DOCSLIB.ORG

Premium Television Characters Outside of the Gender Binary

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Premium Television Characters Outside of the Gender Binary University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 8-1-2014 Transmission: Premium Television Characters Outside of the Gender Binary Daniel L. Ketchum University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Film and Media Studies Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Ketchum, Daniel L., "Transmission: Premium Television Characters Outside of the Gender Binary" (2014). Electronic Theses and Dissertations. 336. https://digitalcommons.du.edu/etd/336 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. TRANSMISSION PREMIUM TELEVISION REPRESENTATIONS OF CHARACTERS OUTSIDE OF THE GENDER BINARY __________ A Thesis Presented to The Faculty of Social Sciences University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Master of Arts __________ by Daniel L. Ketchum August 2014 Advisor: Rodney Buxton 1 Author: Daniel L. Ketchum Title: Transmission: Premium Television Representations of Characters Outside of the Gender Binary Advisor: Rodney Buxton Degree Date: August 2014 ABSTRACT Five fictional characters have emerged on the U.S. premium-pay-cable channels that blur the traditional male-or-female gender divide. The basics of queer theory (sex, gender, orientation, and transgender) and critical/cultural studies (encoding, decoding, and reading a text) are explained as a basis for the analysis of the characters, which seeks to answer the research question: does the premium-pay-cable television format offer truly empathetic non-binary transgender characters that challenge the dominant American ideologies about gender identity and expression? If so, how? If not, why not? Shane McCutcheon from Showtime’s lesbian melodrama The L Word (2004- 2010), Lafayette Reynolds from HBO’s supernatural drama-comedy True Blood (2008- 2014), Roscoe Kaan from Showtime’s corporate drama-comedy House of Lies (2012-), Brienne of Tarth from HBO’s political-fantasy-epic Game of Thrones (2010-) and Job from Cinemax’s pulpy action-thriller Banshee (2013-) are rigorously scrutinized, revealing their surprisingly complex, confident, and transgressive queer power. ii TABLE OF CONTENTS Introduction .................................................................................................................... 1 Literature Review............................................................................................... 5 Queer Theory, Gender, and Transgender ............................................... 5 The Binaries .............................................................................. 12 Transsexual Etiquette ................................................................. 15 Non-Binary Identities................................................................. 17 Debates about Transgender Identity .......................................... 24 Critical/Cultural Studies......................................................................... 29 Voyeurism, exhibitionism, and ‘the gaze .................................. 32 Television Criticism ................................................................... 34 Broadcast Formats ..................................................................... 37 Transsexuals in US Film – Miller’s Model................................ 40 Ridicule .......................................................................... 41 Fear ................................................................................ 46 Sympathy ....................................................................... 47 Empathy? ....................................................................... 49 Limitations of Miller’s Model ....................................... 51 Methodology ...................................................................................................... 55 Chapter One: Shane (The L Word)................................................................................. 60 Conclusion ......................................................................................................... 84 Chapter Two: Lafayette (True Blood)............................................................................ 89 Conclusion ......................................................................................................... 117 Chapter Three: Roscoe (House of Lies) ......................................................................... 121 Conclusion ......................................................................................................... 155 Chapter Four: Brienne (Game of Thrones) .................................................................... 160 Conclusion ......................................................................................................... 184 Chapter Five: Job (Banshee) .......................................................................................... 187 Conclusion ......................................................................................................... 212 Conclusion ..................................................................................................................... 215 Works Cited ................................................................................................................... 237 Chapter One: Shane ........................................................................................... 242 Chapter Two: Lafayette ..................................................................................... 243 Chapter Three: Roscoe ....................................................................................... 244 Chapter Four: Brienne........................................................................................ 245 Chapter Five: Job ............................................................................................... 247 Appendix: List of Episodes and Scenes used for Each Chapter .................................... 248 iii LIST OF FIGURES Figure 1 – Roscoe Kaan on Showtime’s House of Lies .................................................... ix Figure 2 – Brienne of Tarth on HBO’s Game of Thrones ................................................ ix Figure 3 – Job on Cinemax’s Banshee .............................................................................. ix Figure 4 – Shane on Showtime’s The L Word .................................................................. ix Figure 5 – Lafayette on HBO’s True Blood...................................................................... ix Figure 6 – Idealized masculinity US vs. Japan ................................................................. 