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Firenze Fr E Ec O P Y ANNO 1 NUMERO 1 MARZO 2002 GL IE V E N T I D’ARTE IN ITA L I A THE ART EX H I B I T I O N SI NI TA L Y DISTRIBUZIONE GRATU I T A FIRENZE FR E EC O P Y CÉZANNE p. 27 LÜTHI p. 25 FOPPA p. 28 NESHAT p. 26 FLUXUS p. 21 TOSCANA FIRENZE ➫ 7.4.2002 PRATO ➫ 10.6.2002 Nel segno di Masaccio Co n t i n u i t à . 199 0 - 2 0 00 Volti di marmo Firenze, Palazzo Medici In the sign of Masaccio Continuity. 1990-2000 Riccardi La mostra “Nel segno di Masaccio” ha Around this central ideal there is an Non si nasconde certo dietro un dito Jean-Christophe Ammann, curator of the p.8 come fulcro le indagini condotte sul- awaited analysis to illustrate the in- Jean-Christophe Ammann, curatore del- cu r r ent stop in the present of post WW I I la Trinità di Santa Maria Novella, ope- vention and evolution of the principles la tappa nel presente dell’a r te toscana del Tuscan art, certainly does not hide behind ra che rappresenta una straor- of perspective in the centuries. dopoguerra. Nel suo saggio introd u t t i - ex cuses. In his introd u c t o r y essay for the ca- dinaria cesura nella storia del- The exhibit, organized by vo in catalogo espone concetti sacro- talogue he displays sacrosanct concepts which l’a r te italiana. Attorno a questo Filippo Cam e r ota, is struc t u re d santi che alla luce del conformismo (e sound almost like a rev olution after the centro ideale si articola un’a- a c c o rding to a didactic cutting spesso anche pressappochismo) impe- cu r r ent conformism, (or even ‘ap r oxi m a - nalisi tesa a illustrare l’inven- that groups together original rante suonano quasi una rivol u z i o n e . ti s m s ’)… The wealth of silliness on the de- zione e l’e v oluzione dei principi w o rks, re p roductions and re- Lo sciochezzario del dibattito sul senso bate reg a r ding the mission of museums, the della pro s p e t t i va nei secoli. c o n s t ructions, with wise doses of scien- dei musei, sulla funzione dei nuovi me- function of new media and especially, the L’esposizione, curata da Fi l i p p o tific data and art history. dia e, soprattutto, le tante mostre inu- nu m e r ous useless exhibitions (Amman mo- Con t i n u i t à . C a m e rota, è strutturata secondo un ➥ 5 tili (Ammann parla più elegantemente ➥ 5 Ar te in tos c a n a ROMA ➫ 30.6.2002 194 5 - 19 6 7 Firenze, Palazzo Strozzi Diamanti p.8 Diamonds Abbas. Viaggio Quello sul petto di Pallade è l’ i m p re- sa che ave vano adottato i Medici, dal negli Islam del tempo di Gi ovanni di Ave d a rdo: un mondo anello con un diamante in punta in- Firenze, Sala d’Arme di c a s t o n a t o. Così Sa n d ro Botticelli di- Palazzo pinge la dea che doma il Centauro, ri- p.10 petendo il motivo dei tre anelli in- t recciati, come un ricamo che orna tutta la veste: già investito di va l o re ap o t r opaico, il diamante è ora simbolo di quella purezza dell’intelletto, di quella forza che non può essere scal- Vittore Carpaccio, San Giorgio uccide il Drago, foto Balestrini fita e che riesce a domare la brutalità. Pi a c e va ai potenti e ammaliava la gen- Dal web alla carta . Ri to r no dal futur o? te comune; alla gemma che sembra- va ave re in sé la luce, gli autori me- Livio Scarpella From the net back to paper. Back from the future? d i e vali attribuirono virtù magiche e Firenze, Galleria Poggiali e Il periodico che si presenta oggi ha una particolarità nel pa- The periodical being presented today is a rather special one in medicinali, quando queste si dissol- Forconi s e ro, rimase comunque un vago alo- p.6 norama culturale ed informatico: percorre a ritroso il cam- this world of culture and information technology: it has not ta- mino che tante riviste su carta hanno compiuto, dotando- ken the path that many paper magazines have reluctantly follo- ne di mistero, un indulgere nel fan- si di un sito web. ExibART nata su e per il web ha da oggi wed, that is to say, created an online version. Exi b A R T instead, una versione tradizionale