Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor booth 9 B 004 10785 , fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 [email protected]

Jimmie Durham

born 1940 in the U.S. lives and works in Berlin, Germany and Naples, Italy

Money, work and crocodiles (2012)

Many people, several at least, thought that the backside of this work was better than the front... (2012)

Road work and nostalgia (2012)

Haegue Yang

born 1971 in Seoul, Korea lives and works in Berlin, Germany and Seoul, Korea

Floating Knowledge and Growing Craft - Silent Architecture Under Construction (2013)

Frequencies on the Horizon against the Celestial Green – Trustworthy #263 (2015)

Frequencies on the Horizon against the Celestial Blue – Trustworthy #264 (2015)

Hardware Store Collages (2012 - 2013) Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany Booth 9 B 004 10785 Berlin, Germany Booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Jimmie Durham [email protected] Jimmie Durham Works Works

Installation view of Too Long and Drawn Out at Galerie Barbara Wien, Berlin, 2012 Installation view of Too Long and Drawn Out at Galerie Barbara Wien, Berlin, 2012

Money, work and crocodiles Money, work and crocodiles 2012 2012 Installation with 16 parts Installation with 16 parts Crocodile skin, metall, wood, paper, acrylic paint, pencil, dried plants Crocodile skin, metall, wood, paper, acrylic paint, pencil, dried plants Dimensions variable Dimensions variable Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany Booth 9 B 004 10785 Berlin, Germany Booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Jimmie Durham [email protected] Jimmie Durham Works Works

Installation view of Too Long and Drawn Out at Galerie Barbara Wien, Berlin, 2012 Installation view of Too Long and Drawn Out at Galerie Barbara Wien, Berlin, 2012

Money, work and crocodiles Money, work and crocodiles 2012 2012 Installation with 16 parts Installation with 16 parts Crocodile skin, metall, wood, paper, acrylic paint, pencil, dried plants Crocodile skin, metall, wood, paper, acrylic paint, pencil, dried plants Dimensions variable Dimensions variable Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany Booth 9 B 004 10785 Berlin, Germany Booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Jimmie Durham [email protected] Jimmie Durham Works Works

Details from Money,work, and crocodiles acrylic paint on paper each 15 x 30 cm Detail from Money, work, and crocodiles Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany Booth 9 B 004 10785 Berlin, Germany Booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Jimmie Durham [email protected] Jimmie Durham Works Works

Details from the Money, work, and crocodiles Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany Booth 9 B 004 10785 Berlin, Germany Booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Jimmie Durham [email protected] Jimmie Durham Works Works

Detail from Money, work, and crocodiles Detail from Money, work, and crocodiles plant on paper plant on paper 24 x 32 cm 24 x 32 cm Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany Booth 9 B 004 10785 Berlin, Germany Booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Jimmie Durham [email protected] Jimmie Durham Works Works

Detail from Money, work, and crocodiles graphite on paper 70 x 50 cm Detail from Money, work, and crocodiles Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany Booth 9 B 004 10785 Berlin, Germany Booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Jimmie Durham [email protected] Jimmie Durham Works Works

Detail from Detail from Money, work, and crocodiles Money, work, and crocodiles Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany Booth 9 B 004 10785 Berlin, Germany Booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Jimmie Durham [email protected] Jimmie Durham Works Works

Detail from Money, work, and crocodiles Detail from Money, work, and crocodiles Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany Booth 9 B 004 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 [email protected] Jimmie Durham Works

Many people, several at least, thought that the backside of this work was better than the front... 2012 Diptych, sprayed paper, glued on canvas, 80 x 89 cm Digital print, framed, 83 x 103 cm Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany Booth 9 B 004 10785 Berlin, Germany Booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Jimmie Durham [email protected] Jimmie Durham Works Biography

Biography

Jimmie Durham is born in 1940 in the U.S.

He takes his first artistic steps in the field of theatre, literature and performance in the progressive African- American circles in Texas in the 60’s. He works with the Afro-American poet Vivian Ayers and does a performance with Mohamed Ali.

In 1968 he moves to the then very international , where he enrolls at L’Ecole des Beaux-Arts. During that period he makes performative, sometimes sculptural work. Together with three other sculptors, he forms the Draga group which explores how art can become more integrated into public life.

In 1973, he returns to the U.S. to become involved in the , and remains politically active until 1980. He co-establishes the International Indian Treaty Council, is involved in the occupation of Wounded Knee in 1973, and is ultimately made the representative of the Indians to the – the first official representative of a minority within the organisation.

In 1980 he returns to art. As an essayist, he remains concerned with the image of Native Americans and his art work from this period both reflects and thematises this attitude, although it displays both a broader reflective quality and a stronger visual expression. Typical examples are the works with animal skulls.

Durham gains notoriety within the New York art scene, but finds that his work is seen as “Indian art” and fails to encourage fundamental – political or artistic – discussions. In 1987, he leaves the U.S. and goes to live in Cuernavaca, Mexico – where he stays until he moves back to Europe in 1994.

It is a period with many international exhibitions. In 1988 he creates Pocahontas and the Little Carpenter for Matt’s Gallery in ; he has an exhibition at Nicole Klagsbrun Gallery in New York in 1992, and the work Original Re-Runs a.k.a. A Certain Lack of Coherence travels in 1993 from the Institute of Contemporary Arts (ICA) in London to the Douglas Hyde Gallery in Dublin, the Palais des Beaux-Arts in and the Kunstverein Hamburg. In 1992, Jan Hoet invites him as one of the key artists in the Documenta IX exhibition in Kassel. He creates a large ensemble entitled Approach in Love and Fear, consisting of several sculptures and texts.

