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Why Stockton Folk Dance Camp Still Produces a Syllabus
Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2018 FINAL In Memoriam Rickey Holden – 1926-2017 Rickey was a square and folk dance teacher, researcher, caller, record producer, and author. Rickey was largely responsible for spreading recreational international folk dancing throughout Europe and Asia. Rickey learned ballroom dance in Austin Texas in 1935 and 1936. He started square and contra dancing in Vermont in 1939. He taught international folk dance all over Europe and Asia, eventually making his home base in Brussels. He worked with Folkraft Records in the early years. He taught at Stockton Folk Dance Camp in the 1940s and 50s, plus an additional appearance in 1992. In addition to dozens of books about square dancing, he also authored books on Israeli, Turkish, Bulgarian, Hungarian, Greek, and Macedonian dance. STOCKTON FOLK DANCE CAMP – 2018 FINAL Preface Many of the dance descriptions in the syllabus have been or are being copyrighted. They should not be reproduced in any form without permission. Specific permission of the instructors involved must be secured. Camp is satisfied if a suitable by-line such as “Learned at Folk Dance Camp, University of the Pacific” is included. Loui Tucker served as editor of this syllabus, with valuable assistance from Karen Bennett and Joyce Lissant Uggla. We are indebted to members of the Dance Research Committee of the Folk Dance Federation of California (North and South) for assistance in preparing the Final Syllabus. Cover art copyright © 2018 Susan Gregory. (Thanks, Susan.) Please -
Readings in Kashf Ush-Shubuhaat (Removal of the Doubts) : the First Study
Readings in Kashf ush-Shubuhaat: The First Study A-PDF MERGER DEMO TAW060001@ Www.Salafipublications.Com Version 1.10 20th January 2001 Readings in Kashf ush-Shubuhaat (Removal of the Doubts) : The First Study INTRODUCTION All Praise is due to Allaah, we praise Him, seek His aid and His Forgiveness. We seek refuge in Allaah from the evils of our souls and the evils of our actions. Whomsoever Allaah guides there is none to misguide and whomsoever Allaah misguides there is none to guide. I bear witness that there is none worthy of worship except Allaah, alone, without any partners and I bear witness that Muhammad is His servant and messenger. To proceed: this is the treatise of the Shaikh ul-Islaam, Establisher of Tawheed, and Reviver of the Religion, Muhammad bin Abdul-Wahhaab entitled “the Removal of the Doubts” and it is one of the most essential and fundamental writings on the subject of Tawheed and what is connected to it. The translation of the text has been taken from the work of Muhammad bin Abdur-Rahmaan al-Khumayyis who has added some brief explanatory notes and some additional footnotes pointing out some other doubts that the enemies of Tawheed use and spread amongst the people. The whole book is serialised in sections and explanatory titles have been given to each portion of the text to aid understanding, study and revision. We pray that Allaah revives the light of Tawheed and the Sunnah and that He removes what remains of the darknesses of Shirk and Bid’ah, and that He corrects the affairs of the Ummah, by granting them success in correcting their own souls, following in all of that the Methodology of the Inheritors the Prophets in every generation, that of Imaam Maalik, that of the Prophets and Messengers themselves. -
Physical Education Dance (PEDNC) 1
Physical Education Dance (PEDNC) 1 Zumba PHYSICAL EDUCATION DANCE PEDNC 140 1 Credit/Unit 2 hours of lab (PEDNC) A fusion of Latin and international music-dance themes, featuring aerobic/fitness interval training with a combination of fast and slow Ballet-Beginning rhythms that tone and sculpt the body. PEDNC 130 1 Credit/Unit Hula 2 hours of lab PEDNC 141 1 Credit/Unit Beginning ballet technique including barre and centre work. [PE, SE] 2 hours of lab Ballroom Dance: Mixed Focus on Hawaiian traditional dance forms. [PE,SE,GE] PEDNC 131 1-3 Credits/Units African Dance 6 hours of lab PEDNC 142 1 Credit/Unit Fundamentals, forms and pattern of ballroom dance. Develop confidence 2 hours of lab through practice with a variety of partners in both smooth and latin style Introduction to African dance, which focuses on drumming, rhythm, and dances to include: waltz, tango, fox trot, quick step and Viennese waltz, music predominantly of West Africa. [PE,SE,GE] mambo, cha cha, rhumba, samba, salsa. Bollywood Ballroom Dance: Smooth PEDNC 143 1 Credit/Unit PEDNC 132 1 Credit/Unit 2 hours of lab 2 hours of lab Introduction to dances of India, sometimes referred to as Indian Fusion. Fundamentals, forms and pattern of ballroom dance. Develop confidence Dance styles focus on semi-classical, regional, folk, bhangra, and through practice with a variety of partners. Smooth style dances include everything in between--up to westernized contemporary bollywood dance. waltz, tango, fox trot, quick step and Viennese waltz. [PE,SE,GE] [PE,SE,GE] Ballroom Dance: Latin Irish Dance PEDNC 133 1 Credit/Unit PEDNC 144 1 Credit/Unit 2 hours of lab 2 hours of lab Fundamentals, forms and pattern of ballroom dance. -
