Hits of the Week
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor Saxophone Musical Vocabulary
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. DELFEAYO MARSALIS NEA Jazz Master (2011) Interviewee: Delfeayo Marsalis (July 28, 1965 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: January 13, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 38 pp. Brown: Ferdinand Delfeayo Marsalis. Good to see you again. Marsalis: You too, brother. Brown: It’s been, when? – since you were working with Max and the So What brass quintet. So that was about 2000, 2001? Marsalis: That was. Brown: So that was the last time we spent some time together. Marsalis: Had a couple of chalupas since then. Brown: I knew you had to get that in there. First of all, we reconnected just the other night over – Tuesday night over at the Jazz Masters Award at Lincoln Center. So, what did you think? Did you have a good time? Marsalis: I did, to be around the true legends and masters of jazz. It was inspiring and humbling, and they’re cool too. Brown: What do you think about receiving the award? For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Marsalis: I still feel I might be on the young side for that, but I think that my life has been, so far, dedicated to jazz and furthering the cause of jazz, and it’s something that I hope to keep doing to my last days. Brown: We’ll go ahead and start the formal interview. -
(Fhmttttttntt Ilatuj Gkmjjub Serving Storrs Since 1896
(fhmttttttntt IlatUj GkmjJUB Serving Storrs Since 1896 VOL. LXXVII NO. 96 STORRS, CONNECTICUT MARCH 20, 1969 | Board of Trustees Meet: 250 Demonstrate; Support Professors Colfax Denied Tenure By RICH COHEN On* of the demonstrator: In a yester- STEVE FAGIN day's protest looks over the shoul- JIM CONROY der of Trustee Joseph R. McCormick. Approximately 50 demonstrators unanimously granted tenure to Colfax" Over the Table The demonstrators were protesting crowded into an open Board of Trustees and many thrust their arms upward with the Trustee's powers of deciding fa- meeting on the second floor of Gulley hands forming a phallic-fingered ges- culty tenure. Hall yesterday morning to protest the ture. Board's power to decide faculty tenure. The UConn Board of Trustees then Another estimated 200 persons wai- went to the Faculty Alumni Center, and ted downstairs and around the building. everyone else was denied entrance. A u*i Demonstrator s began gathering a- few demonstrators tried to open the round Gulley Hall at 9:30. The crowd doors, but they were locked. At 1:30, swelled to approximately 250. At 10:00, the Board left via a side exit, escorted • r* about 75 marchers circled the building by a handful of Security of'icers. once and then entered through the front No results of the executive meeting doors. One or two snowballs were thrown were released. Friedman later said the ^ by anti-demonstrators standing across normal procedure for granting tenure is the street, but no one was hit. Other through letters, which would be sent early ^pc groups of demonstrators, including fa- next week to the professors involved. -
Lamp Records Singles Discography
Lamp Records by Frank Daniels On June 12, 1954, Aladdin Records announced that they were preparing to open a subsidiary label – appropriately named Lamp. Instead of being spread across the genres of R&B and Jazz, Lamp was going to focus exclusively on Rhythm & Blues. Lamp Records sent out its first promotional releases near the end of June, and at the beginning of July, four Lamp singles appeared on the commercial marketplace. Within a month, Aladdin opened an office in New York City, and Lamp Records took New York as its base of operations. Over the next six months, the new label released several batches of singles in two series. These were the 8000 series of R&B singles and two discs in the 9000 series, which was devoted to gospel music. Then, as suddenly as the label opened, Lamp closed its doors … temporarily. The matrix numbering at this time followed the system that Aladdin used more broadly, featuring a prefix indicating the recording place (e.g., TEX- for Texas or SF- for San Francisco) and a four-digit sequence number. Although the trade magazines did not always agree with their choice, Aladdin used the suffix “X” to mark the A-side of the single and a “Q” to indicate the B-side. Lamp Singles, 8000 & 9000 Series Lamp 8001 “When the Sun Goes Down”/ “Tryin’ to Fool Me” Leonard Lee First Mentioned in Trade Magazines: July 3, 1954 78 RPM single above; 45 RPM single below. Lamp 8001 “When the Sun Goes Down”/ “Tryin’ to Fool Me” Leonard Lee Leonard Lee was the “second half” of the Aladdin duo, Shirley & Lee. -
Saturday, Sept. 8, 2012 Harnessracingupdate.Com
