TIFFANY CHUNG Vietnam/USA
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Call for Applications – CIMAM Travel Grants, Singapore | C-E-A
4/7/2017 Call for applications – CIMAM Travel Grants, Singapore | C-E-A < Tous les articles de la catégorie Annonces Call for applications – CIMAM Travel Grants, Singapore avril 24, 2017 // Catégorie Annonces, News Deadline to submit applications – 30th June 2017 24:00 CET Thanks to the generous support of the Getty Foundation, MALBA–Fundación Costantini, the Fubon Art Foundation and Alserkal Programming, CIMAM offers around 25 grants to support the attendance of contemporary art museum professionals to CIMAM’s 2017 Annual Conference The Roles and Responsibilities of Museums in Civil Society that will be held in Singapore, 10–12 November 2017. Grants are restricted to modern and contemporary art museum or collection directors and curators in need of financial help to attend CIMAM’s Annual Conference. Researchers and independent curators whose field of research and specialization is contemporary art theory, collections and museums are also eligible. Applicants should not be involved in any kind of commercial or for profit activity. While curators of all career levels are encouraged to apply, priority is given to junior curators (less than 10 years’ experience). More information http://c-e-a.asso.fr/call-for-applications-cimam-travel-grants/ 1/2 HOME Search MOBILITY NEWS By Topic 02.06.2017 Most Popular News By World Region CIMAM 2017 Conference in Singapore > Travel 03.01.2018 By Deadlines grants Plovdiv 2019 Foundation > artist in residence: ADATA AiR (Bulgaria) MOBILITY FUNDING CIMAM, International Committee for Read more » Museums and Collections of Modern 28.12.2017 MOBILITY HOT TOPICS Art, holds its 2017 Annual Conference December 2017 Cultural Mobility in Singapore, 10-12 November 2017. -
Tiffany Chung: Scratching the Walls of Memory
TIFFANY CHUNG scratching the walls of memory scratching the walls of memory TIFFANY CHUNG FOReWORD TYLeR ROLLINS It is with great pleasure that we welcome back Tiffany Chung for her second solo exhibition at Tyler Rollins Fine Art. In the two years since her last show with us, Play (2008), she has been very active on the international scene, participating in exhibitions on four continents. In 2009, she was featured in So Close Yet So Far Away: Incheon International Women Artists’ Biennale in Incheon, South Korea; A Starting Point: Intrude 36 – Dynamics of Change and Growth at Zendai MoMA, Shanghai; and in group shows in Hong Kong, Kuala Lumpur, and Milan. So far in 2010, her work has been shown in Ascending Dragon: Contemporary Vietnamese Arts at the Armory Center for the Arts in Pasadena, California; The River Project at the Campbelltown Arts Centre in Sydney, Australia; and in a solo exhibition in Berlin. She has been selected to participate in the Singapore Biennale in 2011. For her current exhibition, scratching the walls of memory, Chung presents a new body of work inspired by maps of urban regions, featuring embroidery and appliqué works on canvas. Chung has long been fascinated with maps, not only for their graphic possibilities but also for what they say about our relation to the past and our visions of the future. Over the past few years, she has produced an ongoing series of works on paper based on urban planning maps that evoke the utopian visions and often harsh dislocations of our rapidly developing world. -
ベルリン Berlin ZK/U Zentrum Für Kunst Und
ベルリン Berlin ZK/U Zentrum für Kunst und Urbanistik 8/9 釜山 Busan TOTATOGA Archive Center ‘Space DOT’ 9/7 - 14 北九州 Kitakyushu GALLERY SOAP 9/28 - 12/7 東京 Tokyo San'ya Welfare Center for Day-Laborers' Association 10/5 シンガポール SIngapore The Private Museum 10/22 - 12/8 Participants: Federico Baronello, Mike Bode, Young-hae Chang Heavy Industries, John Miller, Martine Neddam, Keiichi Miyagawa, Yoshitaka Mouri, Manabu Arima, Charles Lim Yi Yon, Sean Snyder, Takuji Kogo *Candy Factory Projects Presented by: Kitakyushu Biennial 2011 Committee and AIK: Art Institute Kitakyushu Sponsored by: POLA ART FOUNDATION, Fukutake Foundation Supported by: Fukuoka Prefecture, City of Kitakyushu, Kitakyushu Board of Education, Kitakyushu Prosperity Enrichment