DOCSLIB.ORG

Christofmigone Draft Cover Withnaumanimage

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Christofmigone Draft Cover Withnaumanimage sonic somatic: performances of the unsound body sonic somatic: performances of the unsound body by Christof Migone acknowledgments A book like this does not have a single author, but is a series of conversations which the named author wrangles into a coherent whole as best as possible. The book converses with explicit sources that populate the footnotes, but also with influences and inspirations that inform the flow of these exchanges. The principal nexus of the latter is the Department of Performance Studies, Tisch School of the Arts, New York University where the dissertation I com- pleted in 2007 for the doctorate degree constitutes the bulk of this book. My years at nyu were enriched by Sara Jane Bailes, Barbara Browning, Steve Feld, May Joseph, Fred Moten, José Muñoz, Lara Nielsen, Peggy Phelan, Avital Ronell, Juan Salas, Heather Shuster, Mick Taussig, mj Thompson, and Claude Wampler. The support of Allen S. Weiss as my advisor has been unwavering throughout and I continue to be buoyed by his endorsement and encourage- ment. Another prime site of my engagement with both theoretical and prac- tical manifestations of all things sonic is Montréal where interweavings with the following persons ebb and flow as they should: Michel F. Côté, Alexandre St-Onge, Nicole Gingras, Steve Bates, Jake Moore, Lynda Gaudreau, Michèle Thériault, Jonathan Parant, Dave Bryant, Simon Brown, Raymond Gervais. Others who have influenced and inspired my thinking over the years are too numerous to mention, but there are some salient figures: Gregory Whitehead, Brandon LaBelle, Julia Loktev and Jocelyn Robert. And Marla, who unsounds me in a way that keeps me sound. This is a compendium of research and thoughts on sound for the last sixteen years – the earliest, “Vexations”, dates to 1995 and “Pneumatics”, the most recent, was written in 2011. The book contains a significant proportion of previously published material. In most instances each text was substan- tially revised for this book. Many thanks to all the previous editors and pub- lishers for their support. Chapter One Section 2 “Taciturntablism” in Places and Non-places of Contemporary Art / Lieux et non-lieux de l’art actuel (Montréal: Éditions Esse, v 2005). Section 3.1 “This Disquiet” appeared as the curatorial essay for the group exhibition “Disquiet” presented at Modern Fuel in Kingston, Ontario, Canada, 24 August – 25 September 2005. Chapter Two Section 1 “Mouth Pores” was first written in French and appeared as “Bouche … boue … oue: une somaphonie buccale” in Inter No. 98 Espaces Sonores, guest ed. Jocelyn Robert (Québec, 2008). Section 2 “Flatus Vocis: Somatic Winds” appeared in Aural Cultures, ed. Jim Drobnick (Toronto: yyz Books, 2004). Chapter Three Section 1 “Utter the Stutter” appeared as “(untitled per- formance), a lexicon of false starts and failed advances” in Writing Aloud: The Sonics of Language, eds. Brandon Labelle and Christof Migone (Los Angeles: Errant Bodies Press, 2001). Chapter Four Section 1 “Volume” as “Volume (of confinement and infin- ity): A History of Unsound Art” in s:on Sound in Contemporary Canadian Art, ed. Nicole Gingras (Montréal: Artexte, 2003). Section 1.4 “Slippery Threads” as “Slippery Threads (an amplified concert critique)” in Angelaki: journal of the theoretical humanities, vol. 4 no.3, December 1999 (included in the Glissement dossier edited by Gerard Greenway). Section 2.1 “Pneumatics” was commissioned by Action Art Actuel, the artist-run center which presented Jean-Pierre Gauthier's “Thorax” as part of the curatorial project of Eric Mattson titled ondes : immanence ou matérialité, 16 September – 31 October 2010. Section 2.2 “Space is the Place is the Time is the Song” in Steve Heimbecker’s Songs of Place dvd catalog (Montréal: Oboro, 2005). Section 2.3 “Frictions: Sound Objects and Surfaces” as