Saturday, Sept. 8, 2012 Kentuckiana To Downsize...p2 Quigley, Stillings to Hall...p2 harnessracingupdate.com Big Night at Mohawk...p3 (732) 530-6678 Towers: Do Times Really [email protected] Matter?...p4 Chapter Seven Beaten by a Hot Shot Hot Shot Blue Chip won for just the third time this year By Bill Finley from 14 starts and had seemed outclassed against Chap- On paper, it looked pretty easy for Chapter Seven last ter Seven and Mister Herbie, but he came through when it night at Vernon Downs in the Credit Winner. He only had to mattered in the stretch. beat three horses and the second choice, Mister Herbie, “I just wanted to sit as long as possible,” Callahan said. was the same horse he had just whipped in the Nat Ray at “As soon as I felt Trond nudge off my back I moved my the Meadowlands. But the 1-2 horse and the horse did the favorite wasn’t good enough to rest. This horse has a lot of hold off Hot Shot Blue Chip trot to him. You don’t make (Revenue S) in the stretch drive $1 million not being able l to of the $200,000 race. trot a quarter in 26.” Hot Shot Blue Chip won by a Bred by Blue Chip Farms head over Chapter Seven. Arch and trained by Jonas Madness was third and Mister Czernyson, Hot Shot Blue Herbie checked in fourth and Chip paid $20. The win last. pushed his career earnings Driven by Jody Jamieson from over the $1 million mark, to the four post, Mister Herbie went $1,064,492. -
Plant Project's Price Tag Spikes
Find out who is performing in Largo Performing Arts Center announces lineup. … Page 2B. Smithereens ready to take the stage The rock band, which has been performing for nearly 40 years, visits the Central Park Performing Arts Center on Friday. … Page 4B. Volume 40, No. 36 www.TBNweekly.com August 8, 2019 LARGO CONNECT WITH US ONLINE Plant project’s price tag spikes Increasing construction costs mean new facility could cost as much as $8.35 million Visit us at www.TBNweekly.com By CHRIS GEORGE and reinforce the approximately 40-year- to move forward with construction after $5.25 million.The remainder of the spike, Follow us on Facebook Tampa Bay Newspapers old operations building and laboratory so approving the Belleair-based Biltmore he said, is a result of escalating construc- www.facebook.com/ that the structure, which city staff said is Construction fi rm’s guaranteed maximum tion costs. TBNweekly LARGO — A project at the wastewater essential to treatment plant operations, price of $8.35 million. “One of the things we’ve heard through- Follow us on Twitter treatment plant that once was estimated could survive a Category 5 hurricane. Facilities Manager Mark Meyers said out this process is that, since the reces- @TBNwebmaster to cost $4 million could now cost more The facility will consist of a three-story, $1.25 million of the price increase was a sion, construction prices in the country than double that, city commissioners 13,187-square-foot hardened building that result of hardening the building to survive have just skyrocketed,” he said. -
Joan Baez Carry It on Mp3, Flac, Wma
Joan Baez Carry It On mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Carry It On Country: US Released: 2007 MP3 version RAR size: 1906 mb FLAC version RAR size: 1772 mb WMA version RAR size: 1246 mb Rating: 4.9 Votes: 117 Other Formats: DTS AC3 AA ADX VQF MP4 VOC Tracklist 1 Oh Happy Day 3:48 2 Carry It On 3:45 3 In Forty Days 3:22 4 Hickory Wind 3:15 5 The Last Thing On My Mind 3:30 6 Life Is Sacred 2:02 7 Joe Hill 3:54 8 I Shall Be Released 3:32 9 Do Right Woman, Do Right Man 4:23 10 Love Is Just A Four-Letter Word 4:05 11 Suzanne 4:48 12 Idols And Heroes 2:31 13 We Shall Overcome 4:47 Notes Original Master Series Other versions Category Artist Title (Format) Label Category Country Year Carry It On - Original Joan VSD-79313 Sound Track Album Vanguard VSD-79313 US 1971 Baez (LP) Joan VMD 79313-2 Carry It On (CD, Album) Vanguard VMD 79313-2 Germany Unknown Baez "Carry It On." Original Joan VK 79313 Sound-Track Album Vanguard VK 79313 UK 1971 Baez (Cass, Album) "Carry It On." Original VSD • 79313, Joan Vanguard, VSD • 79313, Sound-Track Album US 1971 VSD-79313 Baez Vanguard VSD-79313 (LP, Album) Carry It On - Original Joan 519 042 Sound Track Album Vanguard 519 042 France Unknown Baez (LP) Related Music albums to Carry It On by Joan Baez Joan Baez - The Night They Drove Old Dixie Down Joan Baez - Drug Store Truck Drivin' Man / Joe Hill Joan Baez - 2 + 2 Vol. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Joan Baez Live in Europe 83
