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Home , Adrian Heath (painter), Eduardo Paolozzi, Ian Davenport

CREATING ACCESSIBILITY TO FINE

5TH EDITION EDGAR DEGAS Tête, petite étude pour le portrait de Madame S., Circa 1892 Bronze

CONTENTS

An Eye For Quality 1 The Global Market 2 The Big Picture 3 The Buying Process 3 Art Fair 4 Alan Davie RA 7 Ian Davenport 9 David Tindle RA 11 Sir Eduardo Luigi Paolozzi RA 14 Adrian Heath 16 John Hoyland RA 19 Simeon Stafford 22 Frequently Asked Questions 24 Auction Results 25 AN EYE FOR QUALITY

Until recently, the perception has been We provide a transparent and time efficient that fine art assets were reserved for way to buy and sell a range of artwork. high net worth individuals. At Frederick By using Frederick Charles, you will have Charles Art, our foremost goal is to create access to our team of consultants, who accessibility of fine art to smaller retail will update you on the market changes, buyers, collectors and even the fledging give opinions on trends and valuations art buyer. based on the current market. IAN DAVENPORT Yellow Portrait (Madame) 2017 Frederick Charles Art is a forward-thinking We attend the world leading auctions, Oil on canvas company with a passion for the fine art this provides us with a wealth of market market. We specialize in Modern British data to analyse both past auction results Art, with a particular emphasis on the Post- and current market trends. In addition War period. In todays rapidly changing we can offer our professional opinion economic environment, it can be difficult on condition and value of artworks. to identify opportunities. Allow Frederick Furthermore, you will be able to utilize Charles’ dedicated team to help you build our distribution arrangements and storage a diverse collection of the finest art to recommendation for piece of mind. provide a varied portfolio.

1 THE BIG PICTURE

The growth of the internet and use of online GLOBAL UHNWI GROWTH PREDICTIONS auctions has changed the infrastructure of the market and its accessibility to both buyers and sellers, increasing transparency and dramatically altering the way business 2026 is conducted. 275,740 +43% One indication of the growth of the art market simply comes down to the increasing number of art fairs. 10 years ago there were 10 art fairs globally, today there are more than 60 art fairs catering from the self-titled ‘affordable’ art fairs to 2016 Frieze Masterpiece, which from its name, 193,490 one can rightly judge is aimed at a more +42% sophisticated client base. International art fairs act as a crucial platform for galleries and artists to make their presence 2006 known, sell their works and forge links 136,200 with major players in the industry. For 2017 Report New World Source: the average collector, they simply offer North America 5810 73100 95860 convenience, which is useful in a market Europe 42610 49650 55700 that’s now globalized and where people are increasingly rushed and want to see a Russia & CIS 2380 3230 5170

London has been dominating the maximum number of works in a minimum Asia 20820 46080 88180 amount of time. Post-War and Contemporary auction Middle East 4970 7370 10270 market in Europe for a decade. DEFINITION: Ultra high net worth individuals (UHNWI) are Latin America & Carribean 5330 7570 10350 people with investable assets of at least $30 million, excluding personal assets and property such as a primary residence, Africa 2010 2270 3030 Source: Art Market Report TEFAF collectibles and consumer durables. UHNWIs comprise the richest people in the world and control a disproportionate Australasia 2270 4220 7180 amount of global wealth.

