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THE ALLNITERS Will Always Be Remembered for Their Big Sound, Cracking Tunes and Eccentric Exuberance
THE ALLNITERS will always be remembered for their big sound, cracking tunes and eccentric exuberance. Mischievous and a little bit cheeky, they’re the most successful ska act in Australian history and they’re back: bigger, bolder and brassier than ever after over 30 years, proving once and for all that THE ALLNITERS are Allriters … and evidently ska’d for life. It all began back in 1980 when a group of eight lads and one rude girl gravitated towards charismatic founding member Marty Fabok as the inner-city mod scene was percolating. They nattered, laughed and riffled through their favourite reggae, blues; disco, Jamaican blue beat and rock steady vinyl collections. Jaunty brass and tight rhythm sections were forged and THE ALLNITERS had officially arrived, donning their porkpie hats, braces and Doc Martens and chomping at the bit to burn up the live circuit with upbeat rhythms, walking bass-lines and contagious jocularity. The band cut its teeth as a live act at Sydney’s legendary Sussex Hotel and went on to become one of the hardest touring acts in the country. Attendance records were broken, as were stages, with audience members sometimes storming the stage to out-number the band, egged on by those spilling out the doors, thus threatening structural collapse. Regardless, THE ALLNITERS never failed to amuse, with hysterical, quick-witted onstage banter between vocalists Peter Travis and Brett Pattinson rivaling that of The Two Ronnie’s. The band rapidly became as renowned for their energetic sense of playfulness as for their larger than life new wave sound. -
Lobby Loyde: the G.O.D.Father of Australian Rock
Lobby Loyde: the G.O.D.father of Australian rock Paul Oldham Supervisor: Dr Vicki Crowley A thesis submitted to The University of South Australia Bachelor of Arts (Honours) School of Communication, International Studies and Languages Division of Education, Arts, and Social Science Contents Lobby Loyde: the G.O.D.father of Australian rock ................................................. i Contents ................................................................................................................................... ii Table of Figures ................................................................................................................... iv Abstract .................................................................................................................................. ivi Statement of Authorship ............................................................................................... viiiii Acknowledgements ............................................................................................................. ix Chapter One: Overture ....................................................................................................... 1 Introduction: Lobby Loyde 1941 - 2007 ....................................................................... 2 It is written: The dominant narrative of Australian rock formation...................... 4 Oz Rock, Billy Thorpe and AC/DC ............................................................................... 7 Private eye: Looking for Lobby Loyde ......................................................................... -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
To Organised Crime Groups: Doorstep Fraud of Older Adults
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by LSE Research Online FROM 'ROGUE TRADERS' TO ORGANISED CRIME GROUPS: DOORSTEP FRAUD OF OLDER ADULTS Coretta Phillips Abstract This paper explores fraudulent acts by offenders who target and pressurize older adults ‘on the doorstep’ to have property repairs, often misrepresenting themselves as skilled tradesmen, and overcharging for such work. It uses extensive documentary materials from 11 enforcement operations in England together with interviews with trading standards officers and financial investigators. Using Reiner’s (2000) Necessary Conditions of Crime framework illustrates the dynamics of doorstep fraud – from ‘low-value’ crimes to incidents of grooming and repeated victimization to the actions of organized crime groups often involving money laundering. The paper’s contribution is a focus on a relatively understudied but vulnerable demographic group in criminology, and in highlighting the investigation practices of non-constabulary law enforcement officers who have not been the subject of empirical study in criminology. Key words fraud, older adults, trading standards officers, organised crime, policing Introduction A videoed interview of Rita, an 89-yr old white woman shows a physically frail woman, apprehensive, frequently tugging at her cardigan sleeves, initially asking the police officers, 'Have you come to see if I’ve been up to any mischief?' The bespectacled woman sits in an old-fashioned armchair, her eyes darting around the room, which reveals a patterned carpet, chintz wallpaper, and an antique cabinet in the corner. Throughout the short interview, Rita laughs nervously, twice telling officers that she cannot remember as her brain is 'squashed', and plaintively asking whether her answers have sent the officers mad. -
