George Wasn't Born Yesterday See Page 5

Total Page:16

File Type:pdf, Size:1020Kb

George Wasn't Born Yesterday See Page 5 George wasn't born yesterday See page 5 (!~~'U~''f" -~ .~r.:\r· ....:r ~: ,. ID.... ...\. .:. ~~,'•,!....,·= ·1·,:. A-.~t.··.. A 1111gget ofne111a Vol. II, No. 13 Columbia College, Columbia, CA Feb. 23, 1983 Columbia Loses Ellen Stewart by Doug Scbwyn Drama students at Columbia College are seriously concerned over the school district's decision to transfer drama teach­ er Ellen Stewart from Columbia to Modesto. Ellen has been teaching here for the past twelve years, carrying the bulk of training actors for college drama produc­ tions while instructor Dave Purdy has done most of the producing and directing. Ellen also teaches inprovisational theater and has produced, cast and directed the winter travelling productions in the past. If she is transferred, beginning next September, Dave Purdy will be solely responsible for all the training, casting and production at Columbia College. Ellen feels depressed about transfer­ ring. She has given twelve years of her life to the drama community here, and has developed a strong rapport with serious students in this area. Many of the actors she has trained have gone on the perform­ ances with the Sierra Repertory Theater and other professional theaters. Ellen's salary will not be increased. The cost of commuting the three hour, 120 mile round trip to Modest and of child care for her four- year-old daughter will substantialy reduce her standard of living. Many people believe that the Columbia drama department will suffer radically if Ellen leaves. The school district feel that, faced with budget cuts, there is no choice in the matter. Drama student Sinder McLeod feels that, "economics is a weak reason to deprive Tuolumne County of the cultural advantages of a strong drama depart­ ment." Ellen Stewart, Columbia's popular drama instructor, working with one of her See page 15 students in aJ ciass session. Page 2 The Claim Jumper Feb. 23, 1983 Editorial The Cbdm Jumper soltcits guest ulilorials from any Columbia stu­ Mnl, staff person, or~mberofthe Anti-Abortionists face new · problem community, as stated in our pol;cy box. by Naomi Lowe I ment at their disposal because of Europe's What will be the psychological effects Ill A new headache may be on the horizon national health clinics. The high cost of on a mother when she is told at six or eight I for the anti-abortionists as a ten year medical equipment has resulted in Ameri­ weeks that she is carrying twins and a 111 study has revealed that up to ·80 percent of can doctors using sound equipment spar­ month later one is gone? Should she be r full term single babies started life as one of ingly and until recently ultrasound was not told in the first place that there are two? a twin. The other twin disappearing some­ used on pregnant women until the 14th Would the disappearance of one fetus con­ time during or after the 14 week of develop­ week. stitute abortion or Mother Nature doing ment. The implications and moral, ethical and her job? Either way a life has been elimi­ What happened to the other twin? Re­ religious connotations suggested from this nated. searchers aren't sure but believe the new information may have a far reaching Living on the threshold of a new age, mother's body may break down and effect on our society and supporters as well and it seems certain we are, can be fright­ absorb the bone and tissue. (a form of as non-supporters of abortion will surely ening and intimidating but it can also be abortion) How or why this phenomenon be affected. · exciting. happens is not certain but the studies are , ---------------------- ---------. co:r:~:83'magazinehasdisclosedthat ten years ago European doctor, using im- I Letters .to the Ed·1tor I proved ultrasonic equipment, began tak­ ing pictures of the developing fetus during Dear Editor, the first 14 weeks of pregnancy and dis­ covered the presence of twins. The next 14 I would like to take this opportunity to The C.C.A.S.B. would also like to weeks disclosed the fact that often one thank all of the students who have ·sup­ thank all those students who came to the fetus had disappeared. For a decade ported A.S.B. activities. With this in Student Forum. We felt it was a hugh suc­ obstetricians continued their study and mind, I'd like to especially thank John cess by getting student input. Thanks also have concluded that twins are conceived Isley: Chairman of A.S.B. Dances and to Mr. Links fantastic journalism staff for two to four times more often than they are Brett Wester and his wife Andy. Brett is covering it. born. One set occuring out of 80 to 100 the Chairman of the