To Our Friends-The Invisible Committe
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UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title A Web of Extended Metaphors in the Guerilla Open Access Manifesto of Aaron Swartz Permalink https://escholarship.org/uc/item/6w76f8x7 Author Swift, Kathy Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara A Web of Extended Metaphors in the Guerilla Open Access Manifesto of Aaron Swartz A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Education by Kathleen Anne Swift Committee in charge: Professor Richard Duran, Chair Professor Diana Arya Professor William Robinson September 2017 The dissertation of Kathleen Anne Swift is approved. ................................................................................................................................ Diana Arya ................................................................................................................................ William Robinson ................................................................................................................................ Richard Duran, Committee Chair June 2017 A Web of Extended Metaphors in the Guerilla Open Access Manifesto of Aaron Swartz Copyright © 2017 by Kathleen Anne Swift iii ACKNOWLEDGEMENTS I would like to thank the members of my committee for their advice and patience as I worked on gathering and analyzing the copious amounts of research necessary to -
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Strand Releasing presents CECILE DE FRANCE - PATRICK BRUEL - LUDIVINE SAGNIER JULIE DEPARDIEU - MATHIEU AMALRIC A SECRET A FILM BY CLAUDE MILLER Based on the Philippe Grimbert novel "Un Secret" (Grasset & Fasquelle), English translation : "Memory, A Novel" (Simon and Schuster) Winner : 2008 César Award for Julie Depardieu (Best Actress in a Supporting Role) Grand Prix des Amériques, 2007 Montreal World Film Festival In French with English subtitles 35mm/1.85/Color/Dolby DTS/110 min NY/National Press Contact: LA/National Press Contact: Sophie Gluck / Sylvia Savadjian Michael Berlin / Marcus Hu Sophie Gluck & Associates Strand Releasing phone: 212.595.2432 phone: 310.836.7500 [email protected] [email protected] [email protected] [email protected] Please download photos from our website: www.strandreleasing.com/pressroom/pressroom.asp 2 CAST Tania Cécile DE FRANCE Maxime Patrick BRUEL Hannah Ludivine SAGNIER Louise Julie DEPARDIEU 37-year-old François Mathieu AMALRIC Esther Nathalie BOUTEFEU Georges Yves VERHOEVEN Commander Beraud Yves JACQUES Joseph Sam GARBARSKI 7-year-old Simon Orlando NICOLETTI 7-year-old François Valentin VIGOURT 14-year-old François Quentin DUBUIS Robert Robert PLAGNOL Hannah's mother Myriam FUKS Hannah's father Michel ISRAEL Rebecca Justine JOUXTEL Paul Timothée LAISSARD Mathilde Annie SAVARIN Sly pupil Arthur MAZET Serge Klarsfeld Eric GODON Smuggler Philippe GRIMBERT 2 3 CREW Directed by Claude MILLER Screenplay, adaptation, dialogues by Claude MILLER and Natalie CARTER Based on the Philippe -
Februarie Martie Aprilie Ianuarie Mai Iunie Iulie August
IANUARIE FEBRUARIE MARTIE APRILIE MAI 1 V △ Makoto Tomioka (1897), scriitorul socialist 1 L Apare revista Dacia Viitoare a Grupului Revoluționar 1 L Apare la New York primul număr din revista Mother 1 J △ Francisco Ascaso (1901); se încheie Războiul Civil 1 S Ziua internaȚională a muncii, muncitorilor și Constantin Mille (1862); începe rebeliunea zapatistă din Român (1883) Earth (1906), scoasă de Emma Goldman din Spania (1939) muncitoarelor; se deschide în București MACAZ - Bar regiunea Chiapas, Mexic (1994) 2 M Adolf Brand (1945); apare la București Dysnomia, 2 M scriitorul Philip K. Dick (1982) 2 V Zamfir C. Arbure (1933); Jandarmeria reprimă violent Teatru Coop., continuare a Centrului CLACA (2016) 2 S „Big Frank” Leech (1953) cerc de lectură feministă și queer (2015) 3 M △filosoful William Godwin (1756), feminista Milly pregătirea protestelor anti-NATO din București (2008) 2 D Gustav Landauer (1919); încep protestele 3 D △ Federico „Taino” Borrell Garcia (1912) 3 M △ coreean Pak Yol (1902), Simone Weil (1909) Witkop (1877); Lansare SexWorkCall la București (2019) 3 S △educator