The essays that Jimmie Durham continues to write and publish in magazines such as Artforum, Art Journal, and Third Text, as well as in various books are collected in the 1993 publication A Certain Lack of Coherence, a collection of his essays published by Kala Press.

Since turning away from the Americas in 1994 and permanently moving to Europe, Jimmie Durham has opposed two foundations of the European tradition: religion and architecture. Another theme that since has emerged in many of his works is his vision of Europe, which he calls Eurasia – Jimmie Durham sees himself as a ‘homeless Eurasian orphan’. In Europe, he has successively lived in Brussels, , Rome and now alternately in Berlin and Naples.

His work has been shown in several international key locations: the Biennials of Venice in 1999, 2001, 2003 and 2005; in Marseille, and Gateshead (England) (in the retrospective filmFrom the West Pacific to the East Atlantic), at the Sidney Biennial in 2004, the Musee d’Art Moderne de la Ville de (in the retrospective Pierres rejetées ... [Stones Rejected ...]), 2012 dOCUMENTA (13) in Kassel, Germany; at the MHKA during his retrospective A Matter of Life and Death and Singing, and Parasol Unit Foundation for Contemporary Art; between others.

In 2015 Durham made a site specific installation/exhibition at Fondazione Querini Stampalia in Venice as a satellite Road work and nostalgia project of the Venice Biennial. 2012 In 2016, Jimmie Durham will receive the Goslarer Kaiserring, one of today’s most prestigious art prizes. 2 part wallwork Paper and fabric on wood, 42 x 97 cm Upcoming is a retrospective at the Hammer Museum in . Paper and fabric on bull neck skin, 63 x 100 cm Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany booth 9 B 004 10785 Berlin, Germany booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Haegue Yang [email protected] Haegue Yang Works Works

Parrish, Sarah: Haegue Yang, in: Porter, Jenelle (Ed.): Fiber: Sculpture. 1960 - present, Munich, London, New York 2015, S.244.

[...]

Yang returns to the gestural materiality of fiber withFloating Knowledge and Growing Craft - Silent Architecture Under Con- struction, 2013, her first foray into macramé. Two spiraling, interconnected, ivory-colored chandelier shapes drip with an elegant fringe that grazes the gallery floor, envincing a level of craftmanship unprecedented in Yang's previous work. She calls attention to the labor that went into the piece's creation by displaying it alongside an iPod loaded with podcasts she listened to as she worked. Like Robert Morris's conceptual Box with a Sound of Its Own Making, 1961, this self-reflexive Installation view of Fiber: Sculpture 1960-present, Institute of Contemporary Art, Boston, USA, 2014 soundtrack indexes the time it took to make the piece.

Floating Knowledge and Growing Craft – Silent Architecture Under Construction Yang made Floating Knowledge and Growing Craft - Silent Architecture Under Construction during a residency at Glasgow 2013 Sculpture Studios in Scotland, where she took advantage of the unfamiliarity of her surroundings to step outside her for- Cotton twine, jute, mild steel, steel mesh, powder coating, steel wire, bells, metal rings, synthetic hair, vintage mal and technical comfort zones as well. Displacement and alienation have been recurring themes throughout her career, jewelry, glazed earthenware, iPod, iPod docking station, electric kettle, plastic basket, cardboard box, crochet which has been marked by constant travel since 1994, when she graduated from Seoul National University and left South needles, cutter knife, pliers, measuring tape, stool Korea for the Städelschule in . Yang uses abstraction to transcend geographic borders, inviting viewers to add their Approx. 200 x 147 x 74 cm own layers of meaning to her polysemic assemblages Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany booth 9 B 004 10785 Berlin, Germany booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Haegue Yang [email protected] Haegue Yang Works Works

Detail

"The macramé piece, Floating Knowledge and Growing Craft—Silent Architecture Under Construction, was very time-consuming, so I listened to podcasts, online radio stations, and music while working. For the show at GSS, I’m showing these pieces alongside an iPod, so the viewer can Detail of hear the same podcasts that I was listening to. To me, this feels like the “unedited” work in the show." Floating Knowledge and Growing Craft – Silent Architecture Under Construction (Haegue Yang, Artforum, 500 Words, 10.21.13) Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany booth 9 B 004 10785 Berlin, Germany booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Haegue Yang [email protected] Haegue Yang Works Works

Haegue Yang – List of Pod-casts Floating Knowledge and Growing Craft – Silent Architecture Under Construction is accompanied by a selection of pod-casts, radio stations and audio files that the artist listened to while making the work. The pod-casts are varied, and offer the audience a glimpse of the artist’s interest and passion for learning and knowledge, which in turn reveals a real insight into both the length of time taken and the labour-intensive process that the artist has placed into this macramé sculpture.

