Ken Eastman Selected Exhibitions
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Natalia Khlebtsevich
Natalia Khlebtsevich https://www.khlebtsevich.com/ https://www.facebook.com/profile.php?id=100003401203572 https://www.instagram.com/khlebtsevich_natalia/ [email protected] +7 916 141 84 93 Born in Moscow 1971. Graduated from Stroganov Moscow State University of Industrial and Applied Arts (1990-1996, Department of Ceramics), with postgraduate studies in art history in the same school (1998- 2000). Member of the Moscow Union of Artists, International Artist Federation, International Academy of Ceramics IAC, Professor of the Stroganov University. Starting 1993 constantly participated in Russian and International exhibitions. Many of Natalia Khlebtsevich's installations are marked by the presence of biological components. The primary media of her work are clay and porcelain which, by way of firing, become permanently unchangeable, thus signifying the irrevocable terminality. Juxtaposed to this nominal timelessness, the biological, obviously mortal parts stand as contrapuntal elements embodying life and growth, constantly changing the visual perception of the objects. Some of the installations include light and water and soundtracks epitomizing the passage of time. The work is not in a state of standstill, the accompanying living things and recorded sounds induce the viewers in the process of its creation engaging them to participate in artist’s exploration of human condition and the perception of time. Prizes: • Laureate. International Ceramics Festival. Gzhel. Russia.2018 • Honorable Mention of the Jury. 39th International Ceramics Competition in Gualdo Tadino (Italy). 2017. • Honorable Mention of the Jury. 2017.11 MINO Ceramics Festival (Japan). • Nominee. Kandinsky Prize. 2009 и 2011. Breus Foundation. • Laureate of Young Artist Show 2004. Moscow Union of Artists. • Laureate. International Festival of Archtecture and Design. -
The Museum in the City
01 / 2019 ISSN 2520-2472 MUSEUMUSEUMMSS OFOF CITIESCITIES REVIEW REVIEW network.icom.museum/camoc/ Towards the ICOM Kyoto 2019: Get to know the museums of Osaka COnferenCe and GuIde relaTed TO MuseuMs 1 MUSEUMS OF CONTENTS CITIES REVIEW 25 18 21 04 15 08 03 Genk. Engaging with heritage Joana Sousa Monteiro Osaka 04 18 30 City in the Museum / - Introductory note: Museum Since 1918 Museum in the City Countdown to ICOM Kyoto 2019! 21 32 - History of Museum in Osaka: Overview of the development of Osaka city “Maximising the impact of Towards a City Museum and its museums cultural heritage on local Watch - The Museum of development” – Oriental Ceramics Osaka an OECD conference and 33 and the Nakanoshima guide related to From The Museum museums of the City for a Museum of the City 23 34 Culture: Considering the Quantum Culture: The future of museums is plural 38 Future conferences of a Natural History Museum 25 - Towards Conceptualizing A Post-Industrial Walk in Cover Photo: osaka Castle. © en.wikipedia.org Editorial Board: 2 From the Chair The ICOM General Conference happens every three 2019. Historic House Museums. Now that the deadline for the call for papers has is organizing the workshop “Towards a City Museum rd and 4th got the highest number of abstract proposals ever: ICOM Portugal and the Museum of Lisbon. The workshop intends to discuss and set up glad to know that so many good professionals are interested in our work. worldwide. The invited speakers for the workshop are As a learning tool about Japanese museums and museums of Osaka with an assessment of the History of Barcelona and European City Museums by Shugo Kato from the Osaka Museum of History. -
Hans Coper Kindle
