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Candidate Says Sorry for Using Slur Appear She Knew Facebook Page
NATION: Here’s how the elections could affect the economy A2 FOOD Kick your brownies up a notch with one SERVING SOUTH CAROLINA SINCE OCTOBER 15, 1894 fiery ingredient C1 WEDNESDAY, OCTOBER 31, 2018 $1.00 Candidate says sorry for using slur appear she knew Facebook page. board race on the SUMTER School board hopeful Bowman was heard on she was being re- Alston, a Rem- Democratic Party site. Our recording using term about opponent Alston corded — calling bert resident, told site is monitored and your one of her three The Sumter Item school board post was re- BY BRUCE MILLS calling a fellow candidate a opponents, Brian on Thursday he moved. This is a non-partisan and KAYLA ROBINS gay slur. Alston, the slur received a Face- race. Thank you!” Barbara Bowman, who is in reference to book message on Multiple posts on the party [email protected] ALSTON BOWMAN seeking the Area 1 Sumter his confrontation Oct. 14 from Bow- page could be seen on Thurs- A Sumter School District School District seat in the with her over man, who is the day of Bowman promoting Board of Trustees candidate Nov. 6 midterm general elec- making campaign posts for Sumter County Democratic her school board campaign. is being asked by state Demo- tion, can be heard on a re- the nonpartisan school Party chairwoman, saying, She also posted a promotional cratic officials to apologize corded conversation given to board race on the partisan “Brian DO NOT post (sic) any after a recording revealed her The Sumter Item — it did not Sumter County Democrats information about school SEE CANDIDATES, PAGE A8 Willow Drive students parade as favorite characters Grow your own library with help from sale Annual event starts Thursday in Sumter BY IVY MOORE Special to The Sumter Item The days most highly antici- pated by local readers begin Thursday, when the large meet- ing room at Sumter County Li- brary, 111 N. -
Talking to Strangers: the Use of a Cameraman in the Office and What
Running Head: TALKING TO STRANGERS 1 Talking to Strangers The Use of a Cameraman in The Office and What It Reveals about Communication Sarah Stockslager A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Fall 2010 TALKING TO STRANGERS 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ Lynnda S. Beavers, Ph.D. Thesis Chair ______________________________ Robert Lyster, Ph.D. Committee Member ______________________________ James A. Borland, Th.D. Committee Member ______________________________ Brenda Ayres, Ph.D. Honors Director ______________________________ Date TALKING TO STRANGERS 3 Abstract In the television mock-documentary The Office, co-workers Jim and Pam tell the cameraman they are dating before they tell their fellow co-workers in the office. The cameraman sees them getting engaged before anyone in the office has a clue. Even the news of their pregnancy is witnessed first by the camera crew. Jim and Pam’s boss, Michael, and other employees, such as Dwight, Angela and others, also share this trend of self-disclosure to the cameraman. They reveal secrets and embarrassing stories to the cameraman, showing a private side of themselves that most of their co-workers never see. First the term “mock-documentary” is explained before specifically discussing the The Office. Next the terms and theories from scholarly sources that relate the topic of self-disclosure to strangers are reviewed. Consequential strangers, weak ties, the stranger- on-a-train phenomenon, and para-social interaction are studied in relation to the development of a new listening stranger theory. -
True Films 200 Documentaries You Must See Before You