Date Type Programme Author/reader-content Duration 8 July 2013 Podcast The New Yorker: Fiction Robert Coover reads ‘The Daughters of the Moon’ by Italo 0:47:51 Podcast Reith Lectures BBC 4 Jonathan Spence Calvino Chinese Vistas 1 2008 0:43:08 Chinese Vistas 2 2008 0:43:02 BBC Radio 4: The Reith Lectures Niall Ferguson, Chinese Vistas 3 2008 0:43:06 The Rule of Law and Its Enemies 1, 19 JUN 2012 0:53:04 Chinese Vistas 4 2008 0:52:36 The Rule of Law and Its Enemies 2, 26 JUN 2012 0:52:58 0:44:00 The Rule of Law and Its Enemies 3, 03 JUL 2012 0:53:14 2 August Podcast Reith Lectures BBC 4 Micheal Sandel The Rule of Law and Its Enemies 4, 10 JUL 2012 0:57:02 2013 A New Citizenship 1 2009 0:42:53 Edward Said, A New Citizenship 2 2009 0:42:47 Representation of the Intellectual 1, 1993 0:29:16 A New Citizenship 3 2009 0:42:54 A New Citizenship 4 2009 0:42:52 Representation of the Intellectual 2, 1993 0:29:47 Podcast Reith Lectures BBC 4 V.S. Ramachandran Representation of the Intellectual 3, 1993 0:29:48 The Emerging Mind 1 2003 0:43:00 Representation of the Intellectual 4, 1993 0:29:27 The Emerging Mind 2 2003 0:42:54 Representation of the Intellectual 5, 1993 0:29:17 The Emerging Mind 3 2003 0:42:54 Representation of the Intellectual 6, 1993 0:29:27 The Emerging Mind 4 2003 0:43:04 9 July 2013 Radio 87.7 FM Glasgow Radio Ramadhan All Day The Emerging Mind 5 2003 0:42:57 Podcast Reith Lectures BBC 4 Wole Soyinka 11 July 2013 Podcast The New Yorker: Fiction Edwidge Danticat reads ‘Girl’ and ‘Wingless’ by Jamaica 36:42 Climate of Fear 1 2004 0:42:59 Kincaid 39:29 Climate of Fear 2 2004 0:42:59 Francisco Goldman reads ‘Clara’ by Roberto Bolaño Climate of Fear 3 2004 0:42:42 12 July 2013 Radio 87.7 FM Glasgow Radio Ramadhan All Day Climate of Fear 4 2004 0:43:03 Climate of Fear 5 2004 0:42:47 Podcast BBC Radio 4: The Reith Lectures Bertrand Russell, Authority and the Individual 1, 1948 28:00 5 August Podcast New Books in Middle Eastern R. Kevin Jaques, ‘Ign Hajar: Makers of Islamic Civilization’ 1:23:16 2013 Studies The New Yorker: Fiction Hisham Matar reads ‘Shakespeare’s Memory’ by Jorge Luis 0:39:40 New Books in Middle Eastern Mohammad Khalil, ‘Islam and the Fate of Others: The 0:45:36 Borges 0:21:08 Studies Salvation Question’ Tony Earley reads ‘Love’ by William Maxwell Podcast Libri Vox Alexander Aaronsohn 0:11:07 17 July 2013 Podcast Red Bookstore 빨간책방 Number 35 - Kim Ae-Ran 김애란, ‘비행운’, ‘침묵의 미래’ 1:37:13 With the Turks in Palestine: 01 Introduction and Ch. I: Number 36 - Kim Ae-Ran 김애란, ‘비행운’, ‘침묵의 미래’ 2:03:16 Zicron-Jacob Number 22 - Kim Young-Ha 김영하, ‘너의 목소리가 들려’ 3:14:13 8 August Audio Bear Lady, 2009 Haegue Yang 0:20:39 2013 Piece Number 27 - Julian Barnes, ‘The Sense of an Ending’ 1:23:02 Podcast Reith Lectures BBC 4 Wole Soyinka Number 28 - Julian Barnes, ‘The Sense of an Ending’ 1:35:23 Climate of Fear 1 2004 0:42:59 22 July 2013 Podcast UC Berkeley Hubert Dreyfus, Climate of Fear 2 2004 0:42:59 Philosophy 185 Fall 2007 Lecture 1 1:17:49 Climate of Fear 3 2004 0:42:42 Philosophy 185 Fall 2007 Lecture 2 1:14:02 Climate of Fear 4 2004 0:43:03 Philosophy 185 Fall 2007 Lecture 3 1:15:40 Climate of Fear 5 2004 0:42:47 Philosophy 185 Fall 2007 Lecture 4 1:21:53 27 September Podcast Guardian short stories - James Salter reads ‘Break it Down’ by Lydia Davis 0:28:32 Red Bookstore 빨간책방 Number 31 - Jared Diamond- ‘Guns, Germs, and Steel: The 1:24:46 2013 0:26:27 Fates of Human Societies’ 1 총균쇠 1 1:38:10 - Sebastian Barry reads ‘Eveline’ by James Joyce 0:19:10 Number 32 - Jared Diamond- ‘Guns, Germs, and Steel: The - JonHanif McGregor Kureshi readsRedas ‘Notes ‘A Hunger from Artist’ the House by Franz Spirits’ Kafka by 0:32:46 Fates of Human Societies’ 2 총균쇠 2 Lucy Wood - Anita Desai reads ‘The Postmaster’ by Rabindra Tagore 0:25:19 26 July 2013 Podcast Design and Issue 디자인과 이슈 Number 6 국립현대미술관 서울관 UUL 0:50:50 - Chimananda Ngozi Adichie reads ‘No Sweetness Here’ 0:46:04 BBC 4 Radio In Our Time IOTP: Arnachism 0:42:07 by Ama Ata Aidoo Philosophy

31 July 2013 Podcast Design and Issue/디자인과 이슈 2동대문 0:58:46 1 August Podcast Reith Lectures BBC 4 Daniel Barenboim: 2013 In the Beginning Was Sound 1 2006 0:42:56 In the Beginning Was Sound 2 2006 0:42:03 In the Beginning Was Sound 3 2006 0:41:53 In the Beginning Was Sound 4 2006 0:41:59 In the Beginning Was Sound 5 2006 0:42:09 Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany booth 9 B 004 10785 Berlin, Germany booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Haegue Yang [email protected] Haegue Yang Works Works

