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THE ALCHEMIST THROUGH the AGES an Investigation of the Stage
f [ THE ALCHEMIST THROUGH THE AGES An investigation of the stage history of Ben Jonson's play by JAMES CUNNINGHAM CARTER B.Sc., University of British Columbia, 196 8 A THESIS SUBMITTED IN PARTIAL FULFILMENT. OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October 1972 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date 27 QclAtt ii ABSTRACT THE ALCHEMIST THROUGH THE AGES An Investigation of the Stage History of Ben Jonson's Play This study was made to trace the stage history of The Alchemist and to see what effect theatrical productions can have in developing critical awareness of Jonson's dramatic skill in this popular play. Therefore an attempt has been made to record all performances by major companies between 1610 and 197 0 with cast lists and other pertinent information about scenery/ stage action and properties. The second part of the thesis provides a detailed analysis of four specific productions considered in light of their prompt books, details of acting and production, and overall critical reception. -
English Professional Theatre, 1530-1660 Edited by Glynne Wickham, Herbert Berry and William Ingram Index More Information
Cambridge University Press 978-0-521-10082-3 - English Professional Theatre, 1530-1660 Edited by Glynne Wickham, Herbert Berry and William Ingram Index More information Index Note: search under ‘London and Environs’; ‘Playing Companies’; ‘Playhouses’; and ‘Stage Characters’ for individual entries appropriate to those categories. Abell, William (alderman), 586 Andrews, Richard (player), 245 Abuses, 318 Anglin, Jay P., ‘The Schools of Defense’, Acton, Mr (justice of the peace), 158 296 Actors. See Players Anglo, Sydney, 20; ‘Court Festivals’, 291 Adams, John (player), 300 Annals of England. See Stow, John Adams, Joseph Quincy, Shakespearean Playhouse, Anne, Queen, 119, 122, 125, 513–14, 561, 562, 550n, 597n, 626n; Dramatic Records of Sir 564, 580, 625, 630–1; her company of Henry Herbert, 581, 582, 582n players, see Playing Companies Admiral, Lord. See Lord Admiral Apothecaries, 388, 501 Admiral’s players. See Playing Companies Arber, Edward, 192 Aesop, 171 Archer, George (rent gatherer), 611n Agrippa, Henry Cornelius (writer), 159 Arches, Court of the, 292, 294n, 312 Alabaster, William (playwright), 650 Ariosto, Ludovico, I Suppositi, 297n Aldermen of London. See London Armin, Robert (player and writer), 123, 196, Alderson, Thomas (sailor), 643 197, 198; Foole vpon Foole, 411–12 All Hallowtide, 100 Army Plot, The, 625, 636 All Saints Day, 35 Arthur, Thomas (apprentice player), 275–7 Allen, Giles, 330–2&n, 333–6&n, 340, 343–4, Arundel, Earl of (Henry Fitzalan, twelfth Earl), 346–7, 348, 352, 355, 356–7, 367–72, 372–5, 73, 308; his company -
WSC 2021 Programme
11th World Shakespeare Congress, Singapore: Shakespeare Circuits 18 – 24 July 2021 Supported by Held in Members of the Local Organising Committee for the World Shakespeare Congress 2021 Local Committee Co-Chair: YONG Li Lan (National University of Singapore, Singapore) Co-Chair: Bi-qi Beatrice LEI (National Taiwan University, Taiwan) Executive Director: Eleine NG-GAGNEUX (National University of Singapore, Singapore) Festival Director: LEE Hyon-u (Soonchunhyang University, South Korea) Deputy Festival Director: Alvin Eng Hui LIM (National University of Singapore, Singapore) Michael DOBSON (Shakespeare Institute, UK) Mika EGLINTON (Kobe City University of Foreign Studies, Japan) Emily SOON (Singapore Management University, Singapore) Programme Committee Chair: Lena Cowen ORLIN (Georgetown University, USA) Tom BISHOP (University of Auckland, New Zealand) Ton HOENSELAARS (Universiteit Utrecht, Netherlands) Bi-qi Beatrice LEI (National Taiwan University, Taiwan) YONG Li Lan (National University of Singapore, Singapore) Secretariat Roweena YIP (National University of Singapore, Singapore) Jennifer HO Hui Lin (National University of Singapore, Singapore) Karen LAM Xue Ling (National University of Singapore, Singapore) Design JIANG Liheng (FreeWave Media Pte Ltd, Singapore) 11th World