Paul Robin (1837); apare primul număr al studențești în Franța, cunoscute mai târziu ca „Mai ‘68” 4 L Albert Camus (1960); Revolta Spartachistă din 4 J △militantul Big Bill Heywood (1869) 4 J △ Suceso Portales Casamar (1904) revistei Strada din Timișoara (2017) 3 L △scriitorul Gérard de Lacaze-Duthiers (1958) Germania (1919) 5 V △ criticul Nikolai Dobroliubov (1836), Johann Most (1846); 5 V △socialista Rosa Luxemburg (1871) 4 D △militantul kurd Abdullah Öcalan (1949); 4 M Demonstrația din Piața Haymarket din Chicago (1886) 5 M △ Nelly Roussel (1878); Giuseppe Fanelli (1877), Auguste Vaillant (1894) 6 S Apare la Londra primul număr al revistei Anarchy (1968) 5 L Apare nr. -
Innovation-Sustainability Nexus in Agriculture Transition: Case Of
Open Agriculture. 2019; 4: 1–16 Review Article Hamid El Bilali* Innovation-Sustainability Nexus in Agriculture Transition: Case of Agroecology https://doi.org/10.1515/opag-2019-0001 received July 11, 2018; accepted December 10, 2018 1 Introduction Abstract: Different governments and international Innovation has been defined in many different ways organizations have shown interest in agroecology (Menrad and Feigl 2007; OECD and Eurostat 2005; SCAR-EU as a promising pathway for transition to sustainable 2012; STEPS Centre 2010; Sterrenberg et al. 2013) and may agriculture. However, the kinds of innovation needed mean different things (Schumpeter 1934; Shaver 2016). for agro-ecological transition are subject to intense According to Stummer et al. (2010), innovations can be debate. The scale of this debate is itself an indicator categorized according to innovation type (product, service, of the complicated relation between innovation and process, market), dimension (objective or subjective), sustainability in the agro-food arena and beyond. This scope of change (radical, incremental, reapplied), review paper analyses the potential of agro-ecology in or how innovation was created (closed or open). The agricultural sustainability transitions. It also explores OECD and Eurostat (2005) distinguish product, process, whether agro-ecological transition is a sustainable marketing and organisational innovations. Innovation innovation (cf. ecological, green, open, social, as a concept is strongly linked to that of knowledge, responsible). Furthermore, the paper investigates the which is fundamental in the move towards sustainable potential contribution of agro-ecological transition to practices (Grin et al. 2010) and plays an important role sustainability, using the 3-D (Direction, Distribution and in transition to sustainable food systems (Loconto 2016). -
A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M. -
The Rise of Cyber-Espionage
Case Study: THE RISE OF CYBER-ESPIONAGE 5HFUXLWPHQW3ODQ CounterTh e 20 7KH&RXQWHU7HUURULVW ~ June/July 2012 ©istockphoto/loops7 By Chris Mark At a Hopkinton, Massachusetts, offi ce, an executive received an email that appeared to be from a coworker on March 1, 2011. Attached to the email was an Excel spreadsheet titled “2011 Recruitment Plan.” The man opened the spreadsheet. The email was not from a coworker, it was a carefully crafted attack known as ”spearfi shing” in which a fraudulent email is sent to a specifi c person. he spearfi shing email contained an system, SecurID. SecurID is used by an Excel spreadsheet with a zero- estimated 250 million people worldwide. Tday exploit and a version of the Poison Th e attack was believed to have been ini- Ivy RAT (remote administration tool) tiated using a zero-day exploit created by payload embedded. Th e RAT enabled a Chinese hacker. Evidence suggests the a hacker to gain privileged access to the possibility of Chinese-sponsored cyber- network of RSA Security (an American espionage.1 RSA’s CEO, Art Coviello, computer and network security com- stated the stolen SecurID information pany). Th e company had been founded “could potentially be used to reduce by Ron Rivest, Adi Shamir, and Leonard the eff ectiveness of a current two-factor Adleman, the inventors of the RSA public authentication implementation as part key cryptographic algorithm. Th is single of a broader attack (italics added).”2 Th is The US government event initiated an attack that would result proved to be an ominous prediction. -