TRUE FILMS 3.0 This is the golden age of documentaries. Inexpensive equipment, new methods of distribution, and a very eager audi- ence have all launched a renaissance in non-fi ction fi lm making and viewing. The very best of these non-fi ction fi lms are as entertaining as the best Hol- lywood blockbusters. Because they are true, their storylines seem fresh with authentic plot twists, real characters, and truth stranger than fi ction. Most true fi lms are solidly informative, and a few are genuinely useful like a tool. The rise of documentaries and true cinema is felt not only in movie theaters, but on network TV and cable channels as well. Reality TV, non-fi ction stations like the History Channel or Discovery, and BBC imports have increased the choices in true fi lms tremendously. There’s no time to watch them all, and little guidance to what’s great. In this book I offer 200+ great true fi lms. I defi ne true fi lms as documentaries, educational fi lms, instructional how-to’s, and what the British call factuals – a non-fi ction visual account. These 200 are the best non-fi ction fi lms I’ve found for general interest. I’ve watched all these fi lms more than once. Sometimes thrice. I haven’t had TV for 20 years, so I’ve concentrated my viewing time on documentaries and true fi lms. I run a little website (www.truefi lms.com) where I solicit suggestions of great stuff. What am I looking for in a great true fi lm? • It must be factual. -
Orand Washington 0250E 16825
BRIDGING RESEARCH AND PRACTICE: A THEORETICAL AND EMPIRICAL MAPPING OF DESIGN SPACE USING SOLO TRAVEL DOMAIN MANIA ORAND A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy UNIVERSITY OF WASHINGTON 2017 READING COMMITTEE: Jennifer A. Turns, Chair Katie Davis Bob M. Mason David W. McDonald PROGRAM AUTHORIZED TO OFFER DEGREE: HUMAN CENTERED DESIGN AND ENGINEERING ©Copyright 2017 Mania Orand ii Abstract Bridging Research and Practice: A Theoretical and Empirical Mapping of Design Space using Solo Travel Domain Mania Orand Doctor of Philosophy Chair of the Supervisory Committee: Professor Jennifer A. Turns Human Centered Design and Engineering University of Washington, Seattle Although researchers have developed a myriad of theories, methods, and tools for interactive design, there remains a large divide between scholarly research and design practice. This divide stems from differences in academics’ and design practitioners’ training, communication, and even the venues in which they choose to present their work. This dissertation features an empirical investigation to help bridge this divide. I explore new ways of incorporating research and theory into interactive design, through three projects in the context of solo travel. The projects are based on over 65 hours of in-depth interviews with 21 solo travelers, and are complemented by over 100 hours of observation and participation in solo travel-related events and meet-ups. I used the findings to develop a novel, two-dimensional analytical design process, embodied in a matrix. The matrix dynamically maps theory with qualitative research and creates a design space articulation that provides designers with a way to identify new design ideas, externalize these developments, and share their work with others. -
True Films 3.0
TRUE FILMS 3.0 This is the golden age of documentaries. Inexpensive equipment, new methods of distribution, and a very eager audi- ence have all launched a renaissance in non-fiction film making and viewing. The very best of these non-fiction films are as entertaining as the best Hol- lywood blockbusters. Because they are true, their storylines seem fresh with authentic plot twists, real characters, and truth stranger than fiction. Most true films are solidly informative, and a few are genuinely useful like a tool. The rise of documentaries and true cinema is felt not only in movie theaters, but on network TV and cable channels as well. Reality TV, non-fiction stations like the History Channel or Discovery, and BBC imports have increased the choices in true films tremendously. There’s no time to watch them all, and little guidance to what’s great. In this book I offer 200+ great true films. I define true films as documentaries, educational films, instructional how-to’s, and what the British call factuals – a non-fiction visual account. These 200 are the best non-fiction films I’ve found for general interest. I’ve watched all these films more than once. Sometimes thrice. I haven’t had TV for 20 years, so I’ve concentrated my viewing time on documentaries and true films. I run a little website (www.truefilms.com) where I solicit suggestions of great stuff. What am I looking for in a great true film? • It must be factual. • It must surprise me, but not preach to me. -