Council, Kitakyushu City Tourist Association, The Asahi Shinbun,The Mainichi Newspapers, The Yomiuri Shinbun, Seibu, The Nishinippon Shinbun Co.,Ltd., NIKKEI INC., NHK KitakyushuNHK, Mainichi Broadcasting Corporation, Kyushu Asahi Broadcasting Corporation, TNC Television Nishinippon Corporation, FBS, TVQ Broadcasting Co.,Ltd., FM KITAQ, FM FUKUOKA, Cross FM, LOVE FM corporation with: KITAKYUSHU INTERNATIONAL ASSOCIATION, Junior Chamber International Kitakyushu, Kitakyushu Junior Manager’ s Session, The Kitakyushu Small&Medium Business, KITAKYUSHU NIGIWAIZUKURI-KONWAKAI, Kfa, GALLERY SOAP, Yoshitaka Mōri Lab Musical Creativity and the Environment Tokyo University of the Arts, Faculty of Design, Nishinippon Institute of Technology, Maeda Toshio Tax Accountant Office, Department of Kansei Science Gradual School of Integrated Frontier Sciences KYUSHU UNIVERSITY, CHIGUSA Co.,Ltd., The Private Museum Sigapore, ZK/U Berlin, TOTATOGA Busan Participants: Federico Baronello, Mike Bode, Young-hae Chang Web project: http://artonline.jp Heavy Industries, John Miller, Martine Neddam, Keiichi Miyagawa 宮川敬一 , Yoshitaka Mouri 毛利嘉孝 , Charles Lim Yi Yong, Sean Snyder, Takuji Kogo 古郷卓司 *Candy Factory Projects Schedule 9 AUG. -
Tiffany Chung
TIFFANY CHUNG TIFFANY CHUNG FINDING GALÁPAGOS: fish, pigs, youngsters, old folks, men, women and the Black Canals (not in any particular order) Land of Ahhs (projection), 2009 and Sign-Sites-Sight-Sighs, 2009 p. 2: Find Yourself Here, 2009 Artificial Paradises or Home — Where? Tiffany Chung’s productions lead to utopia/dystopia by Ulrike Münter Where everything is planned, there is no room for life. Tiffany Chung’s multimedia works — ranging from drawings and staged pho- tographs to installations, and performances — send the observer on an emotional rollercoaster ride. The pastels that dominate her palette, the floral patterns, cloud-like shapes and soft materials seem invitingly cosy at first glance, but a closer look often reveals that Chung’s artificial paradises are sterile and deceptive. In Chung’s most recent films, this critical basic tenor has been replaced by melan- choly introspection. The exhibition Finding Galápagos: fish, pigs, youngsters, old folks, men, women and the Black Canals (not in any particular order) (2009) traces the artist’s journey along this route. Born in Vietnam, Tiffany Chung immigrated to California with her family 30 years ago. She returned to Vietnam in 2000, and has since visited Japan, Thailand, Korea and China for numerous Künstliche Paradiese oder Heimat – Wo? Tiffany Chungs Inszenierungen führen nach Utopia/Dystopia von Ulrike Münter Wo es keinen Zufall mehr gibt, ist das Leben ausgehaucht. Tiffany Chungs multimediale Arbeiten stürzen den Betrachter in ein Wechselbad der Gefühle. Ob inszenierte Fotografie, Zeichnung, Rauminstallation oder Performance; die von Pastelltönen dominierte Farbpalette, florale Muster, Wolkenformen und weiche Materialien wirken zunächst einla- dend heimelig. -
Tiffany Chung CV USA Rev. 3:14:18
TIFFANY CHUNG Vietnam/USA EDUCATION 2000 MFA in Studio Art, University of California, Santa Barbara, CA, USA. 1998 BFA in Photography, California State University, Long Beach, CA, USA. SOLO EXHIBITIONS / PUBLIC ART PROJECTS / PERFORMANCES 2018 Tiffany Chung: Vietnam, Past Is Prologue, Smithsonian American Museum, Washington, DC, USA. 2017 the unwanted population, Tyler Rollins Fine Art, New York, NY, USA. 2016 between the blank spaces of Hitachi Factories I read poetry interwoven with tales of the barbarians, famines and war sacrifices, Kenpoku Art 2016, Hitachi City Museum, Ibaraki, Japan. the unwanted population – Hong Kong chapter, part 1: flotsam and jetsam, Art Basel, Hong Kong. 2015 from the mountains to the valleys, from the deserts to the seas: journeys of historical uncertainty, CAMP/Center for Art on Migration Politics, Copenhagen, Denmark. finding one's shadow in ruins and rubble, Tyler Rollins Fine Art, New York, NY, USA. 2014 Tiffany Chung, Lieu-Commun, Toulouse, France. another day another world, mc2 Gallery, Milan, Italy. 