Program Guide January 22 to May 08 2011 Table of Contents Close Encounters P.04-05
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CV 6084 Rue Waverly, Montréal, QC H2T2Y3 Canada Tel: 438-884 5387 [email protected]
Adam Basanta - CV 6084 rue Waverly, Montréal, QC H2T2Y3 Canada Tel: 438-884 5387 [email protected] www.adambasanta.com Selected Solo Exhibitions 2018 • ***Upcoming*** Title TBA. Klangraum Krems, Krems, Austria. • ***Upcoming*** All we’d ever need is one another. Ellephant Gallery, Montreal QC, Canada. • Variations on a Theme. Galerie Bon Accueil, Rennes, France. 2017 • Variations on a Theme. FOFA Gallery. Montreal, QC Canada. • Five Lines, Crossing. Galerija SC. Zagreb, Croatia. 2016 • A Room Listening to Itself. Gallery 1C03, Winnipeg MB Canada. • Inversion as literary device. Galeria Skolska28. Prague, CZ. • Systems of Listening, Systems for Listening. Nutting Gallery. West Liberty University, WV. • Principle of Distance. Museum of Transitory Art. Ljubliana, Slovenia. • Louder than a beating heart. Galeria Swinton and Grant. Madrid, Spain. 2015 • A Room Listening to Itself. Open Space Gallery. Victoria BC. • The sound of empty space. Carroll/Fletcher Gallery. London UK. • Louder than a beating heart. Titanik Galerie. Turku Finland. • A room listening to itself. Centre for Contemporary Arts - Santa Fe. NM, USA. • The sound of empty space. Galerie B-312, Montreal QC. 2012 • Room Dynamics. Artscape Wychwood Barns, Toronto, ON, Canada. October 26-Dec 15, 2012. • Room Dynamics. The Bridge Gallery, Charlotsville, VA, USA. September 21-30 2012. Selected Group Exhibitions 2018 • ***Upcoming*** Robot Love. Van Abbemuseum, Eindhoven, • ***Upcoming*** Exposition rétrospective 10 ans. Eastern Bloc, Montreal QC Canada. • ***Upcoming*** Data Dating. Galerie Charlotte, • ***Upcoming*** … move or be moved by something rather than oneself. Critical Distance, Toronto ON Canada. • ***Upcoming*** Festival Interstice. Caen, France. • Sonic Arts Series. HAVN. Hamilton, ON, Canada. • 36ème Rendez-vous Québec Cinéma. Cinematheque Quebecois, Montreal QC Canada. -
Ayapaahipiihk Naahkouhk
ILAJ YEARS/ANS parkscanada.gc.ca / parcscanada.gc.ca AYAPAAHIPIIHK NAAHKOUHK RESILIENCE RESISTANCE LU PORTRAY DU MICHIF MÉTIS ART l880 - 2011 Parks Parcs Canada Canada Canada RESILIENCE / RESISTANCE MÉTIS ART, 1880 - 2011 kc adams • jason baerg • maria beacham and eleanor beacham folster • christi belcourt bob boyer • marie grant breland • scott duffee - rosalie favell -Julie flett - Stephen foster david garneau • danis goulet • david hannan • rosalie laplante laroque - jim logan Caroline monnet • tannis nielsen • adeline pelletier dit racette • edward poitras • rick rivet BATOCHE NATIONAL HISTORIC SITE PARKS CANADA June 21 - September 15, 2011 Curated by: Sherry Farrell Racette BOB BOYER Dance of Life, Dance of Death, 1992 oil and acrylic on blanket, rawhide permanent collection of the Saskatchewan Arts Board RESILIENCE / RESISTANCE: METIS ART, 1880-2011 TABLE OF CONTENTS Foreword 4 Aypaashpiihk, Naashkouhk: Lii Portray dii Michif 1880 - 2011 5 Curator's Statement 7 kcadams 8 jason baerg 9 maria beacham and eleanor beacham folster 10 christi belcourt 11 bob boyer 12 marie grant breland 13 scott duffee 14 rosaliefavell 15 Julie flett 16 Stephen foster 17 david garneau 18 danis goulet 19 david hannan 20 rosalie laplante laroque 21 jim logan 22 Caroline monnet 23 tannis nielsen 24 adeline pelletier dit racette 25 edward poitras 26 rick rivet 27 Notes 28 Works in the Exhibition 30 Credits 32 3 Resilience/Resistance gallery installation shot FOREWORD Batoche National Historic Site of Canada is proud to host RESILIENCE / RESISTANCE: MÉTIS ART, 1880-2011, the first Metis- specific exhibition since 1985. Funded by the Government of Canada, this is one of eighteen projects designed to help Métis com munities preserve and celebrate their history and culture as well as present their rich heritage to all Canadians. -
Patrick L. Mahon