The Ukrainian Weekly 1988, No.17
www.ukrweekly.com І НИ І Published by the Ukrainian National Association Inc.. a fraternal поП'profit association| UbainianWeekl V Vol. LVl No. 17 THE UKRAINIAN WEEKLY SUNDAY, APRIL 24,1988 25 cents U.S. commission says 1932-33 famine Demjanjuk convicted was premeditated genocide by Stalin quoted as saying, "I am totally surprised by Maria Rudensky legislation that would prolong its life Defense to appeal at the brutality of the decision taken by Special to The Ukrainian Weekly beyond June 22, albeit without govern the State of Israel against John Dem to Supreme Court janjuk." WASHINGTON - The Commis ment funding, for two years, sion on the Ukraine Famine has deter "This means that we will continue to JERUSALEM - John Demjanjuk He said the court automatically mined categorically that the famine of depend on the generosity of the Ukrai was found guilty on Monday, April 18, rejected defense arguments. "My God in 1932-33 was premeditated genocide nian American community," said Com of crimes against the Jewish people, heaven, according to the judges, we against Ukrainians by "Josef Stalin and mission Staff Director James Mace. crimes against humanity, war crimes didn't do anything right. They ruled those around him." "We are extremely gratified at the level and crimes against a persecuted people. against us on every single point." The commission's findings are in its of community support." About In their 450-page verdict, the three Mr. Demjanjuk's family - his wife, most extensive report thus far, which 5140,000 has been donated since the Israeli judges who heard the case stated: Vera, son, John Jr., daughter Lydia, was to be presented to Congress on fall, assuring funds for the commission, "We determine conclusively, without with her husband Andrij Maday, and April 23. -
The Genesis of the Muslim Community in • Ceylon (Sri Lanka): a Historical Summary
THE GENESIS OF THE MUSLIM COMMUNITY IN • CEYLON (SRI LANKA): A HISTORICAL SUMMARY AMBER ALI Research on the historical ongms of the Ceylon Muslim com munity is yet an unchartered field in the overall history of the island. Ramanathan's "The Ethnology of the Moors of Ceylon,"1 I. L. M. Abdul Azeez's criticism on Ramanathan's thesis,2 Siddi Lebbe's wrih ings on the subject in his Muslim Necan3 and Cassim's llankaic CO:.. nako.J' Carittiram,4 based almost entirely on Siddi Lebbe's works, are all, considering the context and spirit in which they were written (as shown below), open to the charge of historical bias and partisan ship. Van Sanden's Sonahars is a comprehensive but an uncritical presentation of all hearsay evidence and is overtly apologetic of the British colonial rule over the Muslims. Goonewardena's "Some Notes On The History of the Muslims In Ceylon Before the British Occupa tion"6 and de Silva's "Portuguese Policy Towards Muslims"7 are the only scholarly works available on the period before 1800, but they too have their shortcomings. The former, as the title itself suggests, is only a peripheral treatment limited by the author's inaccessibility to Arabic, Portuguese and Tamil sources; while the latter, constrained by the scope of the article, does not throw any light on the origins of the community. Besides these, several articles have appeared from time to time authored by a variety of writers ranging from Muslim activists to University lecturers. The only common feature in all these articles is that they try to trace the historical origins of the Ceylon Muslims as far back as possible and thereby they forget to 1 P. -
JUNE 2 - 3, 2018 CALGARY UKRAINIAN FESTIVAL Programme Guide
JUNE 2 - 3, 2018 CALGARY UKRAINIAN FESTIVAL programme guide CALGARYUKRAINIANFESTIVAL.CA CALGARY UKRAINIAN FESTIVAL 2018! On behalf of the Board of Directors of the Calgary Ukrainian Festival Foundation I would like to welcome you to the NINTH Annual Calgary Ukrainian Festival! Only one year away from a full decade of Festival activities! The momentum continues this year with an entirely new stage show format with even more performers than last. Have a look around at our collection of Ukrainian vendors from across the country. They bring everything from the latest Ukrainian European fashion trends to collectible “hard to find” Ukrainian artistry. Keep looking around the pavilion and take note of our new bar modeled after an 18th century Ukrainian house with thatch roofing. Imagine what it was like to raise a family in such a simple structure! Sitting at “Baba’s” kitchen table is a treat like nothing else. Enjoying the simplicity and tasteful helpings of traditional hand-made perogies and cabbage rolls. Nothing “store bought” on our Festival food plates. Finally, our Festival After-Hours event returns Saturday evening at 9:00pm. Open to all. Our performers will be out of their stage costumes and back into street clothes. Come spend the evening with those you saw on stage and meet a new friend. This year our live Ukrainian Zabava Band from Edmonton, Steppe, will play everything from the fastest polkas, to the coziest waltz. But don’t leave before 10:30pm because around that time you will witness the infamous Canadian Ukrainian tradition of the “Kolomyka”. The chance for ALL to display the best they have in Ukrainian dance solos. -