Joan baez live in europe 83 click here to download Live Europe '83 is a recording by Joan Baez, taken from performances during her previous year's tour. It found Baez beginning to update her image by. Children Of The Eighties - Kinder Der 80er Jahre - Live In Concert (Cass, Club) Children Of The Eighties - Kinder Der 80er Jahre - Live In Concert (LP, Album, Club) Live Europe 83 - Children Of The Eighties (CD, Album, RE). Find a Joan Baez - Live Europe 83 - Children Of The Eighties first pressing or reissue. Complete your Joan Baez collection. Shop Vinyl and CDs. An unusual performance from the folk legend as she toured Europe in , as she sings songs of the lands she visits as well as standards of her era like. Official website for Joan Baez-Discography Pages. LIVE EUROPE '83 (CHILDREN OF THE EIGHTIES). Original release date: Produced by: Gerard. Le 15 juillet 83, Joan Baez avait donné un concert sur la place de la Concorde à Paris. Le thème était la non. Concert live de Joan Baez à Paris en - Duration: Jean-Marc Potier , views · · Joan. Find album reviews, stream songs, credits and award information for Live in Concert: European Tour - Joan Baez on AllMusic - - Not the greatest Joan. Listen free to Joan Baez – Live Europe 83 - Children of the Eighties (Farewell, Angelina, Warriors of the Sun and more). 14 tracks (). Discover more music. Find great deals for Live in Europe ' Children of the Eighties by Joan Baez (CD, Aug, Bmg/Ariola). Shop with confidence on eBay! Joan Baez: Live Europe 83,album, review, tracklist, mp3, lyrics. -
BLOOD, SWEAT Union Snubs Musicians the MUSICIANS UNION Hasrefused Toreply to Last Week'sarticle in Recordmirrorin Which C TEARS U.K
TEENAGE Andy Fairweather recordCINEMA-page9 Lowe Group-page5 mirror MAY 16, 1970. BLOOD, SWEAT Union snubs musicians THE MUSICIANS UNION hasrefused toreply to last week'sarticle in RecordMirrorin which C TEARS U.K. MEG some musicians criticised the union. Instead a union spokesman said: "We will not be able to have any comments available as there is an executive committeemeetingthis week and that is far more importantthanthe HIE statements madeby people in this article. BLOOD, SWEAT AND TEARS are DEFINITELY "We cannot say when coming to Europe for their first ever tour! They are ourcommentwill be being brought over exclusively by Radio Luxembourg ready." In effect the union is who hold all interview and performance rights for the snubbingits members by group. saying that it has no time '208' programme to answer those who are director Tony Macarthur by critical of it, even though told RM: "The two the dossier of discontent Britishconcertswillbe Rodney was given to the union presentedinconjunction Collins ONE WEEK before it was with a major London published. promoter on the 24th 25thEnglish service during the In the article a number September. Together withgroup's two week stay in of allegations were made against the MU by pop CBS Records we are Europe. They willplay planning a giant reception musicians.And it has dates in Germany, France, since become the major for the group." Holland and Belgium in talkingpointof the Highlights of the additionto the industry during the week. concerts will be broadcast London concerts.Blood Record Mirror believes over Radio Luxembourg'sSweat and Tears will not thatitisimportant that appear anywhere in pop musiciansshould Europe before they fly in have a platform toair for'208',thestation's their views aboutthe Rolling firstpromotionofthis union, since it appears to kind in 37 years. -
Peter Paul and Mary.Pptx
Peter, Paul and Mary Group 3: Chen Chen & Hailey Funk Outline • Biography -- Peter; Paul; Mary; Albert Gross the group • Album timeline • Musical style • Musical Analysis (vocal, instrumentation) • Comparison between Peter, Paul and Mary's cover version and original version • Musical influence on&of Peter, Paul and Mary Biography-Peter • Born May 31st 1938, in New York City • learned guitar and violin early on o Went to high school for "Music and Art" • Got a Bachelor's degree in psychology from Cornell • Met Mary and Paul in Greenwich Village (1960) o Due to manager, Albert Grossman Biography-Paul • Born Dec. 30 1937 in Baltimore, Maryland as Noel "Paul" Stookey • Raised in Michigan • Learned to play guitar at 11 • Graduated from Michigan State University o he was a master of ceremonies o involved in band, Corsairs • Moved to New York in 1959 • Worked in sales and at a club in Greenwich Village o Albert Grossman introduced him to Peter and Mary Biography-Mary • Born November 9 1936 in Louisville, Kentucky • Raised in Greenwich Village • Her and schoolmates sang backup for Pete Seeger's album • Dropped out of high school in 11th grade • In Broadway musical The Next President Albert Grossman • Manager of folk/folk rock: o Bob Dylan o Janis Joplin o +others • Put together Peter, Paul and Mary • looking for tall and blonde women (Mary), a good-looking guy (Peter) and a comedic man (Paul). Biography-Peter, Paul and Mary After auditioning several singers in the New York folk scene, Albert Grossman, the Manager, created Peter, Paul and Mary in 1961, After rehearsing them out of town in Boston and Miami, Grossman booked them into The Bitter End, a coffee house, nightclub and popular folk music venue in New York City's Greenwich Village.