a review of the exhibition by the same name curated by Nicole Gingras in para-para No. 017 (Montréal: Parachute 2005). Section 2.4 “Ricochets, or How the Bullet Skips to the Tune of the Phonograph” first published in xcp: Cross Cultural Poetics, ed. Mark Nowak, Issue 6 (Documentary), 2000. Finally, I would like to acknowledge the profusion of dividuals and cultures that produce and disseminate the sounds, performances, objects and texts that have consistently challenged and expanded my writing and thinking. Without their obstinate silences and wondrous noises, this book would have undoubtedly failed to emit a single note. vi table of contents acknowledgments . v table of contents . ix list of figures . xi chapter one / soundmutesilence . 1 1 . heretofore unheard histories of air disturbances . 3 1 .1 sound itself . 7 1 .2 unheard of . 15 1 .3 breakdown . 20 2 . taciturntablism . 27 2 .1 reductio . 27 2 .2 moot mute . 41 3 . disquietude . 49 3 .1 this quiet . 49 3 .2 resisting arrest: the speechless body in motion . 51 chapter two / soundmouthbody . 65 1 . mouth pores . 67 1 .1 mouth agape . 67 1 .2 frozen speech . 76 2 . flatus vocis: somatic winds . 83 2 .1 south winds . 89 2 .2 incontinence . 96 2 .3 exit wound . 101 3 . leaks: stories of the spit self . 103 ix chapter three / soundtimeslanguage . 117 1 . utter the stutter . 119 1 .1 the performance of inarticulation and porosity . 119 1 .2 remainder . 128 1 .3 arrhythmia and claustrophilia . 135 1 .4 scream and run, run, run . 140 2 . metronomics . 147 2 .1 vexations . 147 2 .2 furniture audience . 154 2 .3 it never ends . 155 chapter four / soundspacebeyond . 163 1 . volume . 165 1 .1 of confinement and infinity . 165 1 .2 with in . 166 1 .3 provisional place and speech . 171 1 .4 slippery threads . 183 2 . depth charges . 191 2 .1 pneumatics . 191 2 .2 space is the place is the time is the song . 195 2 .3 frictions: sound objects and surfaces . 199 2 .4 ricochets . 205 2 .5 the announcement which stops the shot . 216 3 . as it empties out . 221 coda . 227 1 . statement on the state of sound art . 229 bibliography . 242 index . 259 x list of figures chapter one fig. 01 robert morris, The Box with the Sound of its Own Making, 1961 . 09 fig. 02 bruce nauman, Concrete Tape Recorder Piece, 1968 . 09 fig. 03 santiago sierra, 11 People Paid To Learn A Phrase, 2001 . 12 fig. 04 philip von zweck, Honk If You Love Silence, 2000 . 28 fig. 05 dave dyment and roula partheniou, Super Infinity, 2002 . 33 fig. 06 claude wampler, Knitease: Ms. Lefarge Give Another Historical Performance, 1996 . 34 fig. 07 claude wampler, Knitease: Ms. Lefarge Give Another Historical Performance, 1996 . 34 fig. 08 tom friedman, untitled, 1990 . 40 fig. 09 tom friedman, untitled (detail), 1990 . 40 fig. 10 bruce nauman, Circulating corridor – No access, 1970 . 44 fig. 11 joseph beuys, Das Schweigen, 1973 . 47 fig. 12 marina abramovic, Rhythm 0, 1974 . 58 fig. 13 joseph beuys, Infiltration homogen für Konzertflügel, 1966 . 58 fig. 14 adrian piper, Untitled Performance at Max’s Kansas City, nyc, 1970 . 61 chapter two fig. 15 hayley newman, Lockjaw Lecture Series, 1998 . 68 fig. 16 martin kersels, Attempt to raise the temperature of a container of water by yelling at it, 1995 . 73 fig. 17 adrian piper, Catalysis iv, 1970 . 75 fig. 18 uncredited, [Medium producing ectoplasm during spiritual seance] 75 fig. 19 ann hamilton, face to face – 8, 2001 . 79 fig. 20 ann hamilton, face to face – 16, 2001 . 79 fig. 21 ann hamilton, face to face – 26, 2001 . 79 xi fig. 22 cang xin, Communication_Series_No.3, 2000 . 81 fig. 23 cang xin, Communication_Series_No.5, 2000 . 81 fig. 24 cang xin, Communication_Series_No.7, 2001 . 81 fig. 25 christian marclay, Untitled, 1996 . 91 fig. 26 joseph pujol performing for Thomas Edison’s kinetophonolfacto - graph, 1900 . 97 fig. 27 vito acconci, Waterways: Four Saliva Studies, 1971 . 105 fig. 28 vito acconci, Waterways: Four Saliva Studies, 1971 . 105 chapter three fig. 29 tatsuo miyajima, na.ar. (Voice), 1981 . 