Bibliography

Home , Middle Eastern dance, Salman (myth), The Tango Lesson, Turkish dance, Ukrainian dance

BIBLIOGRAPHY

Adra, Najwa. 2005. Belly dance: An urban folk genre. In Belly dance: Orientalism, transnationalism, and harem fantasy , ed. Anthony Shay and Barbara Sellers- Young, 28–50. Costa Mesa: Mazda Publishers. Ahmed, A. 1992. Postmodern and Islam . London: Routledge. Al-Faruqi, Lois Ibsen. 1978. Dance as an expression of Islamic culture. Dance Research Journal 10(2): 6–13. Allen, Robert C. 1991. Horrible Prettiness: Burlesque and American Culture. Chapel Hill: University of North Carolina Press. Alloula, Malek. 1986. The colonial harem . Trans. Myrna Godzich, and Wlad Godzich. Introduction by Barabara Harlow. Minneapolis: University of Minnesota. Al-Rawi, Rosina-Fawzia. 2003. Grandmother’s secrets: The ancient rituals and heal- ing power of belly dance . Trans. Monique Arav. New York: Interlink Books. Ameri, Azardokht. 2003. Raqs-e amiyaneh-ye shahri va raqs-e mowsum be klasik-e Irani: barresi-ye tatbiqi dar howze-ye Tehran. (Popular urban dance and so- called classical dance: A comparative investigation in the Tehran region). Mahoor Music Quarterly 2(Summer): 51–74. And, Metin. 1959. Dances of Anatolian Turkey , New York: Dance Perspectives, Summer 1959, No. 3. Andrews, George Reid. 2004. Afro-Latin America: 1800–2000 . Oxford/New York: Oxford University Press. Archetti, Eduardo P. 1999. Masculinities: Football, polo and the tango in Argentina . Oxford/New York: Berg. Azzi, Maria Susana. 1991. Antropología del Tango: Los Protagonistas . Buenos Aires: Ediciones Olavarría.

Azzi, Maria Susana. 1995. The golden age and after: 1920s–1990s. In Tango!: The dance, the song, the story , ed. Simon Collier, Artemis Cooper, María Susana Azzi, and Richard Martin, 114–168. London: Thames and Hudson. Azzi, Maria S. 1998. Tango. In International encyclopedia of dance , 91–94. New York Oxford: Oxford University Press. Baburnama: Memoirs of Babur, prince and emperor . 2002. Translated, edited, and annotated by Wheeler M. Thackston. Introduction by Salman Rushdie. New York: Modern Library. Baim, Jo. 2007. Tango: Creation of a cultural icon . Bloomington: University of Indiana Press. Bakka, Egil. 1978. Norske Dansetradisjonar . Oslo: Det Norske Samlaget. Bakka, Egil. 2000. Voices of the revival. In Proceedings of the 21st symposium of the ICTM Study Group on Ethnochoeology, Korcula. Baldwin, Gordon. 1996. Roger Fenton: Pasha and Bayadere . Los Angeles: Getty Museum Studies on Art. Barber, Charles. 1976. Homo Byzantius. In Women, men and eunuchs: Gender in Byzantium , ed. Liz James, 185–199. London/New York: Routledge. Barber, Charles. 1997. Homo byzantinus? In Women, men and eunuchs: Gender in Byzantium , ed. Liz James, 185–199. London/New York: Routledge. Barber, Elizabeth Wayland, and Barbara Belle Sloan. 2013. Resplendent dress from southeastern Europe: A history in layers . Los Angeles: Fowler Museum at UCLA. Barrère, D.B. 1980. The Hula in retrospect. In Hula: Historical perspectives , ed. D.B. Barrere, Mary Kawena Pukui, and Marion Kelly, 1–68. Honolulu: Department of Anthropology, Bernice Pauahi Bishop Museum. Barth, Fredrik. 1969. Ethnic groups and boundaries . Long Grove: Waveland Press. Barthes, Roland. 1972. Mythologies . New York: Noonday Press. Bartlett, Thomas. 2010. Ireland: A history . Cambridge: Cambridge University Press. Beacham, Richard C. 1999. Spectacle entertainments of early imperial Rome . New Haven/London: Yale University Press. Beathnach, Breandán. 1971. Folk music and dances of Ireland . Dublin: Mercier Press. Bedford, Briand (ed.). 2013. Spartacus international gay guide , 42nd ed. Berlin: Bruno Gmünder Verlag GMBH. Berco, Cristian. 2007. Sexual hierarchies, public status: Men, sodomy, and society in Spain’s golden age . Toronto/Buffalo: University of Toronto Press. Berger, Morroe. 1966. Belly dance. Horizons 8(2): 41–49. Bergero, Adriana J. 2008. Intersecting tango: Cultural geographies of Buenos Aires, 1900–1930 . Trans. Richard Young. Pittsburgh: University of Pittsburgh Press. Bernstein, Matthew. 1997. “Introduction.” In Mathhew Bernstein and Gaylyn Studlar, editors. Visions of the East: Orientalism in Film. New Brunswick, NJ: Rutgers University Press, 1–18. BIBLIOGRAPHY 235

Bjelić, Dušan, and Obrad Savić (eds.). 2002. Balkan as metaphor: Between globalization and fragmentation . Cambridge, MA: MIT Press. Blair, Sheila S. 2006. Islamic calligraphy . Edinburgh: Edinburgh University Press. Bloom, Sol. 1948. The autobiography of Sol Bloom . New York: G. P. Putnam’s Sons. Bloom, Allan. 2001. The ladder of love . In Plato’s symposium. Translated by Seth Benardete. Chicago: Chicago University Press, 55–177. Boone, Joseph. 2001. Vacation cruises; or, the homoerotics of orientalism. In Post- colonial queer: Theoretical intersections , ed. John C. Hawley, 43–78. Albany: State University of New York Press. Brennan, Helen. 1999. The story of Irish dance . Lanham: Roberts Rinehart Publishers. Bristow, James. 2000. Effeminacy. In Gay histories and cultures , ed. George E. Haggerty, 268–270. New York/London: Garland Publishers. Brittan, Arthur. 1989. Masculinity and power . New York: Blackwell. Brod, Harry, and Michael Kaufman (eds.). 1994. Theorizing masculinities . Thousand Oaks: Sage. Brown, Peter. 1990. The body and society: Men, women, and sexual renunciation in early Christianity . London: Faber and Faber. Brown, Jonathan C. 2011. A brief history of Argentina . New York: Checkmark Books. Buckland, Theresa J. 1999. Introduction. In Dance in the fi eld: Theory, methods and issues in dance ethnography , ed. Theresa J. Buckland, 1–10. New York: St. Martins Press. Buckland, Theresa J. 2011. Society dancing: Fashionable bodies in England, 1870–1920 . London: Palgrave Macmillan. Buel, J.W. 1894. The magic city: A massive portfolio of original photographic views of the great world’s fair . St. Louis: Historical Publishing Company. Buonaventura, Wendy. 1994. The serpent of the Nile: Women and dance in the Arab world . New York: Interlink Books. Butler, Judith. 1999. Gender trouble: Feminism and the subversion of identity . New York/London: Routledge. Butterfi eld, Katharine, and Schneider Sara. 1975. Preface. In Rebetika: Songs from the old Greek underworld , ed. Katharine Butterfi eld and Sara Schneider, 9–10. Komboloi: Athens. Butterworth, Katherine, and Sara Schneider (eds.). 1975. Rebetika: Songs from the old Greek underworld . Athens: Komboloi. Castro, Donald. 1991. The Argentine tango as social history 1880–1955: The soul of the people . Lewiston: Edwin Mellen Press. Castro, Donald. 1998. Carlos Gardel and the Argentine tango: The lyric of social irresponsibility and male inadequacy. In The passion of music and dance: Body, gender and sexuality , ed. William Washabaugh, 63–78. Oxford/New York: Berg. Carlton, Donna. 1994. Looking for Little Egypt. Bloomington, IN: IDD Books. 236 BIBLIOGRAPHY

Castro, Mauricio. 2000. Tango: estructura de la danza: los seretos del baile revelados . Buenos Aires: Cesarini Hnos, Editores. Caton, Steven C. 2000. The Sheik: Instabilities of race and gender in transatlantic popular culture of the early 1920s. In Noble dreams, wicked pleasures: Orientalism in America, 1870–1930 , ed. Holly Edwards, 99–117. Princeton: Princeton University Press in Association with the Sterling and Francine Clark Art Institute. Cefkin, Melissa. 1993. “Choreographing Culture: Dance, Folklore, and the Politics of Identity in Turkey.” Ph.D. diss., Rice University. Ann Arbor: UMI Dissertation Services. Çelik, Zeynep. 2000. Speaking back to orientalist discourse at the World’s Columbian Exposition. In Noble dreams, wicked pleasures: Orientalism in America, 1870–1930 , ed. Holly Edwards, 77–98. Princeton: Princeton University Press in Association with the Sterling and Francine Clark Art Institute. Chapman-Sutton, Kelsey. 2012. Masculinity and emasculation: Manhood in main- stream American culture and the social construction of the male . Unpublished essay. Chauncey, George. 1994. Gay New York: Gender, urban culture, and the making of the gay male world, 1890–1940 . New York: Basic Books. Clarke, John R. 1998. Looking at lovemaking: Constructions of sexuality in Roman art 100 B.C.–A.D. 250 . Berkeley/Los Angeles: University of California Press. Clarke, John R. 2004. Nature embodied: Gesture in ancient Rome . Princeton: Princeton University Press. Cleminson, Richard, and Francisco Vázquez García. 2007. ‘Los invisibles’: A history of male homosexuality in Spain, 1850–1940 . Cardiff: University of Wales Press. Clogg, Richard. 1992. A concise history of Greece . Cambridge: Cambridge University Press. Collier, Simon, Artemis Cooper, María Susana Azzi, and Richard Martin. 1995. Tango!: The dance, the song, the story . London: Thames and Hudson. Conquest, Robert. 1986. The harvest of sorrow: Soviet collectivization and the ter- ror-famine . New York: Oxford University Press. Cook, Susan C. 1998. Passionless dancing and passionate reform: Respectability, modernism and the social dancing of Irene and Vernon Castle. In The passion of music and dance: Body, gender and sexuality , ed. William Washabaugh, 133– 150. Berg: Oxford/New York. Cooper, Artemis. 1995. Tangomania in Europe and North America: 1913–1914. In Tango!: The dance, the song, the story , ed. Simon Collier, Artemis Cooper, María Susana Azzi, and Richard Martin, 66–112. London: Thames and Hudson. Cooper, Artemis. 1995. Tangomania in Europe and North America: 1913–1914. In Tango: The dance, the song, the story , ed. Artemis Cooper, Maria Susana Azzi, Richard Martin, and Simon Collier. London: Thames and Hudson. Corbeil, Anthony. 2004. Nature embodied: Gesture in ancient Rome . Princeton: Princeton University Press. Cowan, Jane K. 1990. Dance and the body politic in northern Greece . Princeton: Princeton University Press. BIBLIOGRAPHY 237

Davidson, James. 2006. Making a spectacle of her(self): The Greek courtesan and the art of the present. In The courtesan’s arts: Cross-cultural perspectives , ed. Martha Feldman and Bonnie Gordon, 29–51. Oxford/New York: Oxford University Press. Davidson, James. 2007. The Greeks and Greek love: A radical reappraisal of homosexuality in ancient Greece . London: Weidenfeld and NIcolson. De Spain, Kent. 2003. The cutting edge of awareness: Reports from the inside of improvisation. In Taken by surprise: A dance improvisation reader , ed. Ann Cooper- Albright and David Gere, 31–32. Middletown: Wesleyan University Press. Deagon, Andrea. 2005. Dance of the seven veils: The revision of revelation in the belly dance community. In Belly dance: Orientalism, transnationalism, and harem fantasy , ed. Anthony Shay and Barbara Sellers-Young, 244–276. Costa Mesa: Mazda Publishers. Deaver, Sherri. 1978. Concealment vs. display: The modern Saudi woman. Dance Research Journal 10(2): 1418. Debord, Guy. 2010 (1967 reprint). Society of the spectacle . Detroit: Black and Red. Décoret-Ahiha, Anne. 2004. Les danses exotiques en France: 1880–1940 . Pantin: Centre national de la danse. Demirsipahi, Cemil. 1975. Türk Halk Oyunlar- . Türkiye Iş Bankası Kültür Yayınları. Denniston, Christine. 2007. The meaning of tango: The story of the Argentinian dance . London: Portico. Desmond, Jane C. 1997. Introduction. In Meaning in motion: New cultural studies of dance , ed. Jane C. Desmond, 1–25. Durham/London: Duke University Press. Desmond, Jane C. 1999. Staging tourism: Bodies on display from Waikiki to Sea World . Chicago: University of Chicago Press. Desmond, Jane C. 2001. Dancing out the difference: Cultural imperialism and Ruth St. Denis’s Radha or 1906. In Moving history/dancing cultures: A dance history reader , ed. Ann Dils and Ann Cooper Albright, 256–270. Middletown: Wesleyan University Press. Dhonnacha, Róisín Nic. 2012. Sean-nos singing: Ideological perspectives on a native art. In Ancestral imprints: Histories of Irish traditional music and dance , ed. Thérèse Smith, 159–167. Togher: Cork University Press. Dolar, Mladen. 1998. “Introduction: The Subject Supposed to Enjoy. In Alain Grosrichard. The Sultan’s Court: European Fantasies of the East. Translated by Liz Heron. London: Verso, ix - xxvi. Dox, Donnalee. 2005. Spirit from the body: Belly dance as a spiritual practice. In Belly dance: Orientalism, transnationalism, and harem fantasy , ed. Anthony Shay and Barbara Sellers-Young, 304–341. Costa Mesa: Mazda Publishers. Dragoumis, Markos. 1975. The music of the rebetes. In Rebetika: Songs from the old Greek underworld , ed. Katharine Butterworth and Sara Schneider, 16–25. Komboloi: Athens. 238 BIBLIOGRAPHY

