Board Report Roses, Cone Flowers, and Day Brarians in Weeding Just As It Collection Development Is Lilies

Total Page:16

File Type:pdf, Size:1020Kb

Board Report Roses, Cone Flowers, and Day Brarians in Weeding Just As It Collection Development Is Lilies off the shelves Summer 2011 Volume 26 Number 2 Spring Weeding at the Library As I write, our garden is in call? The Library’s Materials available. full bloom: we have carpet Selection Policy guides li- board report roses, cone flowers, and day brarians in weeding just as it Collection development is lilies... and also crabgrass, guides them in selecting new the ongoing process of as- dandelions, and creeping materials. Our policy states sessing the materials avail- Charlie. If we don’t weed that the collection “...Supports able for purchase and making soon, we won’t be able to lifelong learning through materi- the decision, first, on their By Ann Lee, find the flowers. Just like a als and services; [and] offers inclusion, and, second, on Secretary garden, the Library’s collec- current materials and a variety their retention. That sec- tion must be weeded to be of activities reflecting popular ond decision might be even kept vibrant. So, the 2011 culture and trends...” It also harder than the first. It can Eyewitness Guide to New says, “Persons of all ages living be traumatic for librarians, York comes in one door and in the Village of La Grange Park most of whom are book the 1992 Frommer’s Guide will have access to: evolving lovers, to discard a book. goes out the other. The latest technologies and traditional What happens to items Stephen King arrives and an resources encouraging their per- weeded from the collection? old Sidney Sheldon leaves. sonal and professional develop- No, they’re not given to the In comes Keith Richard’s ment...” Speaking of evolving Friends’ Bookstore, which autobiography and out goes technologies, you might have gets a plentiful supply of Rosalyn Carter’s. We tend to noticed that while the collec- donations. Rather, they’re think of the Library as an ar- tion of MP3 books continues donated to The Reading Tree, chive, but it’s really a dynam- to grow, there is often, across a non-profit organization that ic collection where unused from the circulation desk, a supports literacy programs books, music, and movies cart of books on audiocas- and delivers books to needy In this issue... are uprooted to make room sette free for the taking. children. This charity not for newer or more requested Weeding applies not only to only provides materials to 2 Summer Reading Program materials. As you can imag- books but also to audiovisual people who need them, but ine, there is an art to the materials and even database it also keeps books out of 4 College/Career Planning weeding process. Will some subscriptions. Our collec- landfills. Knowing that our Seminar eager high school student tion contains 81,583 vol- discards will be read makes want to research Rosalyn umes – somewhat north of the weeding process more 5 Green Corner Carter next week? Should the Illinois Library Associa- palatable to book lovers and we sacrifice this novel by tion standard of 71,600 for a conservationists alike. Nor 6 Film Discussion Group Conrad Richter? It won the library serving a community does it hurt to remember that Pulitzer Prize in 1952, but of our size. This suggests pruning makes the collection 7 Computer & Technology hasn’t been checked out in that there is room for a little healthier and more available Classes 16 years. These are the kinds weeding. No doubt there are to all. of decisions our librarians difficult calls, but our policy have to make each day. helps assure that the pruning process yields the healthiest How do librarians make the collection given the space Story Times Books Buddies programs for Summer Story Times for preschoolers and children entering Book Buddies is a program kindergarten will begin Monday, June 6 and continue through that gives beginning read- children July 14. They will be held on Mondays at 10:15am, Tuesdays ers entering 1st through 3rd at 1pm, and Thursdays at 7pm. Each 30-minute story time grades a chance to practice will include stories, songs, fingerplays, and a short video. and improve their reading skills by reading with an Summer Toddler Times will meet on Wednesdays at 10:15am older student. Book Buddies from June 8 through July 13. These 20-minute story sessions sessions are held during the are designed for little ones ages 2 through 3½. Each session 6 weeks of the summer read- will include stories, songs, fingerplays, and action activities ing program. Please check for active, fidgety little ones. your calendars to determine a time during which your Registration for all story times will begin Monday, May 23 young reader will be