Journal of Finnish Studies Bibliography
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The Audience of Contemporary Dance in Finland
Facts about the Arts Publication no 31 Arts Council of Finland Helsinki 2003 Timo Cantell The Audience of Contemporary Dance in Finland A study on the audience of the contemporary dance festival Dance Arena 2000 English Summary Dance Arena 2000 This report studies contemporary dance audiences in Finland based on the festival Dance Arena 2000, organised in February 2000. The Dance Arena festival presented key Finnish choreographers, performers and groups as part of the European City of Culture programme in the year 2000, when Helsinki celebrated this special nomination along with eight other Euro- pean cities. The aim of the Dance Arena was to highlight the current state of contemporary dance in Finland, enhance its image, market it abroad and widen the audience base of dance performances overall. The research material In all, the festival featured 30 performances, with an audience totalling close to 5,000. The venues used represented typical dance venues in Hel- sinki, ranging from the Finnish National Opera, the Helsinki City Theatre, and Kiasma – Museum of Contemporary Art, to the smaller venues of Stoa in the eastern part of the city and Zodiak – the Center for New Dance, located at the Cable Factory in the southwestern part of Helsinki. The fes- tival budget was some 250,000 euros, part of which was used for an extraordinarily visible marketing campaign in Helsinki. This research is based on an audience survey conducted in eight events representing a variety of the festival programming. In all, 805 question- 83 naires were filled in. The audience was very motivated as 91 per cent of the respondents returned the questionnaires, a high but not uncommon figure in similar kinds of audience studies in Finland. -
Helsinki in Early Twentieth-Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940
lieven ameel Helsinki in Early Twentieth-Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940 Studia Fennica Litteraria The Finnish Literature Society (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia fennica editorial board Pasi Ihalainen, Professor, University of Jyväskylä, Finland Timo Kaartinen, Title of Docent, Lecturer, University of Helsinki, Finland Taru Nordlund, Title of Docent, Lecturer, University of Helsinki, Finland Riikka Rossi, Title of Docent, Researcher, University of Helsinki, Finland Katriina Siivonen, Substitute Professor, University of Helsinki, Finland Lotte Tarkka, Professor, University of Helsinki, Finland Tuomas M. S. Lehtonen, Secretary General, Dr. Phil., Finnish Literature Society, Finland Tero Norkola, Publishing Director, Finnish Literature Society Maija Hakala, Secretary of the Board, Finnish Literature Society, Finland Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi Lieven Ameel Helsinki in Early Twentieth- Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940 Finnish Literature Society · SKS · Helsinki Studia Fennica Litteraria 8 The publication has undergone a peer review. The open access publication of this volume has received part funding via a Jane and Aatos Erkko Foundation grant. -
Oceanic Migrations
San Francisco Contemporary Music Players on STAGE series Oceanic Migrations MICHAEL GORDON ROOMFUL OF TEETH SPLINTER REEDS September 14, 2019 Cowell Theater Fort Mason Cultural Center San Francisco, CA SFCMP SAN FRANCISCO CONTEMPORARY MUSIC PLAYERS San Francisco Contemporary Music Brown, Olly Wilson, Michael Gordon, Players is the West Coast’s most Du Yun, Myra Melford, and Julia Wolfe. long-standing and largest new music The Contemporary Players have ensemble, comprised of twenty-two been presented by leading cultural highly skilled musicians. For 49 years, festivals and concert series including the San Francisco Contemporary Music San Francisco Performances, Los Players have created innovative and Angeles Monday Evening Concerts, Cal artistically excellent music and are one Performances, the Stern Grove Festival, Tod Brody, flute Kate Campbell, piano of the most active