2013 an archaeology project for future remembrance. Galerie Quynh – Downtown, Ho Chi Minh City, Vietnam. the Galápagos project: on the brink of our master plans. Galerie Quynh – Main Gallery, Ho Chi Minh City, Vietnam. Memories Constructed / Reconstructed, Site-specific installation at former Futaba Elementary School, organized by dB Dance Box, Kobe, Japan. 2012 TOMORROW ISN’T HERE, Tyler Rollins Fine Art, New York, NY, USA. 2011 Fukagawa Shokudo (Fukagawa Dining Room), exhibition/performance in collaboration with Off- Nibroll, Fukagawa Tokyo Modan Kan, Tokyo, Japan. 2010 scratching the walls of memory, Tyler Rollins Fine Art, New York, NY, USA. 2009 Finding Galápagos: Fish, Pigs, Youngsters, Old Folks, Men, Women and the Black Canals (Not In Any Particular Order), Galerie Christian Hosp, Berlin, Germany. -
Yê´N Lê Espiritu Lan Duong Feminist Refugee Epistemology: Reading Displacement in Vietnamese and Syrian Refugee Art the Sever
Yê´ n Lê Espiritu Lan Duong Feminist Refugee Epistemology: Reading Displacement in Vietnamese and Syrian Refugee Art he severely burned Phan Thị Kim Phúc, screaming, arms flailing, run- T ning naked down a Vietnamese road after a napalm attack in 1972. The lifeless body of drowned toddler Alan Kurdi, lying facedown on a Turkish beach in 2015. These powerful iconic images, focusing relentlessly on the trauma and spectacle of war atrocities, freeze-frame the “victims” in time and space, prolonging their pain and agony in perpetuity. Intended to shock, visual images of “third-world” suffering in Western media—of the dead, wounded, starving—constitute generic decontextualized horrors that elicit pity and sympathy, not discernment and assessment. As Rey Chow (2006) has argued, Americans have increasingly come to know the world as a target: when wars break out, foreign areas and peoples briefly enter American mainstream public discourses, often via deeply disturbing images of suffering, as embodiments of (naturalized) violence, crisis, and disasters (Fernandes 2013, 193). The hyperfocus on suffering, and the outpouring of outrage and concern over dead and injured refugees, has become a sub- stitute for serious analysis of the geopolitical conditions that produced their displacement in the first instance. Constructed for Western consumption, these spectacular(ized) images render invisible and inaudible displaced peo- ple’s everyday and out-of-sight struggles as well as their triumphs as they manage war’s impact on their lives (Lubkemann 2008, 36; Hyndman 2010). In public representations, the contemporary figure of the displaced war victim is highly gendered: “the image is of helpless and superfluous women and children, dislocated and destitute; uprooted and unwanted” (Manchanda 2004, 4179). -
Đổi Mới and the Globalization of Vietnamese
RESEARCH ESSAY NORA A. TAYLOR AND PAMELA N. COREY ĐổiMới and the Globalization of Vietnamese Art hen scholars first came to Vietnam to study contemporary Viet- Wnamese society in the early s, they were interested in the “new” globalizing Vietnam, the Vietnam that was opening its doors to the West. This was certainly the case in the visual arts with the earliest international writing on contemporary Vietnamese painting, an essay by Jeffrey Hant- over published in the catalogue that accompanies Uncorked Soul (), one of the first post-ĐổiMới exhibitions of Vietnamese art outside of Vietnam. In his essay, Hantover quotes a Vietnamese author who says that “originality and diversity had begun to replace the monotony of col- lective, and more or less academic presentations.” Hantover writes that “ĐổiMới has promoted creativity in the plastic arts…Painters can (now) paint what they choose.” For social scientists too, ĐổiMới signaled the end of socialism and the beginning of globalism. As Jayne Werner writes, “globally, ĐổiMới links and integrates Vietnam into the capitalist world order, a process which has been called ‘globalization.’” In the early s, it was as if all writing on art centered on this image, the allegory of the once repressed and now suddenly free, liberated, and liberal Vietnam. Most critics and observers of Vietnamese art discussed Vietnamese paintings in these terms;itwasasifallartreflectedthis Journal of Vietnamese Studies, Vol. , Issue , pps. –. ISSN -X, electronic -. © by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’ Rights and Permissions website, at http://www.ucpressjournals.com/reprintinfo.asp. -
