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Is It Possible to a Rm T VOL NO What is the relationship between contemporary digital media and contemporary society? Is it possible to arm that digital media are without sin and exist purely in a complex socio-political and economic context within which the users bring with them their ethical and cultural complexities? This issue, through a range of scholarly writings, analyzes the problems of ethics and sin within contemporary digital media frameworks. LEA is a publication of Leonardo/ISAST. Editorial Address Leonardo Electronic Almanac Copyright 2013 ISAST Sabanci University, Orhanli – Tuzla, 34956 Leonardo Electronic Almanac Istanbul, Turkey Volume 19 Issue 4 September 15, 2013 Email ISSN 1071-4391 [email protected] ISBN 978-1-906897-26-0 The ISBN is provided by Goldsmiths, University of London. Web LeoNardo eLectroNIc aLmaNac, VoLume 19 Issue 4 » www.leoalmanac.org lea publishing & subscription information » www.twitter.com/LEA_twitts » www.flickr.com/photos/lea_gallery Without Sin: Freedom and Editor in Chief » www.facebook.com/pages/Leonardo-Electronic- Lanfranco Aceti [email protected] Almanac/209156896252 Taboo in Digital Media Co-Editor Özden Şahin [email protected] Copyright © 2013 Leonardo, the International Society for the Arts, VoLume edItorS Managing Editor Sciences and Technology lanfranco aceti & Donna leishman John Francescutti [email protected] Leonardo Electronic Almanac is published by: edItorıaL maNagerS Art Director Leonardo/ISAST Deniz Cem Önduygu [email protected] 211 Sutter Street, suite 501 sheena calvert & ÖzDen Şahin San Francisco, CA 94108 Editorial Board USA Peter J. Bentley, Ezequiel Di Paolo, Ernest Edmonds, Felice Leonardo Electronic Almanac (LEA) is a project of Leonardo/ Frankel, Gabriella Giannachi, Gary Hall, Craig Harris, Sibel Irzık, The International Society for the Arts, Sciences and Technol- Marina Jirotka, Beau Lotto, Roger Malina, Terrence Masson, ogy. For more information about Leonardo/ISAST’s publica- Jon McCormack, Mark Nash, Sally Jane Norman, Christiane tions and programs, see http://www.leonardo.info or contact Paul, Simon Penny, Jane Prophet, Jeffrey Shaw, William [email protected]. Uricchio Leonardo Electronic Almanac is produced by Cover Passero Productions. Deniz Cem Önduygu Reposting of this journal is prohibited without permission of Leonardo/ISAST, except for the posting of news and events listings which have been independently received. The individual articles included in the issue are © 2013 ISAST. ISSN 1071-4391 ISBN 978-1-906897-26-0 VOL 19 NO 4 LEONARDOELECTRONICALMANAC The Leonardo Electronic Almanac acknowledges the kind support for this issue of music and performing arts professions Ron Sadoff, Director Music Technology Music Composition B.m., m.m., ph.D. B.m., m.m., ph.D. Including a new 3-Summer M.M. concert music, Jazz, film scoring, immersive audio, computer music, informatics, electro-acoustic, songwriting cognition, recording and production N. • who are active in the local and international music field, Study with a premier faculty tio U including Juan pablo Bello, morwaread farbood, phil e. Galdston, paul Geluso, stit N i tae Hong park, kenneth peacock, agnieszka roginska, robert rowe, s. alex ruthmann, Y ronald sadoff, David schroeder, mark suozzo, and Julia wolfe • w ork within a large and enriching university environment in the heart of New York city al opportUNit U • Have access to state-of-the-art facilities including the James l. Dolan music /eq recording studio, one of the most technologically advanced audio teaching facilities N in the United states • Collaborate with an outstanding variety of department performance groups, along with choreographers, visual artists, writers, filmmakers, and scholars in other fields affirmative actio N • t ake advantage of special courses offered abroad and during the summer is a Y visit www.steinhardt.nyu.edu/music or call 212 998 5424 to learn more. iversit N ork U Y New LEONARDOELECTRONICALMANAC VOL 19 NO 4 ISSN 1071-4391 ISBN 978-1-906897-26-0 Job: A1310_06_MusicTech Publication: LEA Journal Size: 6.5” x 9.5” (no bleed) [177.8 mm x 254 mm trim] Color(s): b/w Material Type: jpg (300 dpi) Line Screen: Delivery: email: Issue Date: Closing Date: 10.15.13 Proof: F Date: 10.14.13 C ONTENTS CONTENTS Leonardo Electronic Almanac Volume 19 Issue 4 10 POST-SOCIETY: DATA CAPTURE AND ERASURE ONE CLICK AT A TIME Lanfranco Aceti 16 WITHOUT SIN: FREEDOM AND TABOO IN DIGITAL MEDIA Donna Leishman 26 LIKE REALITY 162 SEDUCTIVE TECHNOLOGIES AND INADVERTENT VOYEURS Birgit Bachler EFFECT Simone O’Callaghan 36 MEDIA, MEMORY, AND REPRESENTATION IN THE DIGITAL AGE David R. Burns 178 ANONYMOUS SOCIAL AS POLITICAL Kriss Ravetto-Biagioli 52 DIFFERENTIAL SURVEILLANCE OF STUDENTS Deborah Burns 198 