Dancing Through the City and Beyond: Lives, Movements and Performances in a Romanian Urban Folk Ensemble
Dancing through the city and beyond: Lives, movements and performances in a Romanian urban folk ensemble Submitted to University College London (UCL) School of Slavonic and East European Studies In fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) By Elizabeth Sara Mellish 2013 1 I, Elizabeth Sara Mellish, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed: 2 Abstract This thesis investigates the lives, movements and performances of dancers in a Romanian urban folk ensemble from an anthropological perspective. Drawing on an extended period of fieldwork in the Romanian city of Timi şoara, it gives an inside view of participation in organised cultural performances involving a local way of moving, in an area with an on-going interest in local and regional identity. It proposes that twenty- first century regional identities in southeastern Europe and beyond, can be manifested through participation in performances of local dance, music and song and by doing so, it reveals that the experiences of dancers has the potential to uncover deeper understandings of contemporary socio-political changes. This micro-study of collective behaviour, dance knowledge acquisition and performance training of ensemble dancers in Timi şoara enhances the understanding of the culture of dance and dancers within similar ensembles and dance groups in other locations. Through an investigation of the micro aspects of dancers’ lives, both on stage in the front region, and off stage in the back region, it explores connections between local dance performances, their participants, and locality and the city. -
Selected Academic Bibliography Career Overviews
Updated: August 2015 Sally Potter: Selected Academic Bibliography Career Overviews: Books The second, longer annotation for each of these books is quoted from: Lucy BOLTON, “Catherine Fowler, Sally Potter and Sophie Mayer, The Cinema of Sally Potter” [review] Screen 51:3 (2010), pp. 285-289. Please cite any quotation from Bolton’s review appropriately. Catherine FOWLER, Sally Potter (Contemporary Film Directors series). Chicago: University of Illinois, 2009. Fowler’s book offers an extended and detailed reading of Potter’s early performance work and Expanded Cinema events, staking a bold claim for reading the later features through the lens of the Expanded Cinema project, with its emphasis on performativity, liveness, and the deconstruction of classical asymmetric and gendered relations both on-screen and between screen and audience. Fowler offers both a career overview and a sustained close reading of individual films with particular awareness of camera movement, space, and performance as they shape the narrative opportunities that Potter newly imagines for her female characters. “By entitling the section on Potter’s evolution as a ‘Search for a “frame of her own”’, Fowler situates the director firmly in a feminist tradition. For Fowler, Potter’s films explore the tension for women between creativity and company, and Potter’s onscreen observers become ‘surrogate Sallys’ in this regard (p. 25). Fowler describes how Potter’s films engage with theory and criticism, as she deconstructs and troubles the gaze with her ‘ambivalent camera’ (p. 28), the movement of which is ‘designed to make seeing difficult’ (p. 193). For Fowler, Potter’s films have at their heart the desire to free women from the narrative conventions of patriarchal cinema, having an editing style and mise- en-scene that never objectifies or fetishizes women; rather, Fowler argues, Potter’s women are free to explore female friendships and different power relationships, uncoupled, as it were, from narratives that prescribe heterosexual union. -
Arabic and Contact-Induced Change Christopher Lucas, Stefano Manfredi
Arabic and Contact-Induced Change Christopher Lucas, Stefano Manfredi To cite this version: Christopher Lucas, Stefano Manfredi. Arabic and Contact-Induced Change. 2020. halshs-03094950 HAL Id: halshs-03094950 https://halshs.archives-ouvertes.fr/halshs-03094950 Submitted on 15 Jan 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Arabic and contact-induced change Edited by Christopher Lucas Stefano Manfredi language Contact and Multilingualism 1 science press Contact and Multilingualism Editors: Isabelle Léglise (CNRS SeDyL), Stefano Manfredi (CNRS SeDyL) In this series: 1. Lucas, Christopher & Stefano Manfredi (eds.). Arabic and contact-induced change. Arabic and contact-induced change Edited by Christopher Lucas Stefano Manfredi language science press Lucas, Christopher & Stefano Manfredi (eds.). 2020. Arabic and contact-induced change (Contact and Multilingualism 1). Berlin: Language Science Press. This title can be downloaded at: http://langsci-press.org/catalog/book/235 © 2020, the authors Published under the Creative Commons Attribution -
What Is Belly Dance?