Prospectors Picnic, The A.S.B. will meet from now until pregnancies. tentatively scheduled for April 23rd. Brett the end of the quarter at 5:30 p.m. every Studies at universities in Scotland, welcomes any suggestions or ideas and Tuesday in the President's Conference Brussels, Great Britain and Yugoslavia can be found in or about the Math Lab. Room. Students are more than welcome have resulted in the same conclusion. The video games in the student lounge and are encouragewd to attend. American obstetricians are just begin­ have made over $200. in their first nine The A.S.B. office hours are as follows: ning their study and are finding the same days. The A.S.B. is looking to hold a Monday 10-11 Shari Lupeman situation. European doctors have had the Video Game Playoff. No date has been Tuesday 12-1 Tom "Tex" Starkweather advantage of sophisticated medical equip- selected so far, so practice up while there's Wednesday 10-11 Robynn Cornell time. Thursday 12-1 Bruce Meissner or Tex The A.S.B. 's other priorities at the Starkweather moment are: Working to improve the stu­ Friday 12-1 Tom Reynolds V.P., or Mike dent handbook for next year, selling Jazz Turango Staff Choir concert tickets our next inspirational Our office is located in the student concert, and organizing a poll of selected lounge, feel free to drop in. Editor . Naomi Lowe questions to find what the students feelings Layout Editor . Philip Gross Typesetters . Jennifer Nelson are on upcoming events. The A.S.B. is also working on student elections and the Allison Vinci Tex Starkweather Doug Schwyn "Spring Fling," both held annually dur­ Reporters . Andy Tomaselli ing spring quarter. Richard Learned Colleen Campbell Philip Gross The Claim Jumper is published every other Wednesday morning by the newpaper Jennifer Hamm production class (Journalism 107) when school is in session and is solely Maureen Longaker Laura Trover responsible for its content. Any ideas, suggestions or material on any subject is Business Manager ... Naomi Lowe welcomed and should be submitted in the newspaper box in the mail room by 5 Advisor . Harvey Link p.m. on the Wednesday before publication. We reserve the right to edit for taste, Typesetting . Columbia Phototype context and brevity. Anyone interested in joining the staff or contributing to the Printing . Pacific Crafts The Claim Jumper should contact any staffmember. The newspaper office is located in the Administration Building next to the Counseling Office. Feb. 23, 1983 The Claim Jumper Page 3 Editorial===~~=~=====~=== APATHY: Poverty's partner by Phil Gross is small, the dance loses money(or at best collected and sold at the biggest rummage breaks even) and again Student Govern­ sale ever held in the county, how can we In America today the problems are as ment is frustrated in its attempt to build miss? It's even possible that non-students diverse as the people, the regions in which financial capital. A try was made, but in the community may donate items. they live, and their individual dreams and poverty was maintained. Claim Jumper advertisers may be talked desires. If asked, no two Americans The old saw, "it takes money to make into donations of food and drink. would state the same goals of national money,'' has seldom been better shown happiness or the same routes to those than right here on campus. With proper advertising, good weather, goals. We always have been, and likely What then can we do to get the leg-up and enough participation from the ASB, always will be, a country of individual we need to start this rejuvenation process we could, just maybe, earn enough money thinkers with our own mental images of a toward financial stability? Well we can to start making even more. better America. wait for a rich benefactor to stake us or we Whining, waiting for "trickle-down," In relating just two of our country's can get down to some serious planning. and organizing money losers is no way to problems, poverty and apathy, to the Starting with the premise that students build a bank account. We have to try new Associated Student Body of Columbia are notoriously poor, we are left looking to things; we have to be innovative. College it becomes easy to see why so the community for the needed cash. It's many of our fellow students are frustrated. not too likely that a dance will draw many This rummage sale idea is just one of These two problems nip at each other's tail people, so we must seek an alternative. many ways untried, but viable. in a vicious circle of apathy breeding Let's see, what do we have that the America was once a breeding ground of poverty and poverty sustaining apathy. people of Tuolumne County want knowl­ invention and innovation.
