Riding on Your Fears
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Vincent Bugliosi, Author of Helter Skelter Will Lecture Here
Vincent Bugliosi, author of Helter Skelter will lecture here January 19, 1977 Vincent Bugliosi, best known for the book "Helter Skelter" chronicling his successful prosecution of the "Manson Family," will speak at 8 p.m. Wednesday, Jan. 26, in the Mandeville Auditorium of the University of California, San Diego. The so-called "Tate-LaBianca" murders constituted one of the most horrifying and baffling cases of the century. The story appeared to end with the conviction of Charles Manson and his co-conspirators -- three young women and a youth known as an "all-American Boy." Their guilt was proved but the guts of the story remained untold. With some members of the Manson family in the news again, Bugliosi's research into and reflections on the actors in the drama are especially riveting. The Manson case is the most voluminously documented murder case in legal annals. It was the longest murder trial in American history. The jury was sequestered longer than any jury before or since. The case was an international press, radio and television spectacular for more than a year. Bugliosi, now in private practice, has recently been turning his attention to a re-investigation of the death of Robert F. Kennedy. He received his undergraduate degree at the University of Miami (which he attended on a tennis scholarship) and his law degree from UCLA where he was president of his class. At the time of the Manson case he was deputy district attorney, Los Angeles, and a professor of criminal law at the Beverly School of Law in Los Angeles. -
The Clinton Independent
The Clinton Independent. VOL. XXXYII.-NO. 2 ST. JOHNS MICH. THURSDAY, OCTOBER 30, 1902. WHOLE NO.—1864 VOTE FOR THESE CHARLES BRITTON SUPERVISORS FINISHED INDETERMINATE SENTENCES. WILL NOT ACCEPT Voters Hass a Chance to Ex pros si Their 'Register! They *r* all Good Men mid Will Guard An Emu Township Farmer Lost Hla Life The Work of the October Meeting Last 2*«utlinents Thereon. A Courteous Invitation to “Divide the Your Intereeta Carefully. In a Singular Manner. Weak Wednesday. The Michigan board of corrections Time” In s Joint Disc union. Register! CHARLES We had hoped to have been able to and charities calls the attention of Oct. 22.1902. SCnOCH, Charles Britton, among the best the voters of the state to the import Of Ovid, candidate for sheriff on the known and most highly respected give to our readers this week the do C. C. Vaughan, Chairman Republi ings of the supervisors at their Octo ance of a full and favorable vote on the can County Committee, at. Johns. Democratic ticket, is very popular farmers of Essex township, was killed amendment to the state constitution Recollect that if you have changed with the people of the county in which yesterday morning In a most singular ber meeting, but owing to the great Mich.; amount of work Imposed upon the us proposed by joint resolution of the Dear Sir—The Democratic County your place of residence from one ward he lives, ana will receive a hearty manner. legislature of 1901. The adoption of support from the voters regardless o! He had loaded on a long, heavy farm clerk, he was not able to prepare the Committee has a meeting advertised or voting precinct to another since the copy in full. -
USSS) Director's Monthly Briefings 2006 - 2007
Description of document: United States Secret Service (USSS) Director's Monthly Briefings 2006 - 2007 Requested date: 15-October-2007 Appealed date: 29-January-2010 Released date: 23-January-2010 Appeal response: 12-April-2010 Posted date: 19-March-2010 Update posted: 19-April-2010 Date/date range of document: January 2006 – December 2007 Source of document: United States Secret Service Communications Center (FOI/PA) 245 Murray Lane Building T-5 Washington, D.C. 20223 Note: Appeal response letter and additional material released under appeal appended to end of this file. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
The Orkustra