ensembles in the the Festival of New American Music at Kyle Bruckmann, oboe David Tanenbaum, guitar United States dedicated to contemporary CSU Sacramento, the Ojai Festival, and Sarah Rathke, oboe Hrabba Atladottir, violin music. Holding an important role in the France’s prestigious MANCA Festival. regional and national cultural landscape, The Contemporary Music Players Jeff Anderle, clarinet Susan Freier, violin the Contemporary Music Players are a nourish the creation and dissemination Peter Josheff, clarinet Roy Malan, violin 2018 awardee of the esteemed Fromm of new works through world-class Foundation Ensemble Prize, and a performances, commissions, and Adam Luftman, -
Laura Stark Peasants, Pilgrims, and Sacred Promises Ritual and the Supernatural in Orthodox Karelian Folk Religion
laura stark Peasants, Pilgrims, and Sacred Promises Ritual and the Supernatural in Orthodox Karelian Folk Religion Studia Fennica Folkloristica The Finnish Literature Society (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia fennica editorial board Anna-Leena Siikala Rauno Endén Teppo Korhonen Pentti Leino Auli Viikari Kristiina Näyhö Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi Laura Stark Peasants, Pilgrims, and Sacred Promises Ritual and the Supernatural in Orthodox Karelian Folk Religion Finnish Literature Society • Helsinki 3 Studia Fennica Folkloristica 11 The publication has undergone a peer review. The open access publication of this volume has received part funding via Helsinki University Library. © 2002 Laura Stark and SKS License CC-BY-NC-ND 4.0 International. A digital edition of a printed book first published in 2002 by the Finnish Literature Society. Cover Design: Timo Numminen EPUB: eLibris Media Oy ISBN 978-951-746-366-9 (Print) ISBN 978-951-746-578-6 (PDF) ISBN 978-952-222-766-9 (EPUB) ISSN 0085-6835 (Studia Fennica) ISSN 1235-1946 (Studia Fennica Folkloristica) DOI: http://dx.doi.org/10.21435/sff.11 This work is licensed under a Creative Commons CC-BY-NC-ND 4.0 International License. -
Finnish Studies
Journal of Finnish Studies Volume 23 Number 1 November 2019 ISSN 1206-6516 ISBN 978-1-7328298-1-7 JOURNAL OF FINNISH STUDIES EDITORIAL AND BUSINESS OFFICE Journal of Finnish Studies, Department of English, 1901 University Avenue, Evans 458, Box 2146, Sam Houston State University, Huntsville, TEXAS 77341-2146, USA Tel. 1.936.294.1420; Fax 1.936.294.1408 E-mail: [email protected] EDITORIAL STAFF Helena Halmari, Editor-in-Chief, Sam Houston State University [email protected] Hanna Snellman, Co-Editor, University of Helsinki [email protected] Scott Kaukonen, Assoc. Editor, Sam Houston State University [email protected] Hilary-Joy Virtanen, Asst. Editor, Finlandia University [email protected] Sheila Embleton, Book Review Editor, York University [email protected] EDITORIAL BOARD Börje Vähämäki, Founding Editor, JoFS, Professor Emeritus, University of Toronto Raimo Anttila, Professor Emeritus, University of California, Los Angeles Michael Branch, Professor Emeritus, University of London Thomas DuBois, Professor, University of Wisconsin, Madison Sheila Embleton, Distinguished Research Professor, York University Aili Flint, Emerita Senior Lecturer, Associate Research Scholar, Columbia University Tim Frandy, Assistant Professor, Western Kentucky University Daniel Grimley, Professor, Oxford University Titus Hjelm, Associate Professor, University of Helsinki Daniel Karvonen, Senior Lecturer, University of Minnesota, Minneapolis Johanna Laakso, Professor, University of Vienna Jason Lavery, Professor, Oklahoma State University James P. Leary, Professor Emeritus, University of Wisconsin, Madison Andrew Nestingen, Associate Professor, University of Washington, Seattle Jyrki Nummi, Professor, University of Helsinki Jussi Nuorteva, Director General, The National Archives of Finland Juha Pentikäinen, Professor, University of Lapland Oiva Saarinen, Professor Emeritus, Laurentian University, Sudbury Beth L. -
Finnish Studies Volume 18 Number 2 July 2015 ISSN 1206-6516 ISBN 978-1-937875-95-4
