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Rome: a Pilgrim’S Guide to the Eternal City James L
Rome: A Pilgrim’s Guide to the Eternal City James L. Papandrea, Ph.D. Checklist of Things to See at the Sites Capitoline Museums Building 1 Pieces of the Colossal Statue of Constantine Statue of Mars Bronze She-wolf with Twins Romulus and Remus Bernini’s Head of Medusa Statue of the Emperor Commodus dressed as Hercules Marcus Aurelius Equestrian Statue Statue of Hercules Foundation of the Temple of Jupiter Optimus Maximus In the Tunnel Grave Markers, Some with Christian Symbols Tabularium Balconies with View of the Forum Building 2 Hall of the Philosophers Hall of the Emperors National Museum @ Baths of Diocletian (Therme) Early Roman Empire Wall Paintings Roman Mosaic Floors Statue of Augustus as Pontifex Maximus (main floor atrium) Ancient Coins and Jewelry (in the basement) Vatican Museums Christian Sarcophagi (Early Christian Room) Painting of the Battle at the Milvian Bridge (Constantine Room) Painting of Pope Leo meeting Attila the Hun (Raphael Rooms) Raphael’s School of Athens (Raphael Rooms) The painting Fire in the Borgo, showing old St. Peter’s (Fire Room) Sistine Chapel San Clemente In the Current Church Seams in the schola cantorum Where it was Cut to Fit the Smaller Basilica The Bishop’s Chair is Made from the Tomb Marker of a Martyr Apse Mosaic with “Tree of Life” Cross In the Scavi Fourth Century Basilica with Ninth/Tenth Century Frescos Mithraeum Alleyway between Warehouse and Public Building/Roman House Santa Croce in Gerusalemme Find the Original Fourth Century Columns (look for the seams in the bases) Altar Tomb: St. Caesarius of Arles, Presider at the Council of Orange, 529 Titulus Crucis Brick, Found in 1492 In the St. -
California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE The Palazzo del Te: Art, Power, and Giulio Romano’s Gigantic, yet Subtle, Game in the Age of Charles V and Federico Gonzaga A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Interdisciplinary Studies with emphases in Art History and Political Science By Diana L. Michiulis December 2016 The thesis of Diana L. Michiulis is approved: ___________________________________ _____________________ Dr. Jean-Luc Bordeaux Date ___________________________________ _____________________ Dr. David Leitch Date ___________________________________ _____________________ Dr. Margaret Shiffrar, Chair Date California State University, Northridge ii ACKNOWLEDGEMENTS I would like to convey my deepest, sincere gratitude to my Thesis Committee Chair, Dr. Margaret Shiffrar, for all of her guidance, insights, patience, and encourage- ments. A massive "merci beaucoup" to Dr. Jean-Luc Bordeaux, without whom completion of my Master’s degree thesis would never have been fulfilled. It was through Dr. Bordeaux’s leadership, patience, as well as his tremendous knowledge of Renaissance art, Mannerist art, and museum art collections that I was able to achieve this ultimate goal in spite of numerous obstacles. My most heart-felt, gigantic appreciation to Dr. David Leitch, for his leadership, patience, innovative ideas, vast knowledge of political-theory, as well as political science at the intersection of aesthetic theory. Thank you also to Dr. Owen Doonan, for his amazing assistance with aesthetic theory and classical mythology. I am very grateful as well to Dr. Mario Ontiveros, for his advice, passion, and incredible knowledge of political art and art theory. And many thanks to Dr. Peri Klemm, for her counsel and spectacular help with the role of "spectacle" in art history. -
Treaty Between the Holy See and Italy
TREATY BETWEEN THE HOLY SEE AND ITALY IN THE NAME OF THE MOST HOLY TRINITY Whereas: The Holy See and Italy have recognized the desirability of eliminating every existing reason for dissension between them by arriving at a definitive settlement of their reciprocal relations, one which is consistent with justice and with the dignity of the two Parties and which, by assuring to the Holy See in a permanent manner a position in fact and in law which guarantees it absolute independence for the fulfilment of its exalted mission in the world, permits the Holy See to consider as finally and irrevocably settled the “Roman Question”, which arose in 1870 by the annexation of Rome to the Kingdom of Italy under the Dynasty of the House of Savoy; Since, in order to assure the absolute and visible independence of the Holy See, it is required that it be guaranteed an indisputable sovereignty even in the international realm, it has been found necessary to create under special conditions Vatican City, recognizing the full ownership and the exclusive and absolute power and sovereign jurisdiction of the Holy See over the same; His Holiness the Supreme Pontiff Pius XI and His Majesty Victor Emanuel III King of Italy have agreed to conclude a Treaty, appointing for that purpose two Plenipotentiaries, namely, on behalf of His Holiness, His Eminence Cardinal Pietro Gasparri, his Secretary of State, and on behalf of His Majesty, His Excellency Sir Benito Mussolini, Prime Minister and Head of Government; which persons, having exchanged their respective full powers, which were found to be in due and proper form, have agreed upon the following articles: Art. -
