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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Bring Me the Head of Frank Sinatra! Credit, and That He Keeps Three Loaded Double- in Early 1988
BRING ME THE HEAD OF FRANK “Old No. 6-7/8.” Screw those guys. Really. SINATRA! Jimmy's Bar Introduction If the group is already an adventuring party, then it stands to reason they will be in a tavern. If not, This is a module for 4-6 player characters of level well, they might as well meet at a tavern. 4-6. It is set in a gonzo post-apocalyptic past- Specifcally, Three-Arm Jimmy's, on the Hoboken future. waterfront. What that means, in practical terms, is that it is Three Arm Jimmy's is the sort of generic tavern set in the world presented in Gamma World or that unimaginative Game Masters always start Mutant Future (Encounter Critical could also easily modules in. It's got a bar, manned by Jimmy be used, although the setting is Earth, rather than himself—the extra arm comes in very handy for Vanth or Asteroid 1618). Statistics in this module pulling beers. The bar serves cheap but adequate will be given in Mutant Future terms. beer, a variety of rotgut liquors, most of which are nasty-ass industrial ethanol with a few drops of Other systems can be used, of course: since it favoring agents, and standard bar food, such as has been said that First Edition Gamma World salty deep-fried starchy things, onion rings, was the best edition of Dungeons and Dragons, pickled eggs, and the ubiquitous rat-on-a-stick D&D would work fne, as would Paranoia, Call of (show players Illustration #1). In addition to Cthulhu, Arduin, or an-only-slightly-variant Spawn Jimmy, there will be a waitress and a of Fashan, for instance. -
Cpfj 2014 Spring Concert Series Sunday March 16 5
Connecting Jazz Lovers CPFJ Newsletter JANUARY/FEBRUARY with Each Other 2014 & the Music! Issue #20 CPFJ 2014 SPRING CONCERT SERIES SUNDAY MARCH 16 5 P.M. SHERATON HARRISBURG HERSHEY . JOEY DEFRANCESCO TRIO PAUL BOLLENBACK(G) CARMEN INTORRE (DR) SUNDAY APRIL 6 7 P.M. POLLOCK CENTER FOR THE ARTS, CAMP HILL . CECILE McLORIN SALVANT , SUNDAY MAY 25 WITF PUBLIC MEDIA CENTER . EHUD ASHERIE & This series is underwritten by a generous contribution from the Shearer Family Fund KEN PEPLOSKI of the Foundation for Enhancing Communities on behalf of R. Scott Shearer LOOK. INSIDE THE VIBE! Exec. Dir. Letter - pg.2 Jazz Passings 2013 - pg. 10 &11 Grants & Donors - pg. 3 New Scholarship & Spring Concert Series - pg. 4 & 5 Ticket order form - pg.12 Area Clubs & Concerts - 6 & 7 Phil Woods/Dave Stahl - pg. 13/14 Jazz Camp & Youth Band - pg. 8 Membership Application - pg. 15 Dauphin Co. Grant - pg. 9 CPFJ Jam Sessions - pg. 16 1 The Vibe is published monthly at the Central PA Friends of Jazz, 5721 Jonestown Road, Harrisburg PA 17112 EXECUTIVE DIRECTOR'S REPORT: Central Pennsylvania Friends of Jazz HAPPY NEW YEAR! Thanks to all for your support in 2013. We had a very successful year with great concerts: the Cyrus Chestnut tribute to Dave Brubeck, violinist Christian Howes, legendary 5721 Jonestown Road vocalist Freddy Cole, the Kenton Alumni Big Band, drummer Clarence Penn’s Monk tribute, and Harrisburg PA 17112 dynamic pianist Anthony Wonsey; our best Jazz Camp ever with a great faculty and 70 students; TEL: 717-540-1010 membership in CPFJ reached 600 - a level not seen for over 15 years; WEB: We have been awarded a generous grant from the Dauphin County Commissioners that will enable www.friendsofjazz.org us to present a concert on September 5th at Fort Hunter Park as part of the Dauphin County Jazz EMAIL: & Wine Festival. -
Download Full Book