7 Figure 7 – Sex, gender, and orientation Venn diagram (personal creation) ..................... 7 Figure 8 – Buzzfeed comment section discussion of the word queer............................... 8 Figure 9 – Venn diagram of a lesbian transwoman (personal creation) ........................... 13 Figure 10 – Venn diagram of a straight cisgender man (personal creation) ..................... 13 Figure 11 – Carmen Carrera on Katie Couric’s talk show ................................................ 15 Figure 12 – Carmen Carrera’s hand stopping Katie Couric ............................................. 15 Figure 13 – A genderqueer comic (original source unknown) ......................................... 17 Figure 14 – Genderfluid comic (“gender nutshell”) ......................................................... 18 Figure 15 – Gender diversity comic (chotpot) .................................................................. 20 Figure 16 – Comic about the struggles of being trans (Elias Erikson) ............................. 22 Figure 17 – Transgender reveal in The Crying Game....................................................... 24 Figure 18 – Sex role satire in But I’m a Cheerleader ....................................................... 26 Figure 19 - Sex role satire in But I’m a Cheerleader ........................................................ 26 Figure 20 – The Transgender Flag .................................................................................... 26 Figure 21 – The Male gaze in Rear Window .................................................................... 33 Figure 22 – Digital streaming platform – Apple TV ........................................................ 37 iv Figure 23 – Censorship and broadcast formats chart (personal creation) ......................... 37 Figure 24 – Trans ridicule in Anger Management ............................................................ 42 Figure 25 – Trans ridicule in Arrested Development ........................................................ 42 Figures 26-28 – Transgender humor in Sex and the City’s “Cock-a-doodle-do” ............. 43 Figure 29 – Androgynous ridicule in SNL’s Pat sketches................................................. 45 Figure 30 – Buffalo Bill transsexual killer in The Silence of the Lambs .......................... 46 Figure 31 – Norman Bates cross-dress reveal in Psycho .................................................. 46 Figure 32 – Androgynous villain in The Legend of Zelda: Skyward Sword ..................... 47 Figure 33 – Isis, a transwoman contestant on America’s Next Top
Load more

Recommended publications
  • Struction of the Feminine/Masculine Dichotomy in Westworld
    WiN: The EAAS Women’s Network Journal Issue 2 (2020) Skin-Deep Gender: Posthumanity and the De(con)struction of the Feminine/Masculine Dichotomy in Westworld Amaya Fernández Menicucci ABSTRACT: This article addresses the ways in which gender configurations are used as representations of the process of self-construction of both human and non-human characters in Jonathan Nolan and Lisa Joy’s series Westworld, produced by HBO and first launched in 2016. In particular, I explore the extent to which the process of genderization is deconstructed when human and non-human identities merge into a posthuman reality that is both material and virtual. In Westworld, both cyborg and human characters understand gender as embodiment, enactment, repetition, and codified communication. Yet, both sets of characters eventually face a process of disembodiment when their bodies are digitalized, which challenges the very nature of identity in general and gender identity in particular. Placing this digitalization of human identity against Donna Haraway’s cyborg theory and Judith Butler’s citational approach to gender identification, a question emerges, which neither Posthumanity Studies nor Gender Studies can ignore: can gender identities survive a process of disembodiment? Such, indeed, is the scenario portrayed in Westworld: a world in which bodies do not matter and gender is only skin-deep. KEYWORDS: Westworld; gender; posthumanity; embodiment; cyborg The cyborg is a creature in a post-gender world. The cyborg is also the awful apocalyptic telos of the ‘West’s’ escalating dominations . (Haraway, A Cyborg Manifesto 8) Revolution in a Post-Gender, Post-Race, Post-Class, Post-Western, Posthuman World The diegetic reality of the HBO series Westworld (2016-2018) opens up the possibility of a posthuman existence via the synthesis of individual human identities and personalities into algorithms and a post-corporeal digital life.
    [Show full text]
  • LGBT Thou G H T and Cu LT Ur E
    LGBT THOUGHT AND CUltURE at learn more alexanderstreet.com LGBT Thought and Culture LGBT Thought and Culture is an online resource hosting the key works and archival documentation of LGBT political and social movements throughout the 20th century and into the present day. LGBT Thought and Culture includes - Hirschfeld’s famous letter to students at • Rare books and major winners of the materials ranging from seminal texts, letters, Charlottenburg Institute of Technology. Stonewall Book Awards and Lambda periodicals, speeches, interviews, and • Additional collections from the Kinsey Literary Awards, many of which are no ephemera covering the political evolution Institute’s archives, including early longer in print: of gay rights to memoirs, biographies, transgender periodicals, organizational - The Homosexual in America, Donald poetry, and works of fiction that illuminate papers, and writings from Harry Corey, originally published in 1951 the lives of lesbian, gay, transgender, and Benjamin and John Money. - Imre: A Memorandum, Xavier Mayne, bisexual individuals and the community. • The One National Gay and Lesbian originally published in 1908 At completion, the database will contain Archive collections, including: - Left Out: The Politics of Exclusion, 150,000 pages of rich content essential to - The Bob Damron Address guides that Martin B. Duberman students and scholars of cultural studies, contain lists of gay friendly bars in Los - The Stone Wall, Mary Casal, originally history, women’s and gender studies, Angeles from 1966-1980. published in 1930 political science, American studies, social - The papers of gay rights pioneer and To ensure the highest caliber, most theory, sociology, and literature. Content peace activist Morris Kight.