[Warning - This Film Contains Nudity and References to Drugs]
[Warning - This film contains nudity and references to drugs] [What A Life! Rock Photography by Tony Mott - a free exhibition until 7 February 2016. Solid Gold - Jeff Apter & Philip Morris, Metcalfe Theatre, State Library of NSW, 5th December 2015] [Dressed in a black shirt and dark jeans, grey-haired Philip Morris sits beside his interviewer Jess Apter, a bald man dressed casually] [JEFF APTER] Thank you. Before starting, I want to say I was really fortunate to be able to work with Philip on this book. [Jeff Apter holds up a coffee table book] [JEFF APTER] And it was one of the more interesting exercises, wasn't it? Because we were given a directive to come up with... Was it 200 photos? ..for this book. [PHILIP MORRIS] That's right. [JEFF APTER] And Philip's archive is so fantastic and so rich, that I think we got it down to, what, 600? [PHILIP MORRIS] Yeah. [Audience laughs] [JEFF APTER] Was it 600 to start with? It was something like that. And it's staggering, really. It's a really great document of Australian rock history at a really interesting turning point. So to get it down to this... It's begging for a second edition, by the way. There's so many great photos. So it was a real honour to be able to... to do that. It was a lot of fun. [PHILIP MORRIS] Yeah, it was. [JEFF APTER] We actually had built into our contract... Our agreement was an understanding that we would never work in a boring situation. -
Countdown and Cult Music Television Programmes
Giuffre, Liz Countdown and Cult Music Television Programmes Countdown and cult music television programmes: an Australian case study Liz Giuffre Abstract Music television programs, programs that focus on music for their core content, have been produced all over the world for all types of markets. However there remains little sustained work on them beyond studies of key production periods, franchise waves or biography-like narratives. This article shows that theories of Cult TV can be applied to music television programs to help explore this neglected form, as well as helping to expand Cult TV’s theoretical reach beyond its traditional fare of narrative driven, fiction series. This article offers 1970s and ‘80s Australian music television program Countdown as a prime example of Cult TV, first in the context of its initial production and consumption in 1970s and ‘80s Australia, and also in terms of its subsequent influence on contemporary audiences from a historical perspective. The Cult TV frame extends to the program itself in its original incarnation, as well as additional recontextualisations in new music television programs, and the continued work of its former host, Ian ‘Molly’ Meldrum. Introduction1 Music television is an unusual type of programming. It provides both regular entertainment that is watched intensely while on air, and produces key moments that survive well in audience collective memory. ‘Live’ music performance and interview series Countdown remains an icon of the Australian television and music industries.2 Created by the national public service broadcaster, the Australian Broadcasting Corporation (ABC),3 the show was broadcast from 1974 to 1987 on Sunday evenings and was highly influential with television audiences and the broader music industry.4 Countdown provided opportunities for music artists and audiences to engage with each other in a way that had not previously been possible. -
Women in Public Sector Leadership Online Summit 2020