Recommended publications
  • April 2021 New Titles List University of Dubuque
    April 2021 New Titles List University of Dubuque Local Item Call Local Item Permanent Number Author Name Title Publisher NamePublication Date Edition Language Name Material Format Material Subformat Shelving Location N/A Neonatology today. Neonatology Today,2006 N/A English JOURNALS/MAGAZIN EJOURNALS/EMAGA ES ZINES Parkman, Francis, A half century of Little, Brown, and Co.,1899 Frontenac English BOOKS PRINTBOOK conflict / edition. Schur, Michael,Scanlon, The Good Place. Universal 2019 N/A English VIDEOS DVDS Claire,Miller, Beth Television,Shout! Factory, McCarthy,Holland, Dean,Bell, Kristen,Danson, Ted,Harper, William Jackson,Jamil, Jameela,Carden, D'Arcy,Jacinto, Manny,; Shout! Factory (Firm),Universal Television (Firm), AM151 .T54 2019 Garcia, Tristan,Normand, Theater, garden, ÉCAL/University of Art 2019 N/A English BOOKSPRINTBOOK New Book Collection: Vincent,; École cantonale bestiary :a and Design Lausanne 1st Floor d'art de Lausanne,Haute materialist history of ;Sternberg Press, école spécialisée de exhibitions / Suisse occidentale. BF789.C7 P3713 Pastoureau, Michel,; Green :the history of Princeton University 2014 N/A English BOOKSPRINTBOOK New Book Collection: 2014 Gladding, Jody, a color / Press, 1st Floor BJ1521 .H76 2020 Miller, Christian B.,West, Integrity, honesty, Oxford University Press,2020 N/A English BOOKSPRINTBOOK New Book Collection: Ryan, and truth seeking / 1st Floor BR65.A9 W47 Wessel, Susan, On compassion, Bloomsbury Academic,2020 N/A English BOOKSPRINTBOOK New Book Collection: 2020 healing, suffering, 1st Floor and the purpose of the emotional life / BS195 .R48 2019 Wansbrough, Henry, The Revised New Image,2019 First U.S. edition. English BOOKSPRINTBOOK New Book Collection: Jerusalem Bible 1st Floor :study edition / BS2553 .R83 Ruden, Sarah, The Gospels / Modern Library,2021 First edition.
    [Show full text]
  • Jessica Lange Regis Dialogue Formatted
    Jessica Lange Regis Dialogue with Molly Haskell, 1997 Bruce Jenkins: Let me say that these dialogues have for the better part of this decade focused on that part of cinema devoted to narrative or dramatic filmmaking, and we've had evenings with actors, directors, cinematographers, and I would say really especially with those performers that we identify with the cutting edge of narrative filmmaking. In describing tonight's guest, Molly Haskell spoke of a creative artist who not only did a sizeable number of important projects but more importantly, did the projects that she herself wanted to see made. The same I think can be said about Molly Haskell. She began in the 1960s working in New York for the French Film Office at that point where the French New Wave needed a promoter and a writer and a translator. She eventually wrote the landmark book From Reverence to Rape on women in cinema from 1973 and republished in 1987, and did sizable stints as the film reviewer for Vogue magazine, The Village Voice, New York magazine, New York Observer, and more recently, for On the Issues. Her most recent book, Holding My Own in No Man's Land, contains her last two decades' worth of writing. I'm please to say it's in the Walker bookstore, as well. Our other guest tonight needs no introduction here in the Twin Cities nor in Cloquet, Minnesota, nor would I say anyplace in the world that motion pictures are watched and cherished. She's an internationally recognized star, but she's really a unique star.