Shakespeare Congress, Singapore: Shakespeare 4 1 Welcome When I think back over the previous WSCs I have attended, I recall great experiences and wonderful programmes – but never a Congress quite as ambitious as this one. Thanks to the extraordinary work of our Local Organising Committee, Singapore is bringing the Congress to the world, ensuring that this is a global event for scholarship and theatre on an unprecedented scale in its entirely virtual format, not least in the extraordinary riches of the Digital Asian Shakespeare Festival. Across the many sessions of the 2021 WSC we will share our thoughts and discoveries, our research and creativity, our achievements past and our future plans. -
Winter Newsletter 2019-2020 Crrs.Ca Letter from the Director
CRRS Centre for Reformation & Renaissance Studies Winter Newsletter 2019-2020 crrs.ca Letter from the Director The past year has been memorable for the Centre for Reformation and Renaissance Studies. Our graduate and undergraduate fellows have once again contributed much to the workings of the Centre and continue to be an integral part of our community. It has been a busy year for conferences and symposia, which continue to address the interests of an ever-growing contingent of the CRRS community. From April 26–27, the CRRS hosted the international conference, Rulers on Display, which dealt with the ever more magnificent funerary monuments that the leaders of Europe created in the early modern period. This also marked the first collaboration between the CRRS and the University of Bonn. Seven of our speakers came from Bonn or its environs, and the Consul General of Germany hosted a reception for us here in Toronto. The next event in our continuing collaboration with Bonn is set for Spring 2021. From May 10–11, 2019, the CRRS hosted the Fourteenth Canada Milton Seminar, organized by Paul Stevens of the English Department. We are happy to be a part of this tradition. On October 4–5, 2019, we hosted our first conference in Spanish literature: Epic New Worlds: Alonso de Ercilla’s La araucana, 1569–2019, which was organized by Emiro Martínez-Osorio of York University. On November 1–3, we hosted the conference Making Stories in the Early Modern World, honouring the work of Elizabeth and Thomas Cohen, who have given much to the Centre over the years. -
Triangulating Shakespeare Through Sixteenth-Century Prose Pamphlets
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St. John's University: St. John's Scholar St. John's University St. John's Scholar Theses and Dissertations 2020 Hidden in Detail: Triangulating Shakespeare through Sixteenth- Century Prose Pamphlets Scott Donald Koski Follow this and additional works at: https://scholar.stjohns.edu/theses_dissertations Part of the English Language and Literature Commons HIDDEN IN DETAIL: TRIANGULATING SHAKESPEARE THROUGH SIXTEENTH-CENTURY PROSE PAMPHLETS A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY to the faculty of the DEPARTMENT OF ENGLISH of ST. JOHN’S COLLEGE OF LIBERAL ARTS AND SCIENCES at ST. JOHN'S UNIVERSITY New York by Scott Koski Date Submitted ______________ Date Approved _________________ ___________________________ ______________________________ Scott Koski Dr. Steve Mentz © Copyright by Scott Koski 2020 All Rights Reserved ABSTRACT HIDDEN IN DETAIL: TRIANGULATING SHAKESPEARE THROUGH SIXTEENTH-CENTURY PROSE PAMPHLETS Scott Koski Part of what has led to fetishizing Shakespeare both inside and outside of the academy is the inexplicable way he arrived on the London writing scene. Though scholars have searched for years trying to trace the path that led a young Shakespeare out of rural Warwickshire to the bustling streets of London, very little is known about the man himself in the time leading up to his arrival and first being called an “upstart crow” by Robert Greene in 1592. This void has become known as the “lost years,” and because there is so little information save a few documents bearing Shakespeare’s name, the mystery itself serves to feed the myth. -
A New Companion to Renaissance Drama Blackwell Companions to Literature and Culture