HANS COPER PDF, EPUB, EBOOK Tony Birks | 224 pages | 29 Sep 2013 | Stenlake Publishing | 9781840336221 | English | Ayrshire, United Kingdom Hans Coper PDF Book The two most bankable names in this market are Hans Coper and Lucie Rie and their work can usually be relied on to dominate the top price slots. Coper and Rie worked to create functional wares often co-signing their works. News topics. His works are characterised by their innate tonality and carefully worked surface textures. To ensure you the best experience, we use cookies on our website for technical, analytical and marketing purposes. Site by Artlogic. Coper's work was widely exhibited and collected even in his lifetime. These elements are…. Simply because of their economy and concision, their qualities of distilled expansiveness to border on a contradiction in terms that carries some of the essence of the earliest vessels and figures Cycladic forms are often cited while having a very 20th century consciousness. German-born, Coper initially came to Britain in , and from worked with Lucie Rie in her London studio, moving to Hertfordshire in , and subsequently to Somerset. Invalid Email Address. Vintage Fashion Textiles. A metal alloy made from copper with up to two-thirds tin, often with other small amounts of other metals. From Wikipedia, the free encyclopedia. External Websites. In the first element of a two-part feature, ATG considers the London market. Wright Auction. Waistel Cooper in his own world 04 January Once dismissed as a mere Hans Coper follower, the studio potter is now in rising demand. American Design. Hans Coper — Hans Coper Writer He came to England in but was arrested as an alien and sent to Canada, returning to England in where he enrolled in the Pioneer Corps. -
John Alexander Pope Papers
John Alexander Pope Papers Dr. Elizabeth Graves 2015 Freer Gallery of Art and Arthur M. Sackler Gallery Archives Washington, D.C. 20013 [email protected] https://www.freersackler.si.edu/research/archives/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical/Historical note.............................................................................................. 2 Arrangement note............................................................................................................ 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Biographic Material................................................................................... 5 Series 2: John A. Pope Asian Ceramics and Art Collection................................... 15 Series 3: Published and Unpublished Materials.................................................... 19 Series 4: Research Materials: Subject Files.......................................................... 31 Series 5: Travel...................................................................................................... 85 Series 6: Correspondence..................................................................................... -
Fire + Earth Catalogue
Table of Contents Artists Robert Archambeau ................................................1 Ann Mortimer.....................................................112 Loraine Basque........................................................4 Diane Nasr..........................................................115 Alain Bernard..........................................................7 Ingrid Nicolai......................................................118 Robert Bozak ........................................................10 Agnes Olive.........................................................121 John Chalke ..........................................................13 Walter Ostrom ....................................................124 Ruth Chambers.....................................................16 Kayo O’Young.....................................................127 Victor Cicansky.....................................................19 Greg Payce ..........................................................130 Jennifer Clark........................................................22 Andrea Piller .......................................................133 Bonita Bocanegra Collins ......................................25 Ann Roberts........................................................136 Karen Dahl ...........................................................28 Ron Roy..............................................................139 Roseline Delise......................................................31 Rebecca Rupp .....................................................142 -
