. All artists through the ages have spent time on the fold. Michelangelo had stacks of drawings of fabric. At 8 Spruce, we’re using Bernini’s folds to inspire the façade. I look for ways to express feeling in a building without using historic decoration.” Frank Gehry As varied as the cultural contexts in which he builds, Gehry’s muses include the natu- ral environment, clients, colleagues and artists from a variety of eras and disciplines. When seeking inspiration Gehry has spoken of turning to classic art, and, especially, to paintings, which he has said are ephemeral, open to interpretation and filled with ideas. However, for New York by Gehry, he was initially particularly inspired by Michelan- gelo’s drawings of fabric, which suggested the design of a very curvaceous, voluptuous façade. Later, in an early morning epiphany, Gehry recalled the work of 17th century Italian artist Gian Lorenzo Bernini and the design took a new direction. Gehry’s fascination with Bernini dates back to 1960 when he first saw Bernini’s masterful sculpture, the Ecstasy of Saint Teresa, in the Cornaro Chapel in Santa Maria della Vittoria. This sculpture, which he now visits on annual trips to Rome, features Bernini’s signature sharp, elongated folds of flowing fabric. The morning after his epiphany, Gehry went to a young designer in his office and asked her if she knew the difference between “Michelangelo curves and Bernini curves.” She said that she did, and within a matter of hours she delivered the sketch that led to the first model of New York by Gehry.
    [Show full text]
  • Campusmap06.Pdf
    A B C D E F MIT Campus Map Welcome to MIT #HARLES3TREET All MIT buildings are designated .% by numbers. Under this numbering "ROAD 1 )NSTITUTE 1 system, a single room number "ENT3TREET serves to completely identify any &ULKERSON3TREET location on the campus. In a 2OGERS3TREET typical room number, such as 7-121, .% 5NIVERSITY (ARVARD3QUARE#ENTRAL3QUARE the figure(s) preceding the hyphen 0ARK . gives the building number, the first .% -)4&EDERAL number following the hyphen, the (OTEL -)4 #REDIT5NION floor, and the last two numbers, 3TATE3TREET "INNEY3TREET .7 43 the room. 6ILLAGE3T -)4 -USEUM 7INDSOR3TREET .% 4HE#HARLES . 3TARK$RAPER 2ANDOM . 43 3IDNEY 0ACIFIC 3IDNEY3TREET (ALL ,ABORATORY )NC Please refer to the building index on 0ACIFIC3TREET .7 .% 'RADUATE2ESIDENCE 3IDNEY 43 0ACIFIC3TREET ,ANDSDOWNE 3TREET 0ORTLAND3TREET 43 the reverse side of this map, 3TREET 7INDSOR .% ,ANDSDOWNE -ASS!VE 3TREET,OT .7 3TREET .% 4ECHNOLOGY if the room number is unknown. 3QUARE "ROADWAY ,ANDSDOWNE3TREET . 43 2 -AIN3TREET 2 3MART3TREET ,ANDSDOWNE #ROSS3TREET ,ANDSDOWNE 43 An interactive map of MIT 3TREETGARAGE 3TREET 43 .% 2ESIDENCE)NN -C'OVERN)NSTITUTEFOR BY-ARRIOTT can be found at 0ACIFIC "RAIN2ESEARCH 3TREET,OT %DGERTON (OUSE 'ALILEO7AY http://whereis.mit.edu/. .7 !LBANY3TREET 0LASMA .7 .7 7HITEHEAD !LBANY3TREET )NSTITUTE 0ACIFIC3TREET,OT 3CIENCE .7 .! .!NNEX,OT "RAINAND#OGNITIVE AND&USION 0ARKING'ARAGE Parking -ASS 3CIENCES#OMPLEX 0ARSONS .% !VE,OT . !LBANY3TREET #ENTER ,ABORATORY "ROAD)NSTITUTE 'RADUATE2ESIDENCE .UCLEAR2EACTOR ,OT #YCLOTRON ¬ =
    [Show full text]
  • Advancing Women in Real Estate in the United States
    Advancing Women in Real Estate in the United States i ADVANCING WOMEN IN REAL ESTATE IN THE UNITED STATES Table of Contents I. Overview of the Women’s Leadership Initiative II. Executive Summary III. Survey Results of Women in the Industry IV. Strategies to Promote Women V. Recommended Actions VI. Case Studies a. City of Dallas b. EDENS c. Forest City Ratner d. Gensler e. Prologis f. Pursley Friese Torgrimson VII. Research Approach VIII. Credits 1 ADVANCING WOMEN IN REAL ESTATE IN THE UNITED STATES Overview of the Women’s Leadership Initiative The Women’s Leadership Initiative (WLI) at the Urban Land Institute (ULI) was founded in 2011 to encourage greater diversity in the real estate and land use industry. A variety of global research demonstrates that gender diversity in a company’s leadership ranks correlates with improved per- formance compared with peer organizations that lack diversity. Economic research also illustrates the increased productivity possible if industry sectors fully use the female population in the work- force. Yet membership statistics for ULI reflect a lack of diversity, with only one in four members being a woman. In order to build a vibrant and sustainable organization, that lack of diversity must be addressed. The mission of WLI is to raise the visibility and number of women leaders at ULI and in the real estate industry. This mission is achieved through the following objectives: • Promote the advancement of women, throughout their careers, as leaders in the real estate industry. • Increase the number of women serving in leadership positions in the real estate industry and at ULI.