Clinical Pearls of Practice
Check out CSHP’s website for employment opportunities at www.cshp.org Free CE: Peroxisome Proliferator- Activated Receptor Agonists: Scratching the Surface of Gene Expression in Cardiovascular Disease Clinical Pearls of Practice: Aspirin and Clopidogrel Resistance: Is there a Role for Platelet Function Tests? Proceedings of the 2007 House of Delegates Seminar 2007 Highlights CSHP President Bill Yee Installed January/February 2008 Volume 20, Number 1 California Journal of Health-System Pharmacy Editor The Official Journal of the California Society of Health-System Pharmacists Dawn Benton 725 30th Street, Suite 208 Sacramento, CA 95816-3842 (916) 447-1033 FAX (916) 447-2396 Managing Editor www.cshp.org E-Mail [email protected] Cynthia Hespe Assistant Editor Vol. 20 No. 1 Sunny Garbutt January/February 2008 Design Consultant Continuing Education: Peroxisome Proliferator-Activated Receptor Agonists: HareLine Graphics Scratching the Surface of Gene Expression in Cardiovascular Disease ............4 Clinical Pearls: Aspirin and Clopidogrel Resistance: Editorial Advisory Board Is there a Role for Platelet Function Tests? .....................................................16 Angie Graham, Deborah Hass Chair Marcus Ravnan CSHP President William Yee ................................................................................22 Ronald Floyd, Cathlene Richmond Chair-elect CSHP Practitioner Recognition Program ...............................................................24 Dan Ross Gary Besinque Kathy Yang New Practitioner Career Profile Wendi -
Volume XII, No
April 7—13, 2011 Volume XII, No. 14 Kōkua For Japan fundraiser features top national and local entertainers Jack Johnson, Jake Shimabukuro and Hapa among the latest additions to Sunday’s sold out event at Hilton Hawaiian Village Jack Johnson has joined the roster of entertainers donating their time for the “Kokua For Japan.” While traveling in Japan as part of his “To The Sea” tour, Johnson and his crew were in Osaka when the earthquake struck on March 11. He recently announced a $50,000 donation to GlobalGiving’s Japan Earthquake and Tsunami Relief Fund to help residents in affected areas. Event organizers also announced that Patrick Simmons, one of the founding members of the Doobie Brothers, and legendary bassist Hutch Hutchinson have been added to the line-up. Simmons, a Maui resident, and Hutchinson will be performing with Willie Nelson. Additional local artists confirmed are Hapa, Eric Gilliom, Society of Seven and Charles Ka‘upu. Although tickets to attend the event in person are now sold out, there are numerous other ways to support the effort. Watch and listen to the event on TV stations including: KFVE; KGMB; KHNL; KITV 4; and OC 16 plus radio stations: AM940; Island 985; KCCN-FM100; KHVH AM; KIKI AM; Hawaiian 105 KINE; KSSK 92.3 FM; and KSSK AM 590. The event also will air live on several Japanese radio stations including: 76.1 InterFM (Tokyo); Love FM (Fukuoka); FM COCOLO(Osaka), ZIP-FM (Nagoya) and NORTH WAVE(Sapporo). Continued on next page Inside this issue: Queen Kapi‘olani Hotel introducing a diverse Hyatt extends Aloha to Japan 3 7 selection of packages Hawai‘i Convention Center’s Reg. -
Wall Text Labels
Tiffany Chung (b. 1969, Đà Nẵng, Viet Nam) excavates a history hidden in plain sight for the past forty-five years. Her subject, the War in Vietnam (1955–75), has achieved a nearly mythic significance in the United States. In Vietnam, “the War” devastated life as it had been known, dividing time into a “before” and “after.” Yet missing from the narratives told by these two sides is the perspective of the South Vietnamese, on whose behalf the Americans entered the War, and for whom Tiffany Chung aims to give voice in Vietnam, Past Is Prologue. Through her meticulously drawn and stitched maps, emotional interviews, and intensive archival research, Chung explores their experience, from the intimate to the global. She begins with a fine-grained look into one person’s story—that of her father, who fought for the South Vietnamese military during the War; widens out to encompass the stories of former refugees from Vietnam; and pulls out further