Dujovne, Beatriz. 2013. In strangers’ arms: The magic of the tango . Jefferson: McFarland & Company. Edwards, Holly. 2000. A million and one nights: Orientalism in America 1870– 1930. In Noble dreams, wicked pleasures: Orientalism in America, 1870–1930 , ed. Holly Edwards, 11–58. Princeton: Princeton University Press in Association with the Sterling and Francine Clark Art Institute. Eley, Geoff, and Ronald Grigor Suny. 1996. Introduction: From the moment of social history to the work of cultural representation. In Becoming national: A reader , ed. Geoff Eley and Suny Ronald Grigor, 3–37. New York/Oxford: Oxford University Press. Enjavi-Shirazi, M.A. 1972. Bazi-ha-ye namayeshi . Tehran: Amir Kabir. Fear, a. T. 1991. “The Dancing Girls of Cadiz.” Greece & Rome (itals) 38 (I): 75–79. Fisher, Nick. 1998. Violence, masculinity and the law in classical Athens. In When men were men: Masculinity, power and identity in classical antiquity , ed. Lin Foxhall and John Salmon, 68–97. London/New York: Routledge. Fisher, Jennifer, and Anthony Shay (eds.). 2009. Introduction. In When men dance: Choreographing masculinities across borders , 3–27. New York: Oxford University Press. Flaubert, Gustave. 1996. Travels in Egypt . New York: Penguin Books. Floor, Willem. The lutis—“The Lutis–A Social Phenomenon in Qajar Persia: A Reapraisal” Die Welt des Islams. 13 (1971), 103-120. Foley, C.E. 2011. Dance. In The companion to Irish traditional music , Second Edition. Fintan Vallely, 180–200. Togher: Cork University Press. Foley, Catherine E. 2012. Irish traditional step dancing in North Kerry: A contex- tual and structural analysis . Listowel: North Kerry Literary Trust. Foley, Caatherine E. 2013. Step dancing in Ireland: Culture and history . Farnham: Ashgate. Foucault, Michel. 1979. The History of Sexuality . volume 1, An Introduction. London: Allen Lane. Foxhall, Lin. 1998. Introduction. In When men were men: Masculinity, power and identity in classical antiquity , ed. Lin Foxhall and John Salmon, 1–9. Oxford/ New York: Routledge. Fraser, Kathleen W. 1991. The aesthetics of belly dance: Egyptian-Canadians discuss the Baladi . MFA Thesis, York University, Toronto. Gagnon, John H., and William Simon. 1973. Sexual conduct: The social sources of human sexuality . London: Hutchinson. Garafola, Lynn (ed.). 1997. Rethinking the sylph: New perspectives on the romantic ballet . Middletown: Wesleyan University Press. Gazenbeek, Antón. 2008. Inside tango Argentino: The story of the most important tango show of all time . Cassville: Litho Printers and Bindery. BIBLIOGRAPHY 239

Gelbart, Matthew. 2007. The invention of “folk music” and “art music”: Emerging categories from Ossian to Wagner . Cambridge: Cambridge University Press. Georges, Robert A. 1969. Toward an understanding of storytelling events. Journal of American Folklore 82(326): 313–328. Giersdorf, Jens Richard. 2013. The body of the people . Madison: University of Wisconsin Press. Gilmore, David D. 1987. Honor and shame and the unity of the Mediterranean . Washington, DC: American Anthropological Association. Gilmore, David D. 1990. Manhood in the making: Cultural concepts of masculinity . New Haven: Yale University Press. Girman, Chris. 2004. Mucho macho: Seduction, desire, and the homoerotic lives of Latin men . New York/London: Harrington Park Press. Gleason, Maud. 1995. Making men: Sophists and self-presentation in ancient Rome . Princeton: Princeton University Press. Goldman, Danielle. 2010. I want to be ready: Improvised dance as a practice of freedom . Ann Arbor: University of Michigan Press. Gore, Georgiana, and Maria Koutsouba. 1992. ‘Airport art’ in a sociopolitical per- spective: The case of the Greek dance groups of Plaka. In Proceedings of the 17th symposium of the Study Group on Ethnochoreology, Nafplion, July 2–10, 29–34. Grabar, Oleg. 1987. Formation of Islamic art , Revised and Enlarged ed. New Haven: Yale University Press. Grabar, Oleg. 1992. Mediation of ornament . Princeton: Princeton University Press. Graham, Brian. 1997. Ireland and Irishness: Place, culture and identity. In In search of Ireland: A cultural geography , ed. Brian Graham, 1–18. London/New York: Routledge. Graham-Brown, Sarah. 1988. Images of Women: The Portrayal of Women in Photography of the Middle East 1860-1950. New York: Columbia University Press. Grosrichard, Alain. 1998. The Sultan’s Court: European Fantasies of the East. London and New York: Verso Gunderson, Erik. 2000. Staging masculinity: The rhetoric of performance in the Roman world . Ann Arbor: University of Michigan Press. Guss, David M. 2000. The festive state: Race, ethnicity, and nationalism as cultural performance . Berkeley/Los Angeles: University of California Press. Gutmann, Matthew C. 2003. Introduction: Discarding manly dichotomies in Latin America. In Changing men and masculinities in Latin America , ed. Matthew C. Gutmann, 1–26. Durham/London: Duke University Press. Gutmann, Matthew C. 2007. The meanings of macho: Being a man in Mexico City , 10th Anniversary ed. Berkeley/Los Angeles: University of California Press. Gutterman, David S. 2001. Postmodernism and the interrogation of masculinity. In The masculinities reader , ed. Stephen M. Whitehead and Frank J. Barrett, 66–71. Cambridge: Polity Press. 240 BIBLIOGRAPHY

Guy, Donna J. 1990. Sex and danger: Prostitution, family and nation in Argentina . Lincoln/London: University of Nebraska Press. Guy, Donna J. 1991. Sex and danger in Buenos Aires: Prostitution, family, and nation in Argentina . Lincoln/London: University of Nebraska Press. Hall, Frank. 1999. Madness and recall: Storied data on Irish dancing. In Dance in the fi eld: Theory, methods and issues in dance ethnography , ed. Theresa J. Buckland, 123–133. New York: St. Martin’s Press. Hall, Frank. 2008. Competitive Irish dance: Art, sport, duty . Madison: Macater Press. Halperin, David M. 1990. One hundred years of homosexuality: And other essays on Greek love . New York/London: Routledge. Halperin, David M. 2002. How to do the history of homosexuality . Chicago: University of Chicago Press. Halperin, David M. 2012. How to be gay . Cambridge, MA: The Belknap Press of Harvard University Press. Hammond, Andrew. 2007. Popular culture in the Arab world: Arts, politics, and the media . Cairo: American University in Cairo Press. Handler, Richard. 1988. Nationalism and the politics of culture in Quebec . Madison: University of Wisconsin Press. Harper, Lynette. 2013. Performing identity/diasporic encounters. In Belly dance around the world: New communities, performance and identity , ed. Caitlin E. McDonald and Barbara Sellers-Young, 48–67. Jefferson: MdFarland. Hart, Yvonne. 1996. Traditional dance in Greek culture . Athens: Centre for Asia Minor Studies. Hearn, Jeff, and David L. Collinson. 1994. Theorizing unities and differences between men and between masculinities. In Theorizing masculinities , ed. Harry Brod and Michael Kaufman, 97–118. Thousand Oaks: Sage. Helland, Shawna. 2001. The belly dance: Ancient ritual to cabaret performance. In Moving history/dancing cultures: A dance history reader , ed. Ann Dils and Ann Cooper Albright, 128–135. Middletown: Wesleyan University Press. Hemeniuk, Andrii. 1962. Ukrainsk’ki narodni tantsi .. Akademia Nauk Ukrains’koi RSR. Hemeniuk, Andrii. 1963. Narodne khoeohrafi chne mystetstvo Ukraini . Kiev: Akademia Nauk Ukrains’koi RSR. Hemeniuk, Andrii. 1969. Ukrainsk’ki narodni tantsi , 2nd ed. Kiev. Naukova dumka. Henni-Cherba, Djamila and Christian Poche. 1996. Les Danses dans le Monde Arabe ou l’Heritage des Almees. Paris: L’Harmattan. Herzfeld, Michael. 2005. Cultural intimacy: Social poetics in the nation-state . New York/London: Routledge. Hill, Derek, and Oleg Grabar. 1964. Islamic architecture and decoration . Chicago: University of Chicago Press. BIBLIOGRAPHY 241

Hinsley, Curtis M. 1991. The world as marketplace: Commodifi cation of the exotic at the World’s Columbian Exposition, Chicago, 1893. In Exhibiting cultures: The poetics and politics of museum display , ed. Ivan Karp and Steven D. Lavine, 344–365. Washington, DC: Smithsonian Institution Press. Hobsbawm, Eric, and Terence Rangers (eds.). 1983. The invention of tradition . Cambridge: Cambridge University Press. Hoerberger, Felix. 1968. Once again: On the concept of folk dance. Journal of the International Folk Music Council 20: 30–31. Holst-Warhaft, Gail. 1998. Rebetika: The double-descended deep songs of Greece. In The passion of music and dance: Body, gender and sexuality , ed. William Washabaugh, 111–126. Oxford/New York: Berg. Holst-Warhaft, Gail. 2003. The female dervish and other shady ladies of the Rebetika. In Music and gender: Perspectives from the Mediterranean , ed. Tullia Magrini, 169–194. Chicago: University of Chicago Press. Hopkins, Jerry, and Rebecca K. Erickson. 2011. The hula: A revised edition , ed. Amy K. Stlilman. Honolulu: Bess Press. Hubbard, Thomas K. 2003. Homosexuality in Greece and Rome: A sourcebook of basic documents . Berkeley/Los Angeles: University of California Press. Ilupina, Anna and Yelena Luskaya. 1966. Moiseyev’s Dance Company. Moscow: Progress Publishers. Jackson, Brian. 1992. “The Folksong Revival.” In Neil V. Rosenberg, editor. Transforming tradition: Folk Music Revivals Examined. Urbana, IL: University of Illinois Press, 73–83. Janković, Ljubica S. and Danica S. Janković. 1934, 1937. Narodne Igre , vols. I, II. Beograd: Srpska Kraljevske Akademija. Jankowiak, William. 1995. Introduction. In Romantic passion: A universal experience? ed. William Jankowiak, 1–19. New York: Columbia University Press. Jarmakani, Amira. 2008. Imagining Arab Womanhood: The Cultural Mythology of Veils, Harems and Belly Dancers in the U.S. New York and Houndmills, England: Palgrave Macmillan. Jarmakani, Amira. 2013. They hate our freedom, but we love their belly dance: The spectacle of shimmy in contemporary U.S. culture. In Between the Middle East and the Americas: The cultural politics of diaspora , ed. Evelyn Alsultany and Ella Shohat, 130–152. Ann Arbor: University of Michigan Press. Jones, Reneé Critcher. 2012. The revival of banned dances: A worldwide study . Jefferson: McFarland. Jordan, John Bruce. 2009. Pricked dances: The spectator , dance and masculinity in early 18th-century England. In When men dance: Choreographing masculinities across borders , ed. Jennifer Fisher and Anthony Shay, 1818–213. New York: Oxford University Press. Kaeppler, Adrienne L. 1983. Polynesian dance: With a selection for contemporary performances . Honolulu: Alpha Delta Kappa. 242 BIBLIOGRAPHY