Frequencies on the Horizon against the Celestial Green – Trustworthy #263 Frequencies on the Horizon against the Celestial Blue – Trustworthy #264 2015 2015 Various envelope security patterns, graph paper, framed Various envelope security patterns, graph paper, framed 102,2 x 102,2 cm 102,2 x 102,2 cm Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany booth 9 B 004 10785 Berlin, Germany booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Haegue Yang [email protected] Haegue Yang Works Works

Hardware Store Collage – Hellweg Outdoor Furniture Barbeque Cover #1 Hardware Store Collage – Bauhaus "Palma" Ceiling Fans with Light #1 2012 2012 Paper collage, hardware store catalogues, chromolux paper, framed Paper collage, hardware store catalogues, chromolux paper, framed 51 x 71 cm 51 x 71 cm

Hardware Store Collage – Bauhaus Taps #2 Hardware Store Collage – Hellweg Outdoor Furniture Cushions #1 2013 2013 Paper collage, hardware store catalogues, chromolux paper, framed Paper collage, hardware store catalogues, chromolux paper, framed 51 x 71 cm 51 x 71 cm Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany booth 9 B 004 10785 Berlin, Germany booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Haegue Yang [email protected] Haegue Yang Biography Biography

Haegue Yang Asymmetric Equality, REDCAT, Los Angeles, USA * Biography Siblings and Twins, Portikus, Frankfurt am Main, Germany * Hamburger Kunsthalle, Galerie der Gegenwart, Hamburg, Germany 1971 born in Seoul Lethal Love, CUBITT, London, UK Lives and works in Berlin and Seoul 2007 Unpacking Storage Piece, Haubrokshows, Berlin, Germany * 1994 B.F.A. Seoul National University, Fine Arts College in Seoul, South Korea Foxed in the Forest, Dépendance, Brussels, Belgium 1999 Meisterschülerin Städelschule Frankfurt am Main, Germany Seven Basel Lights, Art Statements with Galerie Barbara Wien, Basel * Remote Room, Galerie Barbara Wien, Berlin, Germany 2006 Selected solo shows and projects Sadong 30, Incheon, South Korea * Unevenly, BAK, basis voor actuele kunst, Utrecht, Netherlands * 2016 (upcoming) Solo show, Greene Naftali, New York, USA 2005 (upcoming) Solo show, Hamburger Kunsthalle, Hamburg, Germany Cremer-Preis, LWL – Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany

2015 2004 The Malady of Death: Écrire et Lire by Haegue Yang (staged reading), Mobile M+: Live Art, Hong Kong Kasse, Shop, Kino und Weiteres, Hessisches Landesmuseum, Darmstadt, Germany * Haegue Yang: Come Shower or Shine, It Is Equally Blissful, UCCA Ullens Center for Contemporary Art, Beijing, China Unfolding, Dépendance, Brussels, Belgium Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Alterity Display, Lawrence O'Hana Gallery, London, UK Sample Book, dépendance, Brussels, Belgium Unfolding Places, Galerie Barbara Wien, Berlin, Germany Shooting the Elephant 象 Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul, South Korea * 2003 2014 Unrealistic to Generalize, Public, Paris, France Art Wall: Haegue Yang, The Institute of Contemporary Art, Boston, USA 2002 2013 Air and Water, Dresdner Bank, Frankfurt am Main, Germany * Anachronistic Layers of Dispersion, Henry Art Gallery, Seattle, USA Journal of Echomimetic Motions, Bergen Kunsthall, Bergen, Norway * 2001 Family of Equivocations, Aubette 1928 and Museum of Modern and Contemporary Art, Strasbourg, France * Sonderfarben, Kommunale Galerie, Darmstadt, Germany * Journal of Bouba/kiki, Glasgow Sculpture Studios, Glasgow, Scotland * Corrugated Totems with Glitter Dance, Vitrines sur l’Art - Museums of Strasbourg, Galeries Lafayette, Strasbourg, France 2000 Honesty Printed on Modesty, Singapore Tyler Print Institute, Singapore * Blaue Wiese – Farbige Sprache, Künstlerhaus Mousonturm, Frankfurt am Main, Germany Ovals and Circles, Galerie Chantal Crousel, Paris, France Bejahung und Verneinung, Kolster, Galerie für junge Kunst, Frankfurt am Main, Germany Art Wall: Haegue Yang, The Institute of Contemporary Art, Boston, USA Lacquer Paintings 2000, Galerie Barbara Wien, Berlin, Germany 2012 1999 Der Öffentlichkeit – von den Freunden Haus der Kunst, Haus der Kunst, Munich, Germany * Ajar, La Douane, Galerie Chantal Crousel, Paris, France Hamburgefonstiv, 1822 Forum der Frankfurter Sparkasse, Frankfurt am Main, Germany * Roll Cosies, Kunsthalle Marcel Duchamp, Cully, Switzerland 1995 The Tanks: Art in Action, Tate Modern, London, UK Multi Faith Room, Greene Naftali, New York, USA rraum, Frankfurt am Main, Germany Haegue Yang, Rivane Neuenschwander, Overbeck-Gesellschaft, Lübeck, Germany

