University of Georgia Wind Symphony
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Wind Symphony Personnel All Wind Symphony members serve as principal players on their part. In alphabetical order… presents the FLUTE TRUMPET Megan Anandappa Hannah DeLoach Sarah Deal Zach Griffin University of Georgia Mindy Griffith Cameron Gwynn Vicki Lu Alan Hester Wind Symphony Shannon O’Donnell Lino-Raye Saenz Lauren Robinson Brandon Waugh Jaclyn Hartenberger, conductor OBOE TROMBONE Garrett McCloskey Luke Anders Wednesday, October 25, 2017 8:00 pm, Hodgson Concert Hall Maggie Williams Assata Bellegarde Anna Wood Nick Evans Asphalt Cocktail (2009) John Mackey Noah Jackson (b.1973) CLARINET Asperges Me (2017) Tyler Stampe Jason Abraham EUPHONIUM Yujin Chang Matt Gordon (b. 1988) Katherine Dukes Blake Hyman Matthew Sadowski, guest conductor Hannah Hankins Michael Van Wagenen Elissa Harris diver[city] (2015) Emily Koh Hannah Shuman (b. 1986) Laura Smith TUBA Sable Thompson Ryan Bratton James Watkins Trevor Kiefer Love Divine (2000) Howard Goodall Ben Vasko (b. 1958) Arr. A. Wheeler BASSOON Brett Bawcum, guest conductor Campbell Cona DOUBLE BASS Jackson Thompson Kevin Shelton Catherine Willingham Red Sky (2013) Anthony Barfield (b. 1983) PIANO Joshua Bynum, trombone soloist SAXOPHONES Imsun Lee Scott Brown Rolling Thunder (1916) Henry Fillmore Miller May J.P. Presley PERCUSSION (1881-1956) Nick Winkles Trevor Barroero Brad Hagin Emily Johnson HORN Nicholas Martinez Jennifer Aplin Grayson Mullis Elizabeth Digiovanni Keller Steinson Out of respect for the performers, please turn off all electronic devices for the duration of the Maddi Dorrill performance. Thank you for your cooperation. Brendan Williams Jaron Lehman James Wilson Jordan Lockridge Sarah Mendes Aakash Patel Galit Shemesh For information on upcoming concerts, please see our website: www.music.uga.edu Join our mailing list to receive information on all concerts and recitals, http://www.music.uga.edu/enewsletter Matthew Sadowski, graduate conductor PROGRAM NOTES Matthew Sadowski is a doctoral conducting student at the Hugh Hodgson School of Music. As a teaching assistant in the band department, Sadowski works closely Asphalt Cocktail with faculty and students in concert ensembles, athletic bands, and instrumental conducting courses. He holds a Master of Music degree in Wind Conducting from Ithaca John Mackey holds degrees from the Juilliard School and the Cleveland Institute College (2015) and a Bachelor of Music degree in Music Education from Michigan State of Music, and has received commissions from the Brooklyn Philharmonic, University (2007). He directed high school band programs for five years in Oregon and Parsons Dance Company, the New York City Ballet, the Dallas Wind Symphony, Washington State, and performed on euphonium for three seasons with the Southwest the American Bandmasters Association, and many universities, high schools, Washington Wind Symphony. He is the Wind Division Program Coordinator for the Ithaca College Summer Music Academy, and a member of the Kappa Kappa Psi Music middle schools, and military bands. He has served as composer-in-residence Service Fraternity (honorary) and the Blue Key Honor Society at UGA. at the Cabrillo Contemporary Music Festival, the Vail Valley Music Festival, and with youth orchestras in Minneapolis and Seattle. He is a two-time recipient of the ABA/Ostwald Prize for Redline Tango (his first wind band piece) and Aurora Awakes. The US Olympic Synchronized Swim Team won a bronze medal in the Tyler Stampe, graduate composer 2004 Athens Olympics performing to John’s score, Damn. John was inducted into the American Bandmasters Association in 2013. He currently lives in Tyler Stampe is an international award winning composer from Iowa. Stampe has written for many mediums including film, opera, choir, orchestra, band, chamber and Cambridge, Massachusetts. solo instruments, and electronics. Stampe’s choral work, Asperges Me, Domine, was recently awarded first prize for composition at the 2015 Busan Choral Festival and About his piece, the composer writes: Competition. “Several years ago, when I was living in Manhattan, I was walking down Stampe is currently pursuing a doctoral degree in music composition with a minor in Columbus Avenue with my good friend (and fellow composer) Jonathan music theory at the Hugh Hodgson School of Music. He holds degrees from Stephen F. Newman. Somehow, the topic of titles for pieces came up, and Newman said a Austin State University (M.M.) and Simpson College (B.M.E.). title that stopped me in my tracks there on the sidewalk: Asphalt Cocktail. “I begged him to let me use the title. ‘That title screams Napoleonic Testosterone Music. I was born to write that!’ I pleaded. ‘No,’ was his initial response. I asked regularly over the next few years, and the answer was always the same: ‘No. It’s mine.’ In May 2008, I asked him once again, begging more pathetically than I had before, and his answer this time surprised me: ‘Fine,’ he said, ‘but I’ll be needing your first-born child.’ This was easily agreeable to me, as I don’t like kids. “Asphalt Cocktail is a five-minute concert opener, designed to shout, from the opening measure, ‘We’re here.’ With biting trombones, blaring trumpets, and percussion dominated by cross-rhythms and back beats, it aims to capture the grit and aggression that I associate with the time I lived in New York City. Picture the scariest NYC taxi ride you can imagine, with the cab skidding around turns as trucks bear down from all sides. Serve on the rocks.” Asperges Me Mr. Stampe’s biography can be found in the “Biographies” section of this program. About his piece, the composer writes: “My setting of the liturgical text, ‘Asperges Me,’ was influenced by my experiences as a member of the Hodgson Singers at the Hugh Hodgson School of Music. During the spring of 2014, we traveled to the Czech Republic and Austria, and performed in several large cathedrals before entering the Ave Verum Corpus Choral Competition in Baden bei Vienna. The transformative experience led me to compose Asperges Me, Domine for eight-part choir. The choral work, which was dedicated to the Hodgson Singers, was entered into the Busan Choral Festival and Competition in Busan, South Korea, in 2015 and was awarded first prize in the composition competition. After hearing the work, fellow Hodgson Dr. Koh is a Singaporean composer whose music is characterized by inventive graduate student Matthew Sadowski asked if I would arrange the work for wind timbral extremes. Described as ‘the future of composing’ (The Straits Times, ensemble. Singapore), she is the recipient of awards such as the Yoshiro Irino Memorial Prize, ASCAP Morton Gould Young Composer Award, Prix D’Ete, and PARMA “The work itself is inspired by the Latin text, ‘Asperges Me, Domine,’ and competitions, commissions from the Barlow Endowment for Music Composition, Renaissance composers such as Josquin de Prez and Tomás Luis de Victoria, Composers Conference at Wellesley College, Singapore Symphony Orchestra, Left whose sacred music comes to life when performed in large, cavernous venues. Coast Chamber Ensemble, Dinosaur Annex Music Ensemble and grants from New Originally used as an antiphon, I decided to set this text as a motet. The first Music USA, Women’s Philharmonic Advocacy and Paul Abisheganaden Grant for section invokes the cleansing ritual of sprinkling water onto a congregation Artistic Excellence. using the leaves of a hyssop plant. The second section introduces the antiphonal response of the congregation, asking for pity and forgiveness. A dramatic Emily’s works have been described as “beautifully eerie” (New York Times), and interpretation of the doxology follows before the introduction material returns at “subtley spicy” (Baltimore Sun), and have been performed at various venues the end, signifying completion of the cleansing ritual and newfound peace in the around the world in Singapore, Malaysia, Thailand, Vietnam, Hong Kong, Macau, world.” Taiwan, Japan, South Korea, the Netherlands, Italy, France, Switzerland, Finland, Israel, the United Kingdom, Canada and the United States by acclaimed ensembles and performers such as Talea Ensemble (USA), Ensemble Dal Niente (USA), New diver[city] York New Music Ensemble (USA), Signal Ensemble (USA), Boston New Music Initiative (USA), New Thread Quartet (USA), Acoustic Uproar (USA), LUNAR Ms. Koh’s biography can be found in the “Biographies” section of this program. Ensemble (USA), East Coast Contemporary Ensemble (USA/Europe), Avanti! (Finland), Israel Contemporary Players (Israel), Sentieri Selvaggi (Italy), the diver[city] is a play on the word ‘diversity’ – a word commonly used to describe Next Mushroom Promotion (Japan), Chroma Ensemble (UK), The Philharmonic my hometown of Singapore. While the idea of racial harmony is not new in Orchestra (Singapore), Dingyi Music Company (Singapore) and Chamber Sounds Singapore, the recent Freddie Gray protests in Baltimore (a city I called home (Singapore) among others. for 2.5 years) prompted me to think more globally about racial discrimination, and other types of discrimination – gender, age, religion, and disability. Discrimination exists because people tend to see differences more than they do Joshua Bynum, trombone soloist similarities. What if we all identify with our similarities and learned about our differences? What would that world be? Indiver[city] , I describe a utopia where Dr. Joshua L. Bynum is Associate Professor of Trombone at the Hugh Hodgson numerous diverse musical motifs that are first introduced in the beginning evolve School of Music and trombonist with the Georgia Brass Quintet. He is a organically throughout the piece to create a new, cohesive musical landscape. founding member of Resonant Projection Trombone Quartet, and the MOD[ular] Together, we make a better world if we all stand together as one. Contemporary Chamber Ensemble. In the summers, Josh serves as trombone artist and faculty for the Sewanee Summer Music Festival. Josh performs regularly as first-call substitute with the Atlanta Symphony Love Divine Orchestra, including the entire 2015-16 season. In this capacity, he has two commercial releases and performed at Carnegie Hall.