WOMEN IN PUBLIC SECTOR LEADERSHIP ONLINE SUMMIT 2020 Back yourself for success 25TH - 28TH AUGUST A completely online CHARITY and recorded summit PARTNER: for your convenience. WOMEN IN PUBLIC SECTOR LEADERSHIP ONLINE SUMMIT 2020 25TH - 28TH AUGUST Now is the time. There are more opportunities for success than ever. But you have to back yourself. Take risks. Grow your network. Get noticed. Be Bold. The Women in Public Sector Leadership Online Summit 2020 is bringing together public sector leaders to share their journeys, both failures and successes with one aligned goal - To empower women to believe in themselves, put their hand up for opportunities and take their seat at the leadership table. Carrie Bickmore - Women in Leadership Summit 2019 Key Benefits of Attending Develop an executive Become an authentic leader and Identify opportunities and take management toolkit and stay true to your values risks to get ahead in your career roadmap Become an advocate for women Comfortably deal with Develop the infrastructure for in your organisation and help difficult situations and hard equality and strategies that open doors conversations work! www.theleadershipinstitute.com.au 2 WOMEN IN PUBLIC SECTOR LEADERSHIP ONLINE SUMMIT 2020 25TH - 28TH AUGUST This event is entirely online! LIVESTREAM WHAT YOU’LL NEED: Computer and stable internet Login details will be provided connection Quiet room or office Interaction with delegates recommended for best and speakers throughout the experience event via event app Pricing: Almost half the value of these events is meeting the speakers and networking with your peers. The other half is learning from our inspirational speakers. -
Advance Praise for Something to Believe In
Advance praise for Something To Believe In ‘Andrew Stafford’sSomething To Believe In is quite an achievement. It’s all here: part tragicomic tale of a fanboy writer struggling to translate his primal affair with music into a “real” job; part exco- riating account of his ride from adolescence to adulthood and self-discovery; and part blossoming tale of love and forgiveness. Written with great humanity and girded by a soundtrack to die for – which he almost did on more than one occasion – this memoir is a punchy, unputdownable must-read.’ PETER GARRETT ‘A pulsing, rattling jukebox of a music memoir. Drop a coin, find your sound. Rock and punk and pop; the rock bottom and the very top. Love, family, sorrow, pain; the birds, the blues, the brain. A pull out your heart and feed it to anyone rock & roll sock to the core, Something To Believe In is a soaring, sweat-soaked tribute to life’s two great miracles: music and waking up each day to hear it.’ TRENT DALTON ‘Lyrical, wise and full of wonder. Andrew Stafford strips himself bare with courage, candour, and vulnerability.’ TRACEY SPICER ‘Andrew Stafford takes us on an exhilarating ride through his life as birdwatcher, cab driver, roadie, son, lover and writer. His astute and insightful observations on music and politics in Brisbane in particular from the late eighties provide a stunning backdrop to this personal expression of his life story.’ LINDY MORRISON ‘This beautifully written book reminded me of how much music helps us navigate through life, in all its complicated glory.’ MYF WARHURST Andrew Stafford is a freelance journalist and the author of Pig City: From The Saints To Savage Garden, a musical and political history of Brisbane first published in 2004. -
Dogs in Space Tail Credits
Title: For Christine Introducing MICHAEL HUTCHENCE as Sam SASKIA POST as Anna DEANNA BOND as The Girl NIQUE NEEDLES as Tim TONY HELOU as Luchio CHRIS HAYWOOD as Chainsaw Man Also with Anthony Peter Walsh Clare Laura Swanson Grant Adam Briscomb Leanne Sharon Jessop Nick Edward Clayton-Jones Mark Martii Coles Charles Chuck Meo Jenny Caroline Lee Barbara Fiona Latham Erica Stephanie Johnson Barry Gary Foley Lisa Glenys Osborne Anna's Girlfriends Allanah Hill Robyn McLellan Skinhead Troy Davies Leanne's Brothers John Murphy Troy Davies Owen Roberson Stacey Helen Phillips Chainsaw Woman Kelly Hoare Chainsaw Baby Robyn Lowenstein The Dealer Robert Ratti Sam's Mother Barbara Jungwirth Hardcore Hippie Beamish Elliot Policemen Noel Pennington Ted Fahrner Grant's Girls Michelle Bennett Lian Lunson Crazy George George Maleckas Pierre Hugo Race Terry Towelling Man Joe Camilleri Sales People Liz Meyers Tim McLaughlan Mount Waverley Mum Lillian Wilson Champion Girls Emma Di Clario Sybil Gibb TV Interviewer Helen Gianevsky Anna's Mum Jean Osborne Countdown Announcer Gavin Wood 3RRR D. J. Bohdan and Martha Butler, Kate Doherty, Harriet Freeman, Kelly Gallagher, Angela Howard, Tim Millikan, Marie Hoy, John Murphy, Sarah Newsome, Ollie Olsen, Miriam Smith, Miles Standish and Noah Taylor THE BANDS 'Dogs in Space' 'Whirlywirld' Edward Clayton-Jones Arnie Hanna Michael Hutchence David Hoy Chuck Meo John Murphy Nique Needles Ollie Olsen Glenys Osborne 'Too Fat To Fit Through the Door' 'Thrush and the C...S' Marcus Bergner Denise Grant Marie Hoy Marie Hoy John -
SYLLABUS Music 15