THE ORKUSTRA This day-by-day diary of The Orkustra's live, studio, broadcasting and private activities is the result of two decades of research and interview work by Bruno Ceriotti, but without the significant contributions by other kindred spirits this diary would not have been possible. So, I would like to thank all the people who, in one form or another, contributed to this timeline: Jaime Leopold (RIP), Bobby Beausoleil, David LaFlamme, Henry Rasof, Nathan Zakheim, Stephen Hannah, Jesse Barish, Steve LaRosa, Rod Harper (RIP), Colin Hill, Ross Hannan, Corry Arnold, William Hjortsberg, Aldo Pedron, Klemen Breznikar, Reg E. Williams, Charles Perry, Penny DeVries, Claire Hamilton, Lessley Anderson, Ralph J. Gleason (RIP), Craig Fenton, Alec Palao, Johnny Echols, 'Cousin Robert' Resner, Roman Garcia Albertos, James Marshall, Chester Kessler, Gene Anthony, Christopher Newton, Loren Means, The San Francisco Examiner, San Francisco Chronicle, San Francisco Oracle, and Berkeley Barb. September 1966 Undoubtedly the most experimental and ecletically diverse band of the so-called 'San Francisco Sound', The Orkustra were put together by the infamous Bobby Beausoleil. A larger than life character with a mixed reputation ("He was like Bugs Bunny," says Orkustra's bandmate Nathan Zakheim. "Very in your face, enthuastic."), Robert Kenneth Beausoleil, aka 'Cupid', aka 'Bummer Bob', aka 'Bobby Snofox', was born on Thursday, November 6, 1947, in Santa Barbara, California. After dropping out of high school and let his hair grow out, Bobby moved to Los Angeles in search of fame and fortune in 1965. There, over the summer, he played a six-string rhythm guitar with The Grass Roots, a folk- rock band later known as LOVE, for only three weeks, and also made a cameo appearance (as 'Cupid') in the famous underground documentary movie Mondo Hollywood. -
Soddoma: Cantos of Ulysses
Soddoma: Cantos of Ulysses Chris Mansel Argotist Ebooks 2 Cover image by Rich Curtis Copyright © Chris Mansel 2010 ll rights reserved rgotist Ebooks 3 Dedicated to $ake Berry 4 Soddoma: Cantos of Ulysses 5 Through the slave quarters and to the river below, cross sections of freshening earth* 1. Shaft scene Syphilitic skeletons borne in blood menstrual pillars of Sodom coitus breath scars thorns milk interprets the scrotal consummating corpse labia drunk and made holy clitoridectomies penis sheaths paleolithic barriers scavenging decomposition narrow receiving bowl. Bushmen read the koka shastra, wandering wombs dilate the reproductive cycle* 6 2. ,enus in furs -edged yogic castration, umbilical suckling male hymen e.aculatory ducts the membranous urethra pastoralists, con.ugated estriols femini/ed 0double castration1 dislect of deep incised consumption an infant2s se3ual attributes cranial4uteral childbirth masturbation swallows. 5haling asps three miles by four, heavens corpse spinal venerated. It2s flaccid genital beard, 0it2s1 0madness to be confined7Rimbaud1 7 8. Coffin birth Menstruation 0ovum1 migration e3plicit breath sutras tenderness, thick wash rape 0decay1 copulation abortifacients peyote insufficient mitochdrial DN homologue of the penis 0masculine machinery1 the debauchery of an open wound herded to the dead. 8 4. Flesh allows sins without the body Departing drew squalor copula weightless heat sweating petals de7centered borne wallow plurality of unrecorded raindrops rhythms tastes screams branches nausea erections vomiting animal bearers agony clutter the pineal eye smell is monogamous; intimate doctrine of a menstrual matter. 9 5. The absurdity of rigor mortis Blood bathed lips of a reptilian beings drag Basilidan stones spreading the dust from her ribcages to make another opening in her entrails 0the presence of unnecessary practice > peremptory e3pulsion1 the .aws of the clitoris are pried open by hideous animals 0ecstasy e3cludes the worker1 inundated with hair. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
The Long Prison Journey of Leslie Van Houten: Life Beyond the Cult by Kariene Faith Boston: Northeastern University Press (2001), 216 Pp
The long Prison Journey of leslie Van Houten: life Beyond the Cult By Kariene Faith Boston: Northeastern University Press (2001), 216 pp. Reviewed by Liz Elliott n the last year of the 1960s, a decade of anomie, the U.S. experienced two I events that would symbolize different aspects of its culture into the next millennium. These events took place at opposite sides of the country, although they occun-ed less than a week apart. One event, a cultural festival of music and arts, has remained in time as an example of the possibilities of peaceful co existence in adverse circumstances oflarge numbers ofpeopJe. From August 15th to the 17th the Woodstock Music and Arts Festival's patrons endured rain and mud - and all of the other inconveniences that would reasonably accrue in a situation where unexpected large numbers ofpeople converged in one location -to see some of the decade's masters of rock and roll and folk music perfonn in the state of New York. Almost half a million people, many of whom were experiencing the event under the influence of various illicit drugs, attended Woodstock and lived together peacefhlly for one weekend. 