nel più semplice e diretto mate- was born online and created for the web , but as of today has a ITALIA riale di comunicazione: la carta. Non è tuttavia il segno di mo r e traditional and direct version: on paper. This is not howe- una resa o di un “ritorno dal futuro”. ver a sign of defeat or a ‘ret u r n from the future’ so to speak. Wit h Ne o c l a s s i c i s m o Con le sue migliaia di accessi mensili, Exi b A R T serve un gran thousands of hits a month, the Exi b A R T site is a ver y useful re- numero di esperti, appassionati, turisti che si rivolgono al so u r ce for experts, enthusiasts, and visitors who turn to the site in Italia sito per avere una guida competente ed esaustiva alle mo- for a competent and exhaustive guide to exhibitions around the Milano, Palazzo Reale st r e: non solo quelle grandi, pubblicizzate da manifesti e me- co u n t r y-and not just the major ones which are already ver y wel l p.23 dia, ma anche quelle minori, che sanno cogliere aspetti ed publicised with posters and in the media, but also the smaller artisti meno noti e dimostrano la vitalità dell’arte nel no- exhibits that look at the less wel l - k n o wn artists and artistic tren d s Alfred Sisley stro Paese. Il grande successo della rivista elettronica ha co- and movements, and that show the vitality of the art scene in Ferrara, Palazzo dei Diamanti stituito la spinta ad essere più vicini a quanti la consultano our country. The great success of the electronic version is what p.19 abitualmente ma anche a cercare nuovi utenti: per gli uni e pushed the magazine’s editors to try and get closer to its rea d e r s The one on the breast of Pallade was the per gli altri sarà utile disporre nelle immediate vicinanze del- and aficionados, but also to try and get new readers: for both ca- enterprise adopted by the Medici, fro m le mostre di uno strumento agile, da portare in tasca , sen- te g o r y of ‘us e r ’ it will be useful to have a small format avai l a b l e the times of John of Ave d a rdo: a ring za problemi di collegamento. that you can keep in your pocket and don’t have to log on to in with a pointed diamond mounted on it. Antonia Ida Fontana Aschero or der to use as you visit the exhibition venues. Those who con- Thus does Sa n d ro Botticelli paint the Dirigente Biblioteca Nazionale Centrale Firenze ➥ 2 goddess that tames the Ca n t a u r, re p e a- ting the motif of three linked rings in the way of an embro i d e ry covering the e n t i re cloth: once vested with apotro p a i c value, the diamond is now a symbol of Il Futurismo a that purity of intellect and that force that Milano cannot be touched, and which can in Milano, PAC t u rn tame bru t a l i t y. The powe rful liked p.22 ➥ 4 Ex i b A R Ton paper Gli eventi d’arte in Italia 2 Marzo 2002 Dalla prima The art exhibitions in Italy Dal web alla carta. Ritorno dal futuro? From the net back to paper. Back from the future? Chi incontra Exi b A R T per la prima vol - soprattutto, può essere conservato nel sandoli su CD, che andranno tuttavia rin- sp o rt a r e su carta il proprio sito. Forse sug- mento completo e costante, ma soprat- ta troverà una grande ricchezza di in- te m p o . La nuova versione dà anche una fr escati con una certa frequenza, sia stu- gerimenti stimolanti ed indicazioni uti- tutto si adeguano per increm e n t a r e il formazioni, offerte in modo agile ed ac- delle risposte possibili ad un prob l e m a , diando i sistemi che consentiranno l’e - li verranno anche da questa esperienza, senso di comunità dell’a r te che questa ca t t i v ante, la carta, sempre un po’ sus- ormai indilazionabile, della nostra cul- mulazione dei software oggi in uso. che può avvalersi del feedback di migliaia Rivista, nelle sue due versioni elettron i - siegosa e talvolta ostile, dive n t a tura: se tanta parte di essa ormai passa Alcune Biblioteche Nazionali straniere di utenti. La diffusione in almeno cin- ca e cartacea, cerca di costrui r e.
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