    [Show full text]
  • The Glorious Career of Comedienne Judy Holliday Is Celebrated in a Complete Nine-Film Retrospective
    The Museum of Modern Art For Immediate Release November 1996 Contact: Graham Leggat 212/708-9752 THE GLORIOUS CAREER OF COMEDIENNE JUDY HOLLIDAY IS CELEBRATED IN A COMPLETE NINE-FILM RETROSPECTIVE Series Premieres New Prints of Born Yesterday and The Marrying Kind Restored by The Department of Film and Video and Sony Pictures Born Yesterday: The Films of Judy Holliday December 27,1996-January 4,1997 The Roy and Niuta Titus Theater 1 Special Premiere Screening of the Restored Print of Born Yesterday Introduced in Person by Betty Comden on Monday, December 9,1996, at 6:00 p.m. Judy Holliday approached screen acting with extraordinary intelligence and intuition, debuting in the World War II film Winged Victory (1944) and giving outstanding comic performances in eight more films from 1949 to 1960, when her career was cut short by illness. Beginning December 27, 1996, The Museum of Modern Art presents Born Yesterday: The Films of Judy Holliday, a complete retrospective of Holliday's short but exhilarating career. Holliday's experience working with director George Cukor on Winged Victory led to a collaboration with Cukor, Garson Kanin, and Kanin's wife Ruth Gordon, resulting in Adam's Rib (1949), Born Yesterday (1950), The Marrying Kind (1952), and // Should Happen To You (1952). She went on to make Phffft (1954), The Solid Gold Cadillac (1956), Full of Life (1956), and, for director Vincente Minnelli, Bells Are Ringing (1960). -more- 11 West 53 Street, New York, New York 10019 Tel: 212-708-9400 Fax: 212-708-9889 2 The Department of Film and Video and Sony Pictures Entertainment are restoring the six films that Holliday made at Columbia Pictures from 1950 to 1956.
    [Show full text]
  • M.E. Rinker, Sr. School of Building Construction
    M.E. Rinker, Sr. School of Building Construction COLLEGE OF DESIGN, CONSTRUCTION & PLANNING Spring 2011, Volume 75, Issue 1 1 Orange & Blueprints M.E. Rinker, Sr. a bi-annual publication School of Building Construction 304 Rinker Hall Table of Contents PO Box 115703 In Memory of Dr. Brisbane Brown, Jr...... 4-5 Gainesville, FL 32611-5703 Executive Committee.............................. 6-7 Phone: (352) 273-1150 Alumni in Higher Education .................... 7 Fax: (352) 392-9606 Construction Hall of Fame...................... 8 www.bcn.ufl.edu Alumni in the News................................. 8 UF BCN Athletes..................................... 9 Alumni Updates...................................... 10-11 Dr. Christopher Silver Lessons Learned..................................... 11 Dean of the College of Design, Construction & Planning Regional Clubs ...................................... 12-13 Dr. Abdol Chini Fall 2010 Career Fair.............................. 14 Director of the Rinker School of Building Construction Fall 2010 Welcome Reception................ 14 Dr. Paul Oppenheim Fall 2010 Convocation & Dinner.............. 15 Director of Undergraduate Programs Guest Lectures....................................... 16 Dr. Jimmie Hinze Homecoming.......................................... 16 Director of Master’s Programs Major Donors ......................................... 17 Dr. Ian Flood Gifts........................................................ 18 Coordinator of Ph.D. Program Sponsorships........................................
    [Show full text]
  • 12-13 Season Brochure.Indd
    2012 2013 SEASON The Department of Theatre Arts has a strong tradition of excellence in graduate training, preparing professional stage directors and theatre scholars through MFA and MA programs. With small classes and strong mentorship by professors, our graduate programs offer graduate education with intensive and Gruesome Playground Injuries personalized training. directed by John Michael Sefel Baylor theatre audiences experience the work of graduate students in the MFA Directing program who direct regularly in our theatre season. Join us this season as we jet off to the French Riviera for a “dirty, The “MIDSUMMER SEASON” rotten” musical, followed by an ancient Greek tragedy. In the At the end of the first year of study, MFA Directing students are spring, we’ll laugh along with an required to design and direct a full-length play for our summertime “Midsummer Season.” Recent summer shows include Eleemosynary, American comedy classic, hang OTMA, and Circle Mirror Transformation. The summer productions on for an outrageously funny for 2012 were Rajiv Joseph’s Gruesome Playground Injuries directed Hitchcock thriller, and end the by John Michael Sefel, a graduate student from New Hampshire, season in the twilight of and Kenny Finkle’s Indoor/Outdoor directed by Nathan Autrey who communist rule on the eve of came to Baylor’s graduate program from the Dallas area. the Romanian Revolution. Thesis Shows The 2012–2013 Baylor Theatre season has it all. To complete the MFA in Directing, third-year graduate students must serve as a director in Stan Denman our mainstage season of shows, leading a Baylor Theatre production team of faculty, staff, and students throughout the production process from Chair research to rehearsal to performance.