able to and may be done in the Children’s Department or by calling attend all reading sessions. the Library at 352-0100. Sign up by Tuesday, May 31. American Red Cross Babysitting Course There will be 4 Ameri- can Red Cross Babysitting course sessions offered for students ages 11 and older. Each session will meet on Tuesday, Wednesday, and Thursday afternoons from 2:30 to 4:30pm. Registration will begin Tuesday, May 31. Summer Reading Cost for the course is $40. All the children in La Grange Park are encouraged to find Changes have been made to their passports and join the fun as we explore “One World, the registration process and Many Stories” at the Library this summer. During the 6 classes fill quickly, so please weeks of the program, we will visit South America, Africa, call Meb Ingold at 352-0100 Asia, Europe, and Australia. We will start our journey here at for details. home on Sunday, June 5 at 1:30pm with “Adventures Across America.” Then we’ll board our planes, ships, and trains to begin our travels. Please come get your tickets for this fun Read to the Dogs event beginning Monday, May 23. Friday mornings are a wonderful time for begin- Sign up for “One World, Many Stories” beginning Tuesday, ning readers to come to the May 31. You will receive a complete list of crafts, games, and library and read to one of our films along with your reading passport. Summer reading ac- friendly therapy dogs. Each tivities will begin Monday, June 6 and continue through July reader has 15 minutes to read 16. a book of his or her choice to one of our specially trained dogs. Please register for each session one week in advance. Help Wanted: Junior High Students The Children’s Department is a very busy place during the summer reading program. It is able to run smoothly because of a group of dedicated Junior High students who volunteer for 2 hours each week. Duties include helping readers re- port their reading progress and assisting with craft activities. Please check your calendars and sign up now to reserve the best time for you. 2 young adult Study, Snacks, and Stress-relieving Dogs Tuesday, May 31, 5-8:30pm and programs Wednesday, June 1, 5-8:30pm If you need a place to study for The Various Video finals, stop by the Library for a Game Tournament quiet space, snacks, and dogs. Yep, Saturday, June 25, dogs. On Wednesday, June 1, take Time -TBD a study break by unwinding with We’re going to show other some sympathetic therapy dogs. libraries just how awesome (We’ll provide the quiet space and we are at Super Smash Bros. snacks on Tuesday, but no canine companions.) The Brawl. Teams are needed to Check out some of the time to snuggle with the dogs is limited so please sign up at participate in this fun chal- new materials the Reference Desk. This program is intended for high school lenge. We’ll hold a Pokemon students. Black/White tourney within in the YA Department! our own library at the same Books time, so make sure to bring City of Fallen Angels – Cassan- You Are Here at the La Grange Park Library your DS and Pokemon game. dra Clare Join the Young Adult summer reading program, running from Please sign up for the SSBB The Gift – James Patterson Monday, June 6 to Friday, July 15. Read three books from the tournament by Friday, June The Good, the Bad, and the YA or Adult collections to be entered into a drawing for one 17. Barbie – Tanya Lee Stone of our fantastic prizes. A complete list of programs will be available in the YA summer reading brochure. Registration Senior Book Buddies CDs begins Monday, June 6 at 1pm. June 6 – July 16 Wasting Light – Foo Fighters Book buddies is a 6-week The King of Limbs – Radio- You Are Here Summer Reading Party program that gives teens and head Friday, July 15 at 3pm beginning readers the oppor- Femme Fatale – Britney Spears There will be snacks, games, and prizes for those who com- tunity to share books and the pleted three books. fun of reading. Junior and DVDs Senior Buddies are paired Flipped together and meet once a School Rumble: The Complete Anime Club Annual Anime Night week for 30 minutes in the Series We’re still looking for a club Monday, June 13 Children’s Department. Sign Warehouse 13 name, and suggestions are 6:30-8:30pm up by Tuesday, May 31. welcome. Enjoy pocky, an- This year we’ll be combining Video Games ime, and more! food, puzzles, and anime. Pixel Club Wii NBA Jam – Monday, June 13 – 6:30pm Delicious foods will be as- Pixel Club has branched out and Pokemon: White Black Ver- (Annual Anime Night) sembled to fill our plates. into a multi-system club. – DS sions Monday, July 11 – 4:30pm After snacking, we’ll get our With three laptops, an XBOX – XBOX 360 and PS3 Portal 2 Monday, August 8 – 4:30pm anime on! Please sign up at 360, a Wii, and a PS3, there’s the Reference Desk.