CONTENT OSMOSIS AND THE POLITICAL ECONOMY OF SOCIAL MEDIA 66 ANA-MATERIALISM & THE PINEAL EYE: Don Ritter BECOMING MOUTH-BREAST Johnny Golding 220 RE-PROGRAM MY MIND Debra Swack 84 DANCING ON THE HEAD OF A SIN: TOUCH, DANCE AND TABOO 236 THE PREMEDIATION OF IDENTITY MANAGEMENT IN Sue Hawksley ART & DESIGN Sandra Wilson & Lilia Gomez Flores 100 “THERE MUST BE SOMETHING WRONG WITH THIS, SALLY…” Ken Hollings 256 PORNOGRAPHY, ALTERITY, DIVINITY Charlie Gere 114 COPYRIGHT AND DIGITAL ART PRACTICE Smita Kheria 268 DO WE NEED MORALITY ANYMORE? Mikhail Pushkin 128 CURATING, PIRACY AND THE INTERNET EFFECT Alana Kushnir 280 THE ECONOMIES OF LANGUAGE IN DIGITAL SPACE/S Sheena Calvert 148 PRECARIOUS DESIGN Donna Leishman 6 LEONARDOELECTRONICALMANAC VOL 19 NO 4 ISSN 1071-4391 ISBN 978-1-906897-26-0 ISSN 1071-4391 ISBN 978-1-906897-26-0 VOL 19 NO 4 LEONARDOELECTRONICALMANAC 7 NSA: No Speaking Aloud, Anonymous, 2013. 8 LEONARDOELECTRONICALMANAC VOL 19 NO 4 ISSN 1071-4391 ISBN 978-1-906897-26-0 ISSN 1071-4391 ISBN 978-1-906897-26-0 VOL 19 NO 4 LEONARDOELECTRONICALMANAC 9 E DITORIAL EDITORIAL Post-Society: Data Capture and Erasure Stultifera Navis towards its destiny inexorably, bringing In order to discuss the present post-societal condition, One Click at a Time all others with them. one would need first to analyze the cultural disregard that people have, or perhaps have acquired, for their Having segregated themselves in a prison of their own personal data and the increasing lack of participation doing, the politicians look at all others as being part of in the alteration of the frameworks set for post-data. a large mad house. It is from the upper deck of a gilded prison that politicians stir the masses in the lower This disregard for personal data is part of cultural decks into a frenzy of fear and obedience. forms of concession and contracting that are deter- “Oh, in the name of God! Now I know what it feels belief or faith that their lives are in good hands, that of mined and shaped not by rights but through the mass like to be God!” the state. Why should it be in this discourse, whose forms we loss of a few rights in exchange for a) participation Frankenstein (1931) have seen to be so faithful to the rules of reason, in a product as early adopters (Google), b) for design Nevertheless it speaks of a ‘madness’ of the politician that we find all those signs which will most mani- status and appearance (Apple), c) social conventions They must have felt like gods at the NSA when as a category. A madness characterized by an alien- festly declare the very absence of reason? 3 and entertainment (Facebook) and (Twitter). they discovered that they were able to spy on any- ation from the rest of society that takes the form of one. What feels ridiculous to someone that works isolation. This isolation is, in Foucauldian terms, none Discourses, and in particular political discourses, no Big data offers an insight into the problem of big loss- with digital media is the level of ignorance that other than the enforcement of a voluntary seclusion in longer mask the reality of madness and with it the es if a catastrophe, accidental or intentional, should people continue to have about how much every- the prison and the mad house. feeling of having become omnipotent talks of human ever strike big databases. The right of ownership one else knows or can know about ‘you.’ If only madness in its attempt to acquire the impossible: that of the ‘real object’ that existed in the data-cloudwill people were willing to pay someone, or to spend a The prisons within which the military, corporate, finan- of being not just godlike, but God. become the new arena of post-data conflict. In this bit of time searching through digital data services cial and political worlds have shut themselves in speak context of loss, if the crisis of the big banks has dem- themselves,they would discover a range of services increasingly of paranoia and fear. As such the voluntary As omnipotent and omniscient gods the NSA should onstrated anything, citizens will bear the brunt of the that have started to commercialize collective data: prison within which they have sought refuge speaks allow the state to ‘see.’The reality is that the ‘hands’ of losses that will be spread iniquitously through ‘every- bought and sold through a range of semi-public busi- more and more the confused language that one may the state are no longer functional and have been sub- one else.’ nesses and almost privatized governmental agencies. have imagined to hear from the Stultifera Navis. stituted with prostheses wirelessly controlled by the Public records of infractions and crimes are available sociopaths of globalized corporations. Theamputation The problem is therefore characterized by
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