145 fig. 30 xu zhen, Shouting, 1998 / 2005 . 145 fig. 31 roman opalka, Detail 993460 – 1017875 (detail), undated . 159 fig. 32 uncredited, [Roman Opalka at work in his studio], undated . 159 fig. 33 rober racine, Salammbô, 1980 . 161 fig. 34 rober racine, Salammbô, 1980 . 161 chapter four fig. 35 david merritt, moritat (detail), 1995 . 172 fig. 36 marla hlady, Proposition for tracing a conversation No.5, 2005 . 172 fig. 37 samuel roy-bois, I heard a noise, I ran away, 2003 . 175 fig. 38 michael fernandes, Room of Fears, 2000 . 181 fig. 39 jean-pierre gauthier, Thorax, 2010 . 194 fig. 40 jean-pierre gauthier, Thorax, 2010 . 194 fig. 41 uncredited, [Les cachots du pavillon Charles-Baillairgé du Musée national des beaux-arts du Québec], undated . 200 fig. 42 raymond gervais, Dans le cylindre, 1994 . 203 fig. 43 uncredited, [Please Pardon Our Noise … It Is A Sound Of Freedom], undated . 206 xii fig. 44 cornelia parker, Cold Dark Matter: An Exploded View, 1991 . 213 fig. 45 chris burden, Shoot, 1970 . 219 fig. 46 bill viola, Street Music (part of Truth Through Mass Individuation), 1976 . 219 fig. 47 joseph beuys, Stummes Grammophon, 1958 . 219 coda fig. 48 alvin lucier, Music for Solo Performer, 1965 . 232 fig. 49 uncredited, [Maverick Concert Hall, Woodstock], undated . 240 xiii chapter one / soundmutesilence The sacred remains: the assault of the real, the dissection of fact, the mystery of unmeaning, the dwindling of self, the release into motion.1 adrian piper 1 Adrian Piper, Decide Who You Are, New York: Paula Cooper Gallery, 1992, xi. 1. heretofore unheard histories of air disturbances Merdre! 2 It is undoubtedly curious to begin a book ostensibly focused on sound art by considering such an infamous ignominious moment; nevertheless, this expletive’s impact is predicated precisely by the fact of having been voiced and heard – thus, I would contend that it is a significant marker in the history of the sonic arts.
Load more

Recommended publications
  • An Ethnographic Account of Disability and Globalization in Contemporary Russia
    INACCESSIBLE ACCESSIBILITY: AN ETHNOGRAPHIC ACCOUNT OF DISABILITY AND GLOBALIZATION IN CONTEMPORARY RUSSIA Cassandra Hartblay A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Anthropology. Chapel Hill 2015 ! ! ! ! Approved by: Michele Rivkin-Fish Arturo Escobar Sue Estroff Jocelyn Chua Robert McRuer © 2015 Cassandra Hartblay ALL RIGHTS RESERVED ! ii! ABSTRACT Cassandra Hartblay: Inaccessible Accessibility: An Ethnographic Account Of Disability And Globalization In Contemporary Russia (Under the Direction of Michele Rivkin-Fish) Based on over twelve months of fieldwork in Russia, this dissertation explores what an ethnographic approach offers disability studies as a global, interdisciplinary, justice-oriented field. Focused on the personal, embodied narratives and experiences of five adults with mobility impairments in the regional capital city of Petrozavodsk, the dissertation draws on methods including participant observation, ethnographic interviews, performance ethnography, and analysis of public documents and popular media to trace the ways in which the category of disability is reproduced, stigmatized, and made meaningful in a contemporary postsoviet urban context. In tracing the ways in which concepts of disability and accessibility move transnational and transculturally as part of global expert cultures, I argue that Russian adults with disabilities expertly negotiate multiple modes of understanding disability, including historically and culturally rooted social stigma; psychosocial, therapeutic, or medicalized approaches; and democratic minority group citizenship. Considering the array of colloquial Russian terms that my interlocutors used to discuss issues of access and inaccess in informal settings, and their cultural antecedents, I suggest that the postsoviet infrastructural milieu is frequently posited as always opposed to development and European modernity.
