Boston Symphony Orchestra Concert Programs, Summer, 1997
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Lorenzo Da Ponte: Leben Und Werk
LORENZO DA PONTE: LEBEN UND WERK. Zusammengestellt von Wiebke Krohn und Johannes Schweitzer In: Hanak, Werner/Jüdisches Museum Wien (Hrsg.): Lorenzo Da Ponte. Aufbruch in die Neue Welt. (anlässlich der gleichnamigen Ausstellung im Jüdischen Museum Wien vom 22. März bis 17. September 2006) Ostfildern, 2006, pp. 177-186. LORENZO DA PONTE: LEBEN UND WERK 1749 Lorenzo Da Ponte wird als Emanuele Conegliano am 10. März in Ceneda (heute Vittorio Veneto) als ältester Sohn des Lederhändlers Geremia Conegliano und Rachele Pincherle geboren. Die Familie ist jüdisch und wohnt im dortigen Ghetto. 1763 Geremia Conegliano lässt sich, Emanuele und die beiden jüngeren Söhne Baruch und Anania am 29. August durch den Bischof von Ceneda, Mons. Lorenzo Da Ponte, christlich taufen. Die Familie erhält den Nachnamen des Taufpaten, der Vater den Vornamen Gasparo und die drei Brüder die Namen Lorenzo, Girolamo und Luigi. Der Vater – seit 1754 Witwer, Rachele starb wahrscheinlich an der Entbindung des dritten Sohnes – heiratet am 10. September die erst 18-jährige Orsola Pasqua Paietta. Aus dieser Ehe gehen drei Söhne und sieben Töchter hervor. Am 1. November treten Lorenzo und Girolamo mit der Unterstützung des Bischofs und der Pia Casa dei Catecumeni di Venezia – einer Einrichtung zur Konversion und Erziehung Andersgläubiger – in das Priesterseminar von Ceneda ein. Hier werden sie in Latein geschult und kommen dank der Lehrverpflichtung von Abbé Cagliari aus Altivole (Universität Padova) mit den großen italienischen Autoren Dante, Petrarca, Ariosto und Tasso in Berührung. Die lebenslange Freundschaft Lorenzos mit dem um zwei Jahre älteren Michele Colombo hat hier ihren Anfang. 1765 Lorenzo Da Ponte erhält die niederen Weihen. -
For Release: Tk, 2013
FOR IMMEDIATE RELEASE February 20, 2014 Contact: Katherine E. Johnson (212) 875-5718; [email protected] The Mary and James G. Wallach Artist-in-Residence YEFIM BRONFMAN To Be Featured in CHAMBER MUSIC CONCERT with New York Philharmonic Musicians A Co-Presentation with 92nd Street Y Schubert’s Sonatina in A minor Bartók’s Contrasts for Violin, Clarinet, and Piano Brahms’s Piano Quintet March 30, 2014, at 92nd Street Y Yefim Bronfman, the New York Philharmonic’s 2013–14 Mary and James G. Wallach Artist-in- Residence, will be spotlighted in a chamber music concert co-presented with 92nd Street Y. Mr. Bronfman will be joined by Philharmonic Concertmaster Glenn Dicterow; Principal Clarinet Stephen Williamson; Associate Principal, Second Violin Group, Lisa Kim; Associate Principal Viola Rebecca Young; and cellist Maria Kitsopoulos for the program, featuring Schubert’s Sonatina in A minor; Bartók’s Contrasts for Violin, Clarinet, and Piano; and Brahms’s Piano Quintet, Sunday, March 30, 2014, at 3:00 p.m. at 92nd Street Y. During his residency, Mr. Bronfman has performed on CONTACT!, the Philharmonic’s new- music series, on a program also co-presented with 92nd Street Y and featuring Philharmonic musicians; Tchaikovsky’s Piano Concerto No. 1 on the 2013–14 season subscription-opening program, led by Music Director Alan Gilbert; and a reprise of his Grammy-nominated performance of Magnus Lindberg’s Piano Concerto No. 2 with Alan Gilbert and the Orchestra in New York and on the ASIA / WINTER 2014 tour. He will return as the featured soloist in The Beethoven Piano Concertos: A Philharmonic Festival, led by Alan Gilbert, June 11–28, 2014. -
Final Dissertation Document