A New Companion to Renaissance Drama Blackwell Companions to Literature and Culture This series offers comprehensive, newly written surveys of key periods and movements and certain major authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on contexts and on canonical and post‐canonical texts, orientating the beginning student in new fields of study and providing the experi- enced undergraduate and new graduate with current and new directions, as pioneered and developed by leading scholars in the field. Published Recently 78. A Companion to American Literary Studies Edited by Caroline F. Levander and Robert S. Levine 79. A New Companion to the Gothic Edited by David Punter 80. A Companion to the American Novel Edited by Alfred Bendixen 81. A Companion to Literature, Film, and Adaptation Edited by Deborah Cartmell 82. A Companion to George Eliot Edited by Amanda Anderson and Harry E. Shaw 83. A Companion to Creative Writing Edited by Graeme Harper 84. A Companion to British Literature, 4 volumes Edited by Robert DeMaria, Jr., Heesok Chang, and Samantha Zacher 85. A Companion to American Gothic Edited by Charles L. Crow 86. A Companion to Translation Studies Edited by Sandra Bermann and Catherine Porter 87. A New Companion to Victorian Literature and Culture Edited by Herbert F. Tucker 88. A Companion to Modernist Poetry Edited by David E. Chinitz and Gail McDonald 89. A Companion to J. R. R. Tolkien Edited by Stuart D. Lee 90. A Companion to the English Novel Edited by Stephen Arata, Madigan Haley, J. Paul Hunter, and Jennifer Wicke 91. -
2019 SCSC Program 6
Sixteenth Century Society and Conference Thursday, 17 October to Sunday, 20 October 2019 Hans Burgkmair, Portrait of the Holy Roman Emperor Maximilian I (1459–1519) (1518). Rijksmuseum, Amsterdam Sixteenth Century Society & Conference 17-20 October 2019 2018-19 OFFICERS President: Walter S. Melion Vice-President: Andrew Spicer Past President: Kathleen M. Comerford Executive Director: Bruce Janacek Treasurer: Eric Nelson COUNCIL Class of 2019: Brian Sandberg, Daniel T. Lochman, Suzanne Magnanini, Thomas L. Herron Class of 2020: David C. Mayes, Charles H. Parker, Carin Franzén, Scott C. Lucas Class of 2021: Sara Beam, Jason Powell, Ayesha Ramachandran, Michael Sherberg PROGRAM COMMITTEE Chair: Andrew Spicer Art History: James Clifton Digital Humanities: Suzanne Sutherland English Literature: Scott C. Lucas French Literature: Scott M. Francis German Studies: Jennifer Welsh History: Janis M. Gibbs Interdisciplinary: Andrew Spicer Italian Studies: Jennifer Haraguchi Science and Medicine: Chad D. Gunnoe Pedagogy: Chris Barrett Spanish and Latin American Studies: Nieves Romero-Diaz Theology: Rady Roldán-Figueroa SCSC—St. Louis—2019 2 NOMINATING COMMITTEE Amy E. Leonard Beth Quitslund Jeffrey R. Watt Thomas Robisheaux Liz Lehfeldt SIXTEENTH CENTURY SOCIETY & CONFERENCE FIFTIETH ANNIVERSARY COMMITTEE Sheila ffolliott (Chair) Kathryn Brammall Kathleen M. Comerford Gary Gibbs Whitney A.M. Leeson Ray Waddington Merry Wiesner-Hanks Walter S. Melion (ex officio) GRADUATE STUDENT STIPEND SELECTION COMMITTEE Jennifer M. DeSilva Kathleen M. Comerford William R. Bowen SCSC—St. Louis—2019 3 2018–2019 SCSC PRIZE COMMITTEES Founders' Prize Karen Spierling, Stephanie Dickey, Wim François Gerald Strauss Book Prize David Luebke, Jesse Spohnholz, Jennifer Welsh Bainton Art & Music History Book Prize Bret Rothstein, Lia Markey, Jessica Weiss Bainton History/Theology Book Prize Barbara Pitkin, Tryntje Helfferich, Haruko Ward Bainton Literature Book Prize Deanne Williams, Thomas L. -
41St Annual Meeting in Toronto, Ontario, 2013