Recommended publications
  • Download Press Notes
    Strand Releasing presents CECILE DE FRANCE - PATRICK BRUEL - LUDIVINE SAGNIER JULIE DEPARDIEU - MATHIEU AMALRIC A SECRET A FILM BY CLAUDE MILLER Based on the Philippe Grimbert novel "Un Secret" (Grasset & Fasquelle), English translation : "Memory, A Novel" (Simon and Schuster) Winner : 2008 César Award for Julie Depardieu (Best Actress in a Supporting Role) Grand Prix des Amériques, 2007 Montreal World Film Festival In French with English subtitles 35mm/1.85/Color/Dolby DTS/110 min NY/National Press Contact: LA/National Press Contact: Sophie Gluck / Sylvia Savadjian Michael Berlin / Marcus Hu Sophie Gluck & Associates Strand Releasing phone: 212.595.2432 phone: 310.836.7500 [email protected] [email protected] [email protected] [email protected] Please download photos from our website: www.strandreleasing.com/pressroom/pressroom.asp 2 CAST Tania Cécile DE FRANCE Maxime Patrick BRUEL Hannah Ludivine SAGNIER Louise Julie DEPARDIEU 37-year-old François Mathieu AMALRIC Esther Nathalie BOUTEFEU Georges Yves VERHOEVEN Commander Beraud Yves JACQUES Joseph Sam GARBARSKI 7-year-old Simon Orlando NICOLETTI 7-year-old François Valentin VIGOURT 14-year-old François Quentin DUBUIS Robert Robert PLAGNOL Hannah's mother Myriam FUKS Hannah's father Michel ISRAEL Rebecca Justine JOUXTEL Paul Timothée LAISSARD Mathilde Annie SAVARIN Sly pupil Arthur MAZET Serge Klarsfeld Eric GODON Smuggler Philippe GRIMBERT 2 3 CREW Directed by Claude MILLER Screenplay, adaptation, dialogues by Claude MILLER and Natalie CARTER Based on the Philippe
    [Show full text]
  • The Triplets of Belleville Online Resources
    BENOÎT CHAREST’S THE TRIPLETS OF BELLEVILLE Links to resources and lesson plans related to Benoît Charest’s film score for The Triplets of Belleville. Alexei Nechytaylo: Triplets of Belleville: Portfolio http://www.alexeinechytaylo.com/triplets.html Alexei painted a large proportion of the backgrounds for the film. He also executed the hand painted CG textures. AllMusic: The Triplets of Belleville (Original Soundtrack) / Belleville Rendez-Vous (Original Soundtrack) http://www.allmusic.com/album/the-triplets-of-belleville-mw0000695725 http://www.allmusic.com/album/belleville-rendez-vous-original-soundrack-mw0000460108 Soundtrack for Sylvain Chomet's film "Les Triplettes de Belleville" (2003). Music composed by Benoît Charest. Animation Studio Pascal Blais: La Vieille Dame et les Pigeons - Sylvain Chomet http://www.penguinreaders.com/pdf/downloads/par/level2/TN-TheSecretGarden.pdf Sylvian Chomet’s first animated film, “Old Lady and the Pigeons” (1997) English with french subtitles Animation World Network: Sylvain Chomet’s The Triplets of Belleville http://www.awn.com/animationworld/sylvain-chomet-s-triplets-belleville Philippe Moins uncovers the animated manifesto behind Sylvain Chomet’s The Triplets of Belleville, and the directors future plans and desires. Benoît Charest http://www.benoitcharest.com/ Official website for Benoît Charest, Musician and composer / Musicien et compositeur Bulb: Ben Charest: How music can set you free https://www.bulbapp.com/u/ben-charest-how-music-can-set-you-free Featuring conceptual sketches and models and SoundCloud recordings of invented instruments for Charest’s Mars et Avril. Cartoon Brew: A Behind-The-Scenes Look At Sylvain Chomet’s ‘Simpsons’ Opening http://www.cartoonbrew.com/tv/a-behind-the-scenes-look-at-sylvain-chomets-simpsons-opening-98434.html A making-of video of the French Simpson family, courtesy of the production company that produced the opening, London-based th1ng Common Sense Media: The Triplets of Belleville https://www.commonsensemedia.org/movie-reviews/the-triplets-of-belleville Rated: PG-13.