THE GLOBAL MARKET THE BUYING PROCESS

Art collecting can be traced back to early the value of the art market worldwide. The A personal consultation to establish your requirements. civilization. Most museums, art galleries sheer size of the market has attracted both and grand houses illustrate the display of managed funds and financial institutions. • You will receive two copies of an art invoice. prestige, wealth and status, as much as As a result institutions and private art • Terms and conditions for your approval of the purchase. love for the art itself. buyers have increased their focus on art • Anti money laundering requirements for a first time purchase; as an asset class. a copy of photo identification and utility bill. Globally, an increase in wealth and • Payment of the artwork can be arranged using debit/credit card, prosperity has seen higher demand for “The rapid internationalization of the art transfer or cheque. ownership of original works. The art market over the last 5 years was causing markets expansion has been driven by a collision of buyers from china, the • A receipt of purchase will be provided by post or email. growth and wider global distribution of Americas, Europe and the middle east in • The art will be delivered to your home address or a specialist art storage facility. high net worth individuals. Consequently, competition for the same works.” there has been a tremendous growth in Source: Financial Times 2 3 LONDON ART FAIR 2020 ABOUT THE LONDON ART FAIR AN EXHIBITION OF PAINTINGS AND FROM Founded in 1989 by London’s Business The Fair presents an outstanding coll- FREDERICK CHARLES ART Design Centre in Islington, the Fair is aimed ection of British art, and over the years at providing a space to showcase the most has embraced an increasing international Frederick Charles Art was one of a hundred innovative Art Projects area in the upper exceptional modern and contemporary collection from galleries around the world. carefully selected galleries internationally space. art of our time. The Fair welcomes one to present contemporary artworks from hundred galleries to present works for early 20th Century to the present day. The Fair also offers first time art buyers and buyers, collectors and visitors. seasoned collectors an opportunity to get The London Art Fair is now in its 31st year advice from curators whilst navigating the of presenting an unmissable event in the many galleries and collections. international art calendar for culturally curious and professional art connoisseurs In January 2020 we featured paintings to explore and connect with an array of and sculptures from Modern British artists galleries, collectors, curators, artists and including Alan Davie, Danny Markey, enthusiasts. , , , , Robert Adams, The Fair offers an exploration of some Barry Flanagan and .. of the most prestigious and celebrated galleries in the World. The breathtakingly By visiting us at fairs such as this, you can sheer volume of art all under one roof gain access to our team of consultants makes it the perfect place to start or add who will give you opinions on trends and to your collection or to just simply enjoy valuations based on the current market. the view. We attend the world’s leading auctions which provides us with a wealth of market An overwhelmingly exuberant display of data. Furthermore, you will be able to utilize fine art from some of the most critically- our distribution arrangements and storage acclaimed artists of the twentieth century recommendations for peace of mind. can be found at this event in addition to an

FREDERICK CHARLES ART 2020 STAND 4 5 ALAN DAVIE RA 1920-2014

Scottish born Davie is arguably one paint as spontaneously as possible. of the most internationally acclaimed His aim was to display elements of his artists of the 20th century. unconscious mind on paper, an idea shared with surrealist painter, Joan Not only a painter, Davie wrote poetry, Miró. and was also known as a musician, and played the tenor saxophone in Having seen the Jackson Pollock the highly regarded Tommy Sampson paintings from Peggy Guggenheim’s Orchestra. collection in Venice in 1948, Davie was inspired to begin painting He was the first British painter to on a much larger scale and in an realise the vitality and significance improvisatory way. Like Pollock, many of American Abstract Expressionism. of Davies works have been executed Throughout his life Davie obsessively by standing above the painting, which drew and painted, producing is laid on the ground. paintings of startling originality, vitality and daring. He began studying at Davie would typically have several College of Art in the late paintings on the go at any one time, 1930s, where his works began by but despite this speed he was sure combining imagery derived from of the fact that his paintings are different world cultures with a love of not abstract, but all have significant music and language. symbols. The concentration of colour

His works are a complex yet joyous and the possibility of recognizing celebration of creativity that combine shapes, suggests movement and the expressive freedom of abstraction primitive, magical rituals. with a wealth of mythic imagery, enigmatic symbols and words. In 1958 when Davie had his first solo exhibition at Wakefield Art Gallery, After the Second World War, Davie one of the attendees was the young travelled to Venice and became David Hockney, a student at Bradford influenced by artists, Paul Klee, Jackson College of Art. Davies exhibition Pollock and Joan Miró. Inspired by had a huge influence on Hockney’s Zen Buddhism and once declaring artistic development, changing his that the spiritual path is incompatible style from realist figurative painting to ALAN DAVIE RA with planning ahead, Davie tried to instead colourful, gestural works that Untitled, 2006, 38” x 30” Oil on Canvas 6 7 IAN DAVENPORT 1966

Ian Davenport is an English paint, meaning the viewer can see abstract painter born in Kent, and their own reflection in the work. He studied art at the Northwich College has made a number of diptychs and of Art and Design in Cheshire. In triptychs as well as single works. 1988 Davenport graduated from Goldsmiths College. Some of For the Days Like These exhibition his classmates included Damien at in 2003, Davenport Hirst, , made a thirteen-metre-high mural by and . In the same year, dripping lines of differently coloured he exhibited in the - paint down the wall from a syringe. curated exhibition which In September 2006 he unveiled his first brought together many of the largest public commission to date later-to-be . on Southwark Bridge, entitled Poured Davenport’s first solo show was in Lines: Southwark. He painted the 1990 and in the same year he was West End Wall of the University of included in the British Art Show. Oxford Department of Biochemistry. In 1991, he was nominated for the annual . Stylistic comparisons have been made between Davenport’s work Many of Davenport’s works are and those of Bridget Riley, Helen made by pouring paint onto a tilted Frankenthaler and . surface and letting gravity spread the paint over the surface. He has The first monograph dedicated usually worked on medium-density to Davenport was published in fibreboard rather than canvas, and 2014, launched with a show, most often employs household gloss “Colourfall” in London.