SHAKESPEARE ASSOCIATION OF AMERICA PROGRAM OF THE 41st ANNUAL MEETING 28-30 MARCH 2013 FAIRMONT ROYAL YORK TORONTO, ONTARIO The 41st President DYMPNA C. CALLAGHAN Annual Syracuse University Meeting of the Vice-President Shakespeare DIANA E. HENDERSON Association of Massachusetts Institute of Technology America Immediate Past President SUZANNE GOSSETT Executive Director Loyola University Chicago LENA COWEN ORLIN Georgetown University Trustees Programs Manager DOUGLAS BRUSTER University of Texas, Austin BAILEY YEAGER Georgetown University JONATHAN GIL HARRIS George Washington University Interim Director for 2012 MICHELE OSHEROW DOUGLAS M. LANIER University of Maryland University of New Hampshire Baltimore County LAURIE SHANNON With the Assistance of Northwestern University JACKIE HOPKINS JAMES R. SIEMON ANNE O’REILLY Boston University SCOTT MCKENNA CAMPBELL VALERIE TRAUB University of Michigan 3 Program Planning Committee Sponsors of the 41st Annual Meeting VALERIE TRAUB, CHAIR University of Michigan UNIVERSITY OF TORONTO, SCARBOROUGH GINA BLOOM University of California, Davis UNIVERSITY OF TORONTO, ST. GEORGE ELIZABETH HARVEY UNIVERSITY OF TORONTO, MISSISSAUGA University of Toronto BROCK UNIVERSITY IAN SMITH Lafayette College RYERSON UNIVERSITY WILLIAM B. WORTHEN Barnard College VICTORIA UNIVERSITY, UNIVERSITY OF TORONTO Local Arrangements Committee MCMASTER UNIVERSITY LYNNE MAGNUSSON, CHAIR YORK UNIVERSITY University of Toronto WESTERN UNIVERSITY VIVIANA COMENSOLI Wilfrid Laurier University WILFRID LAURIER UNIVERSITY KENNETH GRAHAM UNIVERSITY -
The Seven Deadly Sins</Em>
Early Theatre 7.1 (2004) David Kathman Reconsidering The Seven Deadly Sins Among the Henslowe-Alleyn papers at Dulwich College is a document long prized by theatre historians: the handwritten ‘plot’ of a play called The Second Part of the Seven Deadly Sins (Dulwich College MS XIX), apparently designed to be hung on a peg backstage at a playhouse. The text of this play does not survive, but it is usually thought to be identical with Richard Tarlton’s ‘famous play of the seauen Deadly sinnes’, referred to in 1592 by Gabriel Harvey and Thomas Nashe.1 The plot is extremely valuable for its scene-by-scene descrip- tion of the play’s action, which lists the characters and (most of) the players who played those characters in each scene. There are twenty players’ names in all: Mr. Brian, Mr. Phillipps, Mr. Pope, R. Burbadg, W. Sly, R. Cowly, John Duke, Ro. Pallant, John Sincler, Tho. Goodale, John Holland, T. Belt, Ro. Go., Harry, Kit, Vincent, Saunder, Nick, Ned, and Will. In addition, two major roles (King Henry VI and Lydgate) and several minor ones are not accompanied by any player’s name. Since this is the most complete cast list we have for any performance of a pre-restoration play, it has often been used as evidence in reconstructing the history of Elizabethan playing companies, as well as the careers of the individual players named therein.2 One problem is that the company which performed this play is nowhere named in the plot. For more than a century, most theatre historians have assumed that the company in question was some version of Lord Strange’s Men performing in the early 1590s. -
Papa Don't Preach: the Power of Prolixity in Pericles
Deanne Williams, “Papa Don’t Preach: The Power of Prolixity in Pericles.” University of Toronto Quarterly, vol. 71 no. 2 (Spring, 2002): 595-622. In Shakespeare's Pericles, Prince of Tyre, as Northrop Frye observes, 'father-daughter incest keeps hanging over the story as a possibility' (44). Most critics, however, are reluctant to extend the question of incest beyond the borders of Antioch, and quick to exempt the hero, Pericles, from scrutiny on this matter.(1) As C.L. Barber puts it, 'we begin with overt incest, and arrive at a sublime transformation of the motive' (64). Certainly such a reading is consistent with the play's source material. The Latin romance of Apollonius of Tyre, which Shakespeare adapted from John Gower's version in the Confessio Amantis (circa 1375), presents the sexual relationship between Antiochus and his daughter as an emblem of tyranny, while the platonic, paternal affection displayed by Apollonius towards his own daughter is an extension of his capacity for benevolent rule. However, to regard the hero's impeccable character as the opposite of Antiochus's moral monstrosity is to overlook the central drama of Shakespeare's Pericles, in which the hapless hero struggles against falling into a classic folktale scenario, according to which the daughter takes her dead mother's place as the consort of the king, her father. The question of the authorship of Pericles is famously fraught. Omitted from the First Folio, although included in the Third and Fourth, the play survives in one form: that of the 'bad' first quarto of 1609. Whereas Pericles was extremely popular in the seventeenth century, the popular theory that the play is the product of collaboration can be traced back only as far as the eighteenth century: in the Prologue to his adaptation of the play, Marina (1738), George Lillo explains the necessity to exculpate Shakespeare from what he considers to be the play's 'rude wild scenes' (3). -