Survival of the Preppers: an Exploration Into the Culture of Prepping
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace Survival of the Preppers: An Exploration into the Culture of Prepping A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By AMANDA A. SIMS Dr. Mary Grigsby, Dissertation Supervisor December 2017 © Copyright Amanda A. Sims 2017 All rights reserved The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled SURVIVAL OF THE PREPPERS: AN EXPLORATION INTO THE CULTURE OF PREPPING Presented by AMANDA A. SIMS A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Mary Grigsby Dr. Jere Giles Dr. Stephen Jeanetta Dr. Rebecca Scott ACKNOWLEDGEMENTS This dissertation is the result of the collective efforts of many people. I am thankful for the preppers who shared their candid thoughts, perspectives and experiences with me. This research would have been impossible without their insights and I am indebted to them. There are several other people who have been with me along the way and without them, this dissertation would have been impossible. I am incredibly grateful for the patience and steadfast encouragement of my advisor Dr. Mary Grigsby. Her curiosity about this culture and appreciation for my project was indispensable to me. Her conscientious edits and insightful comments were essential in shaping this work. I am forever grateful for the mentorship and friendship she has given me throughout my journey in graduate school. -
To Watch Or Not to Watch? That Is the Question. Identifying the Common
CORE Metadata, citation and similar papers at core.ac.uk Provided by Liberty University Digital Commons To watch or not to watch? That is the question. Identifying the common characteristics of the reality television viewing audience __________________________________ Presented to the Faculty Liberty University School of Communication __________________________________ In Partial Fulfillment of the Requirements for the Master of Arts In Communication Studies By Laura M. Sipple May 1, 2008 Sipple ii Thesis Committee ______________________________________________________________ Todd A. Smith, Chairperson Date ______________________________________________________________ Carey Martin, PhD Date _____________________________________________________________ Darlene Graves, PhD Date Sipple iii Copyright 2008 by Laura M. Sipple All rights reserved Sipple iv Abstract Reality television shows are increasingly appearing on network and cable outlets each season. Not only are they advancing in number, they are consistently dominating the weekly Nielsen’s Top 10 ratings as well. This study seeks to identify the reality television show viewing audience, why captivated their interest to begin watching these shows and what kept them watching week- to-week. By identifying participants who consistently watched these programs, it was believed that various themes would arise out of this study for further analysis and comparison. In-depth qualitative interviews were utilized to further explore the following areas: (1) Who are the consistent viewers of reality television programs? (2) What specific reality television shows did these viewers watch on a regular basis?, (3) Why did these viewers choose to watch these particular reality shows? and (4) What specific appeal did these reality shows have over other television formats? (such as scripted comedies or dramas). Twenty-two viewers representing six states participated in this study and collectively watched forty-three reality television programs. -
ROMANOWSKI-THESIS-2018.Pdf (1.018Mb)