Kaeppler, Adrienne L. 1993. Hula pahu: Hawaiian drum dances . Honolulu: Bishop Museum Press. Karayanni, Stavros Stavrou. 2004. Dancing Fear & Desire: Race, Sexuality, and Imperial Politics in Middle Eastern Dance. Waterloo, ON: Wilfrid Laurier University Press. Karayanni, Stavros Stavrou. 2005. Dismissal veiling desire: Kuchuk Hanem and imperial masculinty. In Belly dance: Orientalism, transnationalism, and harem fantasy , ed. Anthony Shay and Barbara Sellers-Young, 114–144. Costa Mesa: Mazda Publishers. Karayanni, Stavros Stavrou. 2009. Native motion and imperial emotion: Male performers of the ‘orient’ and the politics of the imperial gaze. In When men dance: Choreographing masculinities across borders , ed. Jennifer Fisher and Anthony Shay, 314–348. New York: Oxford University Press. Kaul, Adam R. 2013. Turning the tune: Traditional music, tourism, and social change in an Irish village . New York/Oxford: Berghahn Books. Keft-Kennedy, Virginia. 2013. 1970s belly dance and the ‘how-to’ phenomenon: Feminism, fi tness and orientalism. In Belly dance around the world: New communities, performance and identity , ed. Caitlin E. McDonald and Barbara Sellers-Young, 68–92. Jefferson: MdFarland. Keuls, Eva C. 1993. The reign of the phallus: Sexual politics in ancient Athens , 2nd ed. Berkeley/Los Angeles: University of California Press. Kirshenblatt-Gimblett, Barbara, and Edward M. Bruner. 1992. Tourism. In Folklore, cultural performances, and popular entertainments , ed. Richard Bauman, 300–307. New York/Oxford: Oxford University Press. Knauft, Bruce M. 1993. South coast New Guinea Cultures: History, comparison, dialectic . Cambridge: Cambridge University Press. Kneafsey, Moya. 2003. ‘If it wasn’t for the tourists we wouldn’t have an audience’: The case of tourism and traditional music in North Mayo. In Irish tourism: Image, culture and identity , ed. Michael Cronin and Barbara O’Connor, 21–43. Clevedon: Channel View Publications. Kolos, S.H., and I.V. Hurhula. 1961. Ukrains’ke narodne Mistetstvo: V’rannia . Kiev: Derzhavne vidavnitstvo. Koritz, Amy. 1997. Dancing out the orient for England: Maud Allan’s “The Vision of Salome”. In Meaning in motion: New cultural studies of dance , ed. Jane C. Desmond, 133–152. Durham/London: Duke University Press. Kuss, Malena. 2007. Puerto Rico. In Music in Latin America and the Caribbean., vol. 2. Performing the Caribbean experience: An encyclopedic history , ed. Malena Kuss, 151–188. Austin: University of Texas Press. Lada-Richards, Ismene. 2007. Silent Eloquence: Lucian and Pantomime Dancing. London: Duckworth. Lane, Edward W. 1860 [2003]. An account of the manners and customs of the modern Egyptians , The Defi nitive 1860 Edition Introduced by Jason Thompson. Cairo: The American University in Cairo Press. BIBLIOGRAPHY 243

Lanyon, Josh. 2008. Death of a pirate king . Albion: MLR Press. Laušević, Mirjana. 2007. Balkan fascination: Creating an alternative music culture in America . New York: Oxford University Press. Lawler, Lillian B. 1964. The dance in ancient Greece . Middletown: Wesleyan University Press. Leibman, Robert Henry. 2008. Richard George ’Dick’ Crum: A life. In Balkan dance: Essays on characteristics, performance and teaching , ed. Anthony Shay. Jefferson: McFarland & Co. Levi-Strauss, C. 1966. The savage mind . Chicago: University of Chicago Press. Lewis, Daniel K. 2001. The history of Argentina . New York: Palgrave Macmillan. Lexova, Irena. 1955. Ancient Egyptian dances . Trans. K. Halrmar. Prague: Oriental Institute. Lin, Foxhall. 1998. Introduction. In When men were men: Masculinity, power and identity in classical antiquity , ed. Lin Foxhall and John Salmon, 1–9. London/ New York: Routledge. Lockman, Zachary. 2004. Contending visions of the Middle East: The history and politics of orientalism . Cambridge: Cambridge University Press. Loizos, Peter, and Evthymios Papataxiarchis (eds.). 1991. Contested identities: Gender and kinship in modern Greece . Princeton: Princeton University Press. Lord, Alfred. 1970. Singer of tales . New York: Athanaeum. Loutzaki, Irene. 2008. Dance as propaganda: The Metaxas regime’s stadium cer- emonies: 1937–1940. In Balkan dance: Essays on characteristics, performance and teaching , ed. Anthony Shay, 89–115. Jefferson: McFarland. Lushnycky, Alexander. 2007. Ukrainians of Greater Philadelphia . Charleston, SC: Arcadia Publishing. Lyons, Renee (with accent on last e) Critcher. 2012. The Revival of Banned Dances: A Worldwide Study. Jefferson, NC: McFarland. Macfi e, Alexander L. 2000. Introduction. In Orientalism: A reader , 1–8. New York: New York University Press. MacKenzie, John M. 1995. Orientalism: History, theory and the arts . Manchester: Manchester University Press. Magnus, Cherie. 2012. The church of tango: A memoir . Los Angeles/Buenos Aires: Mirasol Press. Magosci, Paul Robert. 2010a. A history of Ukraine: The land and its peoples , 2nd ed. Toronto: University of Toronto Press. Magosci, Paul Robert. 2010b. A history of Ukraine: The land and its peoples , 2nd ed. Toronto: University of Toronto Press. Maira, Sunaina. 2008. Belly dancing: Arab-face, orientalist feminism, and U.S. empire. American Quarterly 60(2): 317–345. Mancharova, N.D. 1960. Ukrains’ke narodne Mistetstvo: Tkannini ta vishivki . Kiev: Derzhavne vidavnitstvo. 244 BIBLIOGRAPHY

Manniche, Lise. 1991. Music and musicians in ancient Egypt . London: British Museum. Manning, Frank E. 1992. Spectacle. In Folklore, cultural performances, and popular entertainments , ed. Richard Bauman, 291–299. New York/Oxford: Oxford University Press. Manning, Susan. 1997. The female dancer and the male gaze: Feminist critiques of early modern dance. In Meaning in motion: New cultural studies of dance , ed. Jane C. Desmond, 153–166. Durham/London: Duke University Press. Manning, Erin. 2007. Politics of touch: Sense, movement, sovereignty . Minneapolis: University of Minnesota Press. Manuel, Peter. 1988. Popular musics of the non-western world: An introductory survey . New York/Oxford: Oxford University Press. Martin, Richard. 1995. The lasting tango. In Tango!: The dance, the song, the story , ed. Collier Simon, Artemis Cooper, María Susana Azzi, and Richard Martin, 170–196. London: Thames and Hudson. McClintock, Anne. 1996. No longer in a future heaven. In Becoming national: A reader , ed. Geoff Eley and Ronald Grigor Suny, 260–284. New York/Oxford: Oxford University Press. McDonald, Caitlin. 2012. Global moves: Belly dance as an extra/ordinary space to explore social paradigms in Egypt and around the world . San Bernardino: CA: Leanpub Books. McDonald, Caitlin and Barbara Sellers-Young, editors 2013. Belly Dance Around the World: New Communities, Performance and Identity. Jefferson, NC: McFarland. McMains, Juliet. 2013. “Queer Tango Embraces.” Paper delivered at the CORD/ SDHS Conference November 16, 2013. University of California, Riverside. McMains, Juliet. 2016. ‘Hot’ Latin dance: ethnic Identity and stereotype. In The Oxford Books of dance and ethnicity , ed. Anthony Shay and Barbara Sellers- Young, 480–500. Oxford: Oxford University Press. Meethan, Kevin. 2006. Introduction: Narratives of place and self. In Tourism, consumption and representation , ed. Kevin Meethan, A. Anderson, and S. Miles, 1–23. Wallingford: CAB International. Meftahi, Ida. 2007. Re-thinking the history of dance in the 20th century Iran: Nationalizing dance to exhibit Iranian identity. In Proceedings of the Society of Dance History Scholars international conference , Paris. Meftahi, Ida. 2016. Dancing angels and princesses: The invention of an ideal female national dancer in twentieth-century Iran. In The Oxford Handbook of dance and ethnicity , ed. Anthony Shay and Barbara Sellers-Young, 210–235. New York: Oxford University Press. Merritt, Carolyn. 2012. Tango nuevo . Gainesville: University of Florida Press. Meskell, Lynn. 2000. “Re-em(bed)ding sex: domesticity, sexuality, and ritual in New Kingdom Egypt.” In Robert A. Schmidt and Barbara L. Voss, editors. Archaeologies of Sexuality. London and New York: Routledge, 253–262. BIBLIOGRAPHY 245

Messenger, John C. 1969 (1983 reprint). Inis Beag: Isle of Ireland . Prospect Heights: Waveland Press. Mettler, Barbara. 1975. Group dance improvisation . Tucson: University of Arizona Press. Miller, Marilyn Grace. 2004. Rise and fall of the cosmic race: The cult of mestizaje in Latin America . Austin: University of Texas Press. Monty, Paul E. 1986. Serena, Ruth St. Denis, and the evolution of belly dance . Ph.D. dissertation, New York University. Mosse, George L. 1996. The image of man: The creation of modern masculinity . New York/Oxford: Oxford University Press. Murray, Stephen O. 1997. Male homosexuality in Ottoman Albania. In Islamic homosexualities: Culture, history and literature , ed. Stephen O. Murray and Will Roscoe, 187–191. New York: New York University Press. Murray, Stephen O. 2000. Homosexualities . Chicago: University of Chicago Press. Mysliwiec, Karol. 2004. Eros on the Nile. Translated from the Polish by Geoffrey L. Packer. Ithaca, NY: Cornell University Press. Nagel, Joane. 2003. Race, ethnicity, and sexuality: Intimate intersections, forbidden frontiers . New York/Oxford: Oxford University Press. Nahachewsky, Andriy. 2012. Ukrainian dance: A cross-cultural approach . Jefferson: McFarland & Co. Nahachewsky, Andriy. 1998. Ukraine: Traditional dance. In International encyclopedia of dance , vol. 6, ed. Selma Jean Cohen, 220–224. New York: Oxford University Press. Nahachewsky, Andriy. 2016. “A Folklorist’s View of ‘Folk’ and ‘Ethnic’ Dance: Three Ukrainian Examples.” In Anthony Shay and Barbara Sellers-Young, editors. The Oxford Handbook of Dance and Ethnicity. NY: Oxford University Press, 298–318. Najmabadi, Afsaneh. 2005. Women with mustaches and men without beards: Gender and sexual anxieties of Iranian modernity . Berkeley/Los Angeles: University of California Press. Narebout, F.G. 1997. Attractive performances: Ancient Greek dance: Three pre- liminary studies . Amsterdam: J. C. Giben. Necipoglu, Gülru. 1995. The Topkapi scroll—Geometry and ornament in Islamic architecture . Santa Monica: Getty Center for the History of Art and the Humanities. Nieuwkerk, Karin van. 2001. Changing images and shifting identities: Female performers in Egypt. In Moving history/dancing cultures: A dance history reader , ed. Ann Dils and Ann Cooper Albright, 136–143. Middletown: Wesleyan University Press. Nieuwkerk, Karin van. 1995. “A Trade Like Any Other”: Female Singers and Dancers in Egypt. Austin: University of Texas Press. 246 BIBLIOGRAPHY

Nuñez-Noriega, Gabriel. 2000. Machismo. In Gay histories and cultures: An encyclopedia , vol. II, ed. George E. Haggerty, 557–558. New York/London: Garland. Oliver, Douglas L. 1989. The Pacifi c Islands , 3rd ed. Honolulu: University of Hawaii Press. Oliver, Douglas L. 2002. Polynesia in early historic times . Honolulu: Bess Press. O’Rafferty, Peadar, and Gerald O’Rafferty. 1953. Dances of Ireland . London: Max Parrish. O’Sullivan, Donal. 1974. Irish folk music and dance . Cork: Mercier Press. Ő zbiligin, Mehmet O. 1998. Differences of creative processes in local communities on stage with the example of Aegean Region Zeybek dances. In The proceedings of the 20th symposium of the Study Group on Ethnochoreology . Istanbul. Ozkirmli, Umut. 2000. Theories of nationalism: A critical introduction . Foreword by Fred Halliday. Houndmills: Macmillan. Öztürkmen, Arzu. 2002. Dance and identity in Turkey. In The Garland encyclopedia of world music, vol. 6, the Middle East , ed. Virginia Danielson, Scott Marcus, and Dwight Reynolds, 811–818. New York/London: Routledge. Öztürkmen, Arzu. 2014. New identities for old .: The Ottoman Legacy of Turkish Folk Dance. Unpublished manuscript. Petrides, Ted. 1975. “Dances of the Rebetes.” ed. Katherine Butterworth, and Sara Schneider, 27–33. Athens: Komboloi. Petropoulos, Elias. 1975. Rebetika. In Rebetika: Songs from the old Greek underworld , ed. Katherine Butterworth and Sara Schneider, 11–15. Athens: Komboloi. Phelan, Peggy. 1993. Unmarked: The politics of performance . London/New York: Routledge. Plato. 1993. Plato’s symposium . Trans. Seth Benardete. With commentaries by Allan Bloom and Seth Benardete. Chicago: University of Chicago Press. Pope, Arthur U., et al. 1964–1965a. Calligraphy: An outline history. In A survey of Persian art , vol. 4, ed. London and New York: Oxford University Press. Arthur U. Pope, et al., 1707–1742. Pope, Arthur U., et al. 1964–1965b. Introduction. In A survey of Persian art , vol. 1, ed. London and New York: Oxford University Press. Arthur U. Pope, et al., 1–41. Prisse d’Avennes, Achille Constant Théodore Emile. 2001. Arabic Art. Paris: L’Aventurine. Raftis Alkis. Personal communication May 6, 2015. Reece, Kim Taylor. 2002. Hula i Kala . Sacred Falls, Hawaii: Kim Taylor Reece Productions. Rees-Denis, Paulette. 2008. Tribal vision: A celebration of life through tribal belly dance . Portland: Cultivator Books. Reinhard, Ursula. 2002. Turkey: An overview. In The Garland encyclopedia of world music, vol. 6, the Middle East , ed. Virginia Danielson, Scott Marcus, and Dwight Reynolds, 759–777. New York/London: Routledge. BIBLIOGRAPHY 247

