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A Peter White Christmas with Rick Braun and Mindi Abair Brings the Sounds of the Season to Parker Playhouse
November 20, 2015 Media Contact: Savannah Whaley Pierson Grant Public Relations 954-776-1999 ext. 225 Jan Goodheart, Broward Center 954-765-5814 A PETER WHITE CHRISTMAS WITH RICK BRAUN AND MINDI ABAIR BRINGS THE SOUNDS OF THE SEASON TO PARKER PLAYHOUSE FORT LAUDERDALE – Celebrate the holidays with A Peter White Christmas with Rick Braun and Mindi Abair at Parker Playhouse on Saturday, December 12 at 8 p.m. One of the most versatile and prolific acoustic guitarists, White leads the contemporary jazz lineup in this seasonal concert combining smooth jazz cheer with traditional Christmas classics such as “White Christmas” and “Silent Night,” plus a few surprises along the way. White launched his career as a keyboardist touring with Al Stewart and worked with him in the studio on the classic album Year of the Cat. The tour and that album marked the beginning of a 20-year association with Stewart. During that time, the two musicians co-wrote numerous songs, including Stewart’s 1978 hit, “Time Passages.” After years as a backup musician and a session player, White launched his solo recording career and his annual Christmas tour is fueled by the success of his two highly regarded holiday albums, Songs of the Season (1997) and A Peter White Christmas (2007). Braun adds his stylistically eclectic trumpeting to the mix. A consistent chart-topper who has amassed a catalogue of #1 Billboard Contemporary Jazz Chart and radio hits throughout his solo career, Braun has also produced #1 hits for David Benoit, Marc Antoine and former Rod Stewart band sidekick Jeff Golub. -
052019.Log ********** 88.5 Fm Keom 05/20/19
052019.LOG ********** 88.5 FM KEOM 05/20/19 EST.TIME YEAR TITLE ARTIST 12:00 A Rock Me Amadeus Falco 12:03 A 74 I'm Leaving It All Up To You Donny & Marie Osmond 12:05 A 72 Me And Mrs. Jones Billy Paul 12:10 A 83 You Are Lionel Richie 12:14 A 82 Do You Really Want To Hurt Me Culture Club 12:16 A 71 Beginnings (Short Version) Chicago 12:19 A 75 Jive Talkin' Bee Gees 12:22 A 74 Everlasting Love Carl Carlton 12:24 A 76 (Shake Shake Shake) Shake Your Boot KC & The Sunshine Band 12:31 A 96 Change The World Eric Clapton 12:35 A 82 Who Can It Be Now Men At Work 12:38 A 84 To All The Girls I've Loved Before Julio Iglesias & Willie Nelson 12:41 A 91 Coming Out Of The Dark Gloria Estefan 12:46 A 79 Goodnight Tonight Paul McCartney [+] Wings 12:50 A 72 I Am Woman Helen Reddy 12:53 A 76 Muskrat Love Captain & Tennille ********** 88.5 FM KEOM 05/20/19 EST.TIME YEAR TITLE ARTIST 01:00 A 75 Calypso John Denver 01:03 A 77 You Make Lovin' Fun Fleetwood Mac 01:06 A 70 Signed, Sealed, Delivered I'm Yours Stevie Wonder Page 1 052019.LOG 01:09 A 82 You Can't Hurry Love Phil Collins 01:12 A 71 Maggie May Rod Stewart 01:16 A 77 I Feel Love Donna Summer 01:21 A 84 Magic Cars 01:25 A 70 (They Long To Be) Close To You Carpenters 01:29 A Show Me Love Robyn 01:31 A 83 Girls Just Want To Have Fun Cyndi Lauper 01:35 A 77 Lovely Day Bill Withers 01:39 A 99 Bailiamos Enrique Iglesias 01:42 A 75 Heat Wave Linda Ronstadt 01:46 A 72 Rockin' Robin Michael Jackson 01:48 A 75 Swearin' To God Frankie Valli ********** 88.5 FM KEOM 05/20/19 EST.TIME YEAR TITLE ARTIST 02:00 A -
Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K. -
Smooth Jazz Hautnah Mit Top-Acts Aus Den USA Rendezvous Aus Soul