    [Show full text]
  • 032343 Born Yesterday Insert.Indd
    among others. He is a Senior Fight Director with OUR SPONSORS ABOUT CENTER REPERTORY COMPANY Dueling Arts International and a founding member of Dueling Arts San Francisco. He is currently Chevron (Season Sponsor) has been the Center REP is the resident, professional theatre CENTER REPERTORY COMPANY teaching combat related classes at Berkeley Rep leading corporate sponsor of Center REP and company of the Lesher Center for the Arts. Our season Michael Butler, Artistic Director Scott Denison, Managing Director School of Theatre. the Lesher Center for the Arts for the past nine consists of six productions a year – a variety of musicals, LYNNE SOFFER (Dialect Coach) has coached years. In fact, Chevron has been a partner of dramas and comedies, both classic and contemporary, over 250 theater productions at A.C.T., Berkeley the LCA since the beginning, providing funding that continually strive to reach new levels of artistic presents Rep, Magic Theatre, Marin Theater Company, for capital improvements, event sponsorships excellence and professional standards. Theatreworks, Cal Shakes, San Jose Rep and SF and more. Chevron generously supports every Our mission is to celebrate the power of the human Opera among others including ten for Center REP. Center REP show throughout the season, and imagination by producing emotionally engaging, Her regional credits include the Old Globe, Dallas is the primary sponsor for events including Theater Center, Arizona Theatre Company, the intellectually involving, and visually astonishing Arena Stage, Seattle Rep and the world premier the Chevron Family Theatre Festival in July. live theatre, and through Outreach and Education of The Laramie Project at the Denver Center.
    [Show full text]
  • Asfacts July13.Pub
    ASFACTS 2013 JULY “H EAT WAVE & H UMIDITY ” I SSUE NEBULA WINNERS ANNOUNCED The 2012 Nebula Awards were presented May 18, 2013, in a ceremony at SFWA’s 48th Annual Nebula Awards Weekend in San Jose, CA. Gene Wolfe was hon- ored with the 2012 Damon Knight Grand Master Award for his lifetime contributions and achievements in the field. A list of winners follows: First Novel: Throne of the Crescent Moon by Saladin Novel: 2312 by Kim Stanley Robinson, Novella: Ahmed, Young Adult Book: Railsea by China Miéville, After the Fall, Before the Fall, During the Fall by Nancy Novella: After the Fall, Before the Fall, During the Fall Kress, Novelette: “Close Encounters” by Andy Duncan, by Nancy Kress, Novelette: “The Girl-Thing Who Went Short Story: “Immersion” by Aliette de Bodard, Ray Out for Sushi” by Pat Cadigan, Short Story: “Immersion” Bradbury Award for Outstanding Dramatic Presentation: by Aliette de Bodard, Anthology: Edge of Infinity edited Beasts of the Southern Wild , and Andre Norton Award by Jonathan Strahan, and Collection: Shoggoths in Bloom for Young Adult Science Fiction and Fantasy Book: Fair by Elizabeth Bear. Coin by E.C. Myers. Non-Fiction: Distrust That Particular Flavor by Carl Sagan and Ginjer Buchanan received Solstice William Gibson, Art Book: Spectrum 19: The Best in Awards, and Michael H. Payne was given the Kevin Contemporary Fantastic Art edited by Cathy Fenner & O’Donnell Jr. Service to SFWA Award. Arnie Fenner, Artist: Michael Whelan, Editor: Ellen Dat- low, Magazine: Asimov’s , and Publisher: Tor. ROGERS & D ENNING HOSTING PRE -CON PARTY RICHARD MATHESON DEAD Patricia Rogers and Scott Denning will uphold a local fannish tradition when they host the Bubonicon 45 LOS ANGELES (Associated Press) -- Richard Pre-Con Party 7:30-10:30 pm Thursday, August 22, at Matheson, the prolific sci-fi and fantasy writer whose I their home in Bernalillo – located at 909 Highway 313.