2011 Selected group shows and projects Escaping Things and Words, Haegue Yang, Rivane Neuenschwander, Kunsthalle Lingen, Lingen, Germany The Art and Technique of Folding the Land, Aspen Art Museum, Aspen, Colorado, USA * 2016 The Sea Wall: Haegue Yang with an inclusion by Felix Gonzalez-Torres, Arnolfini, Bristol, UK (upcoming) The Malady of Death – Monodrama with Irene Azuela, Yucatan, Mexico (in collaboration with kurimanzutto) Teacher of Dance, Modern Art Oxford, Oxford, UK * (upcoming) MashUp: The Birth of Modern Culture, Vancouver Art Gallery, Vancouver, Canada Arrivals, Kunsthaus Bregenz, Bregenz, Austria * (upcoming) , , (upcoming) Forum at Pompidou 2010 Voice and Wind, New Museum, New York, USA 2015 Voice Over Three, Artsonje Center, Seoul * The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane, Australia Closures, Galerie Wien Lukatsch, Berlin, Germany Office Space, Yerba Buena Center for the Arts, San Francisco, USA Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA 2009 Remember Lidice, Edition Block, Berlin, Germany Integrity of the Insider, , , USA La vie moderne, 13th Biennale de Lyon, Lyon, France Condensation, South Korean Pavilion, 53rd , Venice * After Babel, Moderna Museet, Stockholm, Sweden As We Never Imagined. 50 Years of Art Making, Singapore Tyler Print Institute, Singapore 2008 Future Light, Biennale 2015, Museum für angewandte Kunst (MAK), Vienna, Austria Symmetric Inequality, Sala Rekalde, Bilbao, Spain * Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany booth 9 B 004 10785 Berlin, Germany booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Haegue Yang [email protected] Haegue Yang Biography Biography