Ashmolean Papers Ashmolean Papers
ASHMOLEAN PAPERS ASHMOLEAN PAPERS 2017 1 Preface 2 Introduction: Obsolescence and Industrial Culture Tim Strangleman 10 Topographies of the Obsolete: Exploring the Site Specific and Associated Histories of Post Industry Neil Brownsword and Anne Helen Mydland 18 Deindustrialisation and Heritage in Three Crockery Capitals Maris Gillette 50 Industrial Ruination and Shared Experiences: A Brief Encounter with Stoke-on-Trent Alice Mah 58 Maintenance, Ruination and the Urban Landscape of Stoke-on-Trent Tim Edensor 72 Image Management Systems: A Model for Archiving Stoke-on-Trent’s Post-Industrial Heritage Jake Kaner 82 Margins, Wastes and the Urban Imaginary Malcolm Miles 98 Biographies Topographies of the Obsolete: Ashmolean Papers Preface First published by Topographies of the Obsolete Publications 2017. ISBN 978-82-690937 In The Natural History of Staffordshire,1 Dr Robert Plot, the first keeper of the Unless otherwise specified the Copyright © for text and artwork: Ashmolean Museum describes an early account of the county’s pre-industrial Tim Strangleman, Neil Brownsword, Anne Helen Mydland, Maris Gillette, Alice Mah, pottery manufacturing during the late 17th century. Apart from documenting Tim Edensor, Jake Kaner, Malcolm Miles potters practices and processes, Plot details the regions natural clays that were once fundamental to its rise as a world renowned industrial centre for ceramics. Edited by Neil Brownsword and Anne Helen Mydland Designed by Phil Rawle, Wren Park Creative Consultants, UK Yet in recent decades the factories and communities of labour that developed Printed by The Printing House, UK around these natural resources have been subject to significant transition. Global economics have resulted in much of the regions ceramic industry outsourcing Designed and published in Stoke-on-Trent to low-cost overseas production. -
Hans Coper and Pupils Press Release
Hans Coper, Lucie Rie & Pupils Hans Coper, Spade Form (1967) height 19 cms. Image: Michael Harvey Influential potter Hans Coper (1920-1981) was a champion of arts education. “His teaching had the same integrity and strength as had his pots; graceful, direct, precisely and sensitively tuned...” 1 In this his centenary year, Oxford Ceramics Gallery celebrate this element of Coper’s work with their forthcoming exhibition Hans Coper, Lucie Rie and Pupils (15th May - 4th July) A leader in the development of ceramics in the twentieth century Coper taught at Camberwell and then at Royal College of Art alongside his own teacher and mentor Lucie Rie (1902 - 1995). 1 Tony Birks. Hans Coper. (New York: Harper & Row, 1983), 61. Group of works by Lucie Rie on shelf including Bronze Vase (central) alongside a coffee pot and jug with white glaze and pulled handles. Newly sourced examples of Coper’s work are shown alongside fine examples from Lucie Rie and key works from the following generation of their pupils who went on to define the range and creative brilliance of British Studio Pottery. Exhibitors in- clude: Alison Britton, Elizabeth Fritsch, Ian Godfrey, Ewen Henderson, Jacqueline Poncelet & John Ward. Alison Britton, White Jar (1991) 34 x 46 x 19.5 cm. image: James Fordham. Born in Chemnitz, Germany, Hans Coper (1920-1981) came to England in 1939 as an engineering student and in 1946 he began working as an assistant to the Austrian potter Lucie Rie (1902-1995) in her studio in London, taking him on with no formal training in ceramics. -
20Th Century Design and Craft: the Library of Philip Aarons