Reyes, Luis I. 1995. Made in paradise: Hollywood’s fi lms of Hawai’i and the South Seas . Honolulu: Mutual Publishing. Rezvani, Medjid. 1962. Le theatre et la danse en Iran . English edition: Theater and dance in Iran . Paris: Maisonneuve et Larose. Robert. 1993. The Seduction of the Mediterranean: Writing, Art and Homosexual Fantasy . London and New York: Routledge. Robins, Gay. “Dress, Undress, and the Representation of Fertility and Potency in New Kingdom Egyptian Art. In Natalie Boymel Kampen, editor. Sexuality in Ancient Art: Near East, Egypt, Greece, and Italy. Cambridge: Cambridge University Press, 27–40. Rocke, Michael. 1996. Forbidden friendships: Homosexuality and male culture in Renaissance Florence . Oxford/New York: Oxford University Press. Rombos-Levides, Marica. 1992. “Dynamics of Traditional Dance as a Penetrating Force in the Formation of Modern Greek Ideology and Culture.” Proceedings of the 17th Symposium of the Study Group on Ethnochoeology. Nafplion, Greece, July 2–10, 99–108. Ronstrőm, Owe. 1999. It takes two—or more—to tango: Researching traditional music/dance interrelations. In Dance in the fi eld: Theory, methods and issues in dance ethnography , ed. Theresa J. Buckland, 134–144. New York: St. Martin’s Press. Rosenberg, Neil V. 1992. “Starvation, Serendipity, and the Ambivalence of Bluegrass Revivalism.” In Neil V. Rosenberg, editor. Transforming tradition: Folk Music Revivals Examined. Urbana, IL: University of Illinois Press. Ross, Janice. 2003. Anna Halprin and improvisation as child’s play: A search for informed innocence. In Taken by surprise: A dance improvisation reader , ed. Ann Cooper Albright and David Gere, 41–52. Middletown: Wesleyan University Press. Root, Deborah. 1998. Cannibal culture: Art, appropriation, and the commodifi cation of difference . Boulder: Westview Press. Roushdy, Noha. 2013. “What is Baladi about al-Raqs al-Balldi? On the Survival of Belly Dance in Egypt.” In Caitlin E. McDonald and Barbara Sellers-Young, editors. Belly Dance Around the World: New Communities, Performance and Identity. Jefferson: McFarland, 17–32. Royce, Anya Peterson. 1977. The anthropology of dance . Bloomington: Indiana University Press. Ruggiero, Guido. 1985. The boundaries of Eros: Sex crime and sexuality in Renaissance Venice . Oxford/London: Oxford University Press. Rydell, Robert W. 1984. All the world’s a fair: Visions of empire at American international expositions, 1876–1916 . Chicago: University of Chicago Press. Rydell, Robert W., John E. Findling, and Kimberly D. Pelle. 2000. Fair America: Worlds’s fairs in the United States . Washington, DC: Smithsonian Institution Press. Sachs, Curt. 1937. World history of dance . New York: Norton. Safa-Isfahani, Kaveh. 1980. Iranian culture: Symbolic representations in dramatic games. Signs 6(1): 33–53. 1090. 248 BIBLIOGRAPHY

Said, Edward. 1978. Orientalism . New York: Vintage Books. Saleh, Magda Ahmed Abdel Ghaffar. 1979. “Documentation of the Ethnic Dance Traditions of the Arab Republic of Egypt.” Ph. D dissertation. New York University. Salem, Lori A. 1995. ‘The most indecent thing imaginable’: Sexuality, race and the image of Arabs in American entertainment, 1850–1990 . Ph.D. dissertation, Temple University, Philadelphia. Salessi, Jorge. 1997. Medics, crooks, and tango queens: The national appropriation of a gay tango. Trans. Celeste F. Delgado. In Everynight life: Culture and dance in Latin America , ed. Celeste F. Delgado, and José E. Muñoz, 141–174. Durham/London: Duke University Press. Savigliano, Marta. 1995. Tango and the political economy of passion . Boulder: Westview Press. Savigliano, Marta. 1998. From wallfl owers to femmes fatales: Tango and the performance of passionate femininity. In The passion of music and dance: Body, gender and sexuality , 103–110. Oxford/New York: Berg. Savigliano, Marta. 2010. Gambling femininity: Tango wallfl owers and femmes fatales. In The dance studies reader , 2nd ed, ed. Angela Carter and Janet O’Shea, 236–249. New York/London: Routledge. Schick, Irvin C. 1999. The erotic margin: Sexuality and spatiality in alteritist discourse . London: Verso. Schimmel, Annemarie. 1984. Calligraphy and Islamic Culture. New York: New York University Press. Schmitt, Robert C. 1988. Hawai’i in the movies: 1898–1959 . Honolulu: Hawaiian Historical Society. Sellers-Young, Barbara. 2005. Body, image, identity: American tribal belly dance. In Belly dance: Orientalism, transnationalism, and harem fantasy , ed. Anthony Shay and Barbara Sellers-Young, 277–303. Costa Mesa: Mazda Publishers. Sellers-Young, Barbara. 2013. Introduction: The interplay of dance and the imag- ined possibilities of identity. In Belly dance around the world: New communities, performance and identity , ed. Caitlin E. McDonald and Barbara Sellers-Young, 3–16. Jefferson: MdFarland. Shand, Angela. 1998. The tsifte-teli sermon: Identity, theology, and gender in rebetika. In William Washabaugh, editor. The Passion of Music and Dance: Body, Gender and Sexuality. Oxford and New York: Berg, 127–132. Shatulsky, Myron. 1986. The Ukrainian folk dance . Toronto: Kobzar Publishing Co. Shay, Anthony. 1971. The functions of dance in human societies: An approach using context (dance event) not content (movements and gestures) for treating dance as anthropological data . Unpublished MA thesis, Department of Anthropology, California State University, Los Angeles. Shay, Anthony. 1995. Bazi-ha-ye namayeshi : Iranian women’s theatrical place. Dance Research Journal 27(2): 16–24. BIBLIOGRAPHY 249

Shay, Anthony. 1997. In search of traces: Linkages of dance and visual and perfor- mative expression in the Iranian world. Visual Anthropology 10: 335–360. Shay, Anthony. 1999. Choreophobia: Solo improvised dance in the Iranian world . Costa Mesa: Mazda Publishers. Shay, Anthony. 2002. Choreographic politics: State folk dance companies, representation and power . Middletown: Wesleyan University Press. Shay, Anthony. 2005. The male dancer in the Middle East and Central Asia. In Belly dance: Orientalism, transnationalism, and harem fantasy , ed. Anthony Shay and Barbara Sellers-Young, 51–84. Costa Mesa: Mazda Publishers. Shay, Anthony. 2006. Choreographing identities: Folk dance, ethnicity and festival in the United States and Canada . Jefferson: McFarland & Co. Shay, Anthony. 2007. Introduction: Choreographing the Balkans. In Balkan dance: Essays on characteristics, performance, and teaching , ed. Anthony Shay, 12–33. Jefferson: McFarland. Shay, Anthony. 2008. Dancing across borders: The American fascination with exotic dance forms . Jefferson: McFarland & Co. Shay, Anthony. 2014. The dangerous lives of public performers: Dancing, sex and entertainment in the Islamic world . New York: Palgrave Macmillan. Shay, Anthony. 2016. The spectacularization of Soviet/Russian folk dance: Igor Moiseyev and the invented tradition of staged folk dance. In Oxford handbook of dance and ethnicity , ed. Anthony Shay, and Barbara Sellers-Young. New York/ London: Oxford University Press. Forthcoming. Shay, Anthony and Barbara Sellers-Young. 2005. Introduction. In Belly dance: Orientalism, transnationalism, and harem fantasy , 1–27. Costa Mesa: Mazda Publishers. Shay, Anthony and Barbara Sellers-Young. 2016. Introduction. In Oxford handbook of dance and ethnicity , ed. Anthony Shay and Barbara Sellers-Young. New York/London: Oxford University Press. Shiloah, Amnon. 1995. Music in the world of Islam: A socio-cultural study . Detroit: Wayne University Press. Shohat, Ella. 2006. Taboo memories, diasporic voices . Durham: Duke University Press. Shohat, Ella, and Robert Stam. 1994. Unthinking Eurocentrism: Multiculturalism and the media . London/New York: Routledge. Silva, Noenoe K. 2004. Aloha betrayed: Native Hawaiian resistance to American colonialism . Durham: Duke University Press. Silverman, Carol. 2008. Transnational Čoček: Gender and the politics of Balkan Romani dance. In Balkan dance: Essays on characteristics, performance and teaching , ed. Anthony Shay, 37–68. Jefferson: McFarland. Skillman, Teri. 2014. Visual penetration of the Hawaiian Hula tradition. Lecture given at Scripps College, Claremont, January 28, 2014. Skinner, Marilyn B. 2005. Sexuality in Greek and Roman culture . Malden/Oxford: Blackwell Publishing. 250 BIBLIOGRAPHY

Sluiter, Ineke, and Ralph M. Rosen. 2003. General introduction. In Andreia: Studies in manliness and courage in classical antiquity , ed. Ralph M. Rosen and Ineke Sluiter, 1–24. Leiden: Brill. Smyth, William J. 1997. A plurality of Irelands: Regions, societies and mentalities. In In search of Ireland: A cultural geography , ed. Brian Graham, 19–42. London/New York: Routledge. Snyder, Allegra Fuller. 1995. Filmed in ‘Holly-Vision’: Hollywood images of world dance. In Looking out: Perspectives on dance and criticism in a multicul- tural world , ed. David Gere, 73–93. New York: Schirmir Books. Stagner, Ishmael W. 2011. Kumu hula: Roots and branches . Honolulu: Island Heritage Publishers. Stavans, Ilán. 1996. The Latin phallus. In Muy macho: Latino men confront their manhood , ed. Ray González, 145–164. New York: Anchor Books. Steingress, Gerhard. 1998. Social theory and the comparative history of fl amenco, tango, and rebetika. In The passion of music and dance: Body, gender and sexuality , 151–171. Oxford/New York: Berg. Stillman, Amy Ku’uleialoha. 1998. Sacred hula: The historical hula ‘ala’ apapa . Honolulu: Bishop Museum Press. Stillman, Amy Ku’uleialoha. 1998b. Hula. In International encyclopedia of dance, vol. 3, 394–397. New York: Oxford University Press. Studlar, Gaylin. 1993. Valentino, ‘Optic Intoxication’ and dance madness. In Screening the male: Exploring masculinities in Hollywood cinema , ed. Steven Cohen and Ina Rae Hark, 23–45. London/New York: Routledge. Studlar, Gaylyn. 1997. ‘Out-Salomeing Salome’: Dance, the new woman, and fan magazine orientalism. In Visions of the East: Orientalism in fi lm , ed. Matthew Berstein and Gaylyn Studlar, 99–129. New Brunswick: Rutgers University Press. Subtelny, Orest. 2009a. Ukraine: A history , 4th ed. Toronto: University of Toronto Press. Subtelny, Orest. 2009b. Ukraine: A history , 4th ed. Toronto: University of Toronto Press. Sugarman, Jane C. 2003. Those ‘other women’: Dance and femininity among Prespa Albanians. In Music and gender: Perspectives from the Mediterranean , ed. Tullia Magrini, 87–118. Chicago: University of Chicago Press. Suleiman, Michael W. 1999. Introduction: The Arab immigrant experience. In Arabs in America: Building a new future , ed. Michael W. Suleiman, 1–21. Philadelphia: Temple University Press. Swift, Mary Grace. 1968. The art of the dance in the U.S.S.R . Notre Dame: University of Notre Dame Press. Taj Al-Saltana. 1993. Crowning anguish: Memoirs of a Persian princess from the harem to modernity . Edited with introduction and notes by Abbas Amanat. Trans. Anna Vanzan, and Ali Neshati. Washington, DC: Mage. BIBLIOGRAPHY 251