Openpower Nepal Open Source Technology for Rural Nepal
OpenPower Nepal Open Source Technology for Rural Nepal Senior Project by Urs Riggenbach, Spring 2012 College of the Atlantic OpenPower Nepal | Senior Project Report Summary The OpenPower Nepal project aimed at designing and implementing a framework for renewable energy access that can be assembled and maintained locally. I built it at the Maya Universe Academy, a primary school that provides free education in rural Nepal. This document serves as a report of what happened as well as a guide to aid replication of the implemented technologies. Included is the funding process, planned and actual budgets, concepts, and building plans. Not all the parts of my project were finished during my time in Nepal, but all the modules implemented are successfully producing energy for the school. I hope the plans and experiences in this document will serve others striving toward energy self-sufficiency. For this reason, this document and the ideas and plans contained within it are released in an open source manner. A big thank you to all the donors and advisors along the path. Without you, this project would have not been possible. I am continuing my work on open source technology in the realm of renewable energies. Stay tuned to developments and campaigns at www.solarfire.org. OpenPower Nepal | Senior Project Report This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 License. It allows you to modify and redistribute the contents of this package as long as the same license is maintained. Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). -
Open Design Platforms for Open Source Product
INTERNATIONAL CONFERENCE ON ENGINEERING DESIGN, ICED15 27-30 JULY 2015, POLITECNICO DI MILANO, ITALY OPEN DESIGN PLATFORMS FOR OPEN SOURCE PRODUCT DEVELOPMENT: CURRENT STATE AND REQUIREMENTS Bonvoisin, Jérémy (1); Boujut, Jean-François (2) 1: Technische Universität Berlin, Germany; 2: University Grenoble Alpes, France Abstract The spread of ICT and cheap low-size production tools like 3D-printers led to the development of open design, i.e. community-based and open source development of physical products. This innovative organization of product development offers a great opportunity for continuous improvement of products as well as formidable a potential for product innovation and incubation of new businesses. However, because of a limited availability of supporting methods and tools, open design projects are still unable to compete with today’s standards of industrial product design. The present article aims at providing a state of the art of existing online tools for open source product development and discusses their limitation regarding the challenges raised by what is identified as an emerging design paradigm. This is performed through the definition of an analysis grid through which existing tools have been scanned as well as a case study. It claims for further empirical research in order to describe the phenomenon from a design science perspective, to define appropriate categories and develop new specific online product data management tools. Keywords: Open Source Design, Information management, Design methodology Contact: Dr. Jérémy Bonvoisin TU Berlin Institute for Machine-tools and Factory Planning - Department Industrial Information Technology Germany [email protected] Please cite this paper as: Surnames, Initials: Title of paper. -
1.1 Foreword from the Founder
Civilization Starter Kit v0.01: Foreword 1.1 Foreword from the Founder “Hi my name is Marcin - founder of Open Source Ecology. Today, we are proud to share the full documentation of our first 4 tools in the Global Village Construction Set -- the tools of construction. We’re publishing everything that you’ll need to build yourself - an automated Compressed Earth Brick Press, Multipurpose Tractor, Soil Pulverizer, and Hydraulic Power Unit. We are also including initial testing data from CEB construction in 2011. Full plans are now complete and available for the 4 machines - in beta release - suggested for use by developers and makers. These now await the thousands