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Tiffany Chung FINEFINE ART ART TIFFANY CHUNG Tiffany Chung (born 1969 in Danang, Vietnam; lives and works in Houston, USA) is known for her research-based multi-media installations and hand-drawn topographic maps and data visualizations that reference the history of specific places, showing the lingering effects of social disruption, conflict, and environmental change. One of the most respected and internationally active Vietnamese-born artists of her generation, she recently presented a major solo exhibition, Tiffany Chung: Vietnam, Past Is Prologue (March – Sept., 2019) at the Smithsonian American Art Museum. In 2019 she was also featured in Perilous Bodies, the inaugural exhibition of the Ford Foundation Gallery in New York City; Unquiet Harmony: The Subject of Displacement at the Sheldon Museum of Art in Lincoln, Nebraska; Artists Reflect: Contemporary Views on the American War at the Minneapolis Institute of Art; and Where We Now Stand—In Order to Map the Future at the 21st Century Museum of Contemporary Art in Kanazawa, Japan. Chung’s meticulously detailed works on paper combine precise cartography with abstract motifs that reference microorganisms and molecular structures. Their lush, beautifully colored surfaces, with jewel-like tones rendered in ink and paint stick on translucent vellum, contrast starkly with the somber historical realities they chart out. Her work studies the geographical shifts in countries that were traumatized by war, human destruction, or natural disasters, unveiling the connection between imperialist ideologies and visions of modernity. Her maps, based on rigorous ethnographic research and archival documents, interweave historical and geologic events – and spatial and sociopolitical changes – with future predictions, revealing cartography as a discipline that draws on the realms of perception and fantasy as much as geography. Exploring world geopolitics by integrating international treaties with local histories, her work re-maps memories that were excluded from official records. At Art Basel Miami Beach, we feature a selection of works from Chung’s newly inaugurated Guatemala Project. In recent years, Chung’s interest in imposed political borders and their traumatic impacts on different groups of human populations has underpinned her commitment to conducting ongoing comparative studies of forced migration – particularly the current Syrian humanitarian crisis and the post-1975 mass exodus of Vietnamese refugees, of which she herself was a part. The Guatemala Project extends this investigation to the mapping of the history of conflict and displacement in Central America. Rather than initially focusing on the current situation, she looks back to over one hundred years of US involvement in the country, beginning with the operations of the United Fruit Company and extending through CIA activities in the 1950s, the Guatemalan civil war, and ongoing violence and displacement. In 2018, her work was featured in the solo exhibition Tiffany Chung - Thu Thiem: an archaeological project for future remembrance at the Johann Jacobs Museum in Zurich, as well as Gwangju and Sydney Biennales and museum exhibitions in Austria, Norway, Denmark, Ireland, Japan, Taiwan, and Singapore, while an overview of Chung’s multi-media work from 2010-18 was exhibited in New Cartographies at Asia Society Texas Center in Houston. Her Syria Project had its debut in the main section of the 2015 Venice Biennale, All the World’s Futures, and was subsequently shown in Insecurities: Tracing Displacement and Shelter at the Museum of Modern Art in New York (2016). Other US museum exhibitions that have featured her work include: My Voice Would Reach You, Museum of Fine Arts, Houston (2014); California Pacific Triennial, Orange County Museum of Art (2013); andSix Lines of Flight, San Francisco Museum of Modern Art (2012). Public collections include SFMOMA, Minneapolis Institute of Art, Singapore Art Museum, M+, Louisiana Museum of Modern Art, and Queensland Art Gallery. Art Basel Miami Beach: Booth G27 Tyler Rollins Fine Art 529 West 20 Street, 10W New York, NY 10011 Tel. +1 212 229 9100 [email protected] www.trfineart.com TIFFANY CHUNG Taipei Biennial 2016, Taipei City, Taiwan. EVA International – Ireland’s Biennial, Limerick City, Ireland. Born 1969 in Danang, Vietnam. Lives and works in Houston, Texas, USA. Land, Sea and Air, The New Art Gallery Walsall, Walsall, United Kingdom. Illumination, Louisiana Museum of Modern Art, Humlebæk, Denmark. EDUCATION When Things Fall Apart – Critical Voices on the Radar, Trapholt, Kolding, Denmark. 