Talvacchia, Bette. 1999. Taking positions: On the erotic in renaissance culture . Princeton: Princeton University Press. Tapinc, Huseyn. 1992. Masculinity, femininity, and Turkish male homosexuality. In Modern homosexualities: Fragments of lesbian and gay experience , ed. Ken Plummer, 39–49. London/New York: Routledge. Taruskin, Richard. 2010. Music from the earliest notation to the sixteenth century . Oxford/New York: Oxford University Press. Taylor, Timothy. 1996. The prehistory of sex: Four million years of human sexual culture . New York: Bantam Books. Taylor, Julie. 1998. Paper tangos . Durham: Duke University Press. The belly dance reader . 2012. The Editors of The Gilded Serpent.com . Thompson, Robert Farris. 2005. Tango: The art history of love . New York: Vintage Books. Titon, Jeff Todd. 1992. “Reconstructing the Blues: Refl ections on the 1960s Blues Revival.” In Neil V. Rosenberg, editor. Transforming tradition: Folk Music Revivals Examined. Urbana, IL: University of Illinois Press, 220–240. Tkacenko, Tamara. 1954. Narodnyi Tanets. Moscow: Iskusstvo. Tobin, Jeffrey. 1998. Tango and the scandal of homosocial desire. In The passion of music and dance: Body, gender and sexuality , 79–102. Oxford/New York: Berg. Todorova, Maria. 1997. Imagining the Balkans . New York: Oxford University Press. Tomko, Linda. 2000. Dancing class: Gender, ethnicity, and social divides in American dance, 1890–1920 . Bloomington: Indiana University Press. Törnqvist, Maria. 2013. Tourism and the globalization of emotions: The intimate economy of tango . New York/London: Routledge. Torp, Jörgen. 1998. Tango: Improvisation in a couple dance. In The proceedings of the 20th symposium of the Study Group on Ethnochoreology . CD Rom. Turner, Bryan S. 1994. Orientalism, postmodernism and globalism . London/New York: Routledge. Tyrovola, Vasso. 1992. The evolutionary process of the dynamics of popular urban culture. The case of the zeibekiko dance. In Proceedings of the 17th symposium of the Study Group on Ethnochoreology, Nafplion, July 2–10 , CD Rom. Urban, Greg, and Joel Sherzer. 1991. Introduction: Indians, nation-states, and culture. In Nation-states and Indians in Latin America , ed. Greg Urban and Joel Sherzer, 1–18. Austin: Univeristy of Texas. Urry, John. 2002. The tourist gaze , 2nd ed. London: Sage. Vance, Carol S. 2005. Anthropology rediscovers sexuality: A theoretical comment. In Same-sex cultures and sexualities: An anthropological reader , ed. Jennifer Robertson, 1–11. London: Blackwell. Vallely, Fintan (ed.). 2011. The companion to Irish traditional music , 2nd ed. Togher: Cork University Press. 252 BIBLIOGRAPHY

Viale, Dorthea K. 2010. When the Western gaze and Islamist attitudes collide: Raqs al-sharqi in the twentieth century . Ph.D. dissertation, Claremont Graduate University. Vidal-Naquet, Pierre. 1986. The black hunter: Forms of thought and forms of society in the Greek world . Trans. Andrew Szegedy-Maszak. Baltimore/London: The Johns Hopkins University Press. Von Bibra, Anne. 2000. Folk dance revival in Germany during 1930–1940. In Proceedings of the 21st symposium of the ICTM Study Group on Ethnochoreology, Korčula, 262–267. Wade, Peter. 2009. Race and sex in Latin America . London/New York: Pluto Press. Washabaugh, William. 1998. Introduction: Music, dance, and the politics of passion. In The passion of music and dance: Body, gender and sexuality , ed. William Washabaugh, 1–26. Oxford/New York: Berg. Webb, Ruth. 2008. Demons and Dancers: Performance in Late Antiquity. Cambridge, MA: Harvard University Press. Weber, Eugen. 1976. Peasants into Frenchmen: The modernization of rural France, 1870–1914 . Stanford: Stanford University Press. Weeks, Jeffrey. 1992. The body and sexuality. In Social and cultural forms of modernity , ed. Robert Bocock and Kenneth Thompson, 219–266. Cambridge: Politiy Press. Wells, Christopher. 2016. “‘And I Make My Own’: Class Performance, Black Urban Identity, and Depression-Era Harlem’s Physical Culture.” In Anthony Shay and Barbara Sellers-Young. Oxford Handbook of Dance and Ethnicity. New York: Oxford University Press, 17–40. Williams, Craig A. 1997. Pudicitia and pueri: Roman concepts of male sexual experience. In Queer representations: Reading lives, reading cultures , ed. Martin Duberman, 25–38. New York: New York University Press. Williams, Dyfri. 2006. The Warren Cup . London: Brittish Museum. Williams, Craig A. 2010. Roman Homosexuality. Second edition. New York and Oxford: Oxford University Press. Winkler, John J. 1990a. Laying down the law: The oversight of men’s sexual behavior in classical Athens. In Before sexuality: The construction of erotic experience in the ancient Greek world , ed. David M. Halperin, John J. Winkler, and Froma I. Zeitlin, 171–209. Princeton: Princeton University Press. Winkler, John J. 1990b. The constraints of desire: The anthropology of sex and gender in ancient Greece . New York: Routledge/Chapman and Hall. Wood, Leona, and Anthony Shay. 1976. Danse du Ventre: A fresh appraisal. Dance Research Journal 8(2): 18–30. Wulff, Helena. 2007. Dancing at the crossroads: Memory and mobility in Ireland . New York/Oxford: Beghahn Books. BIBLIOGRAPHY 253

Xenophon. 1923. Memorabilia, Oeconomicus, Symposium, Apology. Cambridge, MA: Harvard University Press. Loeb Classical Library. Zubro, Mark. 2011. Black and blue and pretty dead, too . Albion: MLR Press.

DISCOGRAPHY Tango Argentino . 1986. Original cast recording. New York: Atlantic Recording Corp.

VIDEOGRAPHY Belly dancers of Cairo. 2006. A documentary by Natasha Senkovich. Dances of Egypt . n.d. Los Angeles: Araf Discs. Dances of life. 2005. Produced by Shana Palusi seggar, and Catherine Tatge Pacifi c Islanders in Communication and KQED. Dancing . 1993. Dir. David Wolff. New York: WNET Public Television Station. Forever tango . 2007. Directed by Luis Bravo. Luis Bravo Productions. Island girl dance fi tness workout . 2004. SF: NaturalJourneys. Jig! 2007. A fi lm by Sue Bourne. Rembetiko . 2009 (1983). Written and directed by Costas Ferris. Umbrella World Cinema. Tango . 1998. Directed by Carlos Saura. Sony Picture Classics. Tango Argentina . 2006. Daniel Barenboim and Orquesta Filarmónica de Buenos aires. Leopoldo Fredrico y su Orquesta Típica. Live from Buenos Aires. Arte Edition. Tango, our dance . 1988. Directed by Jorge Zanada. Facets Videos. Tango, the obsession . 1988. Directed by Adam Boucher. Adam Boucher Films. The tango lesson . 1997. Directed by Sally Potter. Sony Picture Classics. INDEX

A Amanes, 100, 108n4 Aesthetics and aesthetic, 3–5, 8, 12, AMAN Folk Ensemble, 2 19, 36, 43–5, 65, 73, 124, 125, Ameri, Azardokht, 44 127, 128, 154, 160, 193, 201, America and Americans, x, 8, 9, 13, 229, 230, 232 26, 28, 29, 31, 34, 36, 37, 45, Afghanistan, 15, 22, 45 59–61, 65–8, 70–2, 73n7, 74n9, Africa, languages, 18, 35 88–90, 96, 103, 118, 133, 138, African Americans, 29, 94, 118 151, 153, 155, 164, 166, 173, African Argentinians, 117 189, 196 African Uruguayans, 117 American Tribal Belly Dance, 33, 72 Agathon (Athenian playwright), 92, Anacreon, 93 93 Anadolu Ateşi ( Anatolian Fire , dance Ahmadzadeh, Nejat, 22 production), 16, 151, 220, 231 “Airport Art”, 31, 163, 165, 167–8 “An Anthropologist Looks at Ballet as Aladdin (fi lm title), 59 a form of Ethnic Dance”, 231 Al-Faruqi, Lois Ibsen, 44 Anatolia, 96, 99, 101 Algeria, 40 An Coimisiún Le Rinncí Gaelacha. See Al-Isfahani, Abu’l-Faraj, 57 Irish Dance Committee Allan, Maud, 29, 61, 62, 66, 68 And, Metin , 18, 30, 38, 47, 50, 55, Allen, Robert C., 66 61, 72n3, 97, 107, 111, 113, Alloula, Malek, 30 121, 132, 136, 141, 143, 145, Al-Rawi, Rosina-Fawzia, 38, 61 149, 158, 160, 163–5, 167, 177, al-Safy, Shareen, 71 181, 190, 194 Aman, 3, 100, 108n4 Anglo Americans, 13, 71, 139, 206, Amanat, Abbas, 64 208

Anthropology and anthropologists, 3, Azzi, Maria Susana, 113, 115, 117, 12, 19, 51, 67, 75, 78, 79, 85, 120–3, 129, 131, 133 88, 91, 93, 104, 156, 158, 187, 196, 231 Appropriation, cultural, 6, 13, 35, B 110, 116 Babur and Baburnama (book title), Arabesque (journal), 29, 71 57 Arabs and the Arab world, 15 Bacheh (dancing boy), 22, 175 Arbus, Loreen, 112, 114 Baghdad, 150, 211 Archeology and archeologists, 51, 53 Bakka, Egil, 11 Argentina, 65, 75, 85, 110, 112, 118, Baldwin, Gordon, 30, 49 119, 121–3, 133, 136, 137, 139, Balkanism, 104 143–5, 146n2, 152 Balkans and Balkan, 36, 37, 41, 73n3, Aristophanes, 92 99, 100, 104, 116, 126, 147n6, Aristotle, 55 195, 223 Arkan (Ukrainian folk dance), 217, Ballet, classical, 22, 114, 128, 151, 226 206, 221, 231 Armenia and Armenians, dance, 7, 16, Ballet Folklórico de México, 18, 152, 17, 19, 70, 215 231 Art, Sport, Duty (book title), 180, 201 Ballets-Russes, 61 Art, visual, 44, 58, 61, 84, 86 Bandoneon , 137, 138 Asia and Asian, 7, 15, 18, 21, 35, 43, Barakat, Nüket, 101 44, 59, 155, 158, 176 Baroque dance and music, 51, 127, Athens, Greece, 6, 32n1, 50, 84, 95, 128, 130, 217 96, 98, 101–7, 108n7, 231 Barrère, Dorothy B., 160, 161, 166, Audiences, 1, 2, 4–6, 18, 23, 26, 27, 167 29, 40, 43, 46, 56, 63, 67, 68, Barthes, Roland, 83 70, 89, 99, 101, 104, 111, 153, Barth, Fredrik, 12 154, 158, 161, 165, 169, 177, Bartlett, Thomas, 175, 180–3, 197 179, 188, 199, 203, 206, 218, Basques, 173, 205 221, 226 Beamer, Nona, 167 Austro-Hungary, 212, 214 Belarus and Belosrussians, 226 Authenticity and authentic, 6, 8, 10, Belly dance 13, 14, 17, 21, 29, 30, 41, 71, aesthetics, 4, 45 99, 105, 106, 113, 116, 129, cabaret, 36–8, 55, 62, 66, 69–70 130, 144, 153, 168, 169n1, 199, domestic, 27 202, 206, 221, 227n1 history of, 46, 50–2, 68 AVAZ, Anthony Shay’s International movements, 36, 39 Dance Theatre , 2, 3 professional, 15, 108n1 Avramenko, Vasile, 208 Belly Dance Super Stars (dance Azerbaijan, 5, 77 production), 16 INDEX 257