Vegas at Odds Kraft, James P. Published by Johns Hopkins University Press Kraft, James P. Vegas at Odds: Labor Conflict in a Leisure Economy, 1960–1985. Johns Hopkins University Press, 2010. Project MUSE. doi:10.1353/book.3451. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/3451 [ Access provided at 25 Sep 2021 14:41 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Vegas at Odds studies in industry and society Philip B. Scranton, Series Editor Published with the assistance of the Hagley Museum and Library Vegas at Odds Labor Confl ict in a Leisure Economy, 1960– 1985 JAMES P. KRAFT The Johns Hopkins University Press Baltimore © 2010 The Johns Hopkins University Press All rights reserved. Published 2010 Printed in the United States of America on acid- free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Mary land 21218- 4363 www .press .jhu .edu Library of Congress Cataloging- in- Publication Data Kraft, James P. Vegas at odds : labor confl ict in a leisure economy, 1960– 1985 / James P. Kraft. p. cm.—(Studies in industry and society) Includes bibliographical references and index. ISBN- 13: 978- 0- 8018- 9357- 5 (hardcover : alk. paper) ISBN- 10: 0- 8018- 9357- 7 (hardcover : alk. paper) 1. Labor movement— Nevada—Las Vegas— History—20th century. 2. Labor— Nevada—Las Vegas— History—20th century. 3. Las Vegas (Nev.)— Economic conditions— 20th century. I. Title. HD8085.L373K73 2009 331.7'6179509793135—dc22 2009007043 A cata log record for this book is available from the British Library. -
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Similar Hats on Similar Heads: Uniformity and Alienation at the Rat Pack’S Summit Conference of Cool
University of Huddersfield Repository Calvert, Dave Similar hats on similar heads: uniformity and alienation at the Rat Pack’s Summit Conference of Cool Original Citation Calvert, Dave (2015) Similar hats on similar heads: uniformity and alienation at the Rat Pack’s Summit Conference of Cool. Popular Music, 34 (1). pp. 1-21. ISSN 0261-1430 This version is available at http://eprints.hud.ac.uk/id/eprint/22182/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Similar hats on similar heads: uniformity and alienation at the Rat Pack’s Summit Conference of Cool Abstract This article considers the nightclub shows of the Rat Pack, focussing particularly on the Summit performances at the Sands Hotel, Las Vegas, in 1960. Featuring Frank Sinatra, Dean Martin, Sammy Davis Jr, Peter Lawford and Joey Bishop, these shows encompassed musical, comic and dance routines, drawing on the experiences each member had in live vaudeville performance. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
Shelly Manne & His Men Shelly Manne and His
Shelly Manne & His Men Shelly Manne And His Men, Volume 1 - The West Coast Sound mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Shelly Manne And His Men, Volume 1 - The West Coast Sound Country: US Released: 1984 Style: Bop, Cool Jazz MP3 version RAR size: 1594 mb FLAC version RAR size: 1347 mb WMA version RAR size: 1938 mb Rating: 4.2 Votes: 404 Other Formats: MOD DTS XM AC3 ASF AAC VOC Tracklist A1 Grasshopper 2:48 A2 La Mucura 3:00 A3 Summer Night 3:16 A4 Afrodesia 3:26 A5 You And The Night And The Music 3:06 A6 Gazelle 3:00 B1 Sweets 2:50 B2 Spring Is Here 2:39 B3 Mallets 3:15 B4 You`re Getting To Be A Habit With Me 3:27 B5 You`re My Thrill 2:54 B6 Fugue 2:45 Credits Alto Saxophone – Art Pepper (tracks: A2, A5, A6, B3), Bud Shank (tracks: A4, B1, B5, B6), Joe Maini (tracks: A1, A3, B2, B4) Baritone Saxophone – Jimmy Giuffre Bass – Curtis Counce (tracks: A2, A5, A6, B3), Joe Mondragon (tracks: A4, B1, B5, B6), Ralph Pena* (tracks: A1, A3, B2, B4) Drums – Shelly Manne Engineer [A1, A3, B2, B4] – John Palladino Engineer [A2, A4 To A6, B1, B3, b5, B6] – Val Valentin Liner Notes – Nesuhi Ertegun Photography By [July 20, 1953 Recording Session] – William Claxton Piano – Marty Paich (tracks: A2, A4 to A6, B1, B3 ,B5, B6), Russ Freeman (tracks: A1, A3, B2, B4) Producer – Lester Koenig Tenor Saxophone – Bill Holman (tracks: A1, A3, B2, B4), Bob Cooper (tracks: A2, A4 to A6, B1, B3 ,B5, B6) Valve Trombone – Bob Enevoldsen Notes Recorded : - #A2,A5,B3,A6 : Los Angeles on April 6, 1953 - #A4,B1,B5,B6 : Los Angeles on July 20, 1953 - #A1,A3,B2,B4 : Los Angeles on September 13, 1955 (previously unreleased) Copyright 1956 and 1953 by Contemporary Records. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Neuzugänge Lieber Kunde, Diese Nachfolgende Liste Haben Wir Neu
