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Univerzita Karlova Filozofická Fakulta Katedra Sinologie
Univerzita Karlova Filozofická fakulta Katedra sinologie Studijní program filologie Jan Križan Xiangsheng v ČLR: od nástroje budování nové Číny k satirickému komentáři současné společnosti Bakalářská práce Xiangsheng in PRC: From a Tool of the New China Ideology to Social Satire Bachelor thesis 2021 Vedoucí práce: prof. PhDr. Olga Lomová, CSc. PODĚKOVÁNÍ Tímto bych chtěl poděkovat především paní profesorce Lomové za výběr skvělého tématu, svižnou komunikaci, a také za veškeré její připomínky, návrhy a komentáře. Dále děkuji svým rodičům a jejich všestranné podpoře, díky které jsem měl ideální podmínky k napsání této práce. ČESTNÉ PROHLÁŠENÍ Prohlašuji, že jsem bakalářskou práci na téma „Xiangsheng v ČLR: od nástroje budování nové Číny k satirickému komentáři současné společnosti“ vypracoval pod vedením vedoucího bakalářské práce samostatně za řádné citace v práci uvedených pramenů a literatury. Dále prohlašuji, že tato bakalářská práce nebyla využita k získání jiného nebo stejného titulu. V Ústí nad Labem, dne 1. 5. 2021 ………………………………. Podpis ABSTRAKT Xiangsheng je humorný vypravěčský žánr založený na satiře a komentáři společnosti, který je dnes považován za nejvýznamnějšího zástupce tradičních populárních umění quyi 曲艺. Bakalářská práce se zaměřuje na takzvaný dialogický xiangsheng (duikou xiangsheng 对口相 声), který je představením dvou vypravěčů. Hlavními body zájmu jsou 50. léta 20. století, kdy byl xiangsheng využit pro potřeby propagandy nového státního zřízení, a období od roku 2005, kdy do veřejného povědomí vstupuje nejvýznamnější vypravěč současnosti Guo Degang 郭德纲 (1973–), který skrze návrat k tradici navrátil xiangsheng zpět na vrchol popularity. Cílem práce je komparativní studie xiangshengů z těchto dvou sociokulturně velmi odlišných období, a to zejména skrze formální a obsahovou analýzu xiangshengu „Noční jízda“ (Yexing ji 夜行记), který existuje ve verzi z 50. -
Canada Archives Canada Published Heritage Direction Du Branch Patrimoine De I'edition
UNIVERSITY OF CALGARY Hegemony Over the Heavens: The Chinese and American Struggle in Space by John Hodgson Modinger A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY CENTRE FOR MILITARY AND STRATEGIC STUDIES CALGARY, ALBERTA AUGUST, 2008 © John Hodgson Modinger 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-44361-3 Our file Notre reference ISBN: 978-0-494-44361-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Commercialization of Traditional Performing Arts in Mainland China: a Case Study of Deyunshe
COMMERCIALIZATION OF TRADITIONAL PERFORMING ARTS IN MAINLAND CHINA: A CASE STUDY OF DEYUNSHE Puman Hou* Benny Lim* * The Chinese University of Hong Kong http://doi.org/10.31039/jomeino.2021.5.1.5 Abstract China celebrated the 70th anniversary of its founding in 2019, and this has triggered heightened imagination towards traditional Chinese arts and culture. In the same year, its Ministry of Culture and Tourism rolled out a comprehensive plan to conserve Received 15 October 2020 traditional artforms by promoting active revitalization. This Revised 22 November 2020 exploratory research investigates the possible strategies, as well Accepted 26 December 2020 as areas of contention, in commercializing traditional performing arts, specifically, Chinese crosstalk. An in-depth case study of well-known Chinese crosstalk company, Deyunshe, is carried out. Case study involves in-depth investigations and the eventual understanding of real-world situations and phenomena. Deyunshe is one of the very few established Chinese crosstalk companies in China dedicated to revitalizing the art form. Research outcomes show that Deyunshe has been successful in revitalizing and commercializing Chinese crosstalk with its effective product, place, price, people, and physical evidence strategies. This in turn creates a viable model for traditional performing arts in China, crosstalk or otherwise, to be revitalized and made marketable. Nevertheless, the over- revitalization/commercialization of traditional performing arts may also result in the subordination of the artistic values of the artforms. Corresponding author: Keywords: Traditional performing arts, Chinese crosstalk, [email protected] Performing arts market, Deyunshe, Marketing mix. Hou, P., Lim, B. Journal of Management, Economics, and Industrial Organization, Vol.5 No.1, 2021, pp. -