Abstract Title of Dissertation: INFLUENCES AND TRANSFORMATIONS: 19TH- CENTURY SOLO AND COLLABORATIVE PIANO REPERTOIRE Miori Sugiyama, Doctor of Musical Arts, 2012 Dissertation Directed by: Professor Rita Sloan School of Music, Piano Division This dissertation is an exploration of the inter-relationships of genres in the collaborative piano repertoire, particularly in music of the 19th century, an especially important period for collaborative piano repertoire. During this time, much of the repertoire gave equal importance to the piano in duo and ensemble repertoire. Starting with Schubert, and becoming more apparent with the development of the German lied, the piano became a more integral part of any composition, the piano part being no longer simplistic but rather a collaborative partner with its own voice. Mendelssohn transformed the genre of lieder by writing them, without their words, for solo piano. In addition to creating some of the greatest and most representative lieder in the Romantic period, composers such as Schumann, Brahms, and Strauss continued the evolution of the sonata by writing works that were more technically demanding on the performer, musically innovative, and structurally still evolving. In the case of Chopin who wrote mostly piano works, a major influence came from the world of opera, particularly the Bel Canto style. In exploring two specific genres, vocal and instrumental piano works by these composers; it is fascinating to see how one genre translates to another genre. This was especially true in the vocal and instrumental works by Schubert, Schumann, Brahms, Chopin, and Strauss. All of these composers, with the exception of Chopin, contributed equally to both the song and sonata genres. -
English Translation of the German by Tom Hammond
Richard Strauss Susan Bullock Sally Burgess John Graham-Hall John Wegner Philharmonia Orchestra Sir Charles Mackerras CHAN 3157(2) (1864 –1949) © Lebrecht Music & Arts Library Photo Music © Lebrecht Richard Strauss Salome Opera in one act Libretto by the composer after Hedwig Lachmann’s German translation of Oscar Wilde’s play of the same name, English translation of the German by Tom Hammond Richard Strauss 3 Herod Antipas, Tetrarch of Judea John Graham-Hall tenor COMPACT DISC ONE Time Page Herodias, his wife Sally Burgess mezzo-soprano Salome, Herod’s stepdaughter Susan Bullock soprano Scene One Jokanaan (John the Baptist) John Wegner baritone 1 ‘How fair the royal Princess Salome looks tonight’ 2:43 [p. 94] Narraboth, Captain of the Guard Andrew Rees tenor Narraboth, Page, First Soldier, Second Soldier Herodias’s page Rebecca de Pont Davies mezzo-soprano 2 ‘After me shall come another’ 2:41 [p. 95] Jokanaan, Second Soldier, First Soldier, Cappadocian, Narraboth, Page First Jew Anton Rich tenor Second Jew Wynne Evans tenor Scene Two Third Jew Colin Judson tenor 3 ‘I will not stay there. I cannot stay there’ 2:09 [p. 96] Fourth Jew Alasdair Elliott tenor Salome, Page, Jokanaan Fifth Jew Jeremy White bass 4 ‘Who spoke then, who was that calling out?’ 3:51 [p. 96] First Nazarene Michael Druiett bass Salome, Second Soldier, Narraboth, Slave, First Soldier, Jokanaan, Page Second Nazarene Robert Parry tenor 5 ‘You will do this for me, Narraboth’ 3:21 [p. 98] First Soldier Graeme Broadbent bass Salome, Narraboth Second Soldier Alan Ewing bass Cappadocian Roger Begley bass Scene Three Slave Gerald Strainer tenor 6 ‘Where is he, he, whose sins are now without number?’ 5:07 [p. -
Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S. -
Download Booklet