Musik : 0821/906 22 22 Rendezvous aus Soul, Jazz, R’n’B präsentiert von & Lounge Music Freitag, 24. September 2010 20:00 Uhr Rick Braun 21:30 Uhr David Benoit Smooth Jazz hautnah mit Top-Acts aus den USA Ab 22:30 Uhr Aftershow-Party Samstag, 25. September 2010 Ein Wochenende im Kurhaus voller intensivem, leiden- malt von harmonisch fl ießendem Sound zu genießen. 20:00 Uhr Shilts 21:30 Uhr Chuck Loeb schaftlichen Smooth Jazz und ausgelassener Stimmung Nach der Premiere in Bregenz 2008 und München im Ab 22:30 Uhr Aftershow-Party in feinstem Ambiente. Musikliebhaber erwartet ein unge- letzten Jahr fi ndet das Smooth Jazz Festival heuer in Sonntag, 26. September 2010 ahntes Klangerlebnis, das mit klassischem Jazz nicht viel Augsburg statt. Besucher aus allen Teilen Deutschlands 11:00 Uhr Smooth Jazz Matinee: gemein hat, zelebriert von einigen der größten Namen der und Fans aus ganz Europa treffen sich hier in gehobener Joyce Cooling internationalen Smooth Jazz-Szene. Clubatmosphäre zu einem entspannten, stimmungs- Rick Braun, David Benoit, In den Seitenfl ügeln bietet walter's Gastronomie-Team vollen Wochenende im wunderschönen Ambiente des Shilts und Chuck Loeb werden Drinks, Lounge-Food und internationale Tapas an. Der In- Kurhauses. vom Heavy Mellow Quartett begleitet. nen hof ist geöffnet, um die lauen Spätsommernächte unter - Künstlerische Leitung Christian Bößner, smooth entertainment Rick Braun / Trompete Der Komponist, Arrangeur und Produzent mit eigenem Plattenlabel blickt zurück auf gemeinsame Auftritte u. a. mit Sade, Tina Turner, Natalie Cole, Rod Stewart, Tom Petty. Er ist zweifacher Gewinner des Gavin Report’s »Smooth Jazz Artist of the Year« und gehört mit Soloalben (aktuelle CD »All It Takes«) zu den erfolg- www.smoothjazzfestival.de reichsten US-Smooth-Jazzern. -
Scutokyosyllabus for 2014FINAL
Santa Clara University School of Law Center for Global Law and Policy 2015 Tokyo Summer Program At Asia Center of Japan, June 8 – June 12, 2015 Introduction to Japanese Law Professor Yasuhei TANIGUCHI, LL.M. Berkeley 1963 & J.S.D.Cornell, 1964 Prof. Em. of Kyoto University and Of Counsel, Matsuo & Kosugi, Tokyo This course follows the Prof. Abe’s course of the same title and tries to approach the Japanese legal system from a slightly different perspective. Emphasis will be on general subjects such as historical developments, constitutional schemes, judiciary and legal professions, dispute resolution, etc. rather than on specific topics of practical interest, which are to be dealt with in other courses. The instructor was born in 1934. His long personal experiences will be infused in the course hopefully to make the course historically interesting. A. Historical and Comparative Basis of Japanese Law It is important to understand the present Japanese law from a historical perspective. Japan experienced a radical legal reform at least twice in its modern history, firstly during Meiji period starting in 1868 under an influence of the European Civil Law and secondly after the defeat in the Pacific War under an influence of the American Common Law. The third wave of reform has visited Japan in the first decade of this century as the justice system reforms dealt with in C below. (1) Tokugawa Law (1603-1868) 1. John H. WIGMORE, A PANORAMA OF THE WORLD’S LEGAL SYSTEMS (1936), VII Japanese Legal System (III) Third Period, pp. 479-525 2. DAN F. HENDERSON, CONCILIATION AND JAPANESE LAW – TOKUGAWA AND MODERN Vol. -
Cornell Alumni Magazine
c1-c4CAMja12_c1-c1CAMMA05 6/18/12 2:20 PM Page c1 July | August 2012 $6.00 Corne Alumni Magazine In his new book, Frank Rhodes says the planet will survive—but we may not Habitat for Humanity? cornellalumnimagazine.com c1-c4CAMja12_c1-c1CAMMA05 6/12/12 2:09 PM Page c2 01-01CAMja12toc_000-000CAMJF07currents 6/18/12 12:26 PM Page 1 July / August 2012 Volume 115 Number 1 In This Issue Corne Alumni Magazine 2 From David Skorton Generosity of spirit 4 The Big Picture Big Red return 6 Correspondence Technion, pro and con 5 10 10 From the Hill Graduation celebration 14 Sports Diamond jubilee 18 Authors Dear Diary 36 Wines of the Finger Lakes Hermann J. Wiemer 2010 Dry Riesling Reserve 52 Classifieds & Cornellians in Business 35 42 53 Alma Matters 56 Class Notes 38 Home Planet 93 Alumni Deaths FRANK H. T. RHODES 96 Cornelliana Who is Narby Krimsnatch? The Cornell president emeritus and geologist admits that the subject of his new book Legacies is “ridiculously comprehensive.” In Earth: A Tenant’s Manual, published in June by To see the Legacies listing for under - Cornell University Press, Rhodes offers a