JOURNAL OF INNISH TUDIES F S International Influences in Finnish Working-Class Literature and Its Research Guest Editors Kirsti Salmi-Niklander and Kati Launis Theme Issue of the Journal of Finnish Studies Volume 18 Number 2 July 2015 ISSN 1206-6516 ISBN 978-1-937875-95-4 JOURNAL OF FINNISH STUDIES EDITORIAL AND BUSINESS OFFICE Journal of Finnish Studies, Department of English, 1901 University Avenue, Evans 458 (P.O. Box 2146), Sam Houston State University, Huntsville, TX 77341-2146, USA Tel. 1.936.294.1420; Fax 1.936.294.1408 SUBSCRIPTIONS, ADVERTISING, AND INQUIRIES Contact Business Office (see above & below). EDITORIAL STAFF Helena Halmari, Editor-in-Chief, Sam Houston State University; [email protected] Hanna Snellman, Co-Editor, University of Helsinki; [email protected] Scott Kaukonen, Assoc. Editor, Sam Houston State University; [email protected] Hilary Joy Virtanen, Asst. Editor, Finlandia University; hilary.virtanen@finlandia. edu Sheila Embleton, Book Review Editor, York University; [email protected] EDITORIAL BOARD Börje Vähämäki, Founding Editor, JoFS, Professor Emeritus, University of Toronto Raimo Anttila, Professor Emeritus, University of California, Los Angeles Michael Branch, Professor Emeritus, University of London Thomas DuBois, Professor, University of Wisconsin Sheila Embleton, Distinguished Research Professor, York University Aili Flint, Emerita Senior Lecturer, Associate Research Scholar, Columbia University Titus Hjelm, Lecturer, University College London Richard Impola, Professor Emeritus, New Paltz, New York Daniel Karvonen, Senior Lecturer, University of Minnesota, Minneapolis Andrew Nestingen, Associate Professor, University of Washington, Seattle Jyrki Nummi, Professor, Department of Finnish Literature, University of Helsinki Juha Pentikäinen, Professor, Institute for Northern Culture, University of Lapland Oiva Saarinen, Professor Emeritus, Laurentian University, Sudbury George Schoolfield, Professor Emeritus, Yale University Beth L. -
The Transformation of an Oral Poem in Elias Lönnrot's Kalevala
Oral Tradition, 8/2 (1993): 247-288 From Maria to Marjatta: The Transformation of an Oral Poem in Elias Lönnrot’s Kalevala1 Thomas DuBois The question of Elias Lönnrot’s role in shaping the texts that became his Kalevala has stirred such frequent and vehement debate in international folkloristic circles that even persons with only a passing interest in the subject of Finnish folklore have been drawn to the question. Perhaps the notion of academic fraud in particular intrigues those of us engaged in the profession of scholarship.2 And although anyone who studies Lönnrot’s life and endeavors will discover a man of utmost integrity, it remains difficult to reconcile the extensiveness of Lönnrot’s textual emendations with his stated desire to recover and present the ancient epic traditions of the Finnish people. In part, the enormity of Lönnrot’s project contributes to the failure of scholars writing for an international audience to pursue any analysis beyond broad generalizations about the author’s methods of compilation, 1 Research for this study was funded in part by a grant from the Graduate School Research Fund of the University of Washington, Seattle. 2 Comparetti (1898) made it clear in this early study of Finnish folk poetry that the Kalevala bore only partial resemblance to its source poems, a fact that had become widely acknowledged within Finnish folkoristic circles by that time. The nationalist interests of Lönnrot were examined by a number of international scholars during the following century, although Lönnrot’s fairly conservative views on Finnish nationalism became equated at times with the more strident tone of the turn of the century, when the Kalevala was made an inspiration and catalyst for political change (Mead 1962; Wilson 1976; Cocchiara 1981:268-70; Turunen 1982). -
The Role of the Kalevala in Finnish Culture and Politics URPO VENTO Finnish Literature Society, Finland