Guo Degang: a Xiangsheng
Shenshen Cai Swinburne University of Technology, Melbourne Guo Degang A Xiangsheng (Cross Talk) Performer Bridging the Gap Between Su (Vulgarity) and Ya (Elegance) Xiangsheng 相声 (cross talk), which has been one of the most popular folk art performance genres with the Chinese people since its emergence during the Qing Dynasty, began to lose its popularity at the turn of the 1990s. How- ever, this downward trajectory changed from about 2005, and it once again began to enthuse the public. The catalyst for this change in fortune has been attributed to Guo Degang and his Deyun Club 德云社. The general audience acclaim for Guo Degang’s xiangsheng performance not only turned him into a xiangsheng master and a grassroots cultural hero, it also, somewhat absurdly, evoked criticism from a few critics. The main causes of the negative critiques are the mundane themes and the ubiquitous vulgar baofu 包袱 (comical ele- ments) and rude jokes enlisted in Guo’s xiangsheng performance that revolve around the subjects of ethics, pornography, and prostitution, and which turn Guo into a signifier of vulgarity. However, with the media platform provided via the Weibo 微博 microblog, Guo Degang demonstrates his penchant for refined taste and his talent as an elegant literati. Through an in-depth analy- sis of both Guo Degang’s xiangsheng performance and his microblog entries, this paper will examine the contrasting features between Guo Degang’s artis- tic creations and his “private” life. Also, through the opposing contents and reflections of Guo Degang’s xiangsheng works and his microblog writings, an opaque and sometimes diametrically opposed insight into his worldviews is provided, and a glimpse of the dualistic nature of engagement and withdrawal from the world is revealed. -
A Comparison of the Rocket and Satellite Sectors$ Andrew S
This article appeared in a journal published by Elsevier. The attached copy is furnished to the author for internal non-commercial research and education use, including for instruction at the authors institution and sharing with colleagues. Other uses, including reproduction and distribution, or selling or licensing copies, or posting to personal, institutional or third party websites are prohibited. In most cases authors are permitted to post their version of the article (e.g. in Word or Tex form) to their personal website or institutional repository. Authors requiring further information regarding Elsevier’s archiving and manuscript policies are encouraged to visit: http://www.elsevier.com/authorsrights Author's personal copy Acta Astronautica 103 (2014) 142–167 Contents lists available at ScienceDirect Acta Astronautica journal homepage: www.elsevier.com/locate/actaastro China's space development history: A comparison of the rocket and satellite sectors$ Andrew S. Erickson a,b,n,1 a U.S. Naval War College, United States b John King Fairbank Center for Chinese Studies, Harvard University, United States article info abstract Article history: China is the most recent great power to emerge in aerospace. It has become the first Received 3 March 2014 developing nation to achieve some measure of aerospace production capability across Received in revised form the board. Outside the developed aerospace powers, only China has demonstrated 16 May 2014 competence concerning all aspects of a world-class aerospace industry: production of Accepted 16 June 2014 advanced rockets, satellites, and aircraft and of their supporting engineering, materials, Available online 26 June 2014 and systems. As an emerging great power during the Cold War, China was still limited in Keywords: resources, technology access, and capabilities. -
Chapter 4: Theatricality