primer on the planet’s natural history, con- graduates who entered the University in fall templates the challenges facing it—both man-made and otherwise—and suggests pos- 2011, go to cornellalumnimagazine.com. sible “policies for sustenance.” As Rhodes writes: “It is not Earth’s sustainability that is in question. It is ours.” Currents 42 Money Matters BILL STERNBERG ’78 20 Teachable Moments First at the Treasury Department and now the White House, ILR grad Alan Krueger A “near-peer” year ’83 has been at the center of the Obama Administration’s response to the biggest finan- Flesh Is Weak cial crisis since the Great Depression. -
Antelope Valley Fair Association Announces the 2Nd Annual Jazz
FOR IMMEDIATE RELEASE Contact: Wendy Bozigian March 11, 2014 Marketing Manager 661-948-6060, ext. 132 Antelope Valley Fair Association Announces the 2nd Annual Jazz Festival Artists include: Jazz Attack (featuring Rick Braun, Euge Groove & Peter White), Jessy J, John West and local artists, The Herbie Kae & Tony Capko Band LANCASTER, CA – Officials for the Antelope Valley Fair Association announced the return of the 2nd annual Lancaster Jazz Festival scheduled for June 14, 2014. Entertainment includes Jazz Attack (featuring Rick Braun, Euge Groove and Peter White), Jessy J, John West and local art- ists, The Herbie Kae and Tony Capko Band. Tickets go on sale Tuesday, March 18th at 10am at avfair.com for $30 (general admission) and $60 and $40 (reserved seating). Parking is $5.00. The festival will open at 4pm on Saturday, June 14th, in the outdoor Cantina of the A.V. Fairgrounds and feature multiple BBQ concessions to choose from, wine tasting and other food offering unique gastronomical delights. JAZZ ATTACK - RICK BRAUN - Braun began playing music in elementary school, ultimate- ly winding up at the prestigious Eastman School of Music. Braun’s first big break came when he composed “Here With Me,” a Top 20 hit for REO Speedwagon. He's been a highly regarded pop sideman, touring and recording with the likes of Rod Stewart, War, Sade, Tina Turner, Natalie Cole, and Tom Petty. His records have ranked in the Top 10 of Billboard’s Contemporary Jazz on the R&R NAC/Smooth Jazz album charts. Braun is also an in-demand producer and has de- livered #1 radio hits with artists including David Benoit, Marc Antoine and Jeff Golub. -
FREE 24Th ANNUAL BALCONES HEIGHTS JAZZ FESTIVAL Celebrating a Diverse Line-Up of Headlining Artists All New to the Balcones Heights Jazz Festival!
FREE 24th ANNUAL BALCONES HEIGHTS JAZZ FESTIVAL Celebrating a diverse line-up of headlining artists all new to the Balcones Heights Jazz Festival! What: For over two decades, the Balcones Heights Jazz Festival has been a summer highlight captivating jazz aficionados from across Texas with a free stellar line-up of renowned jazz stars from across the country. This year’s performance features a diverse line-up of headlining and special opening acts, new to the Jazz Festival. These performers include: Los Angeles-based trumpeter Rick Braun; UK’s Smooth Jazz keyboardist Oli Silk; Grammy nominated guitarist Paul Jackson, Jr.; D.C. saxophonist Phillip “Doc” Martin; world jazz duo guitarists Strunz & Farah; national recording artist and saxophonist Chase Huna; and contemporary guitarist Steve Oliver. Locally singing sensation (and the only returning artist) MELINA will join Texas guitarist Ruben V on stage at the Wonderland of the Americas. For four consecutive Friday evenings, the festival’s laid back and family-friendly atmosphere will welcome an estimated 4,000 jazz fans, surpassing the city’s entire population of 3,000. Die-hard fans have been known to stake out their claim, with lawn chairs and blankets in tow, days in advance of the event at favorite spots along the edge of the sparking reflecting pool and fountains of the city’s main hub Wonderland of the Americas. David Munoz, host of “Sunday Morning Jazz” on Q101.9 is emcee of the festival. He’s hosted the Jazz Festival for the past 23 years and has hosted the “Sunday Morning Jazz Show” for more than 27 years. -