Sonderposten https://www.deepgroove-schallplatten.de/web/de/sonderposten.afp Neuzugänge Lieber Kunde, diese nachfolgende Liste haben wir neu hereinbekommen. Bitte beachten Sie, diese Liste ist nicht in unserem Shopsystem integriert! Bestelllungen bitte per E-Mail, Telefon oder per Post. Labelbeschreibung und Abkürzungsverzeichnis Nummer: Interpret: Titel: Preis (€): 0 -More chords- 1969 w/ Woode,Clare. MPS 15032 (17) F M-/M- N0108 Buckner, Milt 19 ST; GLANZ-FOC -More chords- 1969 w/ Woode,Clare. MPS 15 237ST (47/V) D N0110 Buckner, Milt 26 VG++/M- ST; GLANZ-FOC N0111 Buckner, Milt Trio -Locked hands- MPS 15 199ST (47/V) D M--/M-- ST; GLANZ-FOC 20 -Play chords- 1966 w/Woode,Joe Jones. pink Saba SB 15 110ST N0112 Buckner, Milt Trio 16 M--/M-- ST; GLANZ-FOC -Play chords- 1966 w/Woode,Joe Jones. Saba SB 15 110ST (89/V) N0113 Buckner, Milt Trio 29 Erstausgabe mit Tannenbaum, M--/M-- ST; GLANZ-FOC -For all we know/Recorded live at Basin Street West,S.F.- 1971 N0116 Byrd, Charlie 20 w/Airto Moreira,etc. Columbia G 30622 (165) DOLP US M-/M- ST -The guitar artistry of- w/Keter Betts,Buddy Deppenschmidt. N0117 Byrd, Charlie 35 Riverside OLP 3007 (115/V) Mono NL VG++/M-; GLANZ -Guitars- rec.1975 w/Mariano, van´t Hof a.o. Atlantic 50193 D N0125 Catherine, Philip 16 M--/M-- ST -Live at the Berlin Philharmonie, with J.A.Rettenbacher, Intercord N0132 Cicero, Eugen 20 28779-7/1-2, DoLP, DE M-/VG++ -Klavierspielereien- w/Witte,Antolini. MPS 12 005ST (47/V/transition N0133 Cicero, Eugen 28 lbl.) D M--/M- ST; GLANZ -Klavierspielereien- w/Witte,Antolini. -
Los Angeles: Recorded Magic (1945-1960)
Los Angeles: Recorded Magic (1945-1960) Essential Questions How did advances in technology impact jazz? How did Los Angeles (LA) become a segregated city? How did Los Angeles (LA) become a city of recorded jazz? What is West Coast bop? How does it reflect the black jazz scene in segregated LA? What is West Coast jazz? How is it a product of postwar Southern California? How does the music and literature of Los Angeles reflect its history and culture? How do you listen to jazz? The importance of listening Obtaining a jazz vocabulary Understanding and appreciating major movements in jazz Understanding and appreciating the life and sounds of jazz innovators Historical context of jazz Objectives: 1. Determine how advances in technology impacted jazz and the recording industry. 2. Rank the local, state and federal policies that contributed to the segregation of Los Angeles. 3. Explain how the music and of Los Angeles reflected its segregated population. 4. Analyze West Coast jazz and bop in historical context. Historical Context: Postwar Los Angeles (Marcie Hutchinson) Based on Why Jazz Happened by Marc Myers (social history of jazz) Introduction Profound impact of technology on the history of jazz Radio, records, the phonograph, the jukebox, film Music more accessible, more convenient, pleasing to the ear Postwar Period Jazz transformed from dance music to a sociopolitical movement Major jazz styles: bebop, jazz-classical, cool, West Coast jazz, hard bop, jazz-gospel, spiritual jazz, jazz- pop, avant-garde jazz and jazz-rock fusion Jazz reshaped from 1945-1972 Grip of 3 major record companies (Victor, Columbia, Decca) weakened by labor actions Increased competition from new labels Jazz musicians gain greater creative independence due to competition.