Works on Paper, Greene Naftali Gallery, New York, USA Inside Out and from the Ground Up, Museum of Contemporary Art Cleveland (MOCA), Cleveland, USA Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA No Desaster, Sammlung Haubrok Bei Falkenberg, Hamburg, Germany Suppleness and Rigidity – The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The Spiral and the Square. Exercises in Translatability, SKMU, Sørlandets Kunstmuseum, Kristiansand, Norway Feminisms, Nordsternturm Videoart Center, Gelsenkirchen, Germany Annual collection show, Leeum, Samsung Museum of Art, Seoul, Korea About Colour, Kunsthaus Wiesbaden, Wiesbaden, Germany 15 Jahre Galerie der Gegenwart, Galerie der Gegenwart, Hamburger Kunsthalle, Hamburg, Germany Fiber: Sculpture 1960-present, Des Moines Art Center, Iowa, USA * If there would be a face, this would be a cat, Dependence, Brussels, Belgium Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium Intérieur jour, La Douane, Galerie Chantal Crousel, Paris, France The past, the present, the possible, Sharjah Biennale 12 (SB12), Sharjah, United Arab Emirates * Sense and Sustainability. Urdaibai Art 2012, Urdaibai Natural Reserve, Gernika, Bermeo, Spain * Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Troubling Space: The Summer Sessions, The Zabludowicz Collection, London, UK Fit for Purpose, Kunsthaus Glarus, Zurich, Switzerland Superbody, Galerie Chantal Crousel, Paris, France Fiber: Sculpture 1960-present, Wexner Center for the Arts, Ohio, USA * Soundworks, Institute of Contemporary Arts, London, UK dOCUMENTA (13), Kassel, Germany * 2014 Orchesterwechsel – 10 Jahre Sammlung Rheingold, Schloss Dyck, Jüchen, Germany Einknicken oder Kante zeigen? Die Kunst der Faltung, MKK Ingolstadt, Germany * An Exhibition of a Study on Knowledge, Forum Stadtpark, Graz, Austria Collage art – Weaving Stories Blending Images, Gyeonggi Museum of Modern Art, Ansan, Korea The Touch of Life, Galerie Anita Beckers, Frankfurt am Main, Germany Double Life Contemporary Arts Museum , USA Abstract Possible: The Stockholm Synergies, Tensta Konsthall, Stockholm, Sweden Fiber: Sculpture 1960-present, ICA Boston, USA * How Physical, The Yebisu International Festival for Art & Alternative Visions 2012, Tokyo Metropolitan Museum of Photog- Histories I – Works from the Serralves Collection, Fundação de Serralves, Porto, Portugal raphy, Tokyo, Japan Objectology - Design and Art, National Museum of Modern and Contemporary Art (MMCA), Seoul, Korea DLA Was / For You, Muzeum Sztuki, Lodz, Poland * Light Night, Wallspace, New York, USA Ghosts, Spies, and Grandmothers, SeMA Biennale Mediacity Seoul 2014, Seoul, Korea 2011 The Great Acceleration, Taipei Biennial 2014, Taiwan City within the City, Artsonje Center, Seoul, South Korea (travels to Gertrude Contemporary, Melburn, Australia, 2012) Follies manifold: GABRIEL LESTER – HAEGUE YANG, Bonner Kunstverein The Grand Domestic Revolution – User’s Manual, Casco – Office for Art, Design and Theory, Utrecht, Netherlands Music Palace, the power of music seen by visual artists, Villa Empain, Brussels, Belgium Monument Valley (Jaegerspris revisited – a Hommage to Johannes Wiedewelt), UFO, Berlin, Germany Double Life, Contemporary Arts Museum Houston, USA Berlin 2000-2011: Playing among the Ruins, Museum of Contemporary Art Tokyo, Tokyo, Japan * Don’t You Know Who I Am? Art After Identity Politics, Museum van Hedendaagse Kunst, Antwerp, Belgium D’un autre Monde, Le Printemps de Septembre, Toulouse, France The Part In The Story Where A Part Becomes A Part of Something Else, Witte de With Center for Contemporary Art, Kunst und Philosophie, n.b.k. – Neuer Berliner Kunstverein, Berlin, Germany Rotterdam, NL Tell Me Tell Me: Australian and Korean Art 1976-2011, National Art School Gallery, Sydney, Australia (traveled to: National the distance between you and me, Fahrbereitschaft, Haubrok projects, Berlin, Germany Museum of Contemporary Art, Seoul, Korea) * Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium The Spiral and the Square. Exercises on Translatability, Bonniers Konsthall, Stockholm, Sweden (travels to Trondheim Kunst- KUB Collection Showcase: New Acquisitions from Ai Weiwei to Zobernig, Kunsthaus Bregenz, Austria museum, Trondheim, Norway; SKMU, Sørlandets Kunstmuseum, Kristiansand, Norway) * The Hawker, Dépendance at Carlos/Ishikawa, London, UK Folding: The Art of Simplicity, KCDF Gallery, Seoul, South Korea * Salon distingué - Household Effects in Good Company, Museum Langmatt, Baden, Switzerland Open Days, Le Consortium, Dijon, France Nach Abschluss der Reise, Kunst-Werke, Berlin, Germany 2013 A Wedding, Para/Site Art Space, Hong Kong, China Nachbilder, Stiftung Galerie für Zeitgenössische Kunst Leipzig, Germany Human Nature: Contemporary Art from the Collection, LACMA – Los Angeles County Museum of Art, Los Angeles, USA GDR GOES ON - Ljubljana, CasCo, Office for Art, Design and Theory, Utrecht, Netherlands Air Hole: Another Conceptualism from Asia, The National Museum of Art, Osaka, Japan Coming to Terms, Jackman Humanities Institute, University of Toronto, Canada I KNOW YOU, Museum of Modern Art Ireland, Dublin, UK 2010 Kleinplastik Triennial, Fellbach, Germany * Watchmen, Liars, Dreamers, Le Plateau, Frac Île-de-France, Paris, France Nur hier. Sammlung zeitgenössischer Kunst in der Bundesrepublik Deutschland. Eine Auswahl der Ankäufe von 2007 bis 10000 Lives, 8th Gwangju Biennale, Gwangju, South Korea 2011, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany * Workers Leaving the Workplace, Muzeum Sztuki, Lodz, Poland * Kuratorenreihe der Riemschneider-Stiftung an der Staatlichen Akademie der Bildenden Künste Urban Origami, PM Gallery & House, London 360°: Die Rückkehr der Sammlung, Kunstmuseum Stuttgart, Stuttgart, DE The Pursuer, Greene Naftali, New York, USA Contemporary Art Wing Reopening, Baltimore Museum of Art, USA The New Décor, Hayward Gallery, London, UK (traveled to: Garage CCC – Center for Contemporary Culture, Moscow, LU 150: London Underground's 150th Anniversary, Art on the Underground projects, London, UK Russia) * La Tyrannie des Objets, La Galerie des Galeries, Paris, France Oh! Masterpieces, Gyeonggi Museum of Modern Art, Ansan, South Korea * Unknown Forces, MSGSÜ Tophane-i Amire, Culture and Arts Center, Istanbul Like Eskimo Space, 1857, Oslo, Norway Coming to Terms, Jackman Humanities Institute, University of Toronto, Canada Squatting. erinnern, vergessen, besetzen, Temporäre Kunsthalle Berlin, Berlin, Germany * How to write I, Galerie Wien Lukatsch, Berlin, Germany Open Light in Private Spaces, Biennale for International Light Art Ruhr.2010, Unna, Germany New & NOW, Seoul Museum of Art, Seoul, Korea After Architects, Kunsthalle Basel, Basel, Switzerland The Grand Domestic Revolution GOES ON, Centre for Contemporary Art, Derry-Londonderry, UK Intro Motion Ditch, Art Sheffield, S1 Artspace, Sheffield, UK Karlsruhe Mit Marius Babias, Neuer Berliner Kunstverein, Staatliche Akademie der Bildenden Künste Karlsruhe, Karlsrube, Self as disappearance, Centre d'Art Contemporain, La Synagogue de Delme, Delme, France Germany 2009 2012 Zeigen. Eine Audiotour durch Berlin, Temporäre Kunsthalle Berlin, Berlin, Germany No Borders, Bristol Museum & Art Gallery, Bristol, UK UNDER COVER I – special editions in books, boxes & rolls, Galerie Barbara Wien, Berlin, Germany Dislocation, Daegu Art Museum, Daegu, South Korea From the Gathering, Helen Pitt Gallery, Vancouver, Canada Lieber Aby Warburg. Was tun mit Bildern? Museum für Gegenwartskunst Siegen, Siegen, Germany * Horizontale Durchlässigkeiten, Alte Fabrik, Rapperswil, Switzerland * Dream Walking in the Magical reality, National Museum of Contemporary Art, Korea Monument to Transformation, City Gallery Prague, Prague, Czech Republic (traveled to: Centro Cultural Montehermoso, West China Art Biennale, TianYe Art Museum,Yinchuan, China * Vitoria-Gasteiz, Spain) * Galerie Barbara Wien ARCO Madrid 2016 Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany booth 9 B 004 10785 Berlin, Germany booth 9 B 004 fon 0049 30-28385352 fax -50 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 mobil 0049 173-6156996 [email protected] Haegue Yang [email protected] Haegue Yang Biography Biography