    [Show full text]
  • Les Triplettes De Belleville (The Triplets of Belleville) That Later Became the TRIPLETS of BELLEVILLE for the English Version
    THE TRIPLETS OF BELLEVILLE 2004 Academy Award Nominee - Best Animated Feature Film, Best Song 2003 Telluride Film Festival 2003 Toronto International Film Festival 2003 Boston Film Festival 2003 Chicago International Film Festival 2003 AFI Film Festival A Sony Pictures Classics Release 80 minutes, Rated PG-13 by the MPAA EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE 850 SEVENTH AVENUE, ZIGGY KOSLOWSKI ANGELA GRESHAM SUITE 1005 8271 MELROSE AVENUE, 550 MADISON AVENUE, NEW YORK, NY 10024 SUITE 200 8TH FLOOR PHONE: (212) 445-7100 LOS ANGELES, CA 90046 NEW YORK, NY 10022 FAX: (212) 445-0623 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com Synopsis Adopted by his grandmother, Madame Souza, Champion is a lonely little boy. Noticing that the lad is never happier than on a bicycle, Madame Souza puts him through a rigorous training process. Years go by and Champion becomes worthy of his name. Now he is ready to enter the world-famous cycling race, the Tour de France. However during this cycling contest two mysterious men in black kidnap Champion. Madame Souza and her faithful dog Bruno set out to rescue him. Their quest takes them across the ocean to a giant megalopolis called Belleville where they encounter the renowned "Triplets of Belleville," three eccentric female music-hall stars from the ‘30s who decide to take Madame Souza and Bruno under their wing. Thanks to Bruno's brilliant sense of smell, the brave duo are soon on to Champion's trail.
    [Show full text]
  • A Dangerous Method
    A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M.
    [Show full text]
  • The Glorious Career of Comedienne Judy Holliday Is Celebrated in a Complete Nine-Film Retrospective
    The Museum of Modern Art For Immediate Release November 1996 Contact: Graham Leggat 212/708-9752 THE GLORIOUS CAREER OF COMEDIENNE JUDY HOLLIDAY IS CELEBRATED IN A COMPLETE NINE-FILM RETROSPECTIVE Series Premieres New Prints of Born Yesterday and The Marrying Kind Restored by The Department of Film and Video and Sony Pictures Born Yesterday: The Films of Judy Holliday December 27,1996-January 4,1997 The Roy and Niuta Titus Theater 1 Special Premiere Screening of the Restored Print of Born Yesterday Introduced in Person by Betty Comden on Monday, December 9,1996, at 6:00 p.m. Judy Holliday approached screen acting with extraordinary intelligence and intuition, debuting in the World War II film Winged Victory (1944) and giving outstanding comic performances in eight more films from 1949 to 1960, when her career was cut short by illness. Beginning December 27, 1996, The Museum of Modern Art presents Born Yesterday: The Films of Judy Holliday, a complete retrospective of Holliday's short but exhilarating career. Holliday's experience working with director George Cukor on Winged Victory led to a collaboration with Cukor, Garson Kanin, and Kanin's wife Ruth Gordon, resulting in Adam's Rib (1949), Born Yesterday (1950), The Marrying Kind (1952), and // Should Happen To You (1952). She went on to make Phffft (1954), The Solid Gold Cadillac (1956), Full of Life (1956), and, for director Vincente Minnelli, Bells Are Ringing (1960). -more- 11 West 53 Street, New York, New York 10019 Tel: 212-708-9400 Fax: 212-708-9889 2 The Department of Film and Video and Sony Pictures Entertainment are restoring the six films that Holliday made at Columbia Pictures from 1950 to 1956.
    [Show full text]
  • 12-13 Season Brochure.Indd
    2012 2013 SEASON The Department of Theatre Arts has a strong tradition of excellence in graduate training, preparing professional stage directors and theatre scholars through MFA and MA programs. With small classes and strong mentorship by professors, our graduate programs offer graduate education with intensive and Gruesome Playground Injuries personalized training. directed by John Michael Sefel Baylor theatre audiences experience the work of graduate students in the MFA Directing program who direct regularly in our theatre season. Join us this season as we jet off to the French Riviera for a “dirty, The “MIDSUMMER SEASON” rotten” musical, followed by an ancient Greek tragedy. In the At the end of the first year of study, MFA Directing students are spring, we’ll laugh along with an required to design and direct a full-length play for our summertime “Midsummer Season.” Recent summer shows include Eleemosynary, American comedy classic, hang OTMA, and Circle Mirror Transformation. The summer productions on for an outrageously funny for 2012 were Rajiv Joseph’s Gruesome Playground Injuries directed Hitchcock thriller, and end the by John Michael Sefel, a graduate student from New Hampshire, season in the twilight of and Kenny Finkle’s Indoor/Outdoor directed by Nathan Autrey who communist rule on the eve of came to Baylor’s graduate program from the Dallas area. the Romanian Revolution. Thesis Shows The 2012–2013 Baylor Theatre season has it all. To complete the MFA in Directing, third-year graduate students must serve as a director in Stan Denman our mainstage season of shows, leading a Baylor Theatre production team of faculty, staff, and students throughout the production process from Chair research to rehearsal to performance.