    [Show full text]
  • Campus Map, Shuttle Routes & Parking
    CAMPUS MAP, SHUTTLE ROUTES & PARKING SHUTTLE STOPS REUNION SHUTTLES SCHEDULE CAMPUS PARKING LOTS Tech Reunions Shuttle – red route Thursday, June 8 Saturday, June 10 and Sunday June 11 Four vehicles will service the Tech Reunions route (marked red on the map), All day: NW23 C, NW30 D, NW86 E, Waverly Lot F, All day: 158 Mass. Ave. Lot A, Albany Garage B, 1 Kresge/Maseeh Hall and one will service the MIT Museum route (marked blue on the map) the Westgate Lot (limited space) G, NW23 C, NW30 D, NW86 E, Waverly Lot F, 2 Burton House following hours: After 2:30 p.m.: West Lot H Westgate Lot G, West Lot H, West Garage I, 3 Westgate Parking Lot Kresge Lot J, Tang Center Lot (ungated lot) K Thursday, June 8: 2:00 p.m.–10:00 p.m. Friday, June 9 4 Hyatt Regency/W92 All day: NW23 C, NW30 D, NW86 E, Waverly Lot F, 5 Friday, June 9: 7:00 a.m.–7:30 p.m., then 11:00 p.m.–1:00 a.m. Parking for Registration and Check-in Simmons Hall G, *Please note that service to stops 1, 2, 3, 12, and 13 will be suspended from Westgate Lot (limited space) 20-minute parking is available in the Student Center 6 Johnson Athletics Center H, 9:00–10:30 a.m. for the Commencement procession. The MIT Museum Shuttle After 2:30 p.m.: West Lot West Garage I turnaround R1 , and in front of McCormick Hall R2 . Charles Street 7 Vassar Street at Mass Ave.
    [Show full text]
  • Press Release Frank Gehry First Major European
    1st August 2014 PRESS RELEASE communications and partnerships department 75191 Paris cedex 04 FRANK GEHRY director Benoît Parayre telephone FIRST MAJOR EUROPEAN 00 33 (0)1 44 78 12 87 e-mail [email protected] RETROSPECTIVE press officer 8 OCTOBER 2014 - 26 JANUARY 2015 Anne-Marie Pereira telephone GALERIE SUD, LEVEL 1 00 33 (0)1 44 78 40 69 e-mail [email protected] www.centrepompidou.fr For the first time in Europe, the Centre Pompidou is to present a comprehensive retrospective of the work of Frank Gehry, one of the great figures of contemporary architecture. Known all over the world for his buildings, many of which have attained iconic status, Frank Gehry has revolutionised architecture’s aesthetics, its social and cultural role, and its relationship to the city. It was in Los Angeles, in the early 1960s, that Gehry opened his own office as an architect. There he engaged with the California art scene, becoming friends with artists such as Ed Ruscha, Richard Serra, Claes Oldenburg, Larry Bell, and Ron Davis. His encounter with the works of Robert Rauschenberg and Jasper Johns would open the way to a transformation of his practice as an architect, for which his own, now world-famous, house at Santa Monica would serve as a manifesto. Frank Gehry’s work has since then been based on the interrogation of architecture’s means of expression, a process that has brought with it new methods of design and a new approach to materials, with for example the use of such “poor” materials as cardboard, sheet steel and industrial wire mesh.