    [Show full text]
  • Universidade Federal De Santa Catarina Programa De Pós-Graduação Em Letras Inglês E Literatura Correspondente
    UNIVERSIDADE FEDERAL DE SANTA CATARINA PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS INGLÊS E LITERATURA CORRESPONDENTE THE PORTRAYALS OF FATHERS AND DAUGHTERS IN MARY DI MICHELE’S POETRY ANDREA CRISTINA NATAL SIMÕES Dissertação apresentada à Universidade Federal de Santa Catarina como requisito para obtenção do título de MESTRE EM LETRAS Florianópolis 2010 Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. To my grandmother, whose love and support I miss every day. To my grandfather, whose eyes I saw crying while teaching me how to waltz. ACKNOWLEDGMENTS This thesis would not have been possible without the following institutions. I gratefully acknowledge the financial support of CAPES with a scholarship during two years of this research. My thanks to UFSC for giving me the possibility to study what I like most: literature in English, in an undergraduate and in this graduate course. I would like to thank especially my professors during these years who guided me in this process of learning. I would like to thank PRPG for giving me the necessary support to present papers at ABRAPUI and ABECAN in 2009. I would like to thank the staff from PPGI, who helped me whenever I had bureaucratic problems to solve. In addition, this thesis could not have been attempted without help of a more informal kind: the invaluable support and friendship of professors, colleagues, and family. Thank you all very much! To Maria Lúcia Milléo Martins, my thesis supervisor, who introduced me to di Michele’s work, helped me to get all the necessary material, guided and contributed to my writing, and especially gave me the necessary support throughout this process.
    [Show full text]
  • Deutsche Nationalbibliografie 2013 T 05
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2013 T 05 Stand: 15. Mai 2013 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2013 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2013-7 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]
  • Old Taoist This Page Intentionally Left Blank Old Taoist
    Old Taoist This page intentionally left blank Old Taoist The Life, Art, and Poetry of Kodo¯jin (1865–1944) Stephen Addiss Translations of and Commentary on Chinese Poems by Jonathan Chaves With an Essay by J. Thomas Rimer Columbia University Press New York columbia university press Publishers Since 1893 New York Chichester, West Sussex Copyright ᭧ 2000 Columbia University Press All rights reserved Columbia University Press wishes to express its appreciation to The University of Richmond, Robert Feinberg, The George Washington University Columbian School of Arts and Sciences, and Kurt A. Gitter for assistance in the publication of this volume. Library of Congress Cataloging-in-Publication Data Addiss, Stephen, 1935– Old Taoist : the life, art, and poetry of Kodo¯jin (1865–1944) / Stephen Addiss : translations of and commentary on Chinese poems by Jonathan Chaves ; with an essay by J. Thomas Rimer. p. cm. Includes index. isbn 0–231–11656-x (cloth) isbn 0–231–11657-8 (paper) 1. Fukuda, Haritsu, 1865–1944. 2. Authors, Japanese—20th century— Biography. I. Chaves, Jonathan. II. Rimer, J. Thomas. III. Title. pl806.k75z53 1999 895.6Ј144—dc21 99–31836 ࠗϱ Casebound editions of Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10987654321 p 10987654321 Dedicated to Audrey Yoshiko Seo and Elizabeth Anna Chaves This page intentionally left blank Contents Preface and Acknowledgments ix 1 Kodo¯jin’s Life and Art 1 2 Kodo¯jin’s Japanese Poetry 57 3 Kodo¯jin and the T’ao Ch’ien Tradition in Kanshi Poetry 73 by jonathan chaves 4 Kodo¯jin’s Chinese Poetry 89 translated by jonathan chaves 5 A Note on Kodo¯jin and the Art and Literature of His Period 155 by j.
    [Show full text]
  • SKY ABOVE, GREAT WIND the Life and Poetry of Zen Master Ryokan
    “The Zen monk Ryokan has become one of the most popular poets in Japanese history. Living in a small mountain hut rather than a temple, and preferring to play with children to ceremonies, he captured his warm humanity, gentle humor, and deep spirit in his poetry. This fine new translation by Kazuaki Tanahashi includes a generous serving of his poetry in Japanese and Chinese styles, as well as a biography, analysis of his poetry, and charming anecdotes about his life. It is easy to see why Ryokan has become so beloved, not only in Japan, but in the rest of the world as well.” —Stephen Addiss, author of The Art of Zen and The Art of Haiku “The ‘Great Fool’ Ryokan is one of the most revered figures in Japanese poetry, and in Kaz Tanahashi, he has found as perfect an advocate-translator as could be imagined. In this translation, we find an insightful introduction and poem after poem revealing Ryokan’s great good humor, his aloneness, his eccentricities, his poverty in a small hut in the mountains, his Buddhist insightfulness, his love of children and silk-thread balls, and, eventually, his love for a much younger woman. This is a marvelous achievement and a joy to read.” —Sam Hamill, author of Almost Paradise ABOUT THE BOOK Ryokan (1758–1831) is, along with Dogen and Hakuin, one of the three giants of Zen in Japan. But unlike his two renowned colleagues, Ryokan was a societal dropout, living mostly as a hermit and a beggar. He was never head of a monastery or temple.