Evaluating the Effects of the Geography of Italy Geography Of
Name: Date: Evaluating the Effects of the Geography of Italy Warm up writing space: Review: What are some geographical features that made settlement in ancient Greece difficult? Write as many as you can. Be able to explain why you picked them. _____________________________________________________________________________________________ _____________________________________________________________________________________________ _____________________________________________________________________________________________ _____________________________________________________________________________________________ _____________________________________________________________________________________________ Give One / Get One Directions: • You will get 1 card with important information about Rome’s or Italy’s geography. Read and understand your card. • Record what you learned as a pro or a con on your T chart. • With your card and your T chart, stand up and move around to other students. • Trade information with other students. Explain your card to them (“Give One”), and then hear what they have to say (“Get One.”) Record their new information to your T chart. • Repeat! Geography of Italy Pros J Cons L Give one / Get one cards (Teachers, preprint and cut a set of these cards for each class. If there are more than 15 students in a class, print out a few doubles. It’s okay for some children to get the same card.) The hills of Rome Fertile volcanic soil 40% Mountainous The city-state of Rome was originally Active volcanoes in Italy (ex: Mt. About 40% of the Italian peninsula is built on seven hills. Fortifications and Etna, Mt. Vesuvius) that create lava covered by mountains. important buildings were placed at and ash help to make some of the the tops of the hills. Eventually, a land on the peninsula more fertile. city-wall was built around the hills. Peninsula Mediterranean climate Tiber River Italy is a narrow peninsula—land Italy, especially the southern part of The Tiber River links Rome, which is surrounded by water on 3 sides. -
One Day Visit of the Vatican 1/1 01 July 2013 1
One day visit of the Vatican 1/1 01 july 2013 1 Location : Rome, Italy Description When visiting Rome, you cannot miss visiting the Vatican City/State. Whether a Catholic believer or not, The Vatican is definitly one of the Richest spots in the world in terms of Architecture, decoration and art works. Of course, if you are a Chistian, you add to this wealth the spiritual importance of this holy place. You need to count a full day to visit well the Vatican. I strongly recommend to take teh guided tours proposed on the Vatican website (see links in the recommednations) and in any case, you definitly need to buy the tickets online in order to avoid the huge queue before the Museum entrance. I would also recommend avoiding visits on Sundays since the Museum's visit is free, meaning longer queues, and the closure of the Gardens. Ideally, you should arrive a bit before the opening hours of Saint Peter's Basilica, and start the visit from there, than head up to the museum and finish in the gardens. Dress Code is very important, and you should avois wearing shorts, mini-skirts,... since you will be entering inside holy places. As in every highly touristic place with crowds, be carreful for Pick Pockets. Activities Saint Peter Basilica 1 Saint Peter Basilica, Rome, Italy You simply cannot visit Rome without going to the Vatican, whether Catholic or not. And Saint Peter is definitly one of the most amazing monuments you will visit in your life, besides its holy symbol .. -
Rodolfo Lanciani, the Ruins and Excavations of Ancient Rome, 1897, P
10/29/2010 1 Primus Adventus ad Romam Urbem Aeternam Your First Visit to Rome The Eternal City 2 Accessimus in Urbe AeternA! • Welcome, traveler! Avoiding the travails of the road, you arrived by ship at the port of Ostia; from there, you’ve had a short journey up the Via Ostiensis into Roma herself. What do you see there? 3 Quam pulchra est urbs aeterna! • What is there to see in Rome? • What are some monuments you have heard of? • How old are the buildings in Rome? • How long would it take you to see everything important? 4 Map of Roma 5 The Roman Forum • “According to the Roman legend, Romulus and Tatius, after the mediation of the Sabine women, met on the very spot where the battle had been fought, and made peace and an alliance. The spot, a low, damp, grassy field, exposed to the floods of the river Spinon, took the name of “Comitium” from the verb coire, to assemble. It is possible that, in consequence of the alliance, a road connecting the Sabine and the Roman settlements was made across these swamps; it became afterwards the Sacra Via…. 6 The Roman Forum • “…Tullus Hostilius, the third king, built a stone inclosure on the Comitium, for the meeting of the Senators, named from him Curia Hostilia; then came the state prison built by Ancus Marcius in one of the quarries (the Tullianum). The Tarquin [kings] drained the land, gave the Forum a regular (trapezoidal) shape, divided the space around its borders into building- lots, and sold them to private speculators for shops and houses, the fronts of which were to be lined with porticoes.” --Rodolfo Lanciani, The Ruins and Excavations of Ancient Rome, 1897, p. -