ALAN DAVIE Bird Catcher, Circa 1960 Oil on canvas

combined abstraction with coded of these key figures of post-war British text and symbolism. In 2019 David painting, revealing their similarities Hockney, who is now known for and shared love of poetry and his record-breaking international art abstraction. The exhibition was set in sales, began an exhibition at the same the 1960s, the exhibition presented an Wakefield gallery. The “Alan Davie exciting moment in British art and the and David Hockney: Early Works” emergence of a radical new art world. exhibition brought together around 45 paintings and works on paper by Alan Davie is a globally renowned artist IAN DAVENPORT Davie and David Hockney, many of who has had nearly 50 exhibitions Household Paint on Aluminium which had not been seen publicly for worldwide, and is work is held in 38” x 40” decades. It showed the parallel paths numerous collections worldwide.

8 9 DAVID TINDLE RA b1932

A traditionalist, Tindle’s works are classed Tindle shared his knowledge of art, by as timeless. Although classical in style, and teaching throughout his career as an artist, somewhat traditional in content, on closer at various schools including the Hornsey inspection, his work is full of unexpected College of Art and Byam Shaw School symbolism. Often, the focus, is a window, of Art from 1959 to 1974. In 1972 he a door, a table or a chair, each one a was appointed visiting tutor at the Royal metaphor. Born in Huddersfield, Tindle College of Art, where he remained until studied at the Coventry School of Art 1983. He was elected Royal Academician from 1945 to 1947, and is one of the finest in 1979 (ARA 1973) and was made a Fellow figurative painters of his generation. He of the in 1981. He went is an uncommonly exquisite painter of on to be made Ruskin Master of Drawing people, still lifes, and landscapes. at Oxford University from 1985 to 1987. It is clear to see that Tindle is a respected Tindle had his first exhibition in 1954 and celebrated artist and teacher. at the Piccadilly Gallery, London. Tindle who now lives and works in Italy, found His many exhibitions include the John stardom in the early 1950s at the Moores ‘Liverpool Exhibition’, ‘British Huddersfield Art Gallery, where critics Painting 74’ Hayward Gallery, London, likened his skills to that of Prunella Clough, and ‘25 Years of British Painting’, Royal Francis Bacon, Lucian Freud and Keith Academy of Art. More recently his work Vaughan, of whom Tindle had spent time has been displayed at Tate Gallery, with. London, National Portrait Gallery, London, and Coventry City Art Gallery. His work is Tindle’s paintings have an extraordinary regularly exhibited at the Royal Academy presence. There is a sacramental feel Summer Shows’ in London. about how he arranges the objects in IAN DAVENPORT which he paints. His compositions have a Household Paint on Aluminium meditative stillness to them, with each one 40” x 40” containing a sense of mystery and wonder.

Davenport’s works have been watch ‘Wide Acres of Time’. He has exhibited globally, first in London in received numerous commissions the Swansea Workshop and for public installations, most notably currently on exhibit at the Art Plural by Southwark Council to produce Gallery in Singapore. Davenport lives ‘Poured Lines: Southwark Street’, a In 2016 a Jean-Michel Basquiat, and works in London. 48 metre long painting which was sold at Christies for a record breaking completed in 2006 as part of the Davenport is a Patron of Paintings in regeneration of Bankside. Davenport $57.3 million dollars - The seller was a Hospitals, a charity that provides art has explored different mediums for health and social care in , through his commissions, such as New York collector who had bought and Northern Ireland. a hand-painted series of porcelain it just 12 years earlier for $4.5 million plates in collaboration with Meissen, In 2017, Davenport was invited to commissioned by South London Source: artnet produce a pavilion for the 57th Venice Gallery in 2016. In November of the Biennale for Swatch. Davenport same year, Davenport designed a painted the large-scale installation special edition bag for Christian Dior’s ‘Giardini Colourfall’ and, to coincide Lady Art project. with this, designed the limited edition