Sequelism Part 3: Possible, Probable, or Preferable Futures, Arnolfini, Bristol, UK Practice, De Appel, Amsterdam, Netherlands * Everything, then, passes between us, Kölnischer Kunstverein, Cologne, Germany Como Viver Junto – How to Live Together, 27th São Paulo Biennial, São Paulo, Brazil * Your Bright Future: 12 Contemporary Artists from Korea, LACMA – Los Angeles County Museum of Art, Los Angeles, Pigment Piano Marble, Maipú, Buenos Aires, Argentina * USA (traveled to: The Museum of Fine Arts, Houston, USA) * e-flux Video Rental, Mücsarnok Kunsthalle Budapest, Budapest, Hungary, 2006; Arthouse Texas, Texas, Austin, USA, 2006; Making Worlds, 53rd International Art Exhibition, Venice Biennale, Venice, Italy * Carpenter Center for the Visual Arts, Cambridge / MA, USA, 2007; Centre Culturel Suisse, Paris, France, 2007; CAMJAP, Pop Up!, Ludwig Forum für Internationale Kunst, Aachen, Germany Lissabon, Portugal, 2008; and Fondazione Giuliani, Rom, Italy, 2010 Assume Nothing: New Social Practice, Art Gallery of Greater Victoria, Victoria, Canada Haubrokworks – Sounds of Silence, Galerie Gisela Capitain, Cologne, Germany

2008 2005 If we can’t get it together, The Power Plant, Toronto, Canada Lichtkunst aus Kunstlicht, ZKM – Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany 27 november – 21 january, 2009, Dépendance, Brussels, Belgium Punkt und Linie, Fläche und Raum, Overbeck-Gesellschaft, Lübeck, Germany 50 Moons of Saturn, 2nd Torino Triennale, Turin, Italy * Schnur im Nebel, Doppelzimmer, Gießen, Germany The Twentyfirst, Silver Shed, New York, USA 2004 Zeitblick. Ankäufe der Sammlung Zeitgenössische Kunst der Bundesrepublik Deutschland 1998-2008, Martin-Gropius-Bau, Steaming away from the Places, Sangmyung University Museum, Seoul, South Korea * Berlin, Germany * D-Freezone. Site 2: Korean Express, in the frame of 5th Gwangju Biennale, Gwangju, South Korea * Pontos de Vista, Galeria Mata, Inhotim, Brumadinho, MG, Brasil This is not a Love Letter, Marronnier Art Center (currently: Arko Art Center), Seoul, South Korea Akademie Schloss Solitude, Stuttgart, Germany Black Friday. Exercises in Hermetics, Galerie Kamm, Berlin, Germany Farewell to Post-Colonialism, The 3rd Guangzhou Triennial, Guangzhou, Guangdong, China Liquidation totale, Dépendance, Brussels, Belgium The Krautcho Club / In and Out of Place, Galerie im Regierungsviertel, Berlin, Germany (weitere Station / traveled to: 176 XS: An Invitational Exhibition, f a projects, London, UK Gallery, London, UK) Documents, Seoul Metropolitan Museum of Arts (currently Seoul Museum of Art), Seoul, South Korea * Eurasia. Geographic cross-overs in Art, MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rover- Chasm, 3rd Busan Biennale, Busan, South Korea * eto, Italy * Mix Max, Artsonje Center, Seoul, South Korea * LESS, haubrokshows, Berlin, Germany Life On Mars, 55th Carnegie International, Pittsburgh, USA * 2003 Global EurAsia, Art Cologne, Cologne, Germany * From Dust to Dusk – International Exhibition of Contemporary Art, Kunsthal Charlottenborg, Copenhagen, Denmark * run run, Collins Gallery, Glasgow, commissioned by Glasgow International, Glasgow, Scotland Hermès Korea Missulsang, Artsonje Center, Seoul, South Korea * Open / Invited e v+ a 2008 – too early for vacation, e v+ a – exhibition of visual art, Limerick, Ireland * Make It New, Portikus / Dresdner Kleinwort Wasserstein, Frankfurt am Main, Germany Der grosse Wurf – Faltungen in der Gegenwartskunst, Museum Haus Lange / Kaiser Wilhelm Museum, Krefeld, Germany * Demirrorized Zone, De Appel, Amsterdam, Netherlands * Von dem was dann noch bleibt, Nassauischer Kunstverein, Wiesbaden, Germany Türme Babylons, Landesmuseum Mainz, Mainz, Germany * Interfacing Practices, Galerie Magnus Müller, Berlin, Germany freunde und bekannte, Sparwasser HQ, Berlin, Germany 2002 Wessen Geschichte, Kunstverein Hamburg, Hamburg, Germany Subtiles élégances, La Galerie, Centre d’art contemporain, Noisy-le-Sec, France The Fall, Galleri Christina Wilson, Copenhagen, Denmark 2007 Kunst und Technik, Mannheimer Kunstverein, Mannheim, Germany * Anyang Public Art Project (APAP), Anyang, South Korea * Cité des Ondes, Cienquième Manifestation Internationale Vidéo et Art Électronique, Champ Libre, Montreal, Canada Off Pages, The Bookmakers SQ.MT., Turin, Italy 40 Jahre: Fluxus und die Folgen, Wiesbadener Kunstsommer, Wiesbaden, Germany * If I can’t dance, I don’t want to be part of your Revolution, Edition II, Episode IV: Feminist Legacies and Potentials in Con- Manifesta 4, European Biennial of Contemporary Art, Frankfurt am Main, Germany * temporary Art Practice, Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium * P_A_U_S_E, 4th Gwangju Biennale, Gwangju, South Korea * Tomorrow, Artsonje Center & Kumho Museum, Seoul, South Korea * New Tendencies in Korean Art: Paradise Among Us, Marronnier Art Center (currently: Arko Art Center), Seoul, South Brave New Worlds, Walker Art Center, Minneapolis, USA (traveled to: Fundación/Colección Jumex, Mexico City, Mexico) * Korea Something Mr. C can’t have, KIAF, Coex Hall, Seoul, South Korea Blink, Artsonje Center, Seoul, South Korea * Micro Narratives, 48th October Salon, Belgrade, Serbia * Kunstpreis der Deutschen Volksbanken und Raiffeisenbanken, Kunst-Werke, Berlin, Germany Virtuoso Interpretor – Formalismus als Formalismuskritik, Cluster, Berlin, Germany Ssamzie Studio 3, Ssamzie Space, Seoul, South Korea * RE-DIS-PLAY – Nicht-Kunst-Sammlungen von Künstlern und Kuratoren, Heidelberger Kunstverein, Heidelberg, Germany Flash Cube, Leeum, Samsung Museum of Art, Seoul, South Korea * 2001 Imagine Action, Lisson Gallery, London, UK 1 Site – 2 Places, project room, Galerie der Stadt Sindelfingen, Sindelfingen, Germany Made in Germany, Kestnergesellschaft, Hanover; Sprengel Museum, Hanover and Kunstverein Hannover, Germany * KunstPraxis, Siemens Arts Program, Munich, Germany PRAGUEBIENNALE 3, Prague, Czech Republic * Invisible Touch, Artsonje Center, Seoul, South Korea * Brennschluss, Galerie Andreas Huber, Vienna, Austria We’re not here to give you pleasure, rraum 02, Frankfurt am Main, Germany (traveled to: rraum 03, Protoacademy, Edin- Kunstpreis der Böttcherstrasse 2007, Kunsthalle Bremen, Germany * burgh, UK; G39, Cardiff, UK; Galerie Art & Essai, Rennes, France) * Dependance at Galerie Neu, Galerie Neu, Berlin, Germany VIP’s Union, VIP Lounge, 6th Art Forum Berlin, Berlin, Germany * Modelle für Morgen: Köln, European Kunsthalle, Cologne, Germany * Tirana Biennale 1: Escape, Tirana, Albania * Mandla Reuter, Haegue Yang, Flaca, London, UK Zu Gast, Bellevue-Saal, Wiesbaden, Germany Break through to Grey Room, Casabarata, Kasbah Museum, Tangier, Morocco Frankfurter Kreuz: Transformationen des Alltäglichen in der zeitgenössischen Kunst, Schirn Kunsthalle, Frankfurt am Main, STADTanSICHTen. Seoul: Räume, Menschen, ifa-Galerie Stuttgart, Germany (traveled to: ifa-Galerie Berlin, Institut für Aus- Germany * landsbeziehungen, Berlin, Germany) * Lunchtime of Necktie Force, The Posco Museum, Seoul, South Korea *

