Pop Art Pointillism (Or Divisionism)

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MODERN ART Learn about different artists from the 19th and 20th centuries and try some different techniques to create your very own modern art pieces. This week’s activities: Pop Art – Pointillism Pop Art Pop Artists like Andy Warhol and Roy Lichtenstein were inspired by things like comic books and images from advertisements. You might have seen Andy Warhol’s print of a can of tomato soup. Suggested Materials: • Paper • Pencil • Paint (or crayons – anything you have, to add colour) Directions: 1. Put 4 of the same picture on a page of blank paper (you can use our example or draw one). 2. Make each image a different colour. Try using unusual colours for whatever image you choose. Pointillism (or Divisionism) Georges Seurat developed this art style. Using small dots to create areas of colour, the dots create a picture. Suggested Materials: • Paper • Markers (paint, pencil crayons and crayons would work as well) Directions 1. Use our template below or draw your own picture as a starting point. Now make tiny dots of colour in the different spaces. Instead of colouring, you’re ‘dotting.’ 2. Step back from your paper to see your whole picture and see what your dots have created. Links to eResources: Check out our eBooks on these topics: Modern Art | Artists Check out the books Art’s Supplies and Monet Paints a Day on Tumblebooks. You can get a library card at hpl.ca/online-registration. If you would like to share one or all your creations, please take a picture and post it to social media using the hashtag, #HPLmakesomething. .

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Supplementary Information For
1 2 Supplementary Information for 3 Dissecting landscape art history with information theory 4 Byunghwee Lee, Min Kyung Seo, Daniel Kim, In-seob Shin, Maximilian Schich, Hawoong Jeong, Seung Kee Han 5 Hawoong Jeong 6 E-mail:[email protected] 7 Seung Kee Han 8 E-mail:[email protected] 9 This PDF file includes: 10 Supplementary text 11 Figs. S1 to S20 12 Tables S1 to S2 13 References for SI reference citations www.pnas.org/cgi/doi/10.1073/pnas.2011927117 Byunghwee Lee, Min Kyung Seo, Daniel Kim, In-seob Shin, Maximilian Schich, Hawoong Jeong, Seung Kee Han 1 of 28 14 Supporting Information Text 15 I. Datasets 16 A. Data curation. Digital scans of landscape paintings were collected from the two major online sources: Wiki Art (WA) (1) 17 and the Web Gallery of Art (WGA) (2). For our purpose, we collected 12,431 landscape paintings by 1,071 artists assigned to 18 61 nationalities from WA, and 3,610 landscape paintings by 816 artists assigned with 20 nationalities from WGA. While the 19 overall number of paintings from WGA is relatively smaller than from WA, the WGA dataset has a larger volume of paintings 20 produced before 1800 CE. Therefore, we utilize both datasets in a complementary way. 21 As same paintings can be included in both datasets, we carefully constructed a unified dataset by filtering out the duplicate 22 paintings from both datasets by using meta-information of paintings (title, painter, completion date, etc.) to construct a unified 23 set of painting images. The filtering process is as follows.
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