    [Show full text]
  • View a Work of Art
    CA IT KU O AU RM DR LE EY IL F GU LA CK NS JA MO MES SIM PROSEK XAVIERA SARRO GUEST CRIT HIM PIS IC DAIS JOAC Y DES ITH ROS E W IER TT S RE OY I L NR HE MAY 2020 MAY 2020 TRI-STATE RELIEF FUND TO SUPPORT NON-SALARIED WORKERS IN THE VISUAL ARTS ONETIME INDIVIDUAL GRANTS OF $2,000 APPLICATION CYCLES OPEN: MAY 56, MAY 1920, JUNE 23 Established by The Willem de Kooning Foundation, the Helen Frankenthaler Foundation, Teiger Foundation, and the Cy Twombly Foundation and Administered by New York Foundation for the Arts Open to Freelance, Contract, or Non-Salaried Archivists • Art Handlers • Artist/Photographer's Assistants • Cataloguers • Database Specialists • Digital Assets Specialists • Image Scanners/Digitizers • Registrars www.nyfa.org field notes art books The Plague and the Wrath by Charles Reeve 6 Megan N. Liberty on David Wojnarowicz’s In the Shadow New pandemic, old story by Ana V. Diez Roux 8 of Forward Motion 89 Their Money or Your Life by Paul Mattick 9 George Grella on Joseph Jarman’s Black Case Volume I & II: Return From Exile 90 The numbers must have context: Sars-CoV-2 in New York by Natalie D. Baker 11 Mary Ann Caws on André Breton’s Nadja: fac-similé du manuscrit de 1927 90 A Disaster Foretold by Pavlos Roufos 12 Jennie Waldow on Esopus’s Modern Artifacts 91 Viral Biopolitics: COVID-19 and the Living Dead by Rachel Nelson 17 books art Yvonne C. Garrett on Tracy O’Neill’s Quotients 92 ART IN CONVERSATION John Domini on Mark Nowak’s Social Poetics 92 GUILLERMO KUITCA with Raphael Rubinstein 20 Deena ElGenaidi on Tracy O’Neill’s Godshot 93 ART IN CONVERSATION IN CONVERSATION Lawrence Ellsworth with XAVIERA SIMMONS with Marcia E.
    [Show full text]
  • One Way: Miles to Go Jamie Lynn Golladay Eastern Illinois University
    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2019 One Way: Miles to Go Jamie Lynn Golladay Eastern Illinois University Recommended Citation Golladay, Jamie Lynn, "One Way: Miles to Go" (2019). Masters Theses. 4444. https://thekeep.eiu.edu/theses/4444 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. School� The·-· -···-Graduate --·- -·£.:Am !u 1Nt,t 'R)J ' UNIVFJlsm'" Thesis Maintenance and Reproduction Certificate FOR: Gradueote CandidatPs Cornpk'tii it: Theses i'l Pa: ti al Fulfillment of the Degree Graduate Faculty Advisors D'.recting the The�es RE: Preservation, Reproduction, ;1rd C'istributhn of Ther,i5 Research Preserving, reproducing, and distributing thesis research is an i m por tant part of Booth Library's responsibility to provide ac•:ess to scholarship. In order to ft.:rther this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Jllinoh tJ n iversity available for personal study, (esearch, and other not-for­ profit educational purposes. Under 17 U.S.C. iJ 108, thr: l:brary may reproduce <'nd distribute a copy without infringing cm copyright; however, professiona! wurtesy dictates •!Jat perll'issior, be requested from the author before doing so. You• signatures affirm the following: •The graduate candidate is the author of this thesis. •The graduate candidate retains the copyright a:id intellectual property rights associated with the original researrh, creative activity, and intellectuai nr <irtistic content of 1.he thesis.