1 Across the continent a few days earlier, the world heard the news of two ten-ible sets of murders in California that shook the sense of security that until then was enjoyed by Americans. We were soon to learn that these bizarre, seemingly ritualistic killings were the bidding of a charismatic but crazy man who was state-raised2 and resourceful. In this case the drugs were used to weaken the already fragile resolve ofyoung idealistic people who were searching for themselves and open to new ways of seeing the world. -
Leonardo Reviews
Leonardo reviews Leonardo reviews in the social impacts at various levels of also illustrates the catastrophic failure Editor-in-Chief: Michael Punt the global economic system. of pro tective agencies to deal with Managing Editor: Bryony Dalefield Recipes for Disaster is a Finnish docu- the resulting flood. Doubts are raised mentary that tackles the question of the about the true will of the government Associate Editors: Dene Grigar, excessive amounts of anthropogenic to protect the poorest citizens of New Martha Blassnigg, Hannah Drayson CO2 continuously sent into the atmo- Orleans. The title itself refers to the A full selection of reviews is pub- sphere. Usually, remarks the director, wisely self-consistent attitude of keeping lished monthly on the LR web site: people blame corporations and indus- a hatchet in the attic to smash the ceil- <leonardoreviews.mit.edu>. tries for what is going wrong with the ing and reach, in case of flood, a safer planet—but what about the global mis- position on the roof. takes that we daily pursue in a collective The two filmmakers, Lucia Small commitment to mistaken attitudes? and Ed Pincus, captured along the DVDs “We are addicted to oil,” explains John way stories from people displaced by Webster, filming himself, “and it’s going the disaster. They simply pointed the to lead us to destruction.” camera and filmed scenes of wreckage, The film develops along six sections, confusion and hysteria. As the journey recipes for disaster whose major concerns are forms of approaches the hurricane zone, the by John Webster. Icarus Films, Brook- denial (It’s not my problem, psychologi- mood darkens. -
Tender Exotics
TENDER EXOTICS BOBBY BEAUSOLEIL NIK KAMVISSIS MARGARET STONES ALAN TOWNSEND CURATED BY LISA CAMPBELL-SMITH UNDER THE CURATORIAL MENTORSHIP PROGRAM, CONTEMPORARY ART TASMANIA EXHIBITION: 2 - 31 MAY 2015 TENDER EXOTICS A recent exhibition titled Open Field held at Hauser and Wirth Somerset in the UK, celebrated the founder of the New Perennial movement, Piet Oudolf. The works on display were Ouldof’s sketches and designs for a series of public gardens. The drawings were layered with symbols, codes, and colour; steeped in the knowledge of plant life. What is fascinating about their presence in a ‘high art’ context, removed as they are from the finished gardens, is that they become loaded with possible narratives; instantly imbued with meaning beyond their schematic and instructional purpose. Tender Exotics, has at its centre a similar set of intentions, that is, to place works into a context in which they have not been previously considered. Tender Exotics brings together a collection of works from Bobby Beausoleil, Nik Kamvissis, Margaret Stones and Alan Townsend. From the margins of contemporary art practice to the pedagogical rigours of scientific illustration, Tender Exotics considers the criteria by which artists and objects are assigned to correspond with contemporary themes and curatorial agendas. The assemblage of this trans-historical grouping is presented here, not to seek order through it, but rather to explore a juxtaposition of descriptive elements and latent possibilities. Borrowing its title from the 18th Century publication, A collection of various forms of stoves, used for forcing pine plants, fruit trees, and preserving tender exotics…, 1 the exhibition also art galleries in juxtaposition with contemporary art, may not incorporates visual material from these architectural drafts. -
Will You Die for Me? by Charles Watson As Told to Chaplain Ray Hoekstra Copyright