CURRICULUM VITAE Patrick L. Mahon EXHIBITIONS Recent Collaborative or Group Exhibition Projects: 2019-20 Speculative Energy Future: Prototypes for Possible Worlds – Beer, Baier, Caulfield, Esfahani, Fisher, Igharas, Makokis, Moore, Simpson, etc. Co-curated by Natalie Loveless & Sheena Wilson, FAB Gallery, U of AB, Department of Art & Design, (Brochure) 2019 C3+ Engineering Building/Wind Tunnel Sculpture – Kelly Jazvac, Patrick Mahon, Tegan Moore. Permanent Outdoor Installation 2018 The Living River Project: Art, Water and Possible Worlds – Mahon + Bou, Miner, Garoo, Rodney, Smallboy,Ouellette, Bariteau, Esfahani, Chitty, Willet, Coates, Gardiner. Co-Curated with Stuart Reid, Art Gallery of Windsor (Online Catalogue forthcoming) 2017-20 <Immune Nations> – Curated by Natalie Loveless (Caulfied, Fischer, Humphrey, Viader-Knowles with Hoffman, Hou et al) – Galerie KiT, Trondheim Academy of Fine Arts, Trondheim, Norway; UNAIDS Headquarters, Geneva, Switzerland; McMaster Museum of Art (Sept. 2020) (catalogue + journal) International 2016 Mountains and Rivers Without End - Gautam Garoo, Patrick Mahon, Gu Xiong, Esteban Ayala (Hidalgo), Jenny Jaramillo, Ulises Unda – Municipal Museum Modern Art, Cuenca, Equador; CAC, Quito, Ecuador; ArtLab Gallery, Western University, London, ON – Organized with Ulises Unda with Patrick Mahon (catalogue) International 2015 A Gust of Wind: Caulfield, Fuglem, Linge, Mahon, Merritt, Savard, Moore, with Artifacts from the Boundary Layer Wind Tunnel, Organized/Curated by P. Mahon - DNA Artspace, London ON, (brochure) -
Adam Basanta - CV B
Adam Basanta - CV b. 1985 (Tel-Aviv, Israel). Lives and works in Montreal, QC, Canada. [email protected] www.adambasanta.com Selected Solo Exhibitions 2020 • ***Upcoming*** Title TBD. bb15. Linz, Austria. 2019 • The Unknown Future Rolls Towards Us. HBK Braunschweig, Braunschweig, Germany. • All We’d Ever Need Is One Another (Trio). Arsenal Contemporary Toronto, Canada. • Landscape Past Future. Ellephant Gallery, Montreal QC, Canada. • Ballet Pathétique. Galerie Sans Nom. Moncton NB, Canada. • A Large Inscription, A Great Noise. Optica Centre d’Art Contemporain. Montreal QC, Canada. 2018 • All we’d ever need is one another. Ellephant Gallery, Montreal QC, Canada. • Variations on a Theme. Galerie Bon Accueil, Rennes, France. 2017 • Variations on a Theme. FOFA Gallery. Montreal, QC Canada. • Five Lines, Crossing. Galerija SC. Zagreb, Croatia. 2016 • A Room Listening to Itself. Gallery 1C03, Winnipeg MB Canada. • Inversion as literary device. Galeria Skolska28. Prague, CZ. • Systems of Listening, Systems for Listening. Nutting Gallery. West Liberty University, WV. • Principle of Distance. Museum of Transitory Art. Ljubliana, Slovenia. • Louder than a beating heart. Galeria Swinton and Grant. Madrid, Spain. 2015 • A Room Listening to Itself. Open Space Gallery. Victoria BC. • The sound of empty space. Carroll/Fletcher Gallery. London UK. • Louder than a beating heart. Titanik Galerie. Turku Finland. • A room listening to itself. Centre for Contemporary Arts - Santa Fe. NM, USA. • The sound of empty space. Galerie B-312, Montreal QC. Selected Group Exhibitions 2020 • ***Upcoming*** Title TBD. Atelierhaus Salzamt. Linz, Austria. • ***Upcoming*** Title TBD. Ellephant Gallery. Montreal QC Canada. 2019 • Montréal ~ Habana : Rencontres en art actuel / Encuentros de Arte Contemporáneo. -
Two-Spirited People of Manitoba, Inc. College of Nursing
College of Nursing Two-Spirited People of Manitoba, Inc. • Social Determinants of Health are a group of social and • Societal stigma, colonized attitudes, and prejudice directed towards economic factors related to people’s place in society1. For some Two Indigenous people and sexual minorities. This may result in a lifetime Spirit people, they include ongoing effects of colonization; of harassment, discrimination and victimization4, 5. displacement from native lands, native lands, segregation in Indian • Isolation, exclusion and rejection by families, communities and Residential Schools, inadequate housing, the 60’s Scoop, and society prevents access to relevant health and social services. subsequent loss of family connections, language and culture. Homophobia and fear of violence pushes some Two-Spirit people • Two-Spirit people’s sources of strength namely their culture, away from their home communities6. languages, land rights, and opportunities for self-determination are • In the city environment, Two Spirit people may experience poverty, 2 compromised . homelessness, societal homophobia, racism from society and the • Resurgence of Two-Spirit identities, histories, and pride is a positive LGBTQ+ community8, 9, 15. 2 social determinant of health . • Overrepresentation of Two Spirit youth as street involved, homeless; • Two-Spirit people view health holistically; this considers physical, and having experienced childhood trauma10. psychological, social, and spiritual factors3. • Suicide rates of Two-Spirit people are hard to obtain. • Two-Spirit people may be part of the LGBTQ+ community but relate • 18.4% of Indigenous peoples have seriously considered suicide18. more to cultural identity within their Indigenous community. These increased suicide rates reflect a national crisis. • Some LGBTQ+ groups and Indigenous Nations may hold perceptions • First Nations youth are at risk for suicide, five to seven times higher where Two-Spirit people aren’t fully accepted in either group11. -