    [Show full text]
  • 032343 Born Yesterday Insert.Indd
    among others. He is a Senior Fight Director with OUR SPONSORS ABOUT CENTER REPERTORY COMPANY Dueling Arts International and a founding member of Dueling Arts San Francisco. He is currently Chevron (Season Sponsor) has been the Center REP is the resident, professional theatre CENTER REPERTORY COMPANY teaching combat related classes at Berkeley Rep leading corporate sponsor of Center REP and company of the Lesher Center for the Arts. Our season Michael Butler, Artistic Director Scott Denison, Managing Director School of Theatre. the Lesher Center for the Arts for the past nine consists of six productions a year – a variety of musicals, LYNNE SOFFER (Dialect Coach) has coached years. In fact, Chevron has been a partner of dramas and comedies, both classic and contemporary, over 250 theater productions at A.C.T., Berkeley the LCA since the beginning, providing funding that continually strive to reach new levels of artistic presents Rep, Magic Theatre, Marin Theater Company, for capital improvements, event sponsorships excellence and professional standards. Theatreworks, Cal Shakes, San Jose Rep and SF and more. Chevron generously supports every Our mission is to celebrate the power of the human Opera among others including ten for Center REP. Center REP show throughout the season, and imagination by producing emotionally engaging, Her regional credits include the Old Globe, Dallas is the primary sponsor for events including Theater Center, Arizona Theatre Company, the intellectually involving, and visually astonishing Arena Stage, Seattle Rep and the world premier the Chevron Family Theatre Festival in July. live theatre, and through Outreach and Education of The Laramie Project at the Denver Center.
    [Show full text]
  • Sony Pictures Classics Acquires Sylvain Chomet's Latest Film The
    FOR IMMEDIATE RELEASE Press Contact: Bebe Lerner (323) 822-4800 Sheri Goldberg (646) 723-3800 SONY PICTURES CLASSICS ACQUIRES SYLVAIN CHOMET’S LATEST FILM THE ILLUSIONIST NEW YORK, NY (April 26, 2010) – Sony Pictures Classics announced today that they have acquired all North American rights to Sylvain Chomet’s THE ILLUSIONIST from Pathe. The film is based on an unproduced screenplay by Jacques Tati and is produced by Bob Last and executive produced by Jake Eberts and Philippe Carcassonne (COCO BEFORE CHANEL). THE ILLUSIONIST had its world premiere at the Berlin Film Festival as a Berlinale Special Selection. It is planned for an end of year release. Sony Pictures Classics previously worked with Chomet on his Academy Award® nominated film THE TRIPLETS OF BELLEVILLE and Carcassonne on COCO BEFORE CHANEL. THE ILLUSIONIST details the story of a dying breed of stage entertainer whose thunder is being stolen by emerging rock stars. Forced to accept increasingly obscure assignments in fringe theaters, garden parties and bars, he meets a young fan who changes his life forever. “Collaborating with Sylvain on THE TRIPLETS OF BELLEVILLE was such a fantastic experience; we are so thrilled to be back partnering with him again on THE ILLUSIONIST, as well as our friends at Pathe, and producers Bob Last, Jake Eberts and Philippe Carcassonne. With a moving storyline and a work of art in each frame, audiences both young and old will connect with this film,” stated Sony Pictures Classics. “There could not be a better home for THE ILLUSIONIST, Sony Pictures Classics understands the strengths of Sylvain's work and have the passion required to take the film to the widest possible audience.
    [Show full text]
  • The Phenomenological Aesthetics of the French Action Film
    Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema.