Chrystina HÄUBER FORTVNA: a Research Tool the Archaeological Information System for Ancient Rome
Chrystina HÄUBER FORTVNA: A Research Tool The Archaeological Information System for Ancient Rome The subject on which we will test FORTVNA is the ancient topography of the eastern part of the Mons Oppius (the Esquiline Hill) in Rome between the modern roads of the Via Merulana and the Via Labicana. Building activities of the late nineteenth and early twentieth centuries transformed this hillside and its vineyards into a modern residential quarter. They also revealed a vast number of archaeological finds including sculpture and the remains of a number of ancient buildings not previously visible. It is unknown who commissioned these sculptures, for what buildings they were intended, or what purposes they served because they were not found in situ but were, in most cases, objects re-used as building material. Our partner in the project, Prof. Eugenio La Rocca, the suprintendent of the monuments and museums of the municipality of Rome has provided us with the most important maps of Rome in digital vector format. These plans were digitized for the project "Forma Urbis Romae", which is jointly directed by Prof. La Rocca, by Prof. Adriano La Regina, the archaeological superintendent of Rome, who is also our partner, and others. Whereas one of our aims is to provide access to this data, the other is to teach the user how to interpret it. Some ancient buildings of the area are described in ancient literary sources, but modern commentators do not always agree as to which ones of the structures seen, drawn and described since the Middle Ages should be given names known from ancient authors. -
Spoliation in Medieval Rome Dale Kinney Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2013 Spoliation in Medieval Rome Dale Kinney Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/hart_pubs Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Custom Citation Kinney, Dale. "Spoliation in Medieval Rome." In Perspektiven der Spolienforschung: Spoliierung und Transposition. Ed. Stefan Altekamp, Carmen Marcks-Jacobs, and Peter Seiler. Boston: De Gruyter, 2013. 261-286. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/hart_pubs/70 For more information, please contact [email protected]. Topoi Perspektiven der Spolienforschung 1 Berlin Studies of the Ancient World Spoliierung und Transposition Edited by Excellence Cluster Topoi Volume 15 Herausgegeben von Stefan Altekamp Carmen Marcks-Jacobs Peter Seiler De Gruyter De Gruyter Dale Kinney Spoliation in Medieval Rome i% The study of spoliation, as opposed to spolia, is quite recent. Spoliation marks an endpoint, the termination of a buildlng's original form and purpose, whÿe archaeologists tradition- ally have been concerned with origins and with the reconstruction of ancient buildings in their pristine state. Afterlife was not of interest. Richard Krautheimer's pioneering chapters L.,,,, on the "inheritance" of ancient Rome in the middle ages are illustrated by nineteenth-cen- tury photographs, modem maps, and drawings from the late fifteenth through seventeenth centuries, all of which show spoliation as afalt accomplU Had he written the same work just a generation later, he might have included the brilliant graphics of Studio Inklink, which visualize spoliation not as a past event of indeterminate duration, but as a process with its own history and clearly delineated stages (Fig. -
Passionist2nd-Centenaryofrestoration
2nd CENTENARY OF THE RESTORATION OF THE CONGREGATION Letter of the Superior General on the 2nd CENTENARY OF THE RESTORATION OF THE CONGREGATION: 1814 - 2014 were times in our history when fidelity to the Church’s doctrine and these buildings, including many to the directives of the Pope.” monasteries and convents, were Dear Brothers, Sisters and Friends in desecrated and destroyed by anti- the Passionist Family, religious and anti-church forces – Napoleon was also interested in taking over “the goods of religious in not to mention the persecution of its believers. Such was the situation order to pay for the great economic On my daily walks here in Rome, in the Papal States known as “the debt caused by the war, lodging which I am required to do following complete suppression” by Napoleon soldiers, the increase of bureaucrats my surgery, I often ‘drop-in’ to visit on 3 May 1810 leading to the and for completing public works.” churches and basilicas of which there confiscation of all church is no shortage. And I am often in awe properties, and the disbanding and at the beauty of the art and At the time of the suppression, our displacement of all religious and architecture of these structures, Congregation had been in existence clergy to their places of origin in the many of which were constructed for 90 years and was present in 17 hope that this would bring about centuries ago. They were built as communities – all in Italy. This, in the extinction of the church and “Temples to the glory of God”. -