ABSTRACT “Our Real Family, The One We Chose”: The Function of Comfort in the Sitcom Family Max Romanowski, M.A. Thesis Chairperson: James M. Kendrick, Ph.D. Throughout history, the situation comedy (or “sitcom”) has continually been used as a form of comfort for the viewer. The original sitcoms of the 1950s were filled with themes that reinforced the stability of the traditional family model after the cultural shifts during the world wars. While that style of sitcom and its family has changed, its function to viewers has largely remained the same. While it no longer is about reinforcing a traditional family structure, the sitcom does work to comfort the viewers that are watching. This study works to examine how and why the sitcom family has evolved, what the new sitcom family looks like today, and what that means for societal values. The sitcoms Friends (1994), The Office (2005), Parks and Recreation (2009), Brooklyn Nine-Nine (2013), and Community (2009) will be used as case studies to understand the new dominant type of sitcom family: The constructed family. iv "Our Real Family, The One We Chose": The Function of Comfort in the Sitcom Family by Max Romanowski, B.A. A Thesis Approved by the Department of Communication David W. Schlueter, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee James M. Kendrick, Ph.D., Chairperson Mark T. Morman, Ph.D. Robert F. Darden, M.A. Accepted by the Graduate School May 2018 J. -
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Office Episodes - Free Printable Wordsearch ZKCRVHTHENEGOTIATIO NQYPRZJCBLTYV NOFFICEOLYMPICSMUXI THESURPLUSWDG ICFUNDRAISERPOOLPAR TYZHRQVIDDLZN OCNFKGOSSIPFKOISTPA TRICKSDAYGWBJ FLWGGXKRTRIVIAARMJP THETARGETXYZM WJANDYSANCESTRYCXMYZ SURVIVORMANU SHHNOGLLTHEINCENTIV ELVCUSCZOPZOB ITIHERECOMESTREBLET CCDLEPNEIKOBC PTTSQPOVRVBWCCGOSUWHAC HHGAHLXMAN NSZETIFREKISNHHLTMF OESBYXWKIOUCC UHWUILSCMSZEDDFRAHCK IFRNTFGESBKH QENUNWEAAYEJWPMEISEWX UASSYOZOEFA JTNNOTBBICXMSITXIS SSJKMRUWTJOYRI KSTNTHDRLVSKTMNDLATN EUYJMNEZSROR JAHYWEBRSOKKAHEGMGIE JMMSEHSXTLMM RFEBUCIDUKWEQFETPEFV NJIMTEYEYKVO UEAXOOVNRKREAMSSHAIT PIENGVHESLAD LTLNENGWVDLCRIJTTMR FYCNAARVRLGCE RYLDYVJDEEWGRIDQUIE TAWUGTRUACGAL NTIODEGUIWYHOAZTEIN LYGAJUOCLHCTQ BRAUYNTOLWCHVOAWLJPGN XYPHEBVIFIO OANBETHBLEDJHMDESEUA SVDRRIETNVOF OICLMIEFADZDIERBRL LELZETIINHAAND ZNEEROSUNBETTSBSYYCH ETCGQFFESNMD EISDXNENCFLNSCMYDEZW FUJMZIRCXDAE CNNAVTAREUDETAQOQXTAD ENOUCAORAFL RGTTKQRUVLRIPIBUMI EORYBWIANUHLID UUKERJCNGTKVWRCHFURBB PNUOVKPMIAA ICCUARHPSSPGJAFKEPA EQYEMERLVOSAW SEWLQMAAMSHQFELKESKIP ZEKQXIMAMXP EAPYTGHREWQVDXRIUTSWL NQWOWNGJGMJ MHZYPKMTONCFFOGTAXSQG AZOZRTDATYB EMAIL SURVEILLANCE THE INCENTIVE THE SEMINAR ULTIMATUM BACK FROM VACATION VIEWING PARTY CHAIR MODEL THE STING PAM S REPLACEMENT GOLDEN TICKET CHRISTENING VANDALISM HERE COMES TREBLE WHISTLEBLOWER THE SURPLUS THE COUP CHRISTMAS WISHES BODY LANGUAGE DOUBLE DATE THE FARM ST PATRICK S DAY STRESS RELIEF THE TARGET AARM SAFETY TRAINING BOOZE CRUISE POOL PARTY THE JOB OFFICE OLYMPICS SURVIVOR MAN CAFE DISCO TRIVIA ANDY S ANCESTRY FUN -
Doomsday Preppers</I> and the Rituals of Apocalyptic Manhood
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers in Communication Studies Communication Studies, Department of 2016 The aM n-pocalpyse: Doomsday Preppers and the Rituals of Apocalyptic Manhood Casey Ryan Kelly Butler University, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/commstudiespapers Part of the Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Other Communication Commons Kelly, Casey Ryan, "The aM n-pocalpyse: Doomsday Preppers and the Rituals of Apocalyptic Manhood" (2016). Papers in Communication Studies. 199. http://digitalcommons.unl.edu/commstudiespapers/199 This Article is brought to you for free and open access by the Communication Studies, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers in Communication Studies by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in Text and Performance Quarterly 3:2–3 (2016), pp. 95–114; doi: 10.1080/10462937.2016.1158415 Copyright © 2016 National Communication Association; published by Routledge/Taylor & Francis. Used by permission. Submitted July 14, 2015; accepted February 11, 2016; published online June 16, 2016. The Man-pocalpyse: Doomsday Preppers and the Rituals of Apocalyptic Manhood Casey Ryan Kelly Critical Communication and Media Studies, Butler University, Indianapolis, Indiana, USA Corresponding author – Casey Ryan Kelly, email [email protected] Abstract This essay argues that recent male performances of disaster preparedness in reality television recu- perate a preindustrial model of hegemonic masculinity by staging the plausible “real world” conditions under which manly skills appear necessary for collective survival. Representations of masculinity in uncertain times intensify the masculinity-in-crisis motif to cultivate anticipation of an apocalyptic event that promises a final resolution to male alienation. -