ROSALIE FAVELL | Www
ROSALIE FAVELL www.rosaliefavell.com | www.wrappedinculture.ca EDUCATION PhD (ABD) Cultural Mediations, Institute for Comparative Studies in Art, Literature and Culture, Carleton University, Ottawa, Ontario, Canada (2005 to 2009) Master of Fine Arts, University of New Mexico, Albuquerque, New Mexico, United States (1998) Bachelor of Applied Arts in Photographic Arts, Ryerson Polytechnical Institute, Toronto, Ontario, Canada (1984) SELECTED SOLO EXHIBITIONS 2018 Rosalie Favell: Shifting Focus, Latcham Art Centre, Stoufville, Ontario, Canada. (October 20 – December 8) 2018 Facing the Camera, Station Art Centre, Whitby, Ontario, Canada. (June 2 – July 8) 2017 Wish You Were Here, Ojibwe Cultural Foundation, M’Chigeeng, Ontario, Canada. (May 25 – August 7) 2016 from an early age revisited (1994, 2016), Wanuskewin Heritage Park, Regina, Saskatoon, Saskatchewan, Canada. (July – September) 2015 Rosalie Favell: (Re)Facing the Camera, MacKenzie Art Gallery, Regina, Saskatchewan, Canada. (August 29 – November 22) 2014 Rosalie Favell: Relations, All My Relations, Minneapolis, Minnesota, United States. (December 12 – February 20, 2015) 2013 Muse as Memory: the Art of Rosalie Favell, Gallery of the College of Staten Island, New York City, New York, United States. (November 14 – December 19) 2013 Facing the Camera: Santa Fe Suite, Museum of Contemporary Native Art, Santa Fe, New Mexico, United States. (May 25 – July 31) 2013 Rosalie Favell, Cube Gallery, Ottawa, Ontario, Canada. (April 2 – May 5) 2013 Wish You Were Here, Art Gallery of Algoma, Sault Ste. Marie, Ontario, Canada. (February 28 – May 26) 2012 Rosalie Favell Karsh Award Exhibition, Karsh Masson Gallery, Ottawa, Ontario, Canada. (September 7 – October 28) 2011 Rosalie Favell: Living Evidence, Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia, Canada. -
UAAC Conference.Pdf
Friday Session 1 : Room uaac-aauc1 : KC 103 2017 Conference of the Universities Art Association of Canada Congrès 2017 de l’Association d’art des universités du Canada October 12–15 octobre, 2017 Banff Centre for Arts and Creativity uaac-aauc.com UAAC - AAUC Conference 2017 October 12-15, 2017 Banff Centre for Arts and Creativity 1 Welcome to the conference The experience of conference-going is one of being in the moment: for a few days, we forget the quotidian pressures that crowd our lives, giving ourselves over to the thrill of being with people who share our passions and vocations. And having Banff as the setting just heightens the delight: in the most astonishingly picturesque way possible, it makes the separation from everyday life both figurative and literal. Incredibly, the members of the Universities Art Association of Canada have been getting together like this for five decades—2017 is the fifteenth anniversary of the first UAAC conference, held at Queen’s University and organized around the theme of “The Arts and the University.” So it’s fitting that we should reflect on what’s happened in that time: to the arts, to universities, to our geographical, political and cultural contexts. Certainly David Garneau’s keynote presentation, “Indian Agents: Indigenous Artists as Non-State Actors,” will provide a crucial opportunity for that, but there will be other occasions as well and I hope you will find the experience productive and invigorating. I want to thank the organizers for their hard work in bringing this conference together. Thanks also to the programming committee for their great work with the difficult task of reviewing session proposals. -
A DECADE of TRANSFORMATION —INSIDE & out the Legacy of Dr