The performance of identity in Chinese popular music Groenewegen, J.W.P. Citation Groenewegen, J. W. P. (2011, June 15). The performance of identity in Chinese popular music. Retrieved from https://hdl.handle.net/1887/17706 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/17706 Note: To cite this publication please use the final published version (if applicable). Chapter 4: Theatricality §1 Boundaries In Imagination and Power: The Ideological Analysis of Theatre 想象與權力: 戲劇意識形態研 究 (2003), Zhou Ning is “concerned with the theatricality in the deep layers of the psychological structure of Chinese cultural character,” arguing that “the function of both [ritual and thought] lies in transcending the boundaries between reality 現實 and the fabricated 虛構, or confusing the two, through illusion.”1 During the Boxer Uprising peasants believed they were immune to bullets, which shows that getting carried away can have dire consequences: The Boxer Uprising (1900-1901) has many ties with theater; it didn’t distinguish the real 真 from the illusory 幻 . [The Boxers] gathered and rebelled while singing arias, they practiced martial arts as if playacting, they were possessed by characters from plays and their spreading of fire, going into battle, tricks and moves were all just like those staged in plays.2 “Popular music creates alternative universes, echoey soundscapes allowing the listener to drift outside the often-stressful realities of everyday life,” argues Witzleben in his article on Anita Mui.3 Throughout this study, the term performance has been instrumental in conceptualizing seemingly stable concepts, such as Chineseness, rock and femininity, as constantly renegotiated creations or articulations of normative or alternative universes. -
How a Small Fashion Brand Survives in the Chinese Market?
How A Small Fashion Brand Survives In The Chinese Market? Business development strategy for Minna Parikka Shoes Ltd LAHTI UNIVERSITY OF APPLIED SCIENCES Degree Programme in International Business Bachelor’s Thesis Spring 2014 Yi Tao Lahti University of Applied Sciences Degree Programme in International Business TAO, YI: How A Small Fashion Brand Survives In The Chinese Market? Case: Minna Parikka Shoes Ltd Bachelor’s Thesis in International Business, 68 pages, 4 pages of appendices Spring 2014 ABSTRACT The Chinese market has been given favorable receptions by most countries around the world for years due to its huge potential and rapid growth. Affected by the mega trends, more and more foreign companies have entered into the Chinese market, additionally some of them are still taking an important role in this market. However, not all the international players have good fortunes to thrive in the utterly complex and highly competitive environment. Therefore, this thesis is going to assist a Finnish fashion design company, Minna Parikka Shoes Ltd, to develop the business in the Chinese market where it just entered a short time ago. For this purpose, a full external analysis of Chinese fashion market, internal analysis of Minna Parikka Shoes Ltd, and marketing strategies are going to be comprehensively studied. The author of this thesis utilizes deductive approach corresponding with qualitative methods. Basically, the thesis consists of two parts: theoretical part and empirical part. In the theoretical part, data is obtained from various sources for instance: books, journals, documentations while the empirical part is based on interviews and meetings. Generally speaking, the current situation of the Chinese market is good for the business of the case company to develop. -
Newsletter Winter 2018 Issue