Nordic Journal of African Studies 1(2): 82–93 (1992) The Role of the Kalevala in Finnish Culture and Politics URPO VENTO Finnish Literature Society, Finland The question has frequently been asked: would Finland exist as a nation state without Lönnrot's Kalevala? There is no need to answer this, but perhaps we may assume that sooner or later someone would have written the books which would have formed the necessary building material for the national identity of the Finns. During the mid 1980s, when the 150th anniversary of the Kalevala was being celebrated in Finland, several international seminars were held and thousands of pages of research and articles were published. At that time some studies appeared in which the birth of the nation state was examined from a pan-European perspective. SMALL NATION STATES "The nation state - an independent political unit whose people share a common language and believe they have a common cultural heritage - is essentially a nineteenth-century invention, based on eighteenth-century philosophy, and which became a reality for the most part in either the late nineteenth or early twentieth century. The circumstances in which this process took place were for the most part marked by the decline of great empires whose centralised sources of power and antiquated methods of administrations prevented an effective response to economic and social change, and better education, with all the aspirations for freedom of thought and political action that accompany such changes." Thus said Professor Michael Branch (University of London) at a conference on the literatures of the Uralic peoples held in Finland in the summer of 1991. -
METALLIMUSIIKKI PAPERILLA Diskurssianalyysi Juho Juntusen Artikkelista ”Raskas Metalli”
METALLIMUSIIKKI PAPERILLA Diskurssianalyysi Juho Juntusen artikkelista ”Raskas metalli” Ilppo Lukkarinen musiikkikasvatuksen pro gradu Musiikin laitos kevät 2006 JYVÄSKYLÄN YLIOPISTO Tiedekunta Laitos Humanistinen Musiikin laitos Tekijä Lukkarinen Ilppo Antero Työn nimi Metallimusiikki paperilla – Diskurssianalyysi Juho Juntusen artikkelista ”Raskas metalli” Oppiaine Työn laji Musiikkikasvatus Pro gradu -tutkielma Aika Sivumäärä Helmikuu 2006 73 + liite (2s) Tiivistelmä Metallimusiikki eli hevi ja metalli on ollut Suomessa johtava rockin tyylilaji vähintään 2000-luvun alkuvuodet. Kotimaiset bändit, kuten HIM, Stratovarius ja Nightwish, ovat nauttineet myös merkittävää kansainvälistä suosiota, mikä oli aikaisemmin harvinaista. Bändien taustalta on löydettävissä kulttuurinen keskittymä: Suomessa soitetaan metallia paljon, sinnikkäästi ja hyvällä tasolla. Musiikki on sosiokulttuurinen ilmiö, ja sen käytännöt rakennetaan pitkälti kielenkäytön avulla. Soivan todellisuuden rinnalla on tarina, joka syntyy niistä dokumenteista – esimerkiksi uutisista, artikkeleista ja internet-sivustoista – joita musiikista tuotetaan. Tutkin metallimusiikin ilmenemistä kirjoitetussa tekstissä. Analysoitavana aineistona on Juho Juntusen artikkeli Raskas metalli (2004), yleisesitys metallimusiikin vaiheista Suomessa 1970-luvulta alkaen. Juntusella on takanaan liki 30 vuoden työ rocklehti Soundissa, ja artikkelissa saavat puheenvuoron useat metalli- muusikot, joten tekstin voi olettaa uusintavan suomalaisen metallimusiikin keskeisiä käytäntöjä. Norman Faircloughin -
WIDER RESEARCH for ACTION the Restructuring of Peripheral
UNU World Institute for Development Economics Research (UNU/WIDER) Research for Action The Restructuring of Peripheral Villages in Northwestern Russia Eira Varis This study has been prepared within the UNU/WIDER Special Finnish Project Fund with the financial support of the Ministry for Foreign Affairs of Finland. UNU World Institute for Development Economics Research (UNU/WIDER) A research and training centre of the United Nations University The Board of UNU/WIDER Sylvia Ostry Maria de Lourdes Pintasilgo, Chairperson Antti Tanskanen George Vassiliou Ruben Yevstigneyev Masaru Yoshitomi Ex Officio Heitor Gurgulino de Souza, Rector of UNU Giovanni Andrea Cornia, Director of UNU/WIDER UNU World Institute for Development Economics Research (UNU/WIDER) was established by the United Nations University as its first research and training centre and started work in Helsinki, Finland, in 1985. The principal purpose of the Institute is