    [Show full text]
  • Vita PDF Download
    AMOR SCHUMACHER SYNCHRON (Rollen und Ensemble) Auswahl „The Dinner“ Splendid Nana Spier „Superstore“ BSG Frank Muth „Librarians“ Interopa Elke Weidemann „Billions“ Cinephon Reinhard Knapp „Patriots Day“ RC Bernhard Völger „Collateral Beauty“ FFS Marianne Gross „Christmas Office RC Kathrin Fröhlich Party“ „La La Land“ Cinephon Dr. Harald Wolff „House of Lies“ Cinephon Dr. Harald Wolff Wohnort: Berlin „Flikken Maastricht“ Antares Marc Böttcher Geburtsdatum: 14.08.1979 Sprachen: deutsch (Muttersprache), „Paradise“ Studio Funk Olaf Mierau spanisch (Muttersprache), „Homeland“ Cinephon Stephan Hoffmann englisch (fliessend), italienisch (GK) „Istanbul“ Taunusfilm Beate Klöckner Dialekte: hessisch, American English, „Better Call Saul“ BSG Frank Muth British English „Brigade“ SDI Uschi Hugo Akzente: englisch, spanisch, französisch, italienisch, arabisch „Bull“ Cinephon Stefan Ludwig Stimmlage: Alt „New Girl“ Cinephon Martin Schmitz „Bad Batch“ SDI Bernhard Völger Sprachberatung: Spanisch diverse Dialekte „Die irre Heldentour Interopa Christoph Cierpka des Billy Lynn“ „The Strain“ Cinephon Stefan Ludwig „Brotherhood“ Cinephon Wolfgang Ziffer AUSBILDUNG „Veep“ Cinephon Stefan Ludwig „Captain America: FFS Björn Schalla 2009, 2010, 2012 Larry Moss, Susan Civil War“ Batson Masterclass, „I Zombie“ Arena Synchron Gabrielle Pietermann Meisner Technique Mike Bernardin, Berlin „Relentless Justice“ Lautfabrik U.G. Benjamin Plath 2002 - 2006 Berliner Schule für „Longmire” FFS Marianne Gross Schauspiel „ScoobyDoo” SDI Sven Plate 2000 Method Studio London „Vampire
    [Show full text]
  • What Characteristics Do All Invasive Species Share That Make Them So
    Invasive Plants Facts and Figures Definition Invasive Plant: Plants that have, or are likely to spread into native or minimally managed plant systems and cause economic or environmental harm by developing self-sustaining populations and becoming dominant or disruptive to those systems. Where do most invasive species come from? How do they get here and get started? Most originate long distances from the point of introduction Horticulture is responsible for the introduction of approximately 60% of invasive species. Conservation uses are responsible for the introduction of approximately 30% of invasive species. Accidental introductions account for about 10%. Of all non-native species introduced only about 15% ever escape cultivation, and of this 15% only about 1% ever become a problem in the wild. The process that leads to a plant becoming an invasive species, Cultivation – Escape – Naturalization – Invasion, may take over 100 years to complete. What characteristics make invasive species so successful in our environment? Lack predators, pathogens, and diseases to keep population numbers in check Produce copious amounts of seed with a high viability of that seed Use successful dispersal mechanisms – attractive to wildlife Thrive on disturbance, very opportunistic Fast-growing Habitat generalists. They do not have specific or narrow growth requirements. Some demonstrate alleleopathy – produce chemicals that inhibit the growth of other plants nearby. Have longer photosynthetic periods – first to leaf out in the spring and last to drop leaves in autumn Alter soil and habitat conditions where they grow to better suit their own survival and expansion. Why do we care? What is the big deal? Ecological Impacts Impacting/altering natural communities at a startling rate.