新 西 籣 東 增 會 館 THE TUNG JUNG ASSOCIATION OF NZ INC PO Box 9058, Wellington, New Zealand www.tungjung.org.nz Newsletter Winter 2018 issue ______ —— The Tung Jung Association of New Zealand Committee 2017—2018 President Gordon Wu 388 3560 Membership Vice President Peter Moon 389 8819 Secretaries- English Eugenie McCabe 475 7707 Property Alex Chang 499 8032 Chinese Kevin Zeng 021 669628 Sam Kwok 0278110551 Treasurer Robert Ting 478 6253 Newsletter Gordon Wu 388 3560 Assistant treasurer Virginia Ng 232 9971 Peter Moon 389 8819 Social Peter Wong 388 5828 Website Gordon Wu 388 3560 Andrina Chang 499 8032 Peter Moon 389 8819 Valerie Ting 565 4421 Peter Moon 389 8819 Public Gordon Wu 388 3560 relations Please visit our website at http://www.tungjung.org.nz 1 President’s report…… Easter was early this year and coincided with a lot of other events which led to a poor attendance at the Tung Jung Ching Ming observance at Karori Cemetery. Unfortunately, the president and other committee members were away in Auckland and could not attend. The president and other committee members had travelled to Auckland to participate in the unveiling of the memorial to the 499 Chinese men whose bodies were lost at sea off the coast of Hokianga when the ship transporting their remains sunk at sea there. The ceremony was cancelled due to unforeseen circumstances and will be re-announced at a later date. The annual Easter Tournament organised by the New Zealand Chinese Association was held in Wellington this year (every four years) and the Association was asked to help in the canteen at the ASB arena in Kilbirnie where the tour- nament was held. -
Charles Zhang
In a little over 35 years China’s economy has been transformed Week in China from an inefficient backwater to the second largest in the world. If you want to understand how that happened, you need to understand the people who helped reshape the Chinese business landscape. china’s tycoons China’s Tycoons is a book about highly successful Chinese profiles of entrepreneurs. In 150 easy-to- digest profiles, we tell their stories: where they came from, how they started, the big break that earned them their first millions, and why they came to dominate their industries and make billions. These are tales of entrepreneurship, risk-taking and hard work that differ greatly from anything you’ll top business have read before. 150 leaders fourth Edition Week in China “THIS IS STILL THE ASIAN CENTURY AND CHINA IS STILL THE KEY PLAYER.” Peter Wong – Deputy Chairman and Chief Executive, Asia-Pacific, HSBC Does your bank really understand China Growth? With over 150 years of on-the-ground experience, HSBC has the depth of knowledge and expertise to help your business realise the opportunity. Tap into China’s potential at www.hsbc.com/rmb Issued by HSBC Holdings plc. Cyan 611469_6006571 HSBC 280.00 x 170.00 mm Magenta Yellow HSBC RMB Press Ads 280.00 x 170.00 mm Black xpath_unresolved Tom Fryer 16/06/2016 18:41 [email protected] ${Market} ${Revision Number} 0 Title Page.qxp_Layout 1 13/9/16 6:36 pm Page 1 china’s tycoons profiles of 150top business leaders fourth Edition Week in China 0 Welcome Note.FIN.qxp_Layout 1 13/9/16 3:10 pm Page 2 Week in China China’s Tycoons Foreword By Stuart Gulliver, Group Chief Executive, HSBC Holdings alking around the streets of Chengdu on a balmy evening in the mid-1980s, it quickly became apparent that the people of this city had an energy and drive Wthat jarred with the West’s perception of work and life in China. -
The Kwanyin Clan
e-ISSN 2385-3042 ISSN 1125-3789 Annali di Ca’ Foscari. Serie orientale Vol. 55 – Giugno 2019 The Kwanyin Clan: Modern Literati Graffiti Writers An Aesthetic and Text Analysis of their Main Artworks Adriana Iezzi Alma Mater Studiorum, Università di Bologna, Italia Abstract After illustrating the varied artistic production of the Kwanyin Clan, one of the most important Chinese graffiti crews, this paper analyses six of their main artworks in detail (styles, techniques, aesthetic conceptions and artworks texts). In these artworks, the Kwanyin Clan tried for the first time to merge Euro-American graffiti practice with the ancient traditional arts practiced and appreciated by the Chinese literati (calligraphy, poetry, painting, seals and ceramics). Comparing the Kwanyin Clan members to ‘modern literati writers’, the present article shows how this crew succeeded in reinventing ancient Chinese art forms using Euro-American graffiti vocabulary, paving the way for a new development of graffiti art in China. Keywords Kwanyin Clan. Graffiti. Contemporary Chinese art. Chinese literati. ‘Three perfections’. Summary 1 Introduction: the Kwanyin Clan in Beijing. – 2 ‘Modern Literati Graffiti Paintings’ by the Kwanyin Clan: Shanshui PIC (2007) and New Style (2008). – 3 ‘Modern Literati Calligraphy Graffiti’ by the Kwanyin Clan: Shirupozhu (2008) and Shengongyiji- ang (2010). – 4 ‘Modern Literati Graffiti Ceramics’ by the Kwanyin Clan:Blue and White Porcelain (2009-2010) and the Artwork Made for the Exhibition ‘Street Art, a Global View’ (2016). – 5 Conclusion: the Kwanyin Clan as ‘Modern Literati Graffiti Writers’. Peer review Submitted 2019-03-18 Edizioni Accepted 2019-06-24 Ca’Foscari Published 2019-06-27 Open access © 2019 | cb Creative Commons Attribution 4.0 International Public License Citation Iezzi, Adriana (2019). -
Beyond Ownership: State Capitalism and the Chinese Firm Curtis J
University of Florida Levin College of Law UF Law Scholarship Repository UF Law Faculty Publications Faculty Scholarship 3-2015 Beyond Ownership: State Capitalism and the Chinese Firm Curtis J. Milhaupt Wentong Zheng University of Florida Levin College of Law, [email protected] Follow this and additional works at: http://scholarship.law.ufl.edu/facultypub Part of the Corporation and Enterprise Law Commons, and the Foreign Law Commons Recommended Citation Curtis J. Milhaupt & Wentong Zheng, Beyond Ownership: State Capitalism and the Chinese Firm, 103 Geo. L.J. 665 (2015), available at http://scholarship.law.ufl.edu/facultypub/696 This Article is brought to you for free and open access by the Faculty Scholarship at UF Law Scholarship Repository. It has been accepted for inclusion in UF Law Faculty Publications by an authorized administrator of UF Law Scholarship Repository. For more information, please contact [email protected]. Beyond Ownership: State Capitalism and the Chinese Firm CURTIS J. MILHAUPT*&WENTONG ZHENG** Chinese state capitalism has been treated as essentially synonymous with state- owned enterprises (SOEs). But drawing a stark distinction between SOEs and privately owned enterprises (POEs) misperceives the reality of China’s institutional environment and its impact on the formation and operation of large enterprises of all types. We challenge the “ownership bias” of prevailing analyses of Chinese firms by exploring the blurred boundary between SOEs and POEs in China. We argue that the Chinese state has less control over SOEs and more control over POEs than its ownership interest in the firms suggests. Our analysis indicates that Chinese state capitalism can be better explained by capture of the state than by ownership of enterprise. -
Here 183 4 - Iron to Rust 219
Contents Editorial 5 At the Edge of the Empire Red Dust 21 The Capitalist Transition in China Introduction - Hermitage 22 1 - Pacific Rim 41 2 - Borders 89 3 - Sinosphere 183 4 - Iron to Rust 219 A State Adequate to the Task 283 Conversations with Lao Xie Picking Quarrels 361 Lu Yuyu, Li Tingyu and the Changing Cadence of Class Conflict in China The Awakening of Lin Xiaocao 425 A Personal Account of the 2010 Strike at Nanhai Honda Spirit Breaking 485 Capitalism and Terror in Northwest China by Adam Hunerven Eternal Enemies 525 The 20th Century Origins of Vietnamese Sinophobia by J. Frank Parnell At the Edge of the Empire Editorial At the Edge of the Empire The Palace that Splits the Sky Thick, slate-colored smog presses through a towering maze of identical apartment blocks, a half-living ocean ebbing below: people hunched over carts and scooters, faces covered by dingy surgical masks, often little more than silhouettes backlit by the haze-dulled throb of glowing ads broadcast on wall-size screens. The smog is like a skin of concrete melded through the image, broken here and there by masked faces or the fleeting 5 Frontiers blue glitter of cellphones held aloft like fragile torches. This picture—or something equally gargantuan and brutal—is the spectral shape that China today takes in the public imagination. It’s familiar because it emerges almost automatically upon mention, in the same way that the mist-wrapped karstic cliffs and tranquil waterways of shanshui painting might have arisen in the minds of previous generations.