20 th Century Design and Craft The Library of Philip Aarons 965 titles in 981 volumes The Philip Aarons Design Library The Philip Aarons design library is focused on modern decorative arts—including ceramics, glass, furniture design, metalwork and jewelry—and on modern architecture and architects, from Wright and Gaudi to Team 10. Studies of periods and movements, such as Art Nouveau, Arts and Crafts, and Art Déco, are represented as well. ARS LIBRI THE PHILIP AARONS 20 TH CENTURY DESIGN AND CRAFT LIBRARY GENERAL WORKS 1 AGIUS, PAULINE. British Furniture, 1880-1915. 195, (1)pp. Prof. illus. 4to. Cloth. D.j. Woodbridge (The Antique Collectors’ Club), 1978. 2 AKRON. THE AKRON ART INSTITUTE. Why Is an Object: An Exhibition Investigating Motivation and Purpose. Sept.- Nov. 1962. Text by Luke Lietzke and the artists. (32)pp. 15 plates. Sm. oblong 4to. Wraps. Josef Albers, Leonard Baskin, Wharton Esherick, Trude Guermonprez, Edith Heath, Margo Hoff, Gideon Kramer, Jack Lenor Larsen, Miriam Leefe, George Nakashima, Robert Sperry, Lenore Tawney, Peter Voulkos, Marguerite Wildenhain, George Wells. Akron, 1962. 3 AKRON. AKRON ART INSTITUTE. Young Designers 1953. March-April 1953. (16)pp. Prof. illus. Sm. sq. 4to. Wraps. Library stamp. Akron, 1953. 4 AKRON. AKRON ART MUSEUM. Off the Production Line. An invitational exhibition of products designed for industry for you. Feb.-March 1956. (28)pp. 55 illus. Oblong 4to. Self-wraps. Akron, 1956. 5 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. ART MUSEUM. Crafts: National Invitational Exhibition. April-May 1968. 23, (1)pp. Prof. illus. 4to. Wraps. Albuquerque, 1968. 6 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. -
Annabeth Rosen's CV
ANNABETH ROSEN EDUCATION 1981 MFA Cranbrook Academy of Art, Bloomfield Hills, MI 1978 BFA NYS College of Ceramics at Alfred Univ., Alfred, NY SOLO SHOWS 2013 Nature-Morphic, First Street Gallery, Humbolt State University, Arcata, CA (catalog) 2012 Common Bond, Center for Contemporary Art, Sacramento, CA Annabeth Rosen, Gallery Paule Anglim, San Francisco, CA 2010 Annabeth Rosen, Meulensteen, Project Space, New York, NY Contingency, Fleisher /Ollman Gallery, Philadelphia, PA 2008 Annabeth Rosen, Gallery Paule Anglim, San Francisco, CA 2006 Annabeth Rosen, Fleisher/Ollman Gallery, Philadelphia, PA 2003 Moving in Place, Nancy Margolis Gallery, New York, NY (catalog) 2000 A Luscious Symmetry, John Michael Kohler Art Center Museum, Sheboygen, WI (catalog) 1999 Annabeth Rosen, Dorothy Weiss Gallery, San Francisco, CA Annabeth Rosen, Robert Else Gallery, Sacramento State University, CA 1997 Annabeth Rosen, Nelson Gallery, University California Davis, Davis, CA 1996 Annabeth Rosen, Dorothy Weiss Gallery, San Francisco, CA 1995 Annabeth Rosen, Revolution, Ferndale, MI 1990 Challenge Exhibition, Samuel S. Fleisher, Memorial, Philadelphia, Pa 1989 Annabeth Rosen, Jane Hartsook Gallery, Greenwich House Pottery, NY, NY 1986 The Alternative Work Site, Omaha, NE SELECTED GROUP EXHIBITIONS 2014 MUCK: Accumulations, Accretions and Conglomerations, Arizona State Art Museum, Tempe, AZ Some Logic, with Richard Shaw, Kondos Gallery, Sacramento City College, Sacramento, CA 2013 Chance Directions, Ventana Gallery, Brooklyn, NY New Blue and White, Museum of -
The Porcelain Tour of China Jingdezhen - Longquan - Dehua by China Design Centre
The Porcelain Tour of China Jingdezhen - Longquan - Dehua by China Design Centre Wednesday 24th October - Tuesday 6th November 2018 The well established China Design Centre based at the London Building Centre has hosted numerous high profile culture and creative exhibitions showcasing famous Chinese specialists. It is the cultural bridge between East and West. Discover us at www.chinadesigncentre.com The Porcelain Tour is a small group unique and professional in-depth discovery of exquisite Chinese porcelain at its origins. Celebrate the timeless beauty of ceramic arts and crafts at the three most important porcelain centres in China, personally engage with the masters and participate in an interactive workshop experience. Are you impressed by the Chinese porcelain displayed at the British Museum? Would you like to visit the studios where those pieces were made and are still being made today to learn and interact with the masters? Would you like to learn about the contemporary porcelain and creative industry in China and the exciting Artist-in-Residency programmes? Join