10 11 DAVID TINDLE RA Landscape, 1958 Acrylic on canvas

DAVID TINDLE RA Interior I, Circa 1980’s Acrylic on canvas

12 13 SIR EDUARDO LUIGI PAOLOZZI RA 1924-2005

Eduardo Paolozzi was one of the most It was in that Paolozzi also produced inventive and prolific British artists who rudimentary from advertisements came to international prominence in American glossy magazines, the soon after the Second World War. Born lurid covers of cheap novelettes, and in Scotland, he studied at Edinburgh illustrations from scientific books. Inspired College of Art, and the Slade School of by Dada photomontage, they were made Art, 1944-1947. chiefly for his own amusement, and only shown to friends some years later. Today Chiefly a sculptor, Eduardo Paolozzi was they are regarded as important early also a unique printmaker; His examples of . based silk-screened images are among the finest examples of pop art – a style he He established his studio in Chelsea, and was instrumental in shaping. A much later, jointly launched Hammer Prints Limited, iconic example of Paolozzi’s work is his a design company producing wallpapers, mosaic designs for Tottenham Court Road textiles and ceramics, and in 1952 was Underground Station, produced in 1982. a founder of the ‘Independent Group’, widely regarded as the forerunner of both The outstanding quality of Paolozzi’s work the UK and US Pop Art Movements. as a student was immediately recognised, and in 1947 he was given a one-man He always described his own work as exhibition at the Mayor Gallery, London. Surrealist Art. His works are very cubist in style. By then Paolozzi had moved to Paris, armed with letters of introduction to — EDUARDO LUIGI PAOLOZZI RA established artists, Brancusi, Braque, and After , 1997 Giacometti. Plaster relief ˜ EDUARDO LUIGI PAOLOZZI RA For Leonardo, 1986 Iron, 150 x 680 x 400 cm

London, in March 2017, ten world auction records were set in the Post-War and Contemporary Art Evening Auction, as the combined total for 20th Century at Christie’s passed the £250 million mark.

Source: Christies

His large bronze sculptures are Paolozzi taught sculpture and ceramics architectural and large-scale figurative at several institutions, in Germany, with works are reminiscent of mechanical which he had a long, creative association, robots. To counter that his prolific plaster the United States, and at the Royal College works are much softer in appearance, of Art, London. often cast involving the use of found objects, and machine parts. Paolozzi often His work is held in important public and regarded the plaster as the final work and private collections, world wide, and The most of these plasters were never intended , London, presented for editioning, or further casting. a major retrospective of his work in 2017.

14 15 ADRIAN HEATH 1920-1992

Heath was a leading figure in the British RAF as a tail gunner during the Second Constructivism Movement of the 1950s. World War. He spent almost its entirety as a Born in Burma, Heath went on to school POW and it was here he befriended fellow in Dorset, England, and later found his POW Sir , whom he taught to interest in art when he worked underneath paint and who also went on to become a renowned artist and founding member of highly acclaimed abstract artist. the influential Newlyn school of painters, in 1938. After the war, Heath visited St Ives where he met , and it’s during He studied at the Slade School of Art until this period that he also worked alongside 1947, only taking a break to enroll into the fellow artists and Anthony

ADRIAN HEATH Untitled, 1967 Mixed media on paper

ADRIAN HEATH Cassien, 1982-83 Oil on canvas

Hill, and so became the common link Considered both a Collagist, and a Constr- between the St Ives School and an emerging uctivist, Heath remained European in his Constructivism Movement. outlook, and one can see influences of Nicolas De Stael and Serge Poliakoff in his early Heath often used his own London studio paintings. Towards the end of the 50’s his style in Fitzrovia to organise groundbreaking shifted from abstraction to semi-abstraction, exhibitions with his fellow artists, and helped and he began referencing more organic forms. organise the first post-war show of Abstract From the 60’s we can see a more distinct Art at the AIA Gallery in 1951. His passion led use of figurative work, and a more fluid style. to the publication of an essay, Abstract Art: Its There remained a poetic geometry to his work origin and meaning, in 1953. for the remainder of his career.

A man with a social conscience, he was also Heath’s work is held in important public and a generous and gifted teacher and taught private collections, and his work has been throughout his career, his longest post, at exhibited globally, including, Tate Gallery, Bath Academy of Art, 1955 - 1976. During this London, Brooklyn Museum, New York, period he was also artist in residence at the Goteborgs Kontsmuseum, Sweden, National , in 1969. Gallery of Victoria, Melbourne.