What Is Belly Dance? THE PYRAMID DANCE CO. INC. was originally founded in Memphis 1987. With over 30 years Experience in Middle Eastern Dance, we are known for producing professional Dancers and Instructors in belly dancing! The company’s purpose is to teach, promote, study, and perform belly dance. Phone: 901.628.1788 E-mail: [email protected] PAGE 2 CONTACT: 901.628.1788 WHAT IS BELLY DANCE? PAGE 11 What is the belly dance? Sadiia is committed to further- ing belly dance in its various The dance form we call "belly dancing" is derived from forms (folk, modern, fusion , traditional women's dances of the Middle East and interpretive) by increasing pub- North Africa. Women have always belly danced, at lic awareness, appreciation parties, at family gatherings, and during rites of pas- and education through per- sage. A woman's social dancing eventually evolved formances, classes and litera- into belly dancing as entertainment ("Dans Oryantal " in ture, and by continuing to Turkish and "Raqs Sharqi" in Arabic). Although the his- study all aspects of belly tory of belly dancing is clouded prior to the late 1800s, dance and producing meaning- many experts believe its roots go back to the temple ful work. She offers her stu- rites of India. Probably the greatest misconception dents a fun, positive and nur- about belly dance is that it is intended to entertain men. turing atmosphere to explore Because segregation of the sexes was common in the movement and the proper part of the world that produced belly dancing, men of- techniques of belly dance, giv- ten were not allowed to be present. -
Connecting Through Dance
Connecting Through Dance: The Multiplicity of Meanings of Kurdish Folk Dances in Turkey Mona Maria Nyberg Thesis submitted in partial fulfillment of the M.A. degree Department of Social Anthropology, University of Bergen Spring 2012 The front page photograph is taken by Mona Maria Nyberg at a Kurdish wedding celebration. The women who are dancing in the picture are not informants. II Acknowledgements While studying for an exam during my time as a bachelor student, I read a work by Professor Bruce Kapferer which made me reconsider my decision of not applying for the master program; I could write about dance, I realized. And now I have! The process has been challenging and intense, but well worth it. Throughout this journey I have been anything but alone on this, and the list of persons who have contributed is too long to mention. First of all I need to thank my informants. Without you this thesis could not have been written. Thank you for your help and generosity! Especially I want to thank everyone at the culture centers for allowing me do fieldwork and participate in activities. My inmost gratitude goes to two of my informants, whose names I cannot write out of reasons of anonymity - but you know who you are. I want to thank you for allowing me into your lives and making me part of your family. You have contributing to my fieldwork by helping me in in innumerous ways, being my translators – both in terms of language and culture. You have become two of my closest friends. -
Dutchcu|Ture Dance in Turkey |
Centre for international DutchCu|ture | cooperation Dance in Turkey Version 2019 | Written by Zeynep Günsür Dance in Turkey Dance in Turkey Version 2019 In 2011, SICA (the predecessor of DutchCulture) Acknowledgements produced a comprehensive mapping of the Turkish Written by Zeynep Günsür cultural field. This mapping was written by local experts and edited by Teike Asselbergs and Chantal Edited by Chantal Hamelinck and Teike Asselbergs. Hamelinck. The mapping was produce as a means to Proofread by Natasha Hay. promote cultural exchange between the Netherlands and Turkey and as a starting point of the year 2012, Commissioned by DutchCulture, centre for internati- which marked 400 years of Dutch – Turkish diplo- onal cooperation. matic relations. The mapping was supported and produced in close co-operation with the Dutch public Supported by the Ministry of Education, Culture and funds. Science of the Netherlands. An update of these mappings was commissioned in 2018 by DutchCulture while working with the same editors. The existing mappings were revised and several new mappings were added. The updated mappings are focusing more on giving Dutch cultu- ral practitioners an insight into the Turkish cultural field and its infrastructure, and helping them get in contact with colleagues. This mapping is supported by the Ministry of Education, Culture and Science of the Netherlands. Page 2 Dance in Turkey Contents Summary 4 Introduction 5 Short History 6 Main trends and topics 10 Popular 16 Audiences 17 Sub-disciplines 18 Professional groups and