us on this special tour and immerse yourself in a unique cultural experience in China. Unlike the conventional trip-planners, we avoid the touristy attractions and will only take you to the most authentic places related to the theme: porcelain. Whether if you have been to China or not, the tour will show you the side of China that you have never seen. The Centres The tour will take you to where the most celebrated styles of porcelain in China were made: Jingdezhen, ‘the capital of porcelain’; Longquan for celadon ware. Tea Culture You will also experience the sophisticated tea culture on this tour, especially the prestigious ‘pre-Qingming’ Longjing green tea from the West Lake area. -
Fritsch E Biography
Elizabeth Fritsch CBE Curriculum Vitae Born 1940, Wales 1958-1964 Birmingham School of Music & Royal Academy of Music, London 1968-1971 Royal College of Art, London, MA Ceramics Working in London Museums and collectors across the world have been admirers of Elizabeth Fritsch's work for decades. Her hand-built fore-shortened forms combined with rhythmic patterns are signatures that are widely-recognised and inspired by her training as a classical musician before turning to ceramics. Works are often grouped together and juxtaposed so that the rear or side of a vase balances or provides a counterpoint to a neighbour. Having graduated from the Royal College of Art, London in 1971, Elizabeth is regarded as one of the UK's leading ceramic artists. Elizabeth Fritsch -2 - Selected Solo Exhibitions 2010 Dynamic Structures: Painted Vessels, National Museum Cardiff, Wales, in association with Adrian Sassoon 2008 The Fine Art Society, London 2007 Anthony Hepworth Fine Art, Bath 2000 Memory of Architecture, Part II, Galerie Besson, London Metaphysical Vessels, Mobilia Gallery, Cambridge, USA 1998 Sea Pieces, Contemporary Applied Arts, London 1995-1996 Metaphysical Pots, Museum Bellerive, Zurich, Switzerland & tour to Munich, Halle & Karlsruhe, Germany 1994 Order and Chaos, Bellas Artes, Santa Fe, USA Osiris Gallery, Brussels 1993-1995 Vessels from Another World, (retrospective) Northern Centre for Contemporary Art, Sunderland & tour to Aberdeen, Birmingham, Cardiff, London, Norwich 1992-1993 Pilscheur Fine Art, London, (retrospective) 1990-1991 Hetjens -
Forbidden Fruit
FORBIDDEN FRUIT FORBIDDEN FRUIT A COLLECTION OF ANTEMANN DREAMS CONTEMPORARY SCULPTURAL ART FOR COLLECTORS CONTENT THE WORLD OF CHRIS ANTEMANN 16 Captivated by porcelain 23 The porcelain figure is her muse FORBIDDEN FRUIT A COLLECTION OF ANTEMANN DREAMS 32 Forbidden Fruit 34 Forbidden Fruit Dinner Party 42 Love Temple 48 Fruit Pyramids Fruit Pyramids Tempted to Taste Fruit Pyramids Fruit of Knowledge 56 Pleasure Garden Pleasure Garden Pursuit of Love Pleasure Garden Secluded Kiss Pleasure Garden Coronation Pleasure Garden Love Letter 70 Paradise Chandelier ANTEMANN DREAMS COLLECTION 80 A Taste of Paradise 82 Covet 84 Yielding to Love 86 Uniques and Limited Edition 88 Vita 90 Gratitude ANTEMANN DREAMS AWAKENING OF THE MEISSEN® HERITAGE Dear Collectors, Nothing happens by chance. So it had back then – that the future of MEISSEN® siveness, Antemann uses sensuous seduction, must have been fate when – during an evening I sculpture has begun to take shape. Inspired by the ancient feminine art of wielding power that had spent once again searching the virtual world her tour of discovery through our 300-year-old goes back to the forbidden fruit in Paradise. The of the world wide web for our MEISSEN archive, Chris began to dream. Fairytale-like, more you look at her work, the more you get artCAMPUS® – I came across something that timelessly androgynous beings stole into the involved and the more you fall in love with this made my heart jump. I had already looked on the manufactory at night to take possession of the world. As with “Avatar”, you find yourself being Internet several times to see if I could unearth treasured shapes that had lain dormant for consumed by the magic of this world, becoming some unique and talented artists, but this time I years.