SPRING WINNIPEG 2014 A DECADE OF TRANSFORMatION: The Legacy of Dr. Lloyd Axworthy DISCOVER ACHIEVE BELONG THE UNIVERSITY OF WINNIPEG MAGAZINE 34. 10. 18. Sustainability UNITED Health Community on Campus & RecPlex Learning Reward yourself. Get the BMO® University of Winnipeg MasterCard.®* Reward yourself with 1 AIR MILES®† reward mile for every $20 spent or 0.5% CashBack® and pay no annual fee1,2. Give something back With every purchase you make, BMO Bank of Montreal® makes a contribution to help support the development of programs and services for alumni, at no additional cost to you. Apply now! 1-800-263-2263 Alumni: bmo.com/winnipeg Student: bmo.com/winnipegspc Call 1-800-263-2263 to switch your BMO MasterCard to a BMO University of Winnipeg MasterCard. 1 Award of AIR MILES reward miles is made for purchases charged to your Account (less refunds) and is subject to the Terms and Conditions of your BMO MasterCard Cardholder Agreement. The number of reward miles will be rounded down to the nearest whole number. Fractions of reward miles will not be awarded. 2 Ongoing interest rates, interest-free grace period, annual fees and all other applicable fees are subject to change. See your branch, call the Customer Contact Center at 1-800-263-2263, or visit bmo.com/mastercard for current rates.® Registered trade-marks of Bank of Montreal. ®* MasterCard is a registered trademark of MasterCard International Incorporated. ®† Trademarks of AIR MILES International Trading B.V. Used under license by LoyaltyOne, Inc. and Bank of Montreal. Docket #: 13-321 Ad or Trim Size: 8.375" x 10.75" Publication: The Journal (Univ of Winnipeg FILE COLOURS: Type Safety: – Alumni Magazine) Description of Ad: U. -
MFA Handbook 2015/2016
MFA Handbook 2015/2016 for Students, Faculty & Staff TABLE OF CONTENTS This handbook is revised annually, and some policies and other information may change between publication dates. The School of Art will provided update/revised materials when critical information is amended. The School of Art ......................................................................................................... 3 Fields of Creative Work and Research .......................................................................................... 3 Research Facilities ....................................................................................................................... 3 Program Admission ..................................................................................................... 4 Application ................................................................................................................................. 4 Application Deadline .................................................................................................................. 4 Program Registration ................................................................................................... 5 General Information .................................................................................................................... 5 Students from Other Faculties at this University ......................................................................... 5 Visiting Students from Another University ................................................................................. -
Koffler Gallery History in Remaking Panel Discussion Wednesday, November 11, 2020
Koffler Gallery History in Remaking Panel Discussion Wednesday, November 11, 2020 Camila Salcedo: Good evening and thank you for joining us tonight. My name is Camila Salcedo, and I’m the public engagement and education assistant at Koffler Gallery. I’m super excited to bring a wonderful group of artists here tonight for our History and Remaking Panel featuring Rosalie Favell, Ivana Dizdar, Anique Jordan, and our moderator, Madelyne Beckles. I want to start by acknowledging that both myself and Koffler Gallery are located in Toronto, the traditional territory of the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee, and the Wendat peoples and as an urban center also now home to many First Nations, Intuit, and Metis peoples. Since we’re currently virtually gathering on Zoom, I’d also like to acknowledge that the Zoom headquarters are located on Muwekma Ohlone territory, also known as Silicon Valley. In order to be responsible treaty people, I believe that we must learn about the ways that modern day nation states continue to perpetuate colonial violence, so for this reason I call on everyone here tonight to research ways that you can help the many indigenous communities fighting systemic racism across the country. To pivot from that a bit, I would like to thank our funders and partners who make events like tonight’s possible, so I would like to thank the Toronto Arts Council, Ontario Arts Council, the Canada Council for the Arts, CIBC Wood Gundy, and the Koffler Family Foundation. This program tonight is presented in conjunction with our current exhibition, the Natalie Brettschneider Archive by artist Carol Sawyer, and is presented in partnership with Scotiabank Contact Photography Festival. -