16 17 JOHN HOYLAND RA Sales in the world art market reached 1934-2011 at least $45 billion dollars in the past year. Hoyland is one of Britain’s leading abstract Born in Sheffield, Yorkshire, he went to Source: Art Market Report TEFAF painters, a giant in his field. A modern Sheffield College of Art then the Royal British master, and as a colourist working Academy Schools in London from 1956- in abstraction, Hoyland is unmatched. 1960. “Paintings are to be experienced, His colour palettes are both daring and they are events”, said Hoyland. alluring.

JOHN HOYLAND RA Untitled, Circa 1970’s ADRIAN HEATH Acrylic on cotton duck Untitled, Circa 1980’s Oil on canvas

18 19 TITLE OF PIECE, 2015 JOHN HOYLAND RA 152x152 cm He famously disliked the ‘abstract’ painter Hoyland became an influential teacher, Acrylic on canvas label. In Andrew Lambirth’s biography, he is and schools included Chelsea School quoted saying that it is “just too abstract a of Art, St Martin’s, the Royal Academy JOHN HOYLAND RA word. It smacks always of geometry to me, Schools and the Slade. Amongst many Untitled, Circa 1970’s of rational thought. There’s no geometry, distinctions were, John Moores Painting Acrylic on cotton duck there’s no rectangles in nature, no real Prize in 1982, and the Royal Academy’s straight lines. There’s only the circle” For Wollaston Award in 1988. Hoyland, it was all about emotion. Hoyland’s works are held in many public Hoyland travelled to America where he and private collections throughout the met with artists, Rothko, Newman and world, including the Tate Gallery, and his Motherwell, with whom he became great work has been exhibited widely, at home friends. Their individual styles can often be and abroad. seen in his work. In the 1960s, Hoyland’s work was characterised by high-key Damien Hirst has one of the biggest colour and simple shapes. He held his private collections of his work, and in first one-man show at the Marlborough 2015, he chose Hoyland as the artist for New London Gallery in 1964 - His first the inaugural show at his Newport Street solo museum show at the Whitechapel Gallery. Art Gallery in 1967 was curated by Bryan Robertson, who is known as ‘the greatest Hoyland was elected to the Royal Academy Director the Tate Gallery never had’. in 1991 and was appointed Professor of Painting at the Royal Academy Schools in In the 1970s his paintings became more 1991. The National Portrait Gallery holds textured, inspired by Hans Hofmann, he portraits of the artist in its collection. used vibrant blocks of colour, poured, splattered, brushed and applied with a palette knife.

I took advice from none but the best. I listened, how I listened! That’s how I finally became my own expert.

Peggy Guggenheim

20 21 SIMEON STAFFORD British, 1956

Simeon Stafford was born in 1956, in While Stafford’s paintings share a visual Duckinfield, a small northern town simplicity with Lowry’s iconic northern bordering the Pennines. He was street scenes, his reference points are far introduced to L.S.Lowry after winning the removed from the industrial backgrounds Robert Owen School Award for Art and of where they both grew up. Conversely, the Manchester News Portrait Award, his relocation to Cornwall gave Stafford’s who then became a friend of the family work a defining, alternative mood – both and encouraged him to study art. liberated from the muggy northern towns whilst also painting in recognition of In 1972 and 1973, he studied at Hyde Lowry’s bustling crowds. Furthermore, it College and in 1974, became a was in Cornwall where he met and was professional artist and exhibited his work influenced by notable St. Ives painters in mixed exhibitions throughout the such as Sir Terry Frost and Patrick Heron. north of England and London. His work Stafford’s work can be seen as the at this time reflected the gritty northern confluence of Lowry’s simple and naive landscape and characters in what has approach coupled with the vibrancy and been called a primitive style. In 1996 jocularity of the Cornish artists. Stafford moved to Cornwall where he met the artists Terry Frost and Patrick In recent years, Staffords paintings have Heron, whose colour and light had a become yet more sought after and are great impact on him. now in private collections worldwide. Most noticeable Her Majesty has one Simeon continues to have successful of his paintings of the Mall, and Richard exhibitions in London and Cornwall. In Curtis and Tony Blair both have his works 2001 his work was included in the Royal in their own collections. Academy Summer exhibition. SIMEON STAFFORD St. Michaels Mount Oil on canvas