    [Show full text]
  • 12 Approved Literature List by Title Title Author Gr
    K- 12 Approved Literature List by Title Title Author Gr 1984 Orwell, George 9 10 for Dinner Bogart, Jo Ellen 3 100 Book Race: Hog Wild in the Reading Room, The Giff, Patricia Reilly 1 1000 Acres, A Knoph, Alfred A. 12 101 Success Secrets for Gifted Kids, The Ultimate Fonseca, Christina 6 Handbook (BOE approved April 2014) 11 Birthdays Mass, Wendy 4 12 Ways to Get to 11 Merriam, Eve 2 2001: A Space Odyssey Clarke, Arthur 6 2002: A Space Odyssey Clarke, Arthur 6 2061: Odyssey Three Clarke, Arthur 6 26 Fairmount Avenue dePaola, Tomie 2 4 Valentines In A Rainstorm Bond, Felicia 1 5th of March Rinaldi, Ann 5 6 Titles: Eagles, Bees and Wasps, Alligators and Crocodiles, Morgan, Sally 1 Giraffes, Sharks, Tortoises and Turtles 79-Squares Bosse, Malcolm 6 A Likely Place Fox, Paula 4 A Night to Remember Lord, Waler 6 A Nightmare in History: The Holocaust 1933-1945 Chaikin, Miriam 5 A, My Name Is Alice Bayer, Jane 2 Abandoned Puppy Costello, Emily 3 Abby My Love Irwin, Hadley 6 ABC Bunny, The Gag, Wanda 1 Abe Lincoln Goes to Washington Harness, Cheryl 2 Abe Lincoln Grows Up Sandburg, Carl 6 Updated November 11, 2016 *previously approved at higher grade level 1 K- 12 Approved Literature List by Title Title Author Gr Abe Lincoln's Hat Brenner, Martha 2 Abel's Island Steig, William 3 Abigail Adams, Girl of Colonial Days Wagoner, Jean Brown 2 Abraham Lincoln Cashore, Kristen 2 Abraham Lincoln, Lawyer, Leader, Legend Fontes, Justine & Ron 2 Abraham Lincoln: Great Man, Great Words Cashore, Kristen 5 Abraham Lincoln: Our 16th President Luciano, Barbara L.
    [Show full text]
  • Sunday Morning Grid 5/1/16 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 5/1/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Boss Paid Program PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News Rescue Red Bull Signature Series (Taped) Å Hockey: Blues at Stars 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) NBA Basketball First Round: Teams TBA. (N) Basketball 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Paid Program 11 FOX In Touch Paid Fox News Sunday Midday Prerace NASCAR Racing Sprint Cup Series: GEICO 500. (N) 13 MyNet Paid Program A History of Violence (R) 18 KSCI Paid Hormones Church Faith Paid Program 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Landscapes Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Martha Pépin Baking Simply Ming 28 KCET Wunderkind 1001 Nights Bug Bites Space Edisons Biz Kid$ Celtic Thunder Legacy (TVG) Å Soulful Symphony 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión En contacto Paid Program Fútbol Central (N) Fútbol Mexicano Primera División: Toluca vs Azul República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Schuller In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Formula One Racing Russian Grand Prix.
    [Show full text]
  • Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory
    ''Sexuality is fluid''[1] a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It or is it? An analysis of television's The L Word from the demonstrates that even though the series deconstructs the perspectives of gender and sexuality normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The [1]Niina Kuorikoski argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the ("Seksualność jest płynna" - czy rzeczywiście? Analiza United States and the normative femininity of the lesbian telewizyjnego "The L Word" z perspektywy płci i seksualności) characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to STRESZCZENIE : Amerykański serial telewizyjny The L Word stretch the normative boundaries of gender and sexuality. Through (USA, emitowany od 2004) opowiada historię grupy lesbijek this, the article strives to give a diverse account of the series' first two i biseksualnych kobiet mieszkających w Los Angeles. Artykuł seasons and further critical discussion of The L Word and its analizuje pierwsze dwa sezony serialu z perspektywy teorii representations. feministycznej i teorii queer. Chociaż serial dekonstruuje normatywne kategorie płci kulturowej i seksualności, można ______________________ również twierdzić, że podtrzymuje on ideały heteronormatywnego The analysis in the article is grounded in feminist thinking and queer społeczeństwa. Przedstawiona argumentacja opiera się m. in. na theory. These theoretical disciplines provide it with two central analizie takich aspektów, jak promocja serialu w Finlandii i w USA concepts that are at the background of the analysis, namely those of oraz normatywna kobiecość postaci lesbijek.