S T E W a R D S H IP E X a M IN
My journey continues... Written by: Gail Nampel You may remember during the fall of 2014, I shared that I was excited to be on a stewardship journey and invited anyone that felt called, to join me. Recently, my journey took me to Italy and I’m thrilled and honored to share the experience with you. This past December, while doing some work on my computer, I received an email from Mountain Bu- torac ‘The Catholic Traveler’ announcing that he was offering “A Low Season” pilgrimage to Rome and Assisi. A one-week, all-inclusive pilgrimage that included daily Mass at destinations like The Basilica of St. Francis of Assisi, St. Peter’s Basilica in Rome, The Cathedral Basilica of St. Augustine, The Pontifical North American College. Plus, we’d step through six sets of Holy Doors, tour the Basilicas of St. Clare, St Mary Major, St. Paul Outside the Walls, St. John Lateran, the Vatican Museum, attend the Pope’s General Audience on Ash Wednesday, take the Scavi Tour, climb The Holy Stairs at the Chapel Volume of2, IssueSan Lorenzo3 and much, much, more! – This trip was being offered to the first sixteen people that replied…for a price that was FAR less than one might expect! What was there to think about? I’ve been wanting to do this for so long and finally had the opportunity! I immediately replied with a HUGE affirmative! I’m in! I’m going! My fellow pilgrims and I landed at the airport in Rome on Sunday, February 7th at 10:30 AM, boarded a bus and headed to the incredibly picturesque city of Assisi, situated in the slopes of Mount Subasio. -
Section of a Floor Mosaic Depicting Fall
VMFA Resources CLASSROOM ACTIVITY VIRGINIA MUSEUM OF FINE ARTS Section of a Floor Mosaic Depicting Fall Section of a Floor Mosaic Depicting Fall, 3rd–4th century AD Roman Stone and glass tesserae, 70 x 40 in. Adolph D. and Wilkins C. Williams Fund, 51.13 VMFA Resources CLASSROOM ACTIVITY VIRGINIA MUSEUM OF FINE ARTS Object Information Romans often decorated their public buildings, villas, and houses with mosaics—pictures or patterns made from small pieces of stone and glass called tesserae (tes’-er-ray). To make these mosaics, artists first created a foundation (slightly below ground level) with rocks and mortar and then poured wet cement over this mixture. Next they placed the tesserae on the cement to create a design or a picture, using different colors, materials, and sizes to achieve the effects of a painting and a more naturalistic image. Here, for instance, glass tesserae were used to add highlights and emphasize the piled-up bounty of the harvest in the basket. This mosaic panel is part of a larger continuous composition illustrating the four seasons. The seasons are personified aserotes (er-o’-tees), small boys with wings who were the mischievous companions of Eros. (Eros and his mother, Aphrodite, the Greek god and goddess of love, were known in Rome as Cupid and Venus.) Erotes were often shown in a variety of costumes; the one in this panel represents the fall season and wears a tunic with a mantle around his waist. He carries a basket of fruit on his shoulders and a pruning knife in his left hand to harvest fall fruits such as apples and grapes. -
Welcome to the World of Visions Educational Travel. Outstanding
Tour: Roman Pilgrimage: A Culture & Faith Tour Destination: Rome & Pompeii, Italy Availability: Year-round Roman Pilgrimage - Sample Itinerary A Culture & Faith Tour Day Morning Afternoon Evening Time Elevator: 1 Travel to Rome by flight, transfer to Hotel; check-in and relax Dinner at Hotel History of Rome 2 Breakfast Ancient Rome Guided Tour: Coliseum, Roman Forum & Palatine Hill Gladiator School* Dinner at Hotel 3 Breakfast Guided Tour: Vatican Museums, Sistine Chapel, St. Peter's Basilica & Castel Sant'Angelo Pizza Cooking Class* 4 Breakfast Guided Walking Tour of Naples & Naples Underground Guided Tour of Pompeii Dinner at Hotel Attend Mass at Local Saint John Lateran Basilica & The The Roman Ghost & Mystery 5 Breakfast Dinner at Hotel Roman Chapel Basilica of Saint Mary Major Catacombs Tour* 6 Breakfast Guided Tour: Ostia Antica Guided Walking Tour: Baroque Rome Dinner at Hotel 7 Breakfast Transfer to airport; fly home * Indicates activities that may be added on at extra cost, per your request Welcome to the world of Visions Educational Travel. Outstanding destinations filled with history, humanities, and a world outside of the classroom brought to you as only Visions can! As with all sample itineraries, please be aware that this is an “example” of a schedule and that the activities included may be variable dependent upon dates, weather, special requests and other factors. Itineraries will be confirmed prior to travel. Rome…. Modern and old, past and present go side by side; all the time. You can decide to follow the typical paths or you can be lucky enough to go off the usual tracks.