2006 2000 Political Design, Design of Politics, Zero One Design Centre, Seoul, South Korea * Art or Design, Seoul Arts Center, Seoul, South Korea * Personal Affairs. Neue Formen der Intimität, Museum Morsbroich, Leverkusen, Germany * Café Helga & Galerie Goldankauf, Kunstraum München, Munich, Germany * If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Edition II: Feminist Legacies and Potentials in Contemporary Anno Zero, Cittadellarte – Fondazione Pistoletto, Biella, Italy Galerie Barbara Wien ARCO Madrid 2016 Schöneberger Ufer 65, 3rd floor 10785 Berlin, Germany booth 9 B 004 fon 0049 30-28385352 fax -50 mobil 0049 173-6156996 [email protected] Haegue Yang Biography

1998 Stuttgart, 17.7.1956 – Salem (Wis.)/USA, 3.3.1977, Portikus, Frankfurt am Main, Germany * Seoul in Media: Food, Clothing, Shelter, Seoul Metropolitan Museum of Arts (currently Seoul Museum of Art), Seoul, South Korea * Where I Am, Lisbon World Exposition, Galeria Municipal da Mitra, Lisbon, Portugal * I-20, with Caroline Krause, Galerie Konstantin Adamopoulos, Frankfurt am Main, Germany

* exhibition catalogue

Collections (selection)

Museum Ludwig, Cologne Bristol's Museums, Galleries & Archives, Bristol, UK BSI Art Collection, Switzerland Carnegie Museum of Art, Pittsburgh, USA Explum, Murcia, Spain Galerie für Zeitgenössische Kunst, Leipzig, Germany Kulturstiftung des Bundes, Halle an der Saale, Germany Kunsthalle Hamburg, Germany Kunstmuseum Stuttgart, Germany Leeum, Samsung Museum of Art, Seoul, Korea Los Angeles County Museum of Art, Los Angeles, USA Museum of Modern Art, New York, USA Muzeum Sztuki, Lodz, Poland National Museum of Contemporary Art, Korea Neuer Berliner Kunstverein e.V., Berlin, Germany Sammlung Haubrok, Berlin, Germany Solomon R. Guggenheim Museum, New York, USA The Museum of Fine Arts, Houston, Texas, USA Walker Art Center, Minneapolis, Minnesota, USA Westfälisches Landesmuseum, Münster, Germany Zabludowicz Collection