    [Show full text]
  • Quelques Réflexions Autour De La Littérature-Mesrine Benoît Denis
    Document generated on 09/28/2021 3:05 a.m. Études françaises Faire de sa vie une oeuvre d’art paralittéraire Quelques réflexions autour de la littérature-Mesrine Benoît Denis Les exceptions françaises (1958-1981) Article abstract Volume 47, Number 1, 2011 Shot down on the Day of the Dead in 1979 by the anti-gang brigade of Commissioner Broussard, gangster Jacques Mesrine has long made headlines URI: https://id.erudit.org/iderudit/1002521ar and is currently a mythic figure. One of the reason for this posterity is DOI: https://doi.org/10.7202/1002521ar doubtless due to the gangster’s capacity to place himself in the center of an intense textual production, the core being his own autobiography, significantly See table of contents titled L’instinct de mort (1974). Mesrine’s trajectory, devised by the protagonist as a choice turning his life into a destiny whose end is immediately known, and the constant staging of himself that accompanies it, submits fully to a pre-existing collective narrative, a vast paraliterary intertext that Foucault Publisher(s) calls the “monotonous saga of major criminals.” The aim of this contribution is Les Presses de l’Université de Montréal to show that in the specific circumstances of the Giscardian and Pompidolian years, the “Mesrine-novel” mobilizes two opposing figures : that of the “outlaw,” presented as the ultimate incarnation of the romantic adventurer, ISSN and that of the “public enemy,” which transforms individual revolt into a 0014-2085 (print) political cause. 1492-1405 (digital) Explore this journal Cite this article Denis, B. (2011). Faire de sa vie une oeuvre d’art paralittéraire : quelques réflexions autour de la littérature-Mesrine.
    [Show full text]
  • Born Yesterday Garson Kanin
    John Carroll University Carroll Collected Theatre Productions Communication & Theatre Arts 10-27-2006 Born Yesterday Garson Kanin Follow this and additional works at: http://collected.jcu.edu/plays Recommended Citation Kanin, Garson, "Born Yesterday" (2006). Theatre Productions. 30. http://collected.jcu.edu/plays/30 This Book is brought to you for free and open access by the Communication & Theatre Arts at Carroll Collected. It has been accepted for inclusion in Theatre Productions by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. JOHN CARROLL UNIVERSITY DEPARTMENT OF COMMUNICATION AND THEATRE ARTS PR~ENTS : fJJom l)4f#!~[t{ay OCTOBER 27, 28 OCTOBER 29 NOVEMBER 3, 4 NOVEMBER 5 7:30PM 2:00PM The John Carroll University Department of Communication and Theatre Arts Presents BORN YESTERDAY By: Garson Kanin Directed By: Karen Gygli Presented with permission by Dramatists Play Service Inc. As a courtesy to the performers and those around you: PLEASE REFRAIN FROM USING CELL PHONES, WATCH ALARMS, PAGERS AND FLASH PHOTOGRAPHY PLEASE note the emergency EXITS marked in Kulas Auditorium. Should an emergency occur, please WALK in an orderly fashion to the exit nearest you. BORN YESTERJ)AY By: Garson Kanin The Place: A Washington, D.C. hotel The Time: 1946 Act I 9PM in the evening 10 Minute Intermission Act II Late Afternoon, two months later 10 Minute Intermission Act III That same evening, around 1:30AM DIRECTOR'S NOTES Born Yesterday is a valentine to democracy written right after the war in 1946. But it is also a challenge to all those who claim to be pari of a democracy.
    [Show full text]
  • Judy Holliday's Urban Working Girl Characters in 1950S Hollywood Film Judith E
    University of Massachusetts Boston ScholarWorks at UMass Boston American Studies Faculty Publication Series American Studies 2010 Judy Holliday's Urban Working Girl Characters in 1950s Hollywood Film Judith E. Smith University of Massachusetts Boston, [email protected] Follow this and additional works at: http://scholarworks.umb.edu/amst_faculty_pubs Part of the American Film Studies Commons, American Popular Culture Commons, Jewish Studies Commons, and the Women's Studies Commons Recommended Citation Smith, Judith E., "Judy Holliday's Urban Working Girl Characters in 1950s Hollywood Film" (2010). American Studies Faculty Publication Series. Paper 6. http://scholarworks.umb.edu/amst_faculty_pubs/6 This Article is brought to you for free and open access by the American Studies at ScholarWorks at UMass Boston. It has been accepted for inclusion in American Studies Faculty Publication Series by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. Judy Holliday's Urban Working Girl Characters in 1950s Hollywood Film Judith Smith. American Studies, University of Massachusetts Boston A Jewish-created urban and cosmopolitan working girl feminism persisted in the 1950s as a cultural alternative to the suburban, domestic consumerism critiqued so eloquently by Betty Friedan in The Feminine Mystique . The film persona of Jewish, Academy Award-winning actress Judy Holliday embodied this working girl feminism. Audiences viewed her portrayals of popular front working girl heroines in three films written by the Jewish writer and director Garson Kanin, sometimes in association with his wife, the actress Ruth Gordon, and directed by the Jewish director George Cukor in the early 1950s: Born Yesterday (1950), The Marrying Kind (1952), and It Should Happen to You (1954).
    [Show full text]