of hours of field testing necessary for general adoption by the rest of the world. So please join us as early adopters - and do your part - to demonstrate the power of open source hardware. Let’s build open source. Let’s build - civilization. Merry Christmas 2011 - this is our Christmas Gift to the World.” -Marcin Open Source Ecology Civilization Starter Kit v0.01: Foreword 2 1.2 What is Open Source Ecology? The Open Source Ecology Paradigm Marcin Jakubowski, Ph.D., 12.24.2011 Introduction The Open Source Ecology Paradigm is an idea that the open source economy is a route to human prosperity in harmony with natural life support systems. Open Source Ecology (OSE) is a movement to create the open source economy. The movement consists of hundreds of entrepreneurs, producers, engineers, makers, and supporters around the world – who believe in the power of open – who share the open ethic. -
Jeremy Hammond from Wikipedia, the Free Encyclopedia
Jeremy Hammond From Wikipedia, the free encyclopedia Jeremy Hammond (born January 8, 1985) is a political hacktivist and Jeremy Hammond computer hacker from Chicago. He was convicted and sentenced[1] in November 2013 to 10 years in US Federal Prison for hacking the private intelligence firm Stratfor and releasing the leaks through the whistle-blowing website WikiLeaks.[2][3] He founded the computer security training website HackThisSite[4] in 2003.[5] Contents 1 Background 1.1 Childhood 1.2 Education 1.3 Music 1.4 Career 2 Activism 2.1 Computer security 3 Arrests and activist history 3.1 Marijuana arrests 3.2 RNC 2004 Born Jeremy Hammond 3.3 Occupy Wicker Park January 8, 1985 3.4 Anti-Nazi protesting Chicago, Illinois 3.5 Chicago Pride Parade 3.6 Protest Warrior Relatives Jason Hammond (twin 3.7 Protesting Holocaust denier David Irving brother) 3.8 Olympic protest Website freejeremy.net 3.9 Stratfor case 4 Support hackthissite.org 5 See also 6 References 7 External links Background Childhood Hammond was raised in the Chicago suburb of Glendale Heights, Illinois, with his twin brother Jason.[4][6] Hammond became interested in computers at an early age, programming video games in QBasic by age eight, and building databases by age thirteen.[4][7] As a student at Glenbard East High School in the nearby suburb of Lombard, Hammond won first place in a district-wide science competition for a computer program he designed.[4] Also in high school, he became a peace activist, organizing a student walkout on the day of the Iraq invasion and starting a student newspaper to oppose the Iraq War. -
Maker #Circular #Smart
ECONOMIC LEAKAGE AND RELOCALIZATION: OPPORTUNITIES FOR SUSTAINABLE PROSPERITY IN MAURITIUS #Maker #Circular #Smart 1 How can Mauritius develop its economy from the inside via local demand and turn the realities of economic leakage into opportunities for growth by following the lead of inspiring entrepreneurs? A study commissioned by the MCB & conducted by UTOPIES – January 2019 3 3 or over 180 years, MCB Group has been true to its guiding principle of assisting in the advancement of individuals, corporations and the country at large by Fsupporting entrepreneurship and innovation on the island. However, in the last 10 years global challenges such as the economic crisis and global warming have sparked a deep questioning within the organization as to the ZIV]QIERMRKSJHIZIPSTQIRXVII\EQMRMRKGSQQSRP]LIPHHI½RMXMSRWSJTVSWTIVMX] ERHLETTMRIWWXSVIHI½RIXLIKVSYT´WVIWTSRWMFMPMXMIWEWEREGXMZIWXI[EVHSJXLI MWPERH´WIGSRSQMGKVS[XL A number of more agile and enthusiastic movements are emerging on the island 7PS[ *SSH7PS[ 1SRI]0SGEP ½VWX*EFPEFW© [LMGL TVSQMWI RI[ QSHIPW SJ innovation and prosperity. The MCB Group seeks more than ever to serve the development of Mauritius, a traditionally entrepreneurial island, by exploring new avenues to achieve greater prosperity from the inside out. The question is not to aim for complete self-reliance SVXSGYXXLIMWPERHSJJJVSQXLI[SVPHMRWIEVGLSJWIPJWYJ½GMIRG]RSVXSHIR]XLI MQTSVXERGISJI\TSVXW KSSHWWIVZMGIW XSYVMWQSVMRXIVREXMSREPMRZIWXQIRXJSV SYVMWPERH´WIGSRSQ]6EXLIVXLIUYIWXMSRMWXSVIMRJSVGIXLIWSPMHMX]SJXLIMWPERH´W economy by -
The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema.