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Bibliography Cover Page The handle http://hdl.handle.net/1887/79902 holds various files of this Leiden University dissertation. Author: Shehab, B. Title: Unified multiplicities : Arabic letters between modernity, identity, and abstraction Issue Date: 2019-10-24 Bibliography `Abd al-Latif, Muhammad Sadiq, “al-Khatt wal-Khattatun fi Tunis. Al-Madrasa al- Tunisiyya fil-Khatt. Marhalat al-Ta’sis wal-Ish`a`” (Script and Calligraphers in Tunisia. The Tunisian School in Script. Foundation and Radiation Phase). Al- Khatt al-`Arabi. Fa``aliyyat Ayyam al-Khatt al-`Arabi 1997. Carthage: Bayt al- Hikma, 2001, 57-82. Abu-Rabi’, ibrahim M., Intellectual Origins of Islamic Resurgence in the Modern Arab World. Albany: State University of New York Press, 1996. Adonis (Ali Ahmad Said), Al-Thabit wal-Mutahawwil: Bahth fi al-ittiba 'wa-al-ibda' 'ind al- 'arab (The Permanent and the Changing: A Study of Arab Conformity and Creativity) 3 Volumes. Beirut: Dar al-'Awda, 1977. Alexander, A., and M. Sharma, “(Pre)determined Occupations: The Post-Colonial Hybridizing of Identity and Art Forms in Third World Spaces.” The Journal of Social Theory in Art Education 33. 2013, 86-104. Ali, Wijdan, “Azzawi.” Alif Gallery Arab American Cultural Foundation. Washington D.C.: Alif Gallery, 6 March -7 April, 1984. Exhibition catalogue. Ali, Wijdan and Suhail Bisharat, eds. Contemporary art from the Islamic world. London: Scorpion Publishing, 1989. Ali, Wijdan, The Right to Write: Calligraphic Works from the Collection of the Jordan National Gallery of Fine Arts. Georgia: The Daltone Gallery, Agnes Scott College, 1996. Exhibition catalogue. Caroline Joe and Mimi Pfeli, Atlanta, 1996. Ali, Wijdan, Modern Islamic Art: Development and Continuity. Gainesville: University Press of Florida, 1997. 151 Ali, Wijad, The Arab Contribution to Islamic Art: from the Seventh to the Fifteenth Centuries. Cairo: American University in Cairo Press, 1999. 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Al-Sa`id, Shakir Hassan,“Fussul min Tarikh al-Haraka al-Tashkiliah fi al-Iraq” (Chapters from the History of the Plastic Arts Movement in Iraq). Part 1. Baghdad: Ministry of Culture and Information, 1983. Al-Sa`id, Shakir Hassan, Fussual min Tarikh al-Haraka al-Tashkiliah fi al-Iraq (Chapters from the History of the plastic Arts Movement in Iraq). Baghdad: Ministry of Culture and Information, 1988. Al-Sa`id, Shakir Hassan, “The Basic Element in My Artistic Vision.” Funun Arabiyah (Arab Arts) no. 7. London, 1982, 80-81. 152 Al-Sa`id, Shakir Hassan, “The One-Dimension: Philosophy and Vision.” al-Sa`id, ed., Hiwar al-Fann al-Tashkili (Dialogue of the Plastic Arts). Amman: Abd al-Hamid Shouman Foundation- Darat al-Funun, 1995. Al-Sa`id, Shakir Hassan, “The Unconscious Structural of the Arabic Letter.” Funun Arabiyah (Arab Arts) no. 1. London, 1981, 64-68. Amin Al ‘Alim, Mahmoud, Consciousness and False Consciousness in the Arabs’ Way of Thought Today. Cairo: Dar ath-thaqafa al-Gadida, 1988. Amirsadeghi, Hossein, Salwa Mikdadi, and Nada Shabout, eds. New Vision: Arab Contemporary Art in the 21st Century. London, 2009. al-Amjad, Al-Naji, “al-Khatt al-Maghribi wal-Huwiyya al-Mafquda” (The Maghribi Script and the Lost Identity). Ahmed-Chouqui Binebine, ed., Le Manuscrit Arabe et la Codicologie. Rabat: 1994, 87-97. Araeen, Rasheed, “Our Bauhaus Others’ Mudhouse.” Third Text 3.6. 1989, 3–14. Araeen, Rasheed, “Modernity, Modernism, and Africa’s Place in the History of Art of Our Age.” Third Text 19.4. 2005, 411–17. Atil, Esin ed. Islamic Art & patronage: treasures from Kuwait. New York: Rizzoli International Publication, 1990. al-'Azb, Khalid, al-Turath wal-Huwiyya (Heritage and Identity). Ab'ad al-'Ilaqa in Faysal al- Hafyan, ed., Mustaqbal al-Turath (Future of Heritage). Buhuth wa- Mudakhalat al-Mu'tamar al-Duwali al-Awwal "Nahwa Khitta Shamila lil-Turath al- Fikri al- 'Arabi" (First International Conference on a comprehensive plan for the 153 heritage of the Arab intellectual) 1-2 December, 2010. Cairo: Ma'had al- Makhtutat al-' Arabiyya, 2011, 25-41. Al-Azzawi, Dia, ‘’Arab Graphic Art.’’ UR: The International Magazine of Arab Culture no. 2. London, 1978, 47-55. Al-Azzawi, Dia, ‘’Manifesto: Towards a New vision.’’ Ahakir Hassan Al Said, ed., Al- Bayanat al-Fanniyah fi al- Iraq (Art manifestos in Iraq). Baghdad, 1973, 25-29. Al-Azzawi, Dia, Introduction to the Exhibition of the New Vision Group. Baghdad, 1970. Exhibition catalogue. Al-Azzawi, Dia, ‘’al-Fanan Amam al-Tajruba fi Hudud al-Lawha’’ (The Artist Facing the Experience within the Boundaries of a Painting). Al-Muthaqaf al-Arabi no.4, Baghdad: 1971, 53-28. Al-Azzawi, Dia, ‘’Poetry, a Visual Text.’’ Mawakif no.72, London: 1992, 134-37. Bahnasi, `Afif, al-Fan wa al-Qawmya (Art and Nationalism). Damascus: Ministry of Culture, 1963. Bahnasi, `Afif, al-Fan Wa al-Thawra (Art and Revolution). Baghdad: Ministry of Culture and Information, 1993. Bahnasi, `Afif, Falsafat al-Fan ‘nd al-Tawhidi (Al-Tawhidi’s Philosophy of Art). Damscus: Dar al-Fikr, 1987. Bahnasi, `Afif, “Gamaliyyat al-Khatt al-`Arabi bi-Wasfihi Fannan Ibda`iyyan” (The Esthetics of the Arabic Scripts in its Description as a Creative Art). Al-Khatt al- `Arabi. Fa``aliyyat Ayyam al-Khatt al-`Arabi 1997. Carthage: Bayt al-Hikma, 2001, 111-136. 154 Bahnasi, `Afif, Jamaliat al-Fann al-Arabi (Aesthetics of Arab Art). Kuwait: ‘lam al-M’ rifa, 1979. Bahnasi, `Afif, Ruwad al-Fan al-Hadith fi al-Bilad al-Arabiyah (The Avant-Garde Artists of Modern Art in the Arab World). Beirut: Dar Al-Raed Al-Arabi, 1985. Bahnasi, `Afif, T’theer al-Arab ‘al al-Fan al-Hadith (The Arab Influence on Modern Art). Damscus: High Council of Art, 1970. Barakat, Halim, The Arab World: Society, Culture and the State. Berkeley and Los Angeles: University of California Press, 1993. Barakat, Saleh. Interview by Bahia Shehab. Personal interview. Beirut, April 2014. Barakat, Saleh. Interview by Bahia Shehab. Personal interview. Beirut, June 2014. Beiteddine Art Festival. Beirut: Anis, 2004. Festival catalogue. Beiteddine Art Festival. Beirut: Calligraph, 2012. Festival catalogue. The Bible, Exodus 20:4, King James Version. The Bible, Psalm 150:4, King James Version. Bida, al-Habib, “Surat al-Insan al-Kamil fil-Khatt al-`Arabi” (The Image of the Perfect Man in the Arabic Script). al-Khatt al-`Arabi. Fa``aliyyat Ayyam al-Khatt al-`Arabi 1997. Carthage: Bayt al-Hikma, 2001, 137-162. Blair, Sheila, Islamic Calligraphy. Edinburgh, 2006. Blair, Sheila, Islamic Inscriptions. Edinburgh, 1998. 155 van den Boogert, N., Some notes on Maghribi script, in MME no. 4. 1989, 30-43. Bringhurst, Robert, “Voices, languages and scripts around the world.” John D. Berry, ed., Language Culture Type. International type design in the age of Unicode. New York: ATypI – Graphis, 2002, 3-23. Berque ,Jacques, Arab Rebirth: Pain and Ecstasy. Quentin Hoare, trans. London: Al- Saqi Books, 1983. Berque ,Jacques, Cultural Expression in Arab Society Today. Robert W. Stookey, trans. Austin: University of Texas Press, 1978. Boullata, Kamal, ‘’Modern Arab Art.‘’ Mundus Atrium: A Journal of International Literature and Art 10 no. 1. 1977, 107-25. Boullata, Kamal, ‘’Plastic Mirrors.’’ Mawakif no. 72. London: 1992, 138-43. Burnham, Anne Mullin. ‘’Azzawi.’’ Arab Perspectives 5. April 1984, 23-27. Dadi, Eftikhar, “Ibrahim el-Salahi and Calligraphic Modernism in a Comparative Perspective.” South Atlantic Quarterly 109 no.3. 2010, 555-576. Dadi, Eftikhar, Modernism and the Art of Muslim South Asia. Durham, NC: University of North Carolina Press, 2010. Daghir, Sharbal, al Hurufiyah al-Arabiyah: Fan wa Hawiyah (Arabic Letterisim: Art and Identity). Beirut: Sharikat al-Matbu’at Lil Twazi’ wa al-Nashr, 1990. Daghir, Sharbel, Arabic Hurufiyya: Art & Identity. Milano: Skira, 2016. Dallul, Ziyyad, ‘’Hurufun ‘al Alwan’’ (Letter on Color). Mawakif no. 67. London: 1992, 151-53. 156 Duri, A.A., The Rise of Historical by Writing Among the Arabs. Lawrence I. Conrad, ed., and trans. New Jersey: Princeton University Press,1983. Duri, A.A., The Historical Formation of the Arab Nation: A Study in Identity and Consciousness. Lawrence I. Conrad, trans. New York: Croom Helm Ltd,1987. Eddé, Dominique, Samir Sayegh: La Lettre Infinite (Samir Sayegh: The Infinite Letter). Beirut: Calligraph, 2014. Eigner, Saeb, Art of the Middle East: Modern and Contemporary Art of the Arab World and Iran. London: Merrel Publishers, 2010. Ettinghausen, Richard, Treasures of Asia: Arab Painting. Cleveland: The World Publishing Company, 1962. Fakhry, Majid. A History of Islamic Philosophy. New York: Columbia University Press, 1970. Al-Haidari, Boland, ‘’The Effect of the Letter in contemporary Arab Art.’’ Al-Fann Al- Arabi no. 4 (Arab Arts). London, 198 1, 15-24. Al-Haidari, Boland, ‘’Ather al-Islam ‘la Tatawwur al –Khatt al-Arabi’’ (The Effect of Islam on the Development of the Arabic Script). Al-Majalla no. 679. Baghdad, 1993, 73. Al-Haidari, Boland, ‘’Al-Azzawi.’’ Tunisia: Riwaq al-Funun, 14 June- 10 July, 1991. Exhibition catalogue. Al-Haidari, Boland, ‘’Al-Khatt al-Qadim fi sura Haditha’’ (The Old Script in a Modern Image).
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