CURRICULUM VITAE: Barry Ace | Barryacearts
CURRICULUM VITAE: Barry Ace www.barryacearts.com | [email protected] SELECTED GROUP AND SOLO EXHIBITIONS Upcoming (2021 - 2022) Wrapped in Culture. Group exhibition. Organizer – Rosalie Favell. Curator – Wahsontiio Cross. Queen Victoria Museum and Art Gallery, Launceston, Tasmania. (January 15 - May 16, 2021). Anishinaabe-bimaadiziwin. Solo Exhibition. Curators – Danny Hussey and Bridget Thompson. Central Art Garage, Ottawa, Ontario (April 2021). Wrapped in Culture. Group exhibition. Organizer – Rosalie Favell. Curator – Wahsontiio Cross. Footscray Community Arts Center, Melbourne, Australia. (August 1 – September 31, 2021). Wrapped in Culture. Group exhibition. Organizer – Rosalie Favell. Curator – Wahsontiio Cross. Thunder Bay Art Gallery, Thunder Bay, Ontario. (Fall 2021 – Winter 2022). waabiganikaade / it is made of clay. Solo exhibition. Curator – Denis Longchamps. Canadian Clay and Glass Gallery. Waterloo, Ontario. (Summer 2022). Current (2020 – ongoing) J. S. McLean Centre for Indigenous & Canadian Art. Group Exhibition. Art Gallery of Ontario, Toronto, Ontario. (July 1, 2018 – ongoing) Canadian and Indigenous Galleries. Group Exhibition. National Gallery of Canada, Ottawa, Ontario. (September 1, 2019 – ongoing) To Be Continued: Troubling the Queer Archive. Group Exhibition. Curators – Anna Shah Hoque and Cara Tierney. Carleton University Art Gallery, Ottawa, Ontario. (September 24 – May 16, 2020). Barry Ace | www.barryacearts.com 1 2020 Wrapped in Culture. Group exhibition. Organizer – Rosalie Favell. Curator – Wahsontiio Cross. Art Gallery of Algoma, Sault Ste. Marie, Ontario. (September 12 – November 14, 2020) Àbadakone / Continuous Fire / Feu continuel. Group Exhibition. Curators – Greg Hill, Rachelle Dickenson, Christine Lalonde. National Gallery of Canada, Ottawa, Ontario. (November 8, 2019 – April 5, 2020) 2019 mazinigwaaso / to bead something: Barry Ace: Bandolier Bags as Cultural Conduit. Solo exhibition. -
Paperwait-2004-05.Pdf
1 2 PaperWait aceartinc. Volume 7 2004 / 2005 PaperWait Volume 7 2004-2005 Board of Directors Chris Clarke Shawn Frosst Chris MacDonald Karen Owens Veronica Preweda Holly Procktor Dominique Rey ISSN: 1497-8776 Dan Saidman This publication © aceartinc. Rights to reproduce individual articles and art- Karen Wardle works remain with their authors and creators. Some documentation images are Anna Kirbyson the property of aceartinc. or the artists or other contributing organisations. Staff Acknowledgements PROGRAMMING COORDINATOR Aceartinc. would like to thank the following people, organisations and busi- Theo Sims nesses for their ongoing support and assistance; all contributing artists, ADMINISTRATIVE COORDINATOR Garth Hardy students, curators, writers and photographers; our volunteers and member- ship, corporate and private donors; the Manitoba Arts Council, the Winnipeg GALLERY ASSISTANT Elizabeth Garlicki Arts Council, the Canada Council for the Arts, Manitoba’s lotteries, WH and SE Loewen Foundation, the Winnipeg Foundation; Human Resources Devel- Contractors opment Canada; Kromar Printing, Designtype, The Sign Source, Home of PHOTOGRAPHY Instant Printing, Video Pool, Plug In ICA, MAWA, Platform, The Annex, Urban William Eakin Shaman, The Winnipeg Film Group, GroundSwell, MayWorks, The University INVITATION AND POSTER DESIGN of Manitoba, William Eakin, and Mike Carroll. Mike Carroll SUMMER STUDENT ARCHIVIST Daniel Young and Christian Giroux gratefully acknowledge the support of Meera Singh the Ontario Arts Council. Paperwait 2004-2005 Karen Azoulay gratefully acknowledges the Toronto Arts Council and the PUBLISHER Canada Council for the Arts. Aceartinc. EDITOR Martin Beauregard and maclean both acknowledge the support of the Quebec Theo Sims Arts Council / le Conseil des Arts et des Lettres du Quebec.