Bellarmine08.Pdf
The Bellarmine Review Volume 66, Spring 2008 The Literary Magazine of Fairfield College Preparatory School CONTENTS Short Stories The Drifter 1 Kyle Skov Coffee Shop 4 Matt Leonard Escape 7 Don Tartaglione The Tree 10 Peter Gangi A Sad Day’s Stroll 12 Will Conway If I Met John Daly 15 Will Hollis The Portrait 17 Max Wright Poetry Frosty Moon 23 Ray Peña Lost 24 Kyle Skov Winter’s Slide 25 Drew Crawley The Passionate Pitcher 26 Max Freccia The Abyss 27 Dan Catchpole This is Just To Say 28 Jake Haddon Hoard 29 Will Bergen The Last Moments 30 Harley Brown New Beginnings 31 Justin Marini Purgatory 32 Tim Damm CONTENTS POETRY (Continued) Sidewalks 33 Reed Perry the dragon 34 Reed Perry The Wildfire 35 Tobin Sotil To Make a Catch 36 Tobin Sotil The Emerald Peninsula 37 Tom McGrath A Perfect Storm 38 Ross Riskin From Dark to Light 39 Peter Vaccaro This Lovely Cocoon 40 Will Conway night 41 Daniel DeLoma We Lax Bros 42 Slater Kirby Latin 43 Peter Gangi Lend The Stars Your Heart 44 John Griffin The Indoor Meadow 45 Colin Nevins Satire Coffee 49 Martinez & Sauer Tom Petty’s Super Bowl Scare 51 Dan Condren The Perfect Year 53 Brian Sokol Survivorboy 55 Kyle Skov Editor James M. Chesbro Managing Editors Kyle Skov ’08 Will Bergen ’08 Reed Perry ’08 Layout Editor Daniel DeLoma ’09 Associate Editors Ray Peña ’08 Peter Gangi ’08 Max Wright ’08 Tim DeMarco ’09 Peter Vaccaro ’09 John Griffin ’09 Josh Jowdy ’10 Brendan Bercik ’10 Colin Perras ’10 Cover Photograph by Tim Burke ’08 The Bellarmine Review - Spring 2008 - Volume 66 We want our publication to be authentic to the writer’s adolescent experience and desire to publish poetry and prose that is: clear, concise, and evokes the senses, taking the audience to the writer’s imagined place through strong images, and a good sense of rhythm. -
Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity
Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity Day I Am Become Death The Calm We Are Grounders Pilot Murmurations The Dead Don't Stay Dead Hero Complex A Crowd Of Demons Diabolic Downward Spiral What Ever Happened To Baby Jane Hypnos The Comfort Of Death Sins Of The Fathers The Elysian Fields Lazarus Pilot The New And Improved Carl Morrissey Becoming Trial By Fire White Light Wake-Up Call Voices Carry Weight Of The World Suffer The Children As Fate Would Have It Life Interrupted Carrier Rebirth Hidden Lockdown The Fifth Page Mommy's Bosses The New World Being Tom Baldwin Gone Graduation Day The Home Front Blink The Ballad Of Kevin And Tess The Starzl Mutation The Gospel According To Collier Terrible Swift Sword Fifty-Fifty The Wrath Of Graham Fear Itself Audrey Parker's Come And Gone The Truth And Nothing But The Truth Try The Pie The Marked Till We Have Built Jerusalem No Exit Daddy's Little Girl One Of Us Ghost In The Machine Tiny Machines The Great Leap Forward Now Is Not The End Bridge And Tunnel Time And Tide The Blitzkrieg Button The Iron Ceiling A Sin To Err Snafu Valediction The Lady In The Lake A View In The Dark Better Angels Smoke And Mirrors The Atomic Job Life Of The Party Monsters The Edge Of Mystery A Little Song And Dance Hollywood Ending Assembling A Universe Pilot 0-8-4 The Asset Eye Spy Girl In The Flower Dress FZZT The Hub The Well Repairs The Bridge The Magical Place Seeds TRACKS TAHITI Yes Men End Of The Beginning Turn, Turn, Turn Providence The Only Light In The Darkness Nothing Personal Ragtag Beginning Of The End Shadows Heavy Is The Head Making Friends And Influencing People Face My Enemy A Hen In The Wolf House A Fractured House The Writing On The Wall The Things We Bury Ye Who Enter Here What They Become Aftershocks Who You Really Are One Of Us Love In The Time Of Hydra One Door Closes Afterlife Melinda Frenemy Of My Enemy The Dirty Half Dozen Scars SOS Laws Of Nature Purpose In The Machine A Wanted (Inhu)man Devils You Know 4,722 Hours Among Us Hide..