policy-oriented research on the main strategic issues of development and international cooperation, as well as on the interaction between domestic and global changes. Its work is carried out by staff researchers and visiting scholars in Helsinki and through networks of collaborating institutions and scholars around the world. UNU World Institute for Development Economics Research (UNU/WIDER) Katajanokanlaituri 6 B 00160 Helsinki, Finland Copyright © UNU World Institute for Development Economics Research (UNU/WIDER) Camera-ready typescript prepared by Liisa Roponen at UNU/WIDER Printed at Hakapaino Oy, 1996 The views -
Finnish American Bands in Minnesota, Compiled by Paul Niemisto
Finnish American Bands in Minnesota, compiled by Paul Niemisto Community Name Affiliation Conductor(s) Dates Notes Aurora Aurora Band Miettinen(sp?)/Matti Niemi/ 1910 Jalmar Laupiainen/ Isaac Walma/ Antti Viitanen. Biwabik Biwabik public school Victor Taipale 1902 P 482 HFM School Band (1st in school band MN?) Chisholm ? Temperence Helmer hermanson/ Miettunen/ 1904? P494 HFM Kalle Kleimola/ Victor Taipale Chisholm ? Socialist Kalle Kleimola/ Victor Taipale/ St Louis County p 498 HFM Alex Koivunen/ Hemming Rural Band Hautala Association? Crosby Ahti Independent Eero Matara ? P 141 HFM Crosby ? Socialist ? after 1917 P 141 HFM Cromwell Eagle Lake ? not in HFM Band Duluth SSO Osasto photo 1913 P243, cl+trb+7 Duluth Nuija Youth Nuorisoseura Kalle Holpainen/ Louhi/ 1905 P246, Viipuri/Lappeenranta Society Kellosalmi/ Beckman/ Yrjölä Duluth ? Socialist Frank Lindroos (1913-18) (1913-18) Lindroos d 1923 Bio on p 298 HFM Ely ? Socialist?- Oskar Castren/ Miettunen/ 1890 P 390 HFM, The Ely band history rehearsed in S Farihoff/ Erkki Laitala/Jack is very murky/ other bands started/ hall Castren/ Kalle Kleimola/ Kleemols started municipal band Liimatainen/ Pyylampi Eveleth Termperence Alex Koivunen/ Herman Lindberg/ 1895 p 466 HFM Filemon Jacobson Eveleth Termperence? Victor Taipale 1901? P 466 HFM Hibbing Kaiku Temperence Alex Mattson/ Oscar Castren/ photo 1913 (Tapio) William Ahola/ Hemming Hautala Hibbing Lake Superior Temperence Victor Taipale (1901) became town p 512 HFM Cornet Band (Tapio) band Hibbing Workers Club Socialist Ed Grondahl Photo 1912 p 521 HFM Band Moose Lake Raju Athletic Vellamo Society Club Band Naswauk Town Band John Colander/ August Miettinen/ photo 1912 p 607 HFM Victor Taipale Soudan Finnish Band P 366 HFM Virginia Workers Band Socialist photo 1910 p 421 HFM Virginia Temperance Temperance John Haapasaari 1895 p 422 HFM Band Virginia Yrinä Independent/ photo 1910 p 422 HFM Socialist . -
Stone in the History and Architecture of Vyborg
Stone in the history and architecture of Vyborg 1 2 3 4 Vyborg Castle, 13th century (Castle Island). The Castle is the oldest architectural monument of the town and the witness of its whole history. It was built in 1293 by the order of the Swedish ruler Torkel Knutson (Tyrgils Knutsson) on the land of the Karels occupied by the Swedes during the Third Crusade. The castle is built on the natural granite foundation - the 5 outcrop of rapakivi granite. The walls and buildings of the castle are made of the wild stone (mainly boulders and blocks of rapakivi granite and at a lesser degree – the other rocks). The southern wall with embrasures and the main building of the castle. 6 Fragment of the stonework in the southern wall of the castle. Fortifications of the lower rampart of the castle. 7 Stonework of the Commandant’s House (17th century) (the former Fire Tower, 15th century) of the castle. Saint Olaf’s Tower. The Tower and the walls are built of the glacier boulders. In the middle of the 16th century it was rebuilt, its height was 8 reduced up to the second storey and a new octagonal brick tower was added. Passage to the courtyard of the castle. Blocks of rapakivi granite in the stonework of the wine cellar (right) and the northern building (left). The lantern is designed in the style of the old lamp. 9 Walls of the stone (old) town, 15-16th century. Until the mid-15th century the earthen ramparts defended the peninsular part of Vyborg.