still to show the global effects of their collective migration in the War’s wake. The project is personal, stemming from Chung’s own life. After her father spent fourteen years in a North Vietnamese prison camp, Chung’s family immigrated to the United States. She witnessed war, fled her country, and reconstituted her life as an American, first in Los Angeles, and then in Houston where she lives today. The exhibition features Vietnamese voices from American cities—including those from nearby Falls Church, Virginia—who were part of the large-scale immigration that reshaped this country’s culture. Foregrounding stories left out of official histories, Chung reframes the legacies of war. -
21St Biennale of Sydney Unveils Artistic Program
21st Biennale of Sydney unveils artistic program - 80 artists to present work at seven venues across Sydney over three months for the Biennale of Sydney’s 45th anniversary - Sydney, Australia: the Biennale of Sydney today announced the 80 artists who will present work at seven venues across Sydney for the 45th anniversary of Australia’s most well-known contemporary art event, recognised for commissioning and showcasing innovative and thought-provoking Australian and international art. Participating artists in the 21st Biennale of Sydney hail from six continents including Africa, Asia, Australia, North and South America and Europe with a quarter of the exhibiting artists from Australia. The 21st Biennale of Sydney is a free exhibition spanning three months from 16 March until 11 June 2018. Exploring the curatorial theme of SUPERPOSITION: Equilibrium & Engagement, the 21st Biennale of Sydney will be presented at seven of the city’s most respected museums, galleries and non-traditional exhibition spaces: Art Gallery of NSW (AGNSW), Artspace, Carriageworks, Cockatoo Island, Museum of Contemporary Art Australia (MCA), Sydney Opera House and 4A Centre for Contemporary Asian Art. Many of the artworks presented in the 21st Biennale are the result of direct engagement with communities around the globe and reflect the artists’ own migrations or personal histories. Artistic Director, Mami Kataoka commented: “The artists in the 21st Biennale of Sydney have been chosen to offer a panoramic view of how opposing interpretations can come together in a state of equilibrium. The history of the people of Sydney collectively reflects the history of the world in the 20th century, in particular the movements and migration of people and cultures away from conflict. -
Meet Your New CSRT Board of Directors How I'm Surviving The
WINTER 2019 the TECHNI JOURNAL OF THE CALIFORNIA SOCIETY OF RADIOLOGIC TECHNOLOGISTS Meet your New CSRT Board of Directors gram How I’m Surviving The PITS Remembering Betty Mattea President’s Message Tunneled Dialysis Catheter Placement PLUS: AND: How Long Do Surgically Implanted Joints Last? TABLE OF CONTENTS THE TECHNIGRAM JOURNAL OF THE CALIFORNIA SOCIETY OF RADIOLOGIC TECHNOLOGISTS Features Contents 4 9 15 President’s Remembering How Long Do Message Betty Mattea Surgically by Cheryl Young Implanted President’s Joints Last By Jay Stone Message 10 by Cheryl Young 5 Tunneled page 4 Meet your Dialysis Catheter 2018-2019 Placement by Betelehem CSRT Board of Beferdu Directors 13 8 How I’m Remembering Reflections on Surviving Betty Mattea the CSRT 2018 page 9 the PITS Conference By Tiffany Chung by Doris Abrishami How I’m Surviving the PITS by Tiffany Chung page 13 WINTER 2019 | THE TECHNIGRAM 2 TABLE OF CONTENTS THE TECHNIGRAM JOURNAL OF THE CALIFORNIA SOCIETY OF RADIOLOGIC TECHNOLOGISTS EDITORIAL EDITOR-IN-CHIEF Richard Lehrer, MSRS, BS Ed., RT(R), ARRT, CRT [email protected] CONTRIBUTING WRITERS Doris Abrishami, MA, CRT(R)(M), ARRT Betelehem Beferdu Tiffany Chung, RT(T) Jay Stone Cheryl Young, MS, RT(T) ART & PUBLISHING CSRT Staff [email protected] Cover Photo: CSRT 2018 Annual Conference at Foothill College + CSRT 2018 Student Bowl Winners Customer Service Please call 1-415-278-0441 or email us at [email protected]. Advertising The Technigram provides a specific topic delivered to a highly targeted audience. To find out more about The Technigram advertising opportunities, please contact us at 1-415-278-0441 or email us at [email protected].