    [Show full text]
  • September 2018 New Releases
    September 2018 New Releases what’s PAGE inside featured exclusives 3 RUSH Releases Vinyl Available Immediately! 71 Vinyl Audio 3 CD Audio 13 FEATURED RELEASES PAUL CARRACK - SUPERSUCKERS - YES - THESE DAYS SUCK IT YESSONGS Music Video DVD & Blu-ray 47 Non-Music Video DVD & Blu-ray 52 MVD Distribution Independent Releases 72 Order Form 78 Deletions and Price Changes 76 BARBERSHOP THE DAY OF THE JACKAL ANGEL TOWN 800.888.0486 (SPECIAL EDITION) (SPECIAL EDITION) 203 Windsor Rd., Pottstown, PA 19464 HAWKWIND - PAUL CARRACK - ERIK JEKABSON SEXTET - www.MVDb2b.com ROAD TO UTOPIA: LIMITED THESE DAYS ERIK JEKABSON SEXTET LP EDITION GATEFOLD VINYL August is a MARQUEE month! Say ‘YES’ to MVD in September! MVD launches a new addition to our movie arsenal with the MVD MARQUEE COLLECTION, a foxy selection of reissues given fresh polish. You will say YES indeed to our plethora of September releases! We nod affirmatively for the first-ever Blu-ray of the YES film YESSONGS, Kicking off the collection is Solid-As-A-Rock Dwayne Johnson in a remake of the classic WALKING TALL. Standing up for what’s right, this filmed at the band’s landmark 1972 London Rainbow Theatre gig. All the classic songs performed by the classic YES lineup before they said Rock rolls on the side of the law and takes no prisoners! Alternate ending, deleted scenes and gads of super sweet extras, including audio NO. And speaking of first-ever, bask in the glow of Woodstock Festival star MELANIE, as she releases her inaugural DVD, FOR ONE NIGHT commentary from Dwayne Johnson hisself! Next to check in on the Marquee line is the lunacy that is Frank Zappa’s 200 MOTELS.
    [Show full text]
  • Experimental Design and Analysis
    Experimental Design and Analysis Howard J. Seltman July 11, 2018 ii Preface This book is intended as required reading material for my course, Experimen- tal Design for the Behavioral and Social Sciences, a second level statistics course for undergraduate students in the College of Humanities and Social Sciences at Carnegie Mellon University. This course is also cross-listed as a graduate level course for Masters and PhD students (in fields other than Statistics), and supple- mentary material is included for this level of study. Over the years the course has grown to include students from dozens of majors beyond Psychology and the Social Sciences and from all of the Colleges of the University. This is appropriate because Experimental Design is fundamentally the same for all fields. This book tends towards examples from behavioral and social sciences, but includes a full range of examples. In truth, a better title for the course is Experimental Design and Analysis, and that is the title of this book. Experimental Design and Statistical Analysis go hand in hand, and neither can be understood without the other. Only a small fraction of the myriad statistical analytic methods are covered in this book, but my rough guess is that these methods cover 60%-80% of what you will read in the literature and what is needed for analysis of your own experiments. In other words, I am guessing that the first 10% of all methods available are applicable to about 80% of analyses. Of course, it is well known that 87% of statisticians make up probabilities on the spot when they don’t know the true values.
    [Show full text]
  • Writing and Renunciation in Medieval Japan Michigan Monograph Series in Japanese Studies Number 21
    Writing and Renunciation in Medieval Japan Michigan Monograph Series in Japanese Studies Number 21 Center for Japanese Studies The University of Michigan Writing and Renunciation in Medieval Japan The Works of the Poet-Priest Kamo no Chomei Rajyashree Pandey Center for Japanese Studies The University of Michigan Ann Arbor, 1998 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. 1998 The Regents of the University of Michigan Published by the Center for Japanese Studies, The University of Michigan, 202 S. Thayer St., Ann Arbor, MI 48104-1608 Distributed by The University of Michigan Press, 839 Greene St. / P.O. Box 1104, Ann Arbor, MI 48106-1104 Library of Congress Cataloging in Publication Data Pandey, Rajyashree, 1953- Writing and renunciation in medieval Japan : the works of the poet- priest Kamo no Chomei / Rajyashree Pandey. 