    [Show full text]
  • Born Yesterday Garson Kanin
    John Carroll University Carroll Collected Theatre Productions Communication & Theatre Arts 10-27-2006 Born Yesterday Garson Kanin Follow this and additional works at: http://collected.jcu.edu/plays Recommended Citation Kanin, Garson, "Born Yesterday" (2006). Theatre Productions. 30. http://collected.jcu.edu/plays/30 This Book is brought to you for free and open access by the Communication & Theatre Arts at Carroll Collected. It has been accepted for inclusion in Theatre Productions by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. JOHN CARROLL UNIVERSITY DEPARTMENT OF COMMUNICATION AND THEATRE ARTS PR~ENTS : fJJom l)4f#!~[t{ay OCTOBER 27, 28 OCTOBER 29 NOVEMBER 3, 4 NOVEMBER 5 7:30PM 2:00PM The John Carroll University Department of Communication and Theatre Arts Presents BORN YESTERDAY By: Garson Kanin Directed By: Karen Gygli Presented with permission by Dramatists Play Service Inc. As a courtesy to the performers and those around you: PLEASE REFRAIN FROM USING CELL PHONES, WATCH ALARMS, PAGERS AND FLASH PHOTOGRAPHY PLEASE note the emergency EXITS marked in Kulas Auditorium. Should an emergency occur, please WALK in an orderly fashion to the exit nearest you. BORN YESTERJ)AY By: Garson Kanin The Place: A Washington, D.C. hotel The Time: 1946 Act I 9PM in the evening 10 Minute Intermission Act II Late Afternoon, two months later 10 Minute Intermission Act III That same evening, around 1:30AM DIRECTOR'S NOTES Born Yesterday is a valentine to democracy written right after the war in 1946. But it is also a challenge to all those who claim to be pari of a democracy.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Judy Holliday's Urban Working Girl Characters in 1950S Hollywood Film Judith E
    University of Massachusetts Boston ScholarWorks at UMass Boston American Studies Faculty Publication Series American Studies 2010 Judy Holliday's Urban Working Girl Characters in 1950s Hollywood Film Judith E. Smith University of Massachusetts Boston, [email protected] Follow this and additional works at: http://scholarworks.umb.edu/amst_faculty_pubs Part of the American Film Studies Commons, American Popular Culture Commons, Jewish Studies Commons, and the Women's Studies Commons Recommended Citation Smith, Judith E., "Judy Holliday's Urban Working Girl Characters in 1950s Hollywood Film" (2010). American Studies Faculty Publication Series. Paper 6. http://scholarworks.umb.edu/amst_faculty_pubs/6 This Article is brought to you for free and open access by the American Studies at ScholarWorks at UMass Boston. It has been accepted for inclusion in American Studies Faculty Publication Series by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. Judy Holliday's Urban Working Girl Characters in 1950s Hollywood Film Judith Smith. American Studies, University of Massachusetts Boston A Jewish-created urban and cosmopolitan working girl feminism persisted in the 1950s as a cultural alternative to the suburban, domestic consumerism critiqued so eloquently by Betty Friedan in The Feminine Mystique . The film persona of Jewish, Academy Award-winning actress Judy Holliday embodied this working girl feminism. Audiences viewed her portrayals of popular front working girl heroines in three films written by the Jewish writer and director Garson Kanin, sometimes in association with his wife, the actress Ruth Gordon, and directed by the Jewish director George Cukor in the early 1950s: Born Yesterday (1950), The Marrying Kind (1952), and It Should Happen to You (1954).
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Emmy Award Winners
    CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.
    [Show full text]