Belly grams, 33, 37, 39, 72 Byron, Lord George Gordon, 31, 39, Belly mobs, 37 150 Berco, Cristian, 78, 86, 87 Byzantium, 81, 211 Berger, Morroe, 65, 150 Bernstein, Matthew, 61 Bishop Museum, 168, 169, 229, 231 C Bizet, Georges, 123 Café-Aman, 96, 97, 101 Bloom, Sol , 41, 42, 92 Cairo, Egypt, 6, 39, 42, 55, 58, 62, Bocharov, Alexander, 206 65, 66, 69, 70, 73n7 Bodies, 15, 25–7, 29–31, 35, 38, California, 164, 165, 197, 209, 44–6, 48, 50, 55, 62, 63, 66, 69, 225, 226 79, 84–6, 88, 97, 106, 107, 110, Calligraphy, 44, 45 111, 114, 126, 141, 143, 149, Cameron, Laurie, 127 150, 179, 187, 188, 197–202 Candombé , 117, 122, 123, 137 Bohachevska, Roma Prima, 223 Cannibal Culture (book title), 5 Bollywood, 6, 8, 16, 149 Carioca, Tahia, 69–71 Bolsheviks, 214 Carlton, Donna, 32n2, 33, 41, Borges, Jorge Luis, 120, 121 63, 67 Bourne, Sue, 195 Carlton, Terence R., 211 Bow, Clara, 164 Carmen (opera), 123 Brando, Marlon, 111 Carnival of the Animals (tone poem), Breathnach. Breandán, 185 223 Brennan, Helen, 186, 187, 189–92, Carole (dance), 185 196, 199, 204 Casillas, Mario, 116, 130, 141 Bricolage and bricoleur , 117, 125, Castanets, 47, 57 126, 185 Castel del Oro, Sylvian, 72n2 Bristow, James, 89 Castle, Irene, 111 Brittan, Arthur, 79, 86 Castle, Vernon, 89 Brittany, France, 12 Castro, Donald, 27, 84, 133–6, 142 Brod, Harry, 79 Castro, Mauricio, 128 Brown, Peter, 86 Catalans and Catalonia, 173 Buckland, Theresa J., 8, 131 Catholicism and Catholics, 181, 183, Buel, James, 26, 36, 65, 66 184 Buenos Aires, Argentina, 82, 84, Caton, Steven, 26, 69 94, 104, 111, 112, 114–21, Céilí 181, 186, 195, 198, 199 123, 131–8, 140, 143–6, Celtic Tiger, 176 146n2, 231 Celts and Celtic, x, 12, 176, 181, 182, Bugaku (Japanese court dance), 5, 149 184 Buonaventura, Wendy, 38, 61 Central Asia, 15, 43, 44 Burlesque, 40, 55, 66–8, 76 Character dance, 22, 23, 206–9 Butler, Jean, 151, 203 Charleston (dance), 164 Butler, Judith, 79, 83 Chauncey, George, 80, 90 258 INDEX

Choreographic Politics (book title), 9, Contursi, Pascual, 135 11, 171 Cook, Captain James, 161 Choreography and choreographers, x, Cook, Susan, 89 9, 11, 13, 14, 18, 20, 22, 30, 48, Cooper, Artemis, 116, 131, 132 65, 82, 113, 115, 123, 125, 128, Copeland, Miles, 46 137, 139, 146n1, 151, 153, 159, Copes, Juan Carlos, 115 162, 169, 175, 193, 194, 201, Cossacks, Don, 212 203, 205, 217, 219–21, 223–5, Cossacks, Zaproshian, 212 226n1, 229, 232 Court dances, 7, 8 Choreophobia (book title), 73n4 Cowan, Jane, 36, 76, 102–5, 108n6 Christianity and Christians, 86, 91, Croatia, 5, 11, 220, 223, 224 163, 166, 167, 211 Crum, Richard (Dick), 208, 227n3 Church of the Tango (book title), 114 Cueca , 123 Č ifte-Čifte. See Belly dance Cumbia , 123 Çifteteli. See Belly dance Czechoslovakia, 212, 214, 216 Cinaedus. See Kinaidos Cinema. See Films Clarke, John R, 84, 85, 86 D Classical dances, 6, 14, 20–2, 77, 161 Dabke (Arab folk dance), 7 Classical music, 140 Dance ensembles and companies, 220 Cleminson, Richard, 87 Dance events, 1–5, 27, 36, 46, 117, Clothing and costume, 101, 147n6, 147n4, 192, 199 232 Dance, folk. See Folk dance Č oček. See Belly dance Dance for profi t , 15, 208 Cole, Jack, 61 Dance for sex, 25–32, 36, 68, 171 Collier, Simon, 117, 119, 122, 123, Dance for the nation, 16–17, 175 134, 135, 137, 140 Dance genres, 6–10, 15, 18, 25, 27, Collinson, David, 78, 79 29, 34, 36–41, 45, 50, 61–3, 77, Colonialism and colonialist, 58, 63, 93, 97, 99, 106, 109–11, 114, 64, 110, 112, 183, 190 116, 119, 123, 130, 137, 142, Columbian Exposition (Chicago 143, 153–5, 171, 177, 186, 195, World Fair, 1893), 26, 28, 29, 31, 196, 201, 202, 229–32 36, 40, 41, 45, 46, 65–7 Dance Hall Act of 1935, 189, 192 Compadre , 139, 140 Dance halls, 119, 121, 123, 140, 192 Compadrito , 120, 121, 131, 139, 140 Dance in the Field (book title), Competitions 217–18 dance , 14, 186, 196, 200 Dance of the Seven Veils Hula , 169 (choreography) , 68, 69 Irish step dancing, 200 Dance, prehistoric, 38 Comrie, Bernard, 209 Dancers, female, 23, 31, 36, 39, 42, Connemara, 184, 188, 190, 192 47, 50, 53, 55, 57, 62–4, 73n6, Constantinople. See Istanbul 73n8, 115, 145, 175, 196, 230 INDEX 259

Dancing boys. See Male dancers Effeminacy, 55, 79, 82, 83, 85, 88–91, Dancing masters, 54, 185, 186, 93, 110, 145, 146n1 190–4, 196 Egypt and Egyptians, 15, 21, 26, Danse du ventre. See Belly dance 32n2, 33, 37, 38, 40–2, 44, David, Fabrice, 12 47–9, 52–4, 62–72, 77, 150, 151, Davidson, James, 50, 54, 55 232 Deagon, Andrea, 62, 68 El-Balbeissi, Hasan, 31 Debord, Guy, 177 Eley, Geoff, 173 Debussy, Claude, 59 Elizabeth I, 183 Décoret-Ahiha, Anne, 40, 42, 74n9, Ellis, William, 166 130 England and Englishmen, 64, 77, Del Rio, Dolores, 164 88–9, 183, 185, 197 De Mille, Agnes, x Entertainers. See Public Entertainers Demirsipahi, Cemil, 97, 108n3 Erich-Weinert-Ensemble, 172 Denishawn, 61 Eroticism and erotic, 15, 21, 23, 25, Denmark and Dances, 176, 225 30, 31, 38–42, 45, 46, 49, 50, Dervish orders, 72n1 52–8, 61, 63, 70, 72, 85–7, 117, Desmond, Jane C., 20, 106, 107, 164, 122, 143, 152, 155 165, 167 Ethnic identity, 6, 10, 12, 14, 18, 19, De Warren, Robert, 22 71, 154, 155, 171–3, 175, 209, Diesel, Vin, 79 213, 231 Disneyland, 7, 149 Ethnicity Disney, Walt, 59 Hawaiian, 154 Dolar, Mladen, 48 Irish , 180, 199 Dow, George, 26 Ukrainian, 216–17 Dragoumis, Markus, 100, 103 Ethnomusicology and Dublin, Ireland, 181, 183, 199 ethnomusicologists, 8, 11–13, 82, Dujovne, Beatriz, 114, 116, 138, 155 119, 120 Europe and Europeans, 21, 28–31, Duncan, Isadora, 15, 151 33, 34, 36, 46–9, 57, 58, 60, 61, Duquesne University Tamburitzans 68, 77, 87–90, 93, 107, 110, (The Tammies) , 205–26 111, 117, 118, 123, 129, 132, Duvall, Robert, 111 135, 138, 143, 147n6, 150, 151, 167, 180–2, 185, 187, 189, 191, 192, 203, 206, 208–11, 217 E Evanchuk, Vincent, 208, 221, 226, East Germany, 172 227n2 Eden, Barbara, 37 Evaristo Carriego (book titile), 120 Edison, Thomas, 68 Exoticism and exotic, 5, 6, 15, 30, 31, Edwards, Holly, 26, 30, 36, 48, 58, 34, 36, 39, 49, 60, 67, 71, 106, 60, 69 119, 130, 143, 152 260 INDEX

F Folk Dance Federation of California, Fantasy, 22, 34, 35, 40, 48, 60–1, 69, 209, 226 111–16, 132, 133, 145 Folklore and folklorists, 1, 11–13, 47, Fat Chance Belly Dance (dance 171, 175, 185, 192, 214, 219, company), 72 230 Fatima (dancer), 67, 68 Folk music, 100 Fear, A. T., 56, 57 Foucault, Michel, 27, 90, 201 feis (pl. feiseanna ) (Irish dance events), Four Horsemen of the Apocalypse (fi lm 195, 199 title), 111 Femininity and feminine, 26, 27, 34, France and French, 12, 28, 41, 42, 59, 38, 45, 46, 62–5, 66, 68, 69, 77, 60, 73n5, 77, 125, 131, 133, 90, 107, 116, 139, 143, 195 135, 165, 172–4, 177, 185, 191, Fenton, Roger, 49 225 Festivals, 13, 14, 16, 18, 19, 21, 96, Franco, Francisco, 70, 87, 110, 153, 146, 152, 159, 175, 199, 200 154, 164, 169, 226 Films and fi lmmakers, Egypt, 30, 59, Fraser, Kathleen Wittick, 41 61, 68–72, 88, 94–6, 104, 111, French Language, 173 114, 122, 127, 135, 141, 143, French Revolution, 173 146n1, 151, 154, 155, 164–6, Fukumura, Gabriella, 200 189, 195–7, 226, 227n2, 227n4, Fuller, Loïe, 29, 61, 62, 151 232 “Functions of Dance in Human Findling, John E., 29 Societies” (MA thesis), 3–5 First existence folk dance, 8 Fisher, Jennifer, 77, 163 Fisher, Nicholas, 93 G Fitnah (Ar. social chaos), 15, 36 Gades (Cadiz) and Gaditanae, 47, 56, Flamenco and fl amenco dancers, 25, 57, 150 27, 36, 75, 76, 93, 94, 99, 103, Gaelic language, 180, 184 110, 116, 125, 127, 152 Gaelic League, 180, 184, 191, Flash mobs, 95, 107 196–201 Flatley, Michael, 151, 176, 203, 204, Gagnon, John, 85 232 Galicia and Galicians, 173 Flaubert, Gustave, 31, 39, 40, 50, 51, Gamal, Samia, 69, 70 150 Gandy Dancers (Folk Dance Group), Floor, Willem, 64 205–26 Florence, Italy, 77, 87 Garafola, Lynn, 206, 207 Foley, Catherine, 182, 185–8, 190–6, Garber, Ruth, 226 198, 200–2 Garcia Lorca, Fredrico, 87 Folk dance, 2, 5–12, 14, 16–19, 21–3, Gardel, Carlos, 135, 136 77, 94, 96–8, 100, 101, 106, Gauchos, 118, 140 107, 116, 118, 125, 151, 171, Gaze, male, 26, 46, 48, 53, 86, 172, 175, 177, 184–90, 202, 142–4, 149, 150, 155, 204 205–26 Gellner, Ernest, 173 INDEX 261

Gender , 7, 14, 20, 25, 27, 30, 31, 63, Habibi (journal), 29, 37, 71 75–7, 79, 80, 85, 87, 91, 92, Halau (hula dance groups), 153, 162 103, 110, 112, 133, 141, 142, Halay (Turkish, Kurdish and 145, 150, 163, 174, 189, 230 Armenian folk dance), 7, 17 Geometry and geometric design, 44 Hall, Edith Maude, 69 Georges, Robert, 1, 2, 27, 219 Hall, Frank, 180, 198, 201, 203, Germany and Germans, 18, 77, 137, 204n1 138, 172, 215, 216 Halperin, David, 78, 80, 86, 89–91 Germany, East See East Germany Halprin, Anna, 129 Gérôme, Jean-Léon, 60 Hammond, Andrew, 49 Giersdorf, Jens, 172 Harems, 60 Gilmore, David, 78, 79 Hari, Mata, 62, 68 Girman, Chris, 78, 79, 88, 138, 139 Hart, Yvonne, 96, 98 Globalization, 110, 202, 220, 231 Hasapiko (Greek folk dance), 25, 75, Gogol, Nikolay, 213 96, 102, 103 Goldman, Danielle, 127, 129 Hawaii and Hawaiians Gopak. See Hopak dance ( see Hula) Gore, Georgiana, 7, 107 kingdom of , 155 Gothic belly dance, 37, 72 Hearn, Jeff, 78 Goudimiak, Oleg, 223 Helland, Shawna, 38, 51, 61, 73n5 Goupil, Augie, 165 Henni-Chebra, Djamila, 41 Grable, Betty, 164, 165 Hernandez, Amalia, 18 Graffi ti, 84 Herzfeld, Michael, 104 Graham, Brian, 180 Heteronormativity, 110, 115 Graham-Brown, Sarah, 49, 65 Heterosexual and heterosexuality, 5, Great Book of Songs (book title), 57 26, 46, 72, 75, 84, 90, 93, 115, Great Famine of the 1930s, 215–16 136, 145, 146 Great Potato Famine, 183 Hilo Hattie, 164, 166 Greece, ancient, 4, 38, 42, 54–6, 81, Hispanism, 36 83, 84, 87, 89, 93, 150 Hobsbawm, Eric, 19, 37, 175, 198, Greece, dance. See Greek dance 199 Greek dance, 75, 95, 97–9, 106, 107 Hoerberger, Felix, 8 Grosrichard, Alan, 48 Hoffman, Gertrude, 68 Güiraldes. Ricardo, 131 Hollywood, 30, 49, 61, 69, 103, 149, Guss, David, 19, 20, 172 151, 161, 164–6 Gutmann, Matthew, 80, 138, 139 Holodomor. See Great Famine of the Guy, Donna , 121, 135, 141, 145 1930s Gypsies. See Roma Holst-Warhaft, Gail, 76, 95, 97–100, 103, 104 Homer, 58, 81, 126 H Homophobia, 138 Ha’a , 159, 163, 166 Homosexual and homosexuality, 31, Habañera (dance rhythm), 117, 122, 46, 79, 83, 86–91, 93, 103, 110, 123, 136–8 115, 136, 140, 145, 146n1 262 INDEX

Honor and shame, 78, 79 India and Indians, Mughal, 7, 14, 15, Hootchie-Coochie. See Belly dance 21, 29, 30, 43, 57, 77, 150, 161, Hopak ( Gopak , Ukrainian folk dance), 165 205, 206, 217–20, 222, 226, Indian classical dance, 77, 161 226n1 Informer (choreography), x, 166 Hopkins, Jerry, 154, 158, 163, 165–9 Ingres, Jean-Auguste-Dominique, 60 Hornpipes, 186, 189, 190 In Strangers’ Arms (book title), 114 Howe, Julia Ward, 65 International Recreational Folk Dance, Hughes, Thomas, 63 5, 209, 225 Hula girl, 15, 152, 155, 165, 167, Invented tradition, 18–22, 37, 175, 168 177, 198, 199, 202 Hula Iran and Iranians, 5, 11, 17, 19–23, ‘āla’apapa, 162 36, 40, 44, 53, 73, 75, 77, 88, auana , 163–166 100, 108n4, 125, 126, 150, 175 Hollywood depictions of, 164–166 Iranian dance, 19, 21–3 hapa haole , 169 Iran, Islamic Republic of, 175 kahiko , 154, 160–163 Iran National Folklore Organization, ku’i , 162 22 mua , 153, 163 Iran, Pahlavi, 175 Pahu , 161–163 Iran, Qajar, 150 Hula Pahu (book title), 161, 162 Iran, Safavid, 150 Humanities, 3, 58, 78 Ireland Hungary, 212, 214, 220, 226 dance ( see Irish dance) Hurok, Sol, 18 history, 155 Hyde, Douglas, 184, 197, 198 Irish dance, 179, 180, 185–9, 194–200, 202–4 Irish Dance Committee, 194 I Islam, 46, 47, 57 Identity , 5, 9, 10, 16–17, 19, 20, 23, Istanbul, Turkey, 6, 16, 17, 70, 27, 30, 34, 35, 71, 76, 80, 82, 72n1, 73n3, 97, 108n1, 85, 87, 90, 91, 96, 98, 106, 107, 149, 150, 152 112, 115, 116, 132–3, 134, 136, Italian Language, 118, 173 137, 145, 153, 154, 163, 168, Italy and Italians, 55, 77, 87, 88, 118, 169, 171–6, 180–4, 188, 194, 173, 222 195, 198, 200, 202, 212–14, Izmir, Turkey, 97, 103, 108n1 216–17, 218–20, 229–32 I Dream of Jeannie (television program), 37, 61 J Immigrants, Greek, 9, 26, 96, 100, Jacobs Pillow, 223 103, 118, 120, 134, 176, 189, Jaheli (Iranian dance), 75, 108 209, 213 Jamal (Khosrow Jamali), 22 Improvisation, tango, 44, 122–30, Jankowiak, William, 93 136, 137, 142, 179, 186, Japan and Japanese, 5, 7, 8, 14, 37, 201, 219 149, 166, 173, 176, 230 INDEX 263

Jarmakani, Amira, 26, 28, 29, 34–7, Krivokhyzh, Anatoliy, 223 40, 46, 65, 71 Krotala. See Castanets Jazz, 27, 82, 93, 94, 98, 103, 104, Kuchuk Hanem (Khanum), 73 119, 121, 127–30, 179 Kumu hula , 153, 154, 161–3, 169 Jig (fi lm title), 185, 186, 189–91, Kurdistan and Kurds, 7, 16, 17, 100, 193, 195, 196, 231 108n4 Jones, Michael Owen, 219 Kurtişoğlu, Belma, 16 Jones, Reneé, 131, 185, 219 Jordan, John, 88 Jordan, Kieran, 188, 192 L Julius Caesar, 92 Lado, Ensemble of folk dances and Juvenal , 39, 47, 51, 56, 57 songs of Croatia , 11, 202 Lalo and Luis (Youtube videos), 117, 120, 121, 146n1 K La Meri (Russell Merriweather Ka’ahumanu, Queen of Hawaii, 166 Hughes), 14, 62 Kaeppler, Adrienne, 154, 157–61, 163 Lamour, Dorothy, 164 Kalakaua, King of Hawaii, 162 Lancers (dance), 189 Kalogeroopoulou, Sofi a, 105 Lane, Edward William, 39, 47, 49, 51 Karayanni, Stavros Stavrou, 41, 64, Lanyon, Josh, 128 108n1 Las Vegas, Nevada, 7, 149 Kardeş Türküler of Boğaziçi University Latin America, 77–9, 82, 83, 87, 88, (performing group) , 17 90, 118, 123, 138, 139 Kaufman, Michael, 79 Latinos and Latinas, 139 Kazantzakis, Niko, 105 Lausanne, Treaty of, 101 Kealiinohomoku, Joann, 231 Laušević, Mirjana, 116, 195 Kerry County, Ireland, 196 Lawler, Lillian, 4, 55 Key traits, 77–80 Levi-Strauss, Claude, 125, 185 Khomeini, Ayatollah Ruhollah, 175 Lewis, Daniel, 143 KievanRus, 211, 212 Lewyckyj, Taras, 222, 223 Kiev, Ukraine, 211, 212, 214 Lexova, Irina, 52, 53, 73n6, 73n8 Kinaidos/cinaedus , 89 Lindy hop , 93, 94, 103 King Kamehameha Traditional Hula Lithuania, 212 and Chant Competition, 169 Little Egypt, 32n2, 62, 67–8 Kirivohrad, Ukraine, 223 Lockman, Zachary, 47, 48 Kirshenblatt-Gimblett, Barbara, 13 London , 40, 51, 68, 111, 131, 151, Kismet (Broadway musical), 61 198 Knauft, Bruce M., 79 Lopoukov, Alexander, 206 Kneale, Kevin, 197 Lord, Alfred, 126 Knihnicky, Julia, 208, 221 Lord of the Dance (dance production), Kolomiyka (Ukrainian folk dance), 226 176, 187, 203, 230 Korea and Koreans, 7 Los Angeles Philharmonic Auditorium, Korsun, Zoia Hruar, 222 226 Koutsoubas, Maria, 7 Lu’au , 162, 169, 229 264 INDEX

Luis and Lalo. See Lalo and Luis Meehan, Maldon, 192 Lumpenproletariat, 119–21, 145 Meftahi, Ida, 23 Lunfardo , 115, 118, 134, 139 Mele (Hawiian hula lyrics), 154, Lushnycky, Alexander, 213 158–60, 162, 166 Lyrics, tango, 76, 100, 105, 111, 113, Merrie Monarch Hula Competition, 115, 117, 133–5, 136, 143, 166, 168 187 Merritt, Carolyn, 113, 139, 142, 144–6 Meskell, Lynn, 53 M Messenger, James, 187–9 Macedonia, 73n3, 108n4, 147n6, 172 Mestizaje , 118 Macfi e, Alexander, 39, 58 Metaxas, Ioannis, 18 Machismo, 78, 79, 88, 112, 114, 115, Mevlevi dervishes, 149 138–40, 145 Middle East, 5, 15, 28, 33–7, 39–41, Mackenzie, John M., 58, 60, 61 43–6, 48, 50, 52, 56, 57, 59, 63, Madonna, 111 64, 70, 71, 82, 85 Magic City (book title), 65 Miller, Marilyn Grace, 118, 122 Magic of Tango (book title), 114 Milonga (dance event), 84, 110, 111, Mahalli Dancers, 11, 22 113, 114, 116–18, 122–4, 129, Mahzar, Farida, 67 130, 137, 140, 142, 144, 146, Maira, Sunaina, 28, 34, 35 147n4 Makuakane, Patrick, 153, 154, 162–4, “Mi noche triste ” (tango song), 135 169, 229 Missionaries, 155, 159, 161, 166 Male Dancers, 15, 22, 31, 53, 55, 57, Moiseyev Dance Company, 11, 16–20, 62–4, 72n3, 77, 85, 89, 95, 103, 151, 174, 175, 177, 203, 205, 150, 196, 232 220, 226, 227n2, 231 Mambo, 123 Moiseyev, Igor, 16, 18, 19, 177, 205, Manges (Greek tough guy), 75, 82, 223 97, 99, 101, 104, 105, 108n5 Molyneaux, Jeremiah, 191 Manuel, Peter, 118–21, 137–40, 143 Montevideo, Uruguay, 117, 123, 136, Martial, 39, 47, 56, 57 147n3 Masabni, Badi’a, 42, 69 Monty, Paul, 26, 29, 30, 41, 46, 50–2, Masculinity and masculine, contours 65–7, 73n7, 74n9 of , 75–85 Morocco (Carolina Varga Dinicu), Mayo, Virginia, 165 42–4, 62, 70 Mazurka, 123, 189, 207 Morris, Mark, 77, 223 McClintock, Anne, 174 Mosse, George L., 77, 107 McDonald, Caitlin, 33, 35, 38, 45, Motives, 1–6, 10–12, 15, 19, 23, 62, 70 25, 27, 30, 31, 44, 45, 49, McKinzie, Edith, 158 68, 72, 151, 152, 154, 160, McMains, Juliet, 111, 146 167, 171, 176, 180, 186, 206, Mediterranean region, 78, 82, 88, 90 229–32 INDEX 265

Motreb (Iranian public entertainer), Native Americans, Southwest Pueblo, 175 29, 74n9, 118, 133 Muhammad (Prophet), 47 Negrete, Jorge, 138 Munster, Ireland, 190, 191, 199, 201 Nericcio, Carolina, 72 Murray, Stephan O., 85 Never On Sunday (fi lm title) , 95, 96, Music 104, 106, 107 Hawaiian, 153, 162, 163 Newspapers and media, 29, 45, 66, Irish , 185, 195, 198 104, 111, 166, 203, 220 rebetika, 32n1, 100, 107 New York City, 68, 70, 90 tango , 115, 124, 134, 136 New York City Ballet, 3 Musical instruments Nightclubs hula , 162, 168 Greek, 39, 76, 95, 96, 101, 107, rebetika, 32n1 231 tango , 136 Middle Eastern, 70 Muslims, 18, 34, 35, 47, 48, 92, 97, Niños bien , 120, 140 101, 144 Nix, Philip, 197 Myśliwiec, Karol, 53 North Africa, 15, 29, 41, 43, 46, 57, 74n9 Northern Ireland, 184 N Norway and Norwegians, 6, 11, 176 Nagel, Joane, 30, 31 Norwegian folk dance, 11, 12 Nahachewsky, Andriy, 8–10, 130, 206, Nuñez-Noriega, Gabriel, 138 209, 214, 217–21, 226 Nutcracker (ballet), 9 Najmabadi, Afsaneh, 80, 88 Na Lei Hulu Ka Weikiu, 153 Natalka Poltavka (Ukrainian opera), O 218 Ocho (tango fi gure), 122 Nation , 5, 6, 11, 12, 16–18, 20–3, 30, Odyssey (book title), 81 34, 76, 82, 83, 101, 133, 139, Oliver, Douglas, 156, 158, 166 171–7, 180, 181, 183, 186, Orientalism (book title), 33, 59, 60 194–202, 207, 213, 215, 217, Orientalism, paintings, 48 219, 220, 232 Orphans, 39, 50, 55, 64, 149 National dance. See Character dance Ottawa, Canada, 95 National Endowment for the Arts, 3, Ottoman Empire, 16, 40, 47–8, 72n3, 13, 224 100, 213. See also Turkey Nationalism OulidNaïl (Algerian tribe), 42 Arab, 173–4 Ovid, 93 Irish , 180–1, 197 Özbiligin, Mehmet, 77 Ukrainian, 175, 213, 215 Özkırmılı, Umut, 174 Nation Dances, The (fi lm title), 226, Öztürkmen, Arzu, 16, 97, 99, 101, 227n2 106 266 INDEX