Will You Die For Me? by Charles Watson as told to Chaplain Ray Hoekstra Copyright...................................................................................... 1 Acknowledgments ........................................................................2 Dedication ....................................................................................2 About the Author .........................................................................3 Sure, Charlie, You Can Kill Me ...................................................4 Behold, He Is In The Desert ........................................................8 The Campus Kid........................................................................ 14 The Times, They Are A-Changin' .............................................18 California Dreamin' ...................................................................23 Gentle Children, With Flowers In Their Hair ...........................27 Family .........................................................................................33 Magical Mystery Tour ................................................................37 Watershed: The White Album ...................................................42 Happy in Hollywood ..................................................................48 Revolution / Revelation .............................................................51 Piggies .........................................................................................57 You Were Only Waiting for This Moment .................................62 -
Renaissance Woman DNC
Ace in the hole: Homan’s rare feat pushes Citrus to win /B1 WEDNESDAY TODAY CITRUS COUNTY & next morning HIGH 89 Partly cloudy with a LOW chance of showers and thunderstorms. 72 PAGE A4 www.chronicleonline.com SEPTEMBER 5, 2012 Florida’s Best Community Newspaper Serving Florida’s Best Community 50¢ VOLUME 118 ISSUE 29 NEWS BRIEF ‘Unintended consequences’ Gudis: T.S. Michael business growth in the stronger in City manager: Alcohol ordinance city’s commercial district, east Atlantic in particular eateries that DNC an obstacle for business growth may want to serve alcohol. MIAMI — Fore- One of the main reasons casters say small NANCY KENNEDY “Back in the late 1980s for the proposed ordi- Tropical Storm Staff Writer and early ’90s, a concern nance change is the exis- evolved regarding the pos- tence of the Withlacoochee upbeat Michael has INVERNESS — The sibility of a proliferation of Frank Jacquie Trail State Park, a prime strengthened in the DiGiovanni Hepfer MIKE WRIGHT eastern Atlantic phrase of the night at Tues- adult entertainment ven- location for the very type day’s Inverness City Coun- ues in Inverness,” he said. proposes says it’s an of business the current Staff Writer Ocean but does not cil meeting was “A problem didn’t exist, but change to issue of regulation prohibits from pose a threat to land. “unintended conse- often perception can shape alcohol-sale common opening. Democrats are pumped ordinance. sense. The U.S. National quences” as City Manager and direct people’s think- “When this ordinance up for their convention this Hurricane Center Frank DiGiovanni opened ing. -
NEW BLOOD in CONTEMPORARY CINEMA W OMEN DIRECTORS and the POETICS of HORROR New Blood in Contemporary Cinema
PATRICIA PISTERS NEW BLOOD IN CONTEMPORARY CINEMA W OMEN DIRECTORS AND THE POETICS OF HORROR New Blood in Contemporary Cinema New Blood in Contemporary Cinema Women Directors and the Poetics of Horror Patricia Pisters Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting- edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Patricia Pisters, 2020 Edinburgh University Press Ltd The Tun – Holyrood Road, 12(2f) Jackson’s Entry, Edinburgh EH8 8PJ Typeset in Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain. A CIP record for this book is available from the British Library ISBN 978 1 4744 6695 0 (hardback) ISBN 978 1 4744 6697 4 (webready PDF) ISBN 978 1 4744 6698 1 (epub) The right of Patricia Pisters to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents List of Figures vii Acknowledgements viii Introduction: Virginia’s Unruly Daughters and Carrie’s Crimson Sisters 1 Red Flags on the Red Carpet 1 The Bloody Difference: Virginia Woolf’s Unruly Daughters 5 Cinematic Poetics of Horror, Metaphors and Relations: A Note on Theory 11 Following a Trail of Blood: Carrie’s Crimson Sisters 16 Drop by Drop: Chapter Overview 18 1.