2000 MFA in Studio Art, University of California, Santa Barbara, USA. Demarcate: Territorial Shift in Personal and Societal Mapping, San Jose 1988 BFA in Photography, California State University, Long Beach, USA. Institute of Contemporary Art, San Jose, CA, USA . IMPERMANENCIA Mutable Art in a Materialistic Society, The XIII Bienal de SELECTED SOLO EXHIBITIONS / PUBLIC ART PROJECTS / PERFORMANCES Cuenca, Ecuador. 2019 passage of time, Tyler Rollins Fine Art, New York, NY, USA. Sonsbeek, Museum Arnhem, Arnhem, the Netherlands. Tiffany Chung: Vietnam, Past Is Prologue, Smithsonian American Art EMAP 2016: S.O.S. Save Our Souls – Art for a Time of Urgencies, Media Art Museum, Washington, DC, USA. Festival, Ewha Woman’s University, Seoul, Korea. 2018 Tiffany Chung - Thu Thiem: an archaeological project for future Seismograph: Sensing the City – Art in an Urban Age, Marina Bay Sands remembrance, Johann Jacobs Museum, Zurich, Switzerland. Expo & Convention Center, Singapore. 2017 the unwanted population, Tyler Rollins Fine Art, New York, NY, USA. Suzhou Documents: Histories of a Global Hub, Suzhou Art Museum, Suzhou, 2016 between the blank spaces of Hitachi Factories I read poetry interwoven China. with tales of the barbarians, famines and war sacrifices, Kenpoku Art 2016, Some Are Nights Other Stars, Towner Art Gallery, Eastbourne, UK. Hitachi City Museum, Ibaraki, Japan. 2015 All the World’s Futures, Venice Biennale, Italy. the unwanted population – The Vietnam Exodus - Hong Kong chapter (1975- I Bienal del Sur: Pueblos en Resistencia, Museo de Bellas Artes, Caracas, 2000), Part 1: flotsam and jetsam, Art Basel Hong Kong. Venezuela. 2015 from the mountains to the valleys, from the deserts to the seas: journeys OUR LAND/TERRITORY, Manege Central Exhibition Hall, Moscow, Russia. of historical uncertainty, CAMP/Center for Art on Migration Politics, 2014 My Voice Would Reach You, Museum of Fine Arts, Houston, TX, USA. Copenhagen, Denmark. Threads, Museum Arnhem, Arnhem, The Netherlands. finding one’s shadow in ruins and rubble, Tyler Rollins Fine Art, New York, Disrupted Choreographies, Carré d’Art-Musée d’art contemporain de Nîmes, NY, USA. Nîmes, France. 2014 Tiffany Chung, Lieu-Commun, Toulouse, France. Starting Here: A Selection of Distinguished Artists from UCSB, Art, Design & 2013 Memories Constructed / Reconstructed, Site-specific installation at former Architecture Museum, Santa Barbara, CA, USA. Futaba Elementary school, organized by dB Dance Box, Kobe, Japan. Enduring Traces: Tiffany Chung, Vandy Rattana and Zarina Hashmi, Herbert 2012 TOMORROW ISN’T HERE, Tyler Rollins Fine Art, New York, NY, USA. F. Johnson Museum of Art, Ithaca, NY. 2011 Fukagawa Shokudo (Fukagawa Dining Room), exhibition/performance in 2013 California Pacific Triennial, Orange County Museum of Art, Newport Beach, collaboration with Off-Nibroll, Fukagawa Tokyo Modan Kan, Tokyo, Japan. CA, USA. 2010 scratching the walls of memory, Tyler Rollins Fine Art, New York, NY, USA. Sharjah Biennial, Sharjah, United Arab Emirates. The River Project, Campbelltown Arts Centre, Sydney, Australia. Welcome to the Jungle: Contemporary Art in Southeast Asia from the Ascending Dragon: Contemporary Vietnamese Arts, Armory Center for the collections of Singapore Art Museum & Fukuoka Asian Art Museum, Arts, Pasadena, CA, USA. Contemporary Art Museum Kumamoto, Japan. 2009 Finding Galápagos: Fish, Pigs, Youngsters, Old Folks, Men, Women and the 2012 Six Lines of Flight, San Francisco Museum of Modern Art, San Francisco, CA, Black Canals (Not In Any Particular Order), Galerie Christian Hosp, Berlin. USA. 2008 Play, Tyler Rollins Fine Art, New York, NY, USA. The Map as Art, Kemper Museum of Contemporary Art, Kansas City, MO, USA. Enokiberry Tree in Wonderland, Episode 3: Another Day Another World, Asia Pacific Triennial, Queensland Art Gallery | Gallery of Modern Art, public project as part of Intrude Art & Life 366, Zendai MOMA, Shanghai, Brisbane, Australia. China. 2011 stored in a jar: monsoon, drowning fish, color of water, and the floating Enokiberry Tree in Wonderland – Episode 3: Another Day Another World, world, Singapore Biennale, Singapore. performance, Ke Center for Contemporary Arts, Shanghai, China. 2010 ATOPIA: Art and City in the 21st Century, Centre de Cultura Conteporània de 2006 Beyond Soft Air and Cotton Candy, LMan Gallery, Los Angeles, CA, USA. Barcelona, Barcelona, Spain. 2005 Famous for 15” at the Sugarless Factory, Fukuoka Asian Art Museum, Japan. The River Project, Campbelltown Arts Centre, Sydney, Australia. Kids’ Corner, children’s playground, commissioned by Fukuoka Asian Art Ascending Dragon, Armory Center for the Arts, Pasadena, CA, USA. Museum, Japan. 2009 Vietnam Mon Amour: Tiffany Chung, Loan Nguyen, Trong Gia Nguyen, Do Soft Air and Cotton Candy, concert and performance, Fukuoka Triennale Hoang Tuong, mc2 gallery, Milan, Italy. 2003 Momentum, Mai’s Gallery, Ho Chi Minh City, Vietnam. So Close Yet So Far Away: 2009 Incheon International
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