Tres Bajistas De Leyenda
TRES BAJISTAS DE LEYENDA —THE THUNDER TOUR“ 29 DE OCTUBRE: Sala Razzmatazz, 21 ho as (Ba celona) 30 DE OCTUBRE: Discoteca Joy Eslava, 21 ho as (,ad id) 31 DE OCTUBRE: A.dito io ,aest o Padilla, 21 ho as (Alme 0a) ,a c.s ,ille , Stanley Cla 1e y 20cto 3ooten (S,2) 2enta de ent adas: www.telentrada.com TRES BAJISTAS DE LEYENDA SMV: M.MIller + S.Clarke+ V.Wooten —The Thunder Tour“ el 29 de octubre en Barcelona Sala Razzmatazz; en Madrid el d%a 30 de octubre Sala (oy Esla,a y el 31 de octubre en .lmer%a en el .uditorio Maestro Padilla en su 0esti,al de (azz. Estamos ante .no de los p oyectos m5s impo tantes del a6o, 3 gene aciones de m8sicos y los t es m5s g andes ba:istas del momento e.nidos en lo q.e ya es, seg8n los c 0ticos y el p8blico, .n acontecimiento 8nico. Stanley Cla 1e a tocado con Stan Getz, Joe Hende son, Ho ace Silve , Geo ge D.1e, Keith Richa ds, Pa.l ,cCa tney, Chic1 Co ea con el q.e gan? 1 G ammy@ en 10A2 con , Ret. n To Fo eve :.nto a Aldi ,eola y Lenny 3hite. ,a c.s ,ille a t aba:ado con Robe ta Flac1, A etha F an1lin, Cha1a Khan, 3ayne Sho te , Al Ja ea., Pa.l Simon, David Sanbo n, L.the 2and oss, con el q.e gan? .n G ammy el en a6o 1991, a ,iles Davis le p od.:o y comp.so el alb.m —T.t.“ .no de los alb.mes m5s p emiados de la histo ia del :azz En el a6o 2001 volv0o a gana .n G ammy po el alb.m ,2. -
Why We're All Romans
Why We’re All Romans Why We’re All Romans The Roman Contribution to the Western World Carl J. Richard ROWMAN & LITTLEFIELD PUBLISHERS, INC. Lanham • Boulder • New York • Toronto • Plymouth, UK Published by Rowman & Littlefield Publishers, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.rowmanlittlefield.com Estover Road, Plymouth PL6 7PY, United Kingdom Distributed by National Book Network Copyright © 2010 by Rowman & Littlefield Publishers, Inc. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Richard, Carl J. Why we’re all Romans : the Roman contribution to the Western world / Carl J. Richard. p. cm. Includes bibliographical references and index. ISBN 978-0-7425-6778-8 (cloth : alk. paper) — ISBN 978-0-7425-6780-1 (electronic) 1. Rome—Civilization—Influence. 2. Civilization, Modern—Roman influences. 3. Rome—History. I. Title. DG77.R53 2010 937—dc22 2009043889 ™ ϱ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America In memory -
João Gilberto
SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Bakalářská Práce JAMU 2013
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra jazzové interpretace Studijní obor Jazzová interpretace Charles Mingus Bakalářská práce Autor práce: Ing. Radim Hanousek Vedoucí práce: MgA. Jan Dalecký Oponent práce: doc. Jaroslav Šťastný, Ph.D. Brno 2013 Charles Mingus HANOUSEK, Radim. Charles Mingus. Brno: Janáčkova akademie múzických umění v Brně, Fakulta hudební, Katedra jazzové interpretace, 2013, 33 s. Vedoucí diplomové práce MgA. Jan Dalecký. Anotace Diplomová práce „Charles Mingus“ pojednává o jazzovém kontrabasistovi a skladateli Charlesovi Mingusovi, jeho životě, díle a odkazu. Zvláštní kapitolou jsou Mingusovy kompoziční techniky. Podrobněji se zabývá alby Pithecanthropus Erectus (1956), The Clown (1957) a vydaným záznamem z koncertu v Town Hall v New Yorku – Town Hall Concert (1964). Annotation This Bachelor's Thesis titled "Charles Mingus" focuses on jazz contrabassist and composer Charles Mingus, his life, works, and his message. Mingus' composition techniques represent a special chapter of the Thesis. Detailed attention is paid to albums Pithecanthropus Erectus (1956), The Clown (1957), and the album with publicly released recording of his concert in the New York Town Hall – Town Hall Concert (1964). Klíčová slova Charles Mingus, jazz, Pithecanthropus Erectus, The Clown, Town Hall Concert, Atlantic, Epitaph Keywords Charles Mingus, jazz, Pithecanthropus Erectus, The Clown, Town Hall Concert, Atlantic, Epitaph Prohlášení Prohlašuji, že jsem předkládanou práci zpracoval samostatně a použil jen uvedené prameny