P Polynesian Cultural Center, 168, Pacino, Al, 111 169n1 Pajama Game (fi lm title), 114 Polynesians Pantomime dancers, 54, 57, 150 dances of, 158 Parallel Traditions, 5, 14, 33–74, 111, languages of, 156 180, 186 Popular music, 105 Paris, 22, 40, 51, 68, 74n9, 111, 119, Porteño , 94, 112, 116, 120, 130, 122, 130–3, 151, 207 132–4 Paris World Exhibition (1889), 25, 36 Power, Tyrone, 165 Parton, Dolly, 196 Primitive and primitivism, 38, 69, 107, Pausanias, 92, 93 111, 129–31, 137 Paz, Octavio, 138 Profi t , 5, 6, 15, 19, 20, 25, 27, 37, Peasants, 9, 10, 17, 18, 21, 206, 212, 44, 68, 130, 149–52, 154, 214, 215 167–9, 180, 181, 183, 186, 207, Peasants into Frenchmen (book title), 208, 225, 232 173 Prostitution and prostitutes, 22, 49, Pelle, Kimberly, 29 70, 110, 112, 115, 116, 119–21, Penetration, sexual, 85 135, 144, 145, 149 Performance spaces and environments, Protestantism and Protestants, 183, 93–4 197 Persia See Iran Prykull, Karen, 208 Petrides, Ted, 82, 97, 98, 105 Public Entertainers, 22, 39, 41, 42, Petropoulos, Elias, 106 49, 54, 56, 57, 63, 73n3, 149, Phelan, Peggy, 84, 90, 91 150 Philadelphia, PA, 65, 74n9, 213, Pueblo Indians. See Native Americans, 220–3 Southwest Pueblo Photographs and photography, 30, 46, Putin, Vladimir, 175 48–9, 66, 88, 108n3, 140, 145, 146, 155, 166, 227n1 Pierce, A. Lester, 224 Q Pilich, Simeon, 82 Quadrilles, 189, 191, 218 Plaka (district of Athens), 75–108 Quinn, Anthony, 94, 95, 107 Plato , 81, 92 Poetry, erotic, 86 Poland and Poles, 211–14, 216, 220 R Politics and political, 5, 7, 14, 17–21, Race and racism, 26, 28–31, 66, 34, 41, 65, 82, 84, 99, 103, 107, 86, 110, 112, 115, 118, 112, 133, 155, 157, 162, 171, 133, 164 173–7, 187, 194, 197–9, 201, Raftis, Alkis, 172 211, 212, 214, 216 Ranger, Terence, 19, 37, 175 Polka, 117, 122, 123, 207, 218 Raqs baladi (Ar. Country dance), Poltava, Ukraine, 206 40–2, 66, 69, 72n2 INDEX 267

Raqs sharqi (Ar. Oriental dance). S See Belly dance Sachs, Curt, 50–1, 52 Rebetes , 93, 95, 99–101 Said, Edward, 33, 39, 58, 60, 61, 104 Rebetika , 25, 27, 32n1, 76, 82, Saint-Saëns, Charles-Camille, 223 92, 94, 96, 97, 100, 103, Saleh, Magda, 40 105–7, 110, 116, 119, Salem, Lori Anne, 26, 29, 40, 41, 45, 121, 134 65 Reels , 185, 186, 189, 190 Salessi, Jorge, 115, 120, 122, 133, Rees-Denis, Paulette, 62, 72 145 Regan, Ronan, 192 Salimpour, Jamila, 70, 71 Reidy, P. D., 198 Salome and Salomania, 29, 45, 61, 62, Representation, 6, 7, 11, 14, 17–20, 68–9 23, 34, 36, 37, 58, 76, 86, 104, Salsa, 123, 125 108n2, 115, 154, 171, 172, Samba, 123, 143 175–7, 180, 181, 194, 202, 226, Samwell, David, 161 230, 232 Sapho, 93 Revival and revivalist dance and music, Saura, Carlos, 146n1 12, 14 Savigliano, Marta, 34–6, 84, 110, 113, Rezvani, Medjid, 22 116, 117, 121, 131, 142 Riis, Jacob, 26 Scandinavia and Scandinavians, 211, Rippon, Angela, 114 231 Rituals and ritual dances, 217 Schick, Irvin Cemil, 31, 46, 48, 60 Riverdance (dance production), 20, Schimmel, Annemarie, 45 177 Schmitt, Robert, 154, 164 Robins, Gay, 53 Scopophilia. See Gaze Rock and roll, 186, 218 Scotland and the Scots, 184, 185, 190 Rocke, Michael, 77, 87 Scripts, sexual. See Sexual scripts Roma, 41, 73n3, 223 Sean-nós , 179, 184–93, 196, 199, 201 Romania, 212, 214, 216 Second existence folk dance, 8 Rombos-Levides, Marica, 7 Secrets of the Sole (DVD title), 188 Rome, ancient and Roman, 54, 56–7, Seif, Tito, 63, 65 77, 86, 87, 91, 150 Sellers-Young, Barbara, 26, 35, 41, 43, Ronström, Owe, 117 44, 61, 71, 72, 174, 176, 182, Roosevelt, Theodore, 68 198 Root, Deborah, 5 Serbia, 10, 73n3, 172, 224, 230 Rubenstein, Ida, 68 Sexual and sexuality, 5, 7, 14, 15, 21, Ruggiero, Guido, 87 25–8, 30, 31, 36, 38, 39, 45–50, Russia and Russians, 18–20, 59, 175, 52, 53, 56, 60–3, 64, 66, 68–71, 195, 199, 205, 206, 209, 75–8, 80, 82–93, 95, 105, 106, 211–14, 216–18 109–11, 113–16, 119, 120, 130, Russian folk dance, 18–19 132, 134–6, 139, 140, 143, 145, Ruthenia and Ruthines, 210, 213 150–1, 154, 155, 161, 165, 167, Rydell, Robert, 28, 29, 36, 67 171, 174, 203, 232 268 INDEX

Sexual scripts, 85 Spinnradl (German folk dance), 172 Shand, Angela, 36 Spirit of Ukraine (fi lm title) , 217, Shatulsky, Myron, 218, 226n1 227n4 Sheik (fi lm title), 61, 69 Sports, 79, 112, 158, 174, 197, 200, Sherzer, Joel, 202 201 Shields, Katina, 98, 107 Stafura, Paul, 207, 224, 225 Shikhat (Moroccan female dancers), Stafura, Susan, 225 42, 44 Stalin, Joseph, 215 Shiloah, Amnon, 57 Stallone, Sylvester, 79 Shimmy See Belly dance Stam, Robert, 30 Shirayev, Alexander, 206 Stavans, Ilán, 138 Shohat, Ella, 30, 46 St. Denis, Ruth, 14, 15, 29, 61, 62, Siamsa Tire , 202–4 66, 68, 151 Silva, Noenoe, 155, 162 Steingress, Gerhard, 25, 76, 84, 93 Simon, William, 85 Stillman, Amy Ku’uleialoha, 162, 163, Skillman, Teri, 155 168, 169 Slaves and slavery, 39, 50, 54–6, 118, Striptease, 40, 67 149, 211 Stuarts (dynasty), 183 Slavs and Slavic, 209–12, 215 Studlar, Gaylyn, 30, 61, 68, 89 Slumming , 27, 94, 102, 119, 131 Subtelny, Orest, 175, 209–16 Slums and slum dwellers, 101, 118, Sufi See Dervish orders 119, 137, 139 Sugarman, Jane, 63 Smithsonian Institution, 29 Suleiman, Michael W., 26 Smyrna. See Izmir, Turkey Suny, Ronald Grigor, 173 Smyth, William J., 182 Swan Lake (ballet), 206 Snyder, Allegra Fuller, 164, 165 Symbol , 17, 35, 51, 67, 71, 101, 136, Social class, 93 139, 143, 167, 175, 199, 219 Social sciences, 3, 58, 78 Symposium (book title), 81, 92 Socrates, 54, 55, 150 Syria and Syrians, 26, 46 Sodomy. See Homosexuality Syrtaki (Greek dance), 95, 96, 102 Solo improvised dance, Iranian, 22, Syrto (Greek folk dance), 75, 96 32n1, 35, 36, 41–4, 53, 63, 75, 125. See also Belly dance Some Like It Hot (fi lm title), 114 T Son of Fury (fi lm title) , 165 Tahiti and Tahitians, dance, 165 Sound of Music (Broadway musical), Taj al-Saltana, 64 12 Tajikistan, 15 Soviet Union, 17–20, 177, 199, 212, Tamburica (string orchestra), 208, 215, 216, 226 224 Spain and Spanish, 45, 83, 87, 88, 128 Tango (fi lm title), 143, 146n1 Spectacle, 16–18, 20, 21, 30, 37, 47, Tango Argentino (dance production), 66, 69, 70, 99, 151, 152, 154, 14, 16, 113, 122, 136, 141, 143, 174, 177, 180, 219, 220, 231, 149, 220 232 Tango de negros , 122 INDEX 269

Tango de salón , 109, 112, 122 146n2, 149–52, 155, 161, Tango gay , 109, 110, 115, 145–6, 164–9, 180, 181, 229, 231 146n1 Traditional dance, 6, 7, 10, 12, 21, 43, Tango Lesson (fi lm title), 127, 141 124, 154, 159, 161, 165, 186, Tango liso , 122 191–3, 201, 202, 208 Tango, origins, 115, 122 Trondheim, Norway, 6, 12, 230 Tango queer. See Tango gay Tsifeteli. See Belly dance Tango, the Art History of Love (book Tudors, 183 title), 114 Turkey and Turks, 7, 11, 16, 17, 21, Tango, tourist and tourism, 115n, 32n1, 36, 37, 40–2, 43–4, 46, 143–4, 145 47, 60, 70, 71, 72n3, 77, Taras Bulba (book title), 213 97–103, 106, 108n4, 172, 220, Taylor, Julie, 84, 113, 136, 141 231 Taylor, Timothy, 51 Türk Halk Oyunlarn (book title), 97 Technique, dance, 130, 193 Turkish dance, 47, 77, 97, 99, 101 Tehran, Iran, 63, 108n5 Tyrovola, Vasso, 96–8 Temple, Shirley, 196 Terminology, belly dance, 7–8, 10, 36, 40–3, 122 U Thalib, Amir, 65 Ukraine and Ukrainians Theatre and theatrical, 2, 7, 19, 23n1, dance ( see Ukrainian dance) 64, 68, 75, 84, 111, 113, 114, diaspora, 216–217 136, 191, 202, 206, 218, 219 geography of, 209 Theognis, 93 history, 209–213 Thompson, Robert Farris, 111, 114, Ukrainian dance, 8, 130, 205–8, 117, 118, 122 217–18, 220–4, 226, 227n1, Thousand and One Nights (book title), 227n2, 231, 232 61 Ukrainian language, 173 Thrum, Thomas, 166 Ulster, North Ireland, 184, 190 Tierny, Gene, 165 Union of Soviet Socialist Republics See Titanic (fi lm title), 189 Soviet Union Titon, Jeff Todd, 13 United States. See America and Tobin, Jeffrey, 75, 82, 110, 111, 115, Americans 120, 134, 136 Urban, Greg, 202 Tonga and Tongans, 158 Urry, John, 106, 107, 143 Törnqvist, Maria, 110, 113, 114, 116, Uruguay, 147n3 124, 143–5, 146n2 Uzbekistan, 15, 21, 43, 77 Torp, Jürgen, 123, 124 Tourist Gaze (book title), 143 Tourists and tourism, 5, 6, 11, 14, 15, V 19, 30, 31, 39, 42, 69, 72n1, 75, Valentino, Rudolf, 89, 111 95, 96, 98, 99, 102, 104, 106–7, Vance, Carol, 85 110, 111, 115, 116, 143–5, Vantukh, Myroslav, 223 270 INDEX

Varangians, 211 Women Vaudeville, 40, 68 in rebetika, 76, 100 Vaughan, Aiden, 188, 189, 192 in tango, 75, 142 Vázquez García, Francisco, 87 Wood, Leona, 35, 48, 61 Venice, Italy, 87 World dance, 6, 8, 77 Venus of Willendorf, 51 World History of Dance (book title), Vernacular dance, 8, 97 50–1 Verón, Pablo, 127 World War II, 18, 103, 104, 167, 212, Viale, Dorthea Kahena, 42, 50, 52, 214, 215 70, 73n7 Wulff, Helena, 190, 196, 203 Virsky, Pavlo, 205, 223 Vivaldi, Antonio, 12 Voloshky Ukrainian Folk Ensemble, Y 205–31 Yanina, Greece, 73n3 Yatran Dance Ensemble, 223 Youtube, 72, 94, 95, 107, 110, 117, W 146n1 Wales and the Welsh, 183 “wallfl owering” (planchar), 142, 143 Waltz , 123, 191, 198, 207, Z 218, 231 Zembekiko also zeibekiko (Greek folk Washabaugh, Williams, 75, 84, 93, dance), 32n1, 75, 93, 94, 96–9, 103, 105, 110, 116, 118 101–3, 105–7 Weber, Eugene, 172–3 Zeybek (Turkish folk dance), 97–9, 101 Weeks, Jeffrey, 27, 28 Zhukovin, Mykola, 223 West, Mae, 62 Zorba dancing, 6, 25, 27, 75–108, When Men Dance (book title), 77 151, 171, 231 Whiteman, Paul, 104 Zorba, the Greek (fi lm and book title), Williams, Craig, 88 94 Williams, Esther, 164 Zubro, Mark, 89–90