559199 bk Helps US 12/01/2004 11:54 am Page 8 Robert HELPS AMERICAN CLASSICS (1928-2001) ROBERT HELPS Shall We Dance Piano Quartet • Postlude • Nocturne Spectrum Concerts Berlin 8.559199 8 559199 bk Helps US 12/01/2004 11:54 am Page 2 Robert Helps (1928-2001) ROBERT HELPS (1928-2001) Shall We Dance • Piano Quartet • Postlude • Nocturne • The Darkened Valley (John Ireland) 1 Shall We Dance for Piano (1994) 11:09 Robert Helps was Professor of Music at the University of Minneapolis, and elsewhere. His later concerts included Piano Quartet for Piano, Violin, Viola and Cello (1997) 25:55 South Florida, Tampa, and the San Francisco memorial solo recitals of the music of renowned Conservatory of Music. He was a recipient of awards in American composer Roger Sessions at both Harvard and 2 I. Prelude 10:24 composition from the National Endowment for the Arts, Princeton Universities, an all-Ravel recital at Harvard, 3 II. Intermezzo 2:24 the Guggenheim, Ford, and many other foundations, and and a solo recital in Town Hall, NY. His final of a 1976 Academy Award from the Academy of Arts compositions include Eventually the Carousel Begins, for 4 III. Scherzo 3:02 and Letters. His orchestral piece Adagio for Orchestra, two pianos, A Mixture of Time for guitar and piano, which 5 IV. Postlude 8:12 which later became the middle movement of his had its première in San Francisco in June 1990 by Adam 6 V. Coda – The Players Gossip 1:53 Symphony No. 1, won a Fromm Foundation award and Holzman and the composer, The Altered Landscape was premièred by Leopold Stokowski and the Symphony (1992) for organ solo and Shall We Dance (1994) for 7 Postlude for Horn, Violin and Piano (1964) 9:11 of the Air (formerly the NBC Symphony) at the piano solo, Piano Trio No. -
Recollections from a Life in Music
Syracuse University SURFACE The Courier Libraries Spring 1985 Recollections from a Life in Music Louis Krasner Syracuse University Follow this and additional works at: https://surface.syr.edu/libassoc Part of the Musicology Commons Recommended Citation Krasner, Louis. "Recollections from a Life in Music." The Courier 20.1 (1985): 9-18. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XX, NUMBER 1, SPRING 1985 SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XX NUMBER ONE SPRING 1985 Foresight and Courage: A Tribute to Louis Krasner by Howard Boatwright, Professor of Music, 3 Syracuse University Recollections from a Life in Music by Louis Krasner, Professor Emeritus of Music, 9 Syracuse University; and Instructor of Violin, New England Conservatory of Music Unusual Beethoven Items from the Krasner Collection by Donald Seibert, Music Bibliographer, 19 Syracuse University Libraries Alvaro,Agustfn de Liano and His Books in Leopold von Ranke's Library by Gail P. Hueting, Librarian, University of Illinois 31 at Urbana,Champaign Lady Chatterley's Lover: The Grove Press Publication of the Unexpurgated Text by Raymond T. Caffrey, New York University 49 Benson Lossing: His Life and Work, 1830,1860 by Diane M. Casey, Syracuse University 81 News of the Syracuse University Libraries and the Library Associates 97 Recollections from a Life in Music BY LOUIS KRASNER On October 28, 1984, Mr. Krasner came back to his old home, Syr, acuse University, in order to speak to the Ubrary Associates at their an, nual meeting. -
Richard Strauss
Richard Strauss Meister der Inszenierung Bearbeitet von Daniel Ender 1. Auflage 2014. Buch. 349 S. Hardcover ISBN 978 3 205 79550 6 Format (B x L): 13,5 x 21 cm Weitere Fachgebiete > Musik, Darstellende Künste, Film > Musikwissenschaft Allgemein > Einzelne Komponisten und Musiker Zu Inhaltsverzeichnis schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. Daniel Ender Richard Strauss Meister der Inszenierung BÖHLAU VERLAG WIEN · KÖLN · WEIMAR Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Umschlagabbildung: Richard Strauss, 1929 (© ullstein bild – Laszlo Willinger) © 2014 by Böhlau Verlag Ges.m.b.H & Co. KG, Wien Köln Weimar Wiesingerstraße 1, A-1010 Wien, www.boehlau-verlag.com Alle Rechte vorbehalten. Dieses Werk ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist unzulässig. Umschlaggestaltung: Michael Haderer, Wien Layout: Bettina Waringer, Wien Korrektorat: Katharina Krones, Wien Druck und Bindung: CPI Moravia Gedruckt auf chlor- und säurefreiem Papier ISBN 978-3-205-79550-6 Inhalt Ein öffentliches Leben. Zur Einleitung Ein Kind seiner Zeit . 9 Die inszenierte Biographie . 18 Selbst- und Fremdbilder . 23 1. Vom Epigonen zum Genie „Ein sogenannter Charakter“. Umwelt und Familie. 33 „Nicht von hervorstechender Originalität“. Der Weg in die Öffentlichkeit . .42 „Zum Zukunftsmusiker gestempelt“. -