    [Show full text]
  • This File Was Downloaded From
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queensland University of Technology ePrints Archive This is the author’s version of a work that was submitted/accepted for pub- lication in the following source: Brott, Simone (2012) Modernity’s opiate, or the crisis of iconic architecture. Log, 26, pp. 49-59. This file was downloaded from: http://eprints.qut.edu.au/47848/ c Copyright 2012 Anyone Corporation Notice: Changes introduced as a result of publishing processes such as copy-editing and formatting may not be reflected in this document. For a definitive version of this work, please refer to the published source: Brott DRAFT – 10/22/12 1 Modernity’s Opiate, or the Crisis of Iconic Architecture Log 26 Simone Brott Theodor Adorno was opposed to cinema because he felt it was too close to reality, and thus an extension of ideological capital.1 What troubled Adorno was the iconic nature of cinema – its ability to mimic the formal visual qualities of its referent.2 For the postwar, Hollywood-film spectator, Adorno said, “the world outside is an extension of the film he has just left,” because realism is a precise instrument for the manipulation of the mass spectator by the culture industry, for which the filmic image is an advertisement for the world unedited.3 Mimesis, or the reproduction of reality, is a “mere reproduction of the economic base.”4 It is precisely film’s iconicity, then, its “realist aesthetic . [that] makes it inseparable from its commodity character.”5 Adorno’s critique of what is facile in the cinematic image – its false immediacy – glimmers in the ubiquitous yet misunderstood term “iconic architecture” of our own episteme.
    [Show full text]
  • The Pacific Park Brooklyn Project Is the Redevelopment of 22 Acres In
    CREDIT VUW PACIFIC PARK BROOKLYN The Pacific Park Brooklyn project is the redevelopment of 22 acres in downtown Brooklyn that will include approximately 6 million square feet of residential space (6,430 units of affordable and market-rate housing), a state of the art sports and entertainment arena, the Barclays Center, 247,000 square feet of retail use, approximately 336,000 square feet of office space and 8 acres of publicly accessible open space. The project plan permits a program variation which could allow for up to 1.6 million square feet of commercial space. The project also includes major transportation improvements, including a new storage and maintenance facility for the LIRR and a new subway entrance to the Atlantic Terminal Transit Hub, the third largest hub in the City. Atlantic Yards’ Master Plan was designed by Frank Gehry. The development was renamed Pacific Park Brooklyn in July, 2014. DEVELOPER In 2006 New York State approved Forest City Ratner Companies’ master plan for Atlantic Yards. In June of 2014, Greenland, USA and Forest City Ratner Companies closed on a joint venture agreement to develop all phases of the project – excluding Barclays Center and the first residential tower, 461 Dean Street, already under construction – including infrastructure, a permanent MTA rail yard, a platform above the rail yard, future residential units and future commercial high-rise development. Greenland Forest City Partners was chosen as the name of the new development company. SCHEDULE In June of 2014, Greenland Forest City Partners, New York State and New York City reached a deal to accelerate the build-out of Pacific Park Brooklyn.
    [Show full text]
  • Blanton Museum to Exhibit 'Making Africa: a Continent Of
    FOR IMMEDIATE RELEASE MEDIA CONTACTS: Carlotta Stankiewicz, 512.475.6784, [email protected] Penny Snyder, 512.471.0241, [email protected] BLANTON MUSEUM TO EXHIBIT MAKING AFRICA: A CONTINENT OF CONTEMPORARY DESIGN Exhibition featuring the work of over 120 creatives sheds new light on contemporary African design AUSTIN, Texas—September 11, 2018— The Blanton Museum of Art at The University of Texas at Austin will present Making Africa: A Continent of Contemporary Design from October 14, 2018 to January 6, 2019 in the Sarah and Ernest Butler Gallery. Making Africa showcases the work of over 120 artists and designers from and within Africa working in an exhilarating range of media including sculpture, fashion, furniture, architecture, film, photography, maps, digital comics, graphic and web design, and more. The exhibition presents Africa as a hub of experimentation—and as a driving force in the development of design in the twenty-first century. Making Africa reconsiders and expands definitions of both design and Africa—a shift in perspective symbolized by Kenyan artist Cyrus Kabiru’s sculptural C-Stunner eyeglasses made of found materials (2012). The exhibition offers a vision of Africa in the twenty-first century as a place of unbounded optimism, rapid growth, and massive cultural transformation. This spirit echoes that of the mid- twentieth century, when a young generation of Africans, celebrating their liberation from colonization, self-assuredly asserted themselves on a global stage. The exhibition draws parallels to that era by juxtaposing select examples of mid-twentieth-century art and design with contemporary works. “The Blanton is thrilled to present this deeply insightful and relevant exhibition to Austin’s creative community,” said Blanton director Simone Wicha.