SYLLABUS Music 15 – Australian Popular Music Winter 2019 Lecture: Thursday 6:30-9:20pm, SOLIS 107 Final Exam: March 19th, 7pm Professor: Fiona Digney – [email protected] Office Hours: Fridays 2:00–5:00pm, or by appointment, CPMC 155 Teaching Assistants: Berk Schneider - [email protected] Sections: A01 (Monday 10:00am CPMC 136) A02 (Monday 11:00am CPMC 136) Office Hours: TBD Barbara Byers - [email protected] Sections: A03 (Wednesday 11:00am, CPMC 136) A04 (Wednesday 12:00pm, CPMC 136) Office Hours: TBD Juliana Gaona - [email protected] Sections: A05 (Friday 10:00am CPMC 145) A06 (Friday 11:00am CPMC 145) Office Hours: TBD Stephen De-Filippo - [email protected] Sections: A07 (Friday 12:00pm CPMC 145) A08 (Friday 1:00pm CPMC 145) Office Hours: TBD General Overview For a very large country with a relatively small population, Australian popular musicians have had great success worldwide. From ACDC, Skyhooks, Midnight Oil, Jimmy Barnes, and Kylie Minogue, to Temper Trap, Pendulum, Tame Impala, Sia, and Vance Joy, Australians have set out to change the history of music. This course will explore the political and social landscapes that made way for, and were created by these artists, including the Whitlam government initiatives, Triple J radio station, pub rock, and the culture of mateship. Prerequisite: None. Assessment 15% Attendance, preparation, and participation Attendance will be taken at all discussion sections. It is expected you have read and listened to all required materials. Arrive prepared to contribute in discussions. 30% Quizzes Three short quizzes are to be completed online through TritonED. They will be administered weeks four (due: February 3rd), six (due: February 17th), and eight (due: March 3rd). -
"Weird Al" Yankovic
"Weird Al" Yankovic - Ebay Abba - Take A Chance On Me `M` - Pop Muzik Abba - The Name Of The Game 10cc - The Things We Do For Love Abba - The Winner Takes It All 10cc - Wall Street Shuffle Abba - Waterloo 1927 - Compulsory Hero ABC - Poison Arrow 1927 - If I Could ABC - When Smokey Sings 30 Seconds To Mars - Kings And Queens Ac Dc - Long Way To The Top 30 Seconds To Mars - Kings And Queens Ac Dc - Thunderstruck 30h!3 - Don't Trust Me Ac Dc - You Shook Me All Night Long 3Oh!3 feat. Katy Perry - Starstrukk AC/DC - Rocker 5 Star - Rain Or Shine Ac/dc - Back In Black 50 Cent - Candy Shop AC/DC - For Those About To Rock 50 Cent - Just A Lil' Bit AC/DC - Heatseeker A.R. Rahman Feat. The Pussycat Dolls - Jai Ho! (You AC/DC - Hell's Bells Are My Destiny) AC/DC - Let There Be Rock Aaliyah - Try Again AC/DC - Thunderstruck Abba - Chiquitita AC-DC - It's A Long Way To The Top Abba - Dancing Queen Adam Faith - The Time Has Come Abba - Does Your Mother Know Adamski - Killer Abba - Fernando Adrian Zmed (Grease 2) - Prowlin' Abba - Gimme Gimme Gimme (A Man After Midnight) Adventures Of Stevie V - Dirty Cash Abba - Knowing Me, Knowing You Aerosmith - Dude (Looks Like A Lady) Abba - Mamma Mia Aerosmith - Love In An Elevator Abba - Super Trouper Aerosmith - Sweet Emotion A-Ha - Cry Wolf Alanis Morissette - Not The Doctor A-Ha - Touchy Alanis Morissette - You Oughta Know A-Ha - Hunting High & Low Alanis Morrisette - I see Right Through You A-Ha - The Sun Always Shines On TV Alarm - 68 Guns Air Supply - All Out Of Love Albert Hammond - Free Electric Band -
CX 23 Countdown 30-41
FEATURE BACK TO THE FUTURE WITH CX had trouble keeping away when far too many of the old bands we once worked with were dusted off and shown off with brand new production values. Julius Grafton went way down memory lane….. 30 CX 15 NOVEMBER 2006 pectacular it was, and value for money at almost four hours running Stime. Countdown kicked off at 7.30 with John Paul Young singing alone on the thrust stage and a bunch of dance students doing a 2006 version of the Countdown TV show audience - hands outreached, hair akimbo. Half way through ‘Yesterdays Hero’ the rear revolve produces the house band whose work will back most of the acts. There was the voice from the box, Gavin Wood who bantered effortlessly with host Ian ‘Molly’ Meldrum. Molly was the reason Countdown was such a central part of the music industry for two decades, and he is the reason that Michael Gudinski’s Frontier Touring show worked so well. In the first fifteen minutes there were four acts rolled out, looking and sounding as good as the house band and a professional production could make them. Within the first half hour there was rock greatness with the likes of Choirboys showing that you can still manage a long career and play like you mean it. There was cheese, courtesy of the irrepressible Brian Mannix of the Unfunny X-Men, and there was deja-vu with Cheetah, the sister act that came on looking quite fabulous. Real star quality emerged early with Leo Sayer who managed to engage with a female member of the audience, undo Introducing the new WMS400 wireless system from her hair and lay her on the floor of the AKG, which combines ease of use and innovative stage for a kiss, without missing a line of technology with these additional key features and the ballad.