1 Deanne Williams Department of English York University 4700 Keele
Deanne Williams Department of English York University 4700 Keele St. Toronto, Ontario M3J 1P3 Email. [email protected] Tel. (416) 736-2100 ext. 44752 Current Contact Information (2018-2019): The Pontifical Institute of Medieval Studies 59 Queen’s Park Crescent East Toronto, Ontario M5S 2C4 Email. [email protected] Tel. (416) 927-7137 Employment History July 1, 2016-Present. Professor of English, York University, Toronto. July 1, 2003- June 30, 2016. Associate Professor of English, York University, Toronto. July 1, 2000-Present. Member of the Graduate Program in English. York University. July 1, 2000-June 30, 2003. Assistant Professor of English, York University, Toronto Education Ph.D. English Literature, Stanford University, 2000. Dissertation: Coming To Terms: The Trouble with French in Early Modern England. M.Phil. Medieval English Literature, Oxford University, 1994. B.A. (Hons) English Literature and Religious Studies, University of Toronto, 1992. Honours and Special Recognitions 1. Visiting Fellowship. Pontifical Institute of Medieval Studies, University of Toronto, 2018- 2019. 2. Fellow, Centre for Reformation and Renaissance Studies, University of Toronto, 2018- 19. 3. Alice Griffin Fellowship in Shakespearean Studies, University of Auckland, Summer 2018. 4. Elected to the Royal Society of Canada, College of New Scholars, Artists, and Scientists, 2017 5. Visiting Scholar, Facultat de Filologia, University of Barcelona. February, 2017. 6. Visiting Scholar, Department of English, Lund University. November, 2013. 7. Roland H. Bainton Prize for Best Book in Literature from the Sixteenth Century Society and Conference, 2005, for The French Fetish from Chaucer to Shakespeare. 8. Clare Hall, Cambridge. Visiting Fellowship, 2004-5. Elected Life Fellow, June, 2005. -
Kemp and Elizabethan Popular Culture
EÖTVÖS LÓRÁND TUDOMÁNYEGYETEM BÖLCSÉSZETTUDOMÁNYI KAR Doktori disszertáció N. Streitman Krisztina William Kemp: A Comic Star in Shakespeare’s England Történettudományi Doktori Iskola Dr. Székely Gábor MTA doktora, egyetemi tanár Középkori és Koraújkori Egyetemes Történeti Doktori Program Dr. Poór János MTA doktora, egyetemi tanár A bizottság tagjai: Dr. Sz. Jónás Ilona MTA doktora, Dr. Géher István CSc, professor emeritus professor emeritus Dr. Szőnyi György Endre, MTA doktora, egyetemi tanár Dr. Velich Andrea Ph.D, docens Dr. Nagy Balázs Ph.D, docens Dr. Sebők Marcell Ph.D, adjunktus Dr. Novák Veronika Ph.D, adjunktus Témavezető: Dr. Klaniczay Gábor MTA doktora, egyetemi tanár BUDAPEST, 2011 Acknowledgments I owe special thanks to many people who encouraged me and contributed to the success of this dissertation. I am grateful to Professor Gábor Klaniczay for his professional and personal care. His guidance, suggestions and constructive criticism have proven invaluable even as his support, encouragement and feedback have been fundamental to my work. He continues to inspire me and many others in the fields of Medieval and Early Modern cultural history. I am also deeply indebted to Professor Peter Burke who responded meticulously and instantly to all my queries, especially those concerning Early Modern popular culture and Renaissance cultural history. It was he who called my attention to Anu Korhonen‘s work which in turn shaped my understanding of a number of difficult aspects of folly. I owe a debt of gratitude to Andrea Velich who offered orientation in my research and pointed out important primary and secondary sources and their availability in London libraries. I am also thankful to Balázs Nagy for his goodwill, professional and technical guidance.