Pedagogical Literature for Violists: Selected Studies from Lillian Fuchs's 16 Fantasy Études and Corresponding Orchestral Excerpts
PEDAGOGICAL LITERATURE FOR VIOLISTS: SELECTED STUDIES FROM LILLIAN FUCHS’S 16 FANTASY ÉTUDES AND CORRESPONDING ORCHESTRAL AUDITION EXCERPTS A DISSERTATION IN Viola Performance Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF MUSICAL ARTS by YU-FANG CHEN B.M., National Institute of the Arts, Taipei, Taiwan, 2003 M.M., National Institute of the Arts, Taipei, Taiwan, 2005 Kansas City, Missouri 2013 © 2013 YU-FANG CHEN ALL RIGHTS RESERVED PEDAGOGICAL LITERATURE FOR VIOLISTS: SELECTED STUDIES FROM LILLIAN FUCHS’S 16 FANTASY ÉTUDES AND CORRESPONDING ORCHESTRAL AUDITION EXCERPTS Yu-Fang Chen, Candidate for the Doctor of Musical Arts Degree University of Missouri-Kansas City, 2013 ABSTRACT Few colleges and music festivals offer intensive orchestral studies programs as part of the string department curriculum, and those that do focus solely on excerpts and audition preparation. This dissertation proposes a post-graduate course to establish a comprehensive curriculum. The course utilizes two resources, Lillian Fuchs’s 16 Fantasy Études and common orchestral audition excerpts. The 16- week course will help students build their musicality and craftsmanship by studying selected études and standard viola audition repertoire. Each étude will address the technical and musical demands of its given excerpt, and the course will offer students suggestions as how to practice them. Aiming to foster future educators and professional orchestral violists, the author concentrates on the pedagogical and problem-solving aspects of audition preparation. iii APPROVAL PAGE The faculty listed below, appointed by the Dean of the Conservatory of Music have examined a thesis titled “Pedagogical Literature for Violists: Selected Studies from Lillian Fuchs’s 16 Fantasy Études and Corresponding Orchestral Excerpts,” presented by Yu-Fang Chen, candidate for the Doctor of Musical Arts degree, and certify that in their opinion it is worthy of acceptance. -
Proposed Cultural Awareness Schedule for 2000
CULTURAL ARTS SERIES 2008– 2009 (Schedule) A Classical Celebration! Oklahoma City Community College Artist Performance Date Lark Chamber Artists – Strings, Piano, Woodwinds, and Percussion Tues. Sept. 16, 7:00 P.M. The Romeros – Guitar Quartet (Special venue; Westminster Presbyterian Church) Tues. Oct. 7, 7:00 P.M. Jerusalem Lyric Trio – Soprano, Flute, and Piano Tues. Nov. 18, 7:00 P.M. The Four Freshmen – Vocal Quartet Tues. Dec. 2, 7:00 P.M. The Texas Gypsies – Gypsy/Texas Swing Jazz Quintet Tues. Feb. 17, 7:00 P.M. Rosario Andino – Pianist Tues. Mar. 3, 7:00 P.M. Best of Broadway – Vocal Trio Tues. Apr. 14, 7:00 P.M. Brad Richter, Viktor Uzur – Guitar and Cello Thurs. May 7, 7:00 p.m. • Lark Chamber Artists – Strings, Piano, Woodwinds, and Percussion Ensemble Lecture – TBA Performance – Tuesday, September 16, 2008, 7:00 p.m., Oklahoma City Community College Theatre. A diverse selection of musical delights. (Short) Lark Chamber Artists present a broad range of musical styles, embracing the traditional as well as adventuresome commissions and collaborations. (Medium) Lark Chamber Artists is a uniquely structured ensemble who present a broad