    [Show full text]
  • Lasting-Love-At-Last-By-Amari-Ice.Pdf
    Lasting Love at Last The Gay Guide to Attracting the Relationship of Your Dreams By Amari Ice 2 Difference Press McLean, Virginia, USA Copyright © Amari Ice, 2017 Difference Press is a trademark of Becoming Journey, LLC All rights reserved. No part of this book may be reproduced in any form without permission in writing from the author. Reviewers may quote brief passages in reviews. Published 2017 ISBN: 978-1-68309-218-6 DISCLAIMER No part of this publication may be reproduced or transmitted in any form or by any means, mechanical or electronic, including photocopying or recording, or by any information storage and retrieval system, or transmitted by email without permission in writing from the author. Neither the author nor the publisher assumes any responsibility for errors, omissions, or contrary interpretations of the subject matter herein. Any perceived slight of any individual or organization is purely unintentional. Brand and product names are trademarks or registered trademarks of their respective owners. Cover Design: Jennifer Stimson Editing: Grace Kerina Author photo courtesy of Donta Hensley (photographer), Jay Lautner (editor) 3 To My Love: Thank you for being unapologetically and unwaveringly you, and for being a captive audience for my insatiably playful antics. #IKeep 4 Table of Contents Foreword 6 A Note About the #Hashtags 8 Introduction – Tardy for the Relationship Party 9 Chapter 1 – #OnceUponATime 16 Chapter 2 – What’s Mercury Got to Do with It? 23 Section 1 – Preparing: The Realm of #RelationshipRetrograde 38 Chapter
    [Show full text]
  • The Literature of Kita Morio DISSERTATION Presented In
    Insignificance Given Meaning: The Literature of Kita Morio DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Masako Inamoto Graduate Program in East Asian Languages and Literatures The Ohio State University 2010 Dissertation Committee: Professor Richard Edgar Torrance Professor Naomi Fukumori Professor Shelley Fenno Quinn Copyright by Masako Inamoto 2010 Abstract Kita Morio (1927-), also known as his literary persona Dokutoru Manbô, is one of the most popular and prolific postwar writers in Japan. He is also one of the few Japanese writers who have simultaneously and successfully produced humorous, comical fiction and essays as well as serious literary works. He has worked in a variety of genres. For example, The House of Nire (Nireke no hitobito), his most prominent work, is a long family saga informed by history and Dr. Manbô at Sea (Dokutoru Manbô kôkaiki) is a humorous travelogue. He has also produced in other genres such as children‟s stories and science fiction. This study provides an introduction to Kita Morio‟s fiction and essays, in particular, his versatile writing styles. Also, through the examination of Kita‟s representative works in each genre, the study examines some overarching traits in his writing. For this reason, I have approached his large body of works by according a chapter to each genre. Chapter one provides a biographical overview of Kita Morio‟s life up to the present. The chapter also gives a brief biographical sketch of Kita‟s father, Saitô Mokichi (1882-1953), who is one of the most prominent tanka poets in modern times.
    [Show full text]
  • {Download PDF} High Five with Julius
    HIGH FIVE WITH JULIUS PDF, EPUB, EBOOK Paul Frank | 10 pages | 24 Feb 2010 | CHRONICLE BOOKS | 9780811871471 | English | California, United States High Five with Julius PDF Book Rate this:. My 3-year-old loved giving each character a high-five and then her hand would linger as she felt the different textures. English On Shelf. How Can We Help? As two-way G-League point guard Kadeem Allen bounced away the final seconds, a large throng of Knicks fans stood up and roared as the club moved to Big Deal, Baby. McGraw Hill. Nice Partner! Randle and others talked about a lack of focus at the morning shootaround Monday. You are commenting using your WordPress. Table of Contents. Universal Conquest Wiki. Smiling this much is so heartwarming! It did the trick. On Shelf. I think focusing primarily on the individual is definitely the first step. A medical study found that fist bumps and high fives spread fewer germs than handshakes. Welcome to another Write a Review Wednesday , a meme started by Tara Lazar as a way to show support to authors of kids literature. Each spread encourages kids to celebrate amazing everyday achievementsfrom sharing their toys to just being themselvesand features a touch-and-feel texture that will keep little ones engaged as they strive to be and do their very best. Redirected from High-five. National High Five Day is a project to give out high fives and is typically held on the third Thursday in April. Categories : introductions American cultural conventions Hand gestures. By continuing to use this website, you agree to their use.
    [Show full text]
  • 2010 16Th Annual SAG AWARDS
    CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]