SIMEON STAFFORD Unitled, 2015 Oil on canvas

SIMEON STAFFORD Unitled, 2008 22 Oil on canvas 23 FREQUENTLY ASKED QUESTIONS

If I decide to collect art with a view to insure artwork for collectors. Any of our make money, how long will I need to hold clients are welcome to make their own it for? arrangements for storage at a facility of To get the best results from this market, their choice. It is important to note that our consultants here at Frederick Charles some storage companies will charge would recommend a hold of at least 3-5 separately for insurance, so always make years to help achieve the best results, as certain that any artworks stored are prices of art can go up or down. Long- insured for piece of mind. We also have term holds avoid the disappointment of storage facilities that we would be happy short-term fluctuations in the market. to recommend, our dedicated team are also able to make the arrangements on Are there any tax advantages of buying art? your behalf. For more information on Although there can be tax benefits when storage and insurance, please feel free to buying artworks, Frederick Charles Art contact a member of staff. would always recommend getting advice from a tax specialist, as it can depend on Is there a way I can independently verify an individuals activity in the markets. the quality of the artwork I am buying? Yes, our artworks are by established artists Can I have the artwork sent to my home? and in most cases you will be able to cross- Yes, by all means a client is entitled to take reference on national websites. A good possession of their artwork(s). A great deal starting point for viewing artists works, AUCTION RESULTS of pleasure can be obtained from being is on the BBC website ‘Your paintings’. able to display the piece in ones home Here you’ll see the national collection and and give pride of ownership. However, it is examples of works by the artists that we Morgan O’Driscoll Fine Art Auctioneers : Sothebys : 13th September 2017 important to note, when taking possession work with. http://www.bbc.co.uk/arts/ 14th April 2020 ADRIAN HEATH (1920 - 1992) of art it is crucial that the piece is insured. yourpaintings SIMEON STAFFORD (1959) HILLHEAD It may be that the standard household THE PINK ELEPHANT RIDE Gouache on Paper, Size: 24.5” x 19.5” insurance is not sufficient to cover the How do I know that I am getting an Oil on Canvas, 36” x 48” Estimated £1,500 - £2,500 piece depending on its value. authentic work of art? Estimated €1,000 - 1,500 Sold £4,000 At Frederick Charles Art, we pride ourselves Sold €4,000 If I do not want the art at home, what is on our reputation and transparency, so we Sothebys : 18th September 2019 the alternative? guarantee the authenticity of all the art Sothebys : 27th May 2020 SIR EDUARDO PAOLOZZI (1924-2005) NEWTON AFTER BLAKE There are plenty of specialist storage that we sell. ALAN DAVIE (1920 - 2014) FISH LOVES DOG Plaster Sculpture, 9” facilities across the UK that handle and Oil on Paper, 21” x 29” Estimated £600 - £800 Estimated £2,000 - £3,000 Sold £3,500 Sold £13,750 Phillips : 14th February 2020 Sothebys : 10th September 2019 IAN DAVENPORT (1966) ALAN DAVIE (1920 - 2014) UNTITLED DOGGING AROUND Oil on Canvas, Size: 84” x 84” Watercolour and Acrylic on Paper, 22” x 30” Estimated £8,000 - £12,000 Estimated £8,000 - £12,000 Sold £51,250 Sold £20,000 Sothebys : 17th March 2020 Sothebys : 20th March 2020 BRIDGET RILEY (1931) ALAN DAVIE (1920 - 2014) OCTOBER 5, REVISION OF AUGUST 11 SWEET EMBRACEABLE Pencil, Gouache on Paper, 33.5” x 22” Oil on Canvas, 40” x 48” Estimated £60,000 - £80,000 Estimated £25,000 - £35,000 Sold £125,000 Sold £43,750 Bonhams : 27th May 2020 Sothebys : 10th September 2019 John Hoyland (1934 - 1981) ADRIAN HEATH (1920 - 1992) TABANKA. Acrylic on Canvas, 40” x 35” COMPOSITION - BLACK & OCHRE WITH BLUE Estimated £6,535 - £9,803 Oil on Canvas, 36” x 40” Sold £20,485 Estimated £25,000 - £35,000 Sold £72,500 24 25 FREDERICK CHARLES ART 41 Station Approach Hayes, Bromley BR2 7EB

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WILLIAM GEAR RA Figure Composition, Sculpture Project, 1953 Oil on canvas