range of musical styles, embracing the traditional favorites of the chamber music repertoire, as well as adventuresome commissions and collaborations for a new standard in innovative programming. (Long) As an outgrowth of the world-renowned Lark Quartet, Lark Chamber Artists (LCA) is a uniquely structured ensemble featuring some of today's most active performers who have come together to present a broad range of musical styles, embracing the traditional favorites of the chamber music repertoire, as well as adventuresome commissions and collaborations for a new standard in innovative programming. -
Complete Catalogue 2006 Catalogue Complete
COMPLETE CATALOGUE 2006 COMPLETE CATALOGUE Inhalt ORFEO A – Z............................................................................................................................................................................................................................................................. 4 Recital............................................................................................................................................................................................................................................................................82 Anthologie ............................................................................................................................................................................................................................................................89 Weihnachten ....................................................................................................................................................................................................................................................96 ORFEO D’OR Bayerische Staatsoper Live ...................................................................................................................................................................................................99 Bayreuther Festspiele Live ...................................................................................................................................................................................................109 -
The Metastasio Moment Irish-Italian Studies 2018.Pdf (230.3Kb)
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title The Metastasio moment: language, music and translation Author(s) O'Connor, Anne Publication Date 2018 O'Connor, Anne. (2018). The Metastasio Moment: Language, Publication Music and Translation. In Chiara Sciarrino (Ed.), Irish-Italian Information Studies: New Perspectives on Cultural Mobility and Permeability. Palermo: Palermo University Press. Publisher Palermo University Press Link to publisher's https://www.unipapress.it/ version Item record http://hdl.handle.net/10379/14687 Downloaded 2021-09-24T11:36:48Z Some rights reserved. For more information, please see the item record link above. Atti e Convegni IRISH-ITALIAN STUDIES New Perspectives on Cultural Mobility and Permeability Edited by Chiara Sciarrino Atti e Convegni Chiara Sciarrino, Irish-italian Studies - New Perspectives on Cultural Mobility and Permeability © Copyright 2018 New Digital Frontiers srl Viale delle Scienze, Edificio 16 (c/o ARCA) 90128 Palermo www.newdigitalfrontiers.com ISBN (a stampa): 978-88-31919-26-5 ISBN (online): 978-88-31919-27-2 Index Preface 7 CHIARA SCIARRINO Introduction 9 DONATELLA ABBATE BADIN Poetic Rewritings: Issues of Cultural Distance and Examples of Textual Mediation in Seamus Heaney’s Italian Translations 23 DEBORA BANCHERI When Italian Popular Music Sings about Ireland: Homage, Inspiration and Kindred Spirits 45 SIMONA MARTINI The Metastasio Moment: Language, Music and Traslation 73 ANNE O’CONNOR Visions of