199 p. 23 cm. — (Michigan monograph series in Japanese studies : 21) Includes bibliographical references and index. ISBN 0-939512-86-6 (alk. paper) 1. Kamo, Chomei, 11537-1216?—Criticism and interpretation. I. Title. II. Series. PL791.2.Z5P36 1998 895.6'422—dc21 98-12208 CIP Jacket illustration: Bunsei, Landscape (detail), Japanese, mid-15th century, Muromachi period. Hanging scroll, ink and light colors on paper (05.203). Chi- nese and Japanese Special Fund. Courtesy of the Museum of Fine Arts, Boston. Jacket design: Seiko Semones This publication meets the ANSI/NISO Standards for Permanence of Paper for Publications and Documents in
    [Show full text]
  • Franz Hautzinger Klaus Koenig Jeff Marx Jason Miles Louis Sclavis Steve Swallow Tots Tolentino Collin Walcott Norma Winstone
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Franz Hautzinger Klaus Koenig Jeff Marx Jason Miles Louis Sclavis Steve Swallow Tots Tolentino Collin Walcott Norma Winstone Feature: The Chitlin Circuit Revisited International Jazz News Photo jazz Stories CD Reviews Book Reviews DVD Reviews Remembering: Paul Horn Obituaries Volume 40 Number 1A Annual Edition 2014 THE DIFFERENT DRUMMER... IS ON OUR LABEL WWW.INNOVA.MU ___ IC 1001 Doodlin’ - Archie Shepp ___ IC 1070 City Dreams - David Pritchard ___ IC 1002 European Rhythm Machine - ___ IC 1071 Tommy Flanagan/Harold Arlen Phil Woods ___ IC 1072 Roland Hanna - Alec Wilder Songs ___ IC 1004 Billie Remembered - S. Nakasian ___ IC 1073 Music Of Jerome Kern - Al Haig ___ IC 1006 S. Nakasian - If I Ruled the World ___ IC 1075 Whale City - Dry Jack ___ IC 1012 Charles Sullivan - Genesis ___ IC 1078 The Judy Roberts Band ___ IC 1014 Boots Randolph - Favorite Songs ___ IC 1079 Cam Newton - Welcome Aliens ___ IC 1016 The Jazz Singer - Eddie Jefferson ___ IC 1082 Monica Zetterlund, Thad Jones/ ___ IC 1017 Jubilant Power - Ted Curson Mel Lewis Big Band ___ IC 1018 Last Sessions - Elmo Hope ___ IC 1083 The Glory Strut - Ernie Krivda ___ IC 1019 Star Dance - David Friesen ___ IC 1086 Other Mansions - Friesen/Stowell ___ IC 1020 Cosmos - Sun Ra ___ IC 1088 The Other World - Judy Roberts ___ IC 1025 Listen featuring Mel Martin ___ IC 1090 And In This Corner… - Tom Lellis ___ IC 1027 Waterfall Rainbow - David Friesen ___ IC 1094 NY State of Mind - Ann Burton ___ IC 1028 Lew Tabackin - Dual Nature ___
    [Show full text]
  • Identity Poetics with Poetry Aimee Harrison a Thesis Submitted in Partial Fulfillment of the Requirements Fo
    Autoorthography: identity poetics with poetry Aimee Harrison A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts Creative Writing and Poetics University of Washington 2014 Committee: Amaranth Borsuk Joe Milutis Program Authorized to Offer Degree: Interdisciplinary Arts and Sciences ©Copyright 2014 Aimee Harrison University of Washington Abstract Autoorthography: identity poetics with poetry Aimee Harrison Chair of the Supervisory Committee: Assistant Professor Amaranth Borsuk School of Interdisciplinary Arts and Sciences This paper explores a poetics of hiding through explorations of language, identity, and literary influences. My preliminary findings are presented as poetic prose, scientific descriptions and small memoirs. Though fragmented, these short essays are arranged in five books each crystallized around a central idea: (1) identity and confessional poetry; (2) presentations of scientific fact in and societal impacts of writing; (3) the role of love in literature; (4) influences of traditional fairy tales and forms on contemporary magical literature; and (5) the role of naming in identity formation, problematized through uncertainty. I would like this exploration of hiding to be an exercise in disclosure: who I am in person and who I am in language; who I am in logic and who I am in sound. where the lines blur and where they solidify provide results for a hypothesis I have yet to write. BOOK I [ ANAT- to ECHO- ] on identity formation & exhibition 1. AUTOANATOMY on poetics 1 2. AUTOBIOGRAPHY I-IV on confessionalism 2 3. AUTOCARTOGRAPHY on i/I 3 4. AUTOCHIROGRAPHY on literary empathy 4 5. AUTOCHOREOGRAPHY on beauty & the beast; maurice ravel 4 6.
    [Show full text]