    [Show full text]
  • Survey of Rent Stabilized Apartment Units in Lower Manhattan
    Survey of Rent Stabilized Apartment Units in Lower Manhattan Prepared by Manhattan Community Board 1 January 21, 2015 Contents Executive Summary ................................................................................................. 2 Background of Survey ............................................................................................. 3 Why Care About Rent Stabilized Apartments? .................................................... 3 What Tenants Should Know About Rent Stabilized Apartments ........................ 4 What Should I Know Before Signing a Lease? .................................................... 5 Deregulation Due to Tenant Income Level or Vacancy ....................................... 5 List of Rent Stabilized Units in Lower Manhattan .................................................. 6 Map with Locations of Stabilized Units .................................................................. 9 Acknowledgments .................................................................................................. 10 1 Executive Summary This report is intended as a resource for anyone seeking a rent stabilized apartment in the district. It is also intended to serve as a brief primer about rent stabilization. We hope that it will help tenants take advantage of opportunities to move into regulated apartments. By making this information available, CB1 seeks to encourage a stable population of long-term residents. Community Board 1 (CB1) enjoys considerable affordable and rent stabilized housing. Nevertheless,
    [Show full text]
  • The Vision of a Guggenheim Museum in Bilbao
    HARVARD DESIGN SCHOOL THE VISION OF A GUGGENHEIM MUSEUM IN BILBAO In a March 31, 1999 article, the Washington Post? posed the following question: "Can a single building bring a whole city back to life? More precisely, can a single modern building designed for an abandoned shipyard by a laid-back California architect breath new economic and cultural life into a decaying industri- al city in the Spanish rust belt?" Still, the issues addressed by the article illustrate only a small part of the multifaceted Guggenheim Museum of Bilbao. A thorough study of how this building was conceived and made reveals equally significant aspects such as getting the best from the design architect, the master handling of the project by an inexperienced owner, the pivotal role of the executive architect-project man- ager, the dependence on local expertise for construction, the transformation of the architectural profession by information technology, the budgeting and scheduling of an unprecedented project without sufficient information. By studying these issues, the greater question can be asked: "Can the success of the Guggenheim museum be repeated?" 1 Museum Puts Bilbao Back on Spain’s Economic and Cultural Maps T.R. Reid; The Washington Post; Mar 31, 1999; pg. A.16 Graduate student Stefanos Skylakakis prepared this case under the supervision of Professor Spiro N. Pollalis as the basis for class discussion rather to illustrate effective or ineffective handling of an administrative situation, a design process or a design itself. Copyright © 2005 by the President and Fellows of Harvard College. To order copies or request permission to repro- duce materials call (617) 495-4496.
    [Show full text]
  • Invisible Science
    Invisible Science Steven Shapin here’s a McDonald’s restaurant near where I live in Cambridge, Massachusetts. Roughly equidistant from Harvard and the Massachusetts Institute of Technology and close to one of the beating hearts of modern science and tech- Tnology, the restaurant sits across Massachusetts Avenue from a nondescript building full of entrepreneurial electronic gaming companies. Walk a little toward the MIT end of the avenue, and you pass major institutes for bioinformatics and cancer research, at least a dozen pharmaceutical and biotech companies, outposts of Microsoft and Google, the Frank Gehry−designed Stata Center, which houses much of MIT’s artifi- cial intelligence and computer science activities (with an office for Noam Chomsky), and several “workbars” and “coworking spaces” for start-up high-tech companies. You might think that this McDonald’s is well placed to feed the neighborhood’s scientists and engineers, but few of them actually eat there, perhaps convinced by sound sci- entific evidence that Big Macs aren’t good for them. (Far more popular among the scientists and techies is an innovative vegetarian restaurant across the street—styled as a “food lab”—founded, appropriately enough, by an MIT materials science and Harvard Business School graduate.) You might also assume that, while a lot of science happens at MIT and Harvard, and at the for-profit and nonprofit organizations clustered around the McDonald’s, the fast-food outlet itself has little or no significance for the place of science in late modern society. No scientists or engineers (that I know of) work there, and no scientific inquiry (that I am aware of) is going on there.
    [Show full text]