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B Barg Creative Resume
Barbara Barg Chicago,IL. [email protected] Writing Books The Origin of THE Species (Semiotext(e) ) Distributed by Massachusetts Institute of Technology (MIT) Press Back cover photograph by Robert Mapplethorpe Obeying the Chemicals (Hard Press); Photographs by Nan Goldin Anthologies American Poets Say Goodbye to the 20th Century (Four Walls Eight Windows) Edited by Andrei Cordrescu and Laura Rosenthal Poems for the Nation: A Collection of Contemporary Political Poems (Seven Stories Press) Edited by Allen Ginsberg with Andy Clausen and Eliot Katz AM LIT: Neue Literatur Aus Den USA (Edition Druckhaus / Germany) Edited by Gerard Falkner and Sylvere Lotringer Out of This World: The Poetry Project at St Mark's Church-in-the-Bowery; 1966-1991 (Crown Publisher, Inc) Edited by Anne Waldman, forward by Allen Ginsberg The L=A=N=G=U=A=G=E Book (Southern Illinois University Press) Edited by Charles Bernstein and Bruce Andrews Screenplays Nothing for You Spirit Photographer Self-Made Boy Gun Control Written with Andrea Kirsch for Jump Room Films, Independent Production Company in Paris Exhibition Catalog Essay for Barbara Ess’s photography exhibit I Am Not This Body The Curtis Marcus Gallery (New York City) Barbara Barg!Page 1 Teaching Pulse Poem Pulse (Chicago School of Poetics) Class focusing on rhythm, tone, voice, texture (ongoing) Writing/Oral History Oral history interviews/writing workshop for parents Chicago Arts Partnership In Education/Victor Herbert Elementary School Jesl Cruz, teacher/Arnie Aprill, Director of CAPE Chicago, IL Voluntary -
Yearbook 1988 Supreme Court Historical Society
YEARBOOK 1988 SUPREME COURT HISTORICAL SOCIETY OLIVER WENDELL HOLMES, JR. Associate Justice, 1902-1933 YEARBOOK 1988 SUPREME COURT HISTORICAL SOCIETY OFFICERS Warren E. Burger Chief Justice of the United States (1969-1986) Honorary Chainnan Kenneth Rush, Chainnan Justin A. Stanley, President PUBLICATIONS COMMITTEE Kenneth S. Geller, Chainnan Alice L. O'Donnell E. Barrett Prettyman, Jr. Michael Cardozo BOARD OF EDITORS Gerald Gunther Craig Joyce Michael W. McConnell David O'Brien Charles Alan Wright STAFF EDITORS Clare H. Cushman David T. Pride Barbara R. Lentz Kathleen Shurtleff CONSULTING EDITORS James J. Kilpatrick Patricia R. Evans ACKNOWLEDGEMENT The Officers and Trustees of the Supreme Court Historical Society would like to thank the Charles Evans Hughes Foundation for its generous support of the publication of this Yearbook. YEARBOOK 1988 Supreme Court Historical Society Establishing Justice 5 Sandra Day O'Connor Perspectives on Oliver Wendell Holmes, Jr. Self-Preference, Competition and the Rule of Force: The Holmesian Legacy 11 Gary Jan Aichele Sutherland Remembers Holmes 18 David M. O'Brien Justice Holmes and Lady C 26 John S. Monagan Justice Holmes and the Yearbooks 37 Milton C Handler and Michael Ruby William Pinkney: The Supreme Court's Greatest Advocate 40 Stephen M. Shapiro Harper's Weekly Celebrates the Centennial of the Supreme Court 46 Peter G. Fish Looking Back on Cardozo Justice Cardozo, One-Ninth of the Supreme Court 50 Milton C Handler and Michael Ruby Judging New York Style: A Brief Retrospective of Two New York Judges 60 Andrew L. Kaufman Columbians as Chief Justices: John Jay, Charles Evans Hughes, Harlan Fiske Stone 66 Richard B. -
The Newark Public Schools Historical Preservation Committee MISSION
The Newark Public Schools Historical Preservation Committee MISSION The Newark Public Schools Historical Preservation Committee is a 501 (c)(3) organization formed in 2009 to chronicle the district’s rich heritage by preserving its documents, artifacts and school buildings. It is our intention to share the history of the Newark Public Schools with students and the greater com- munity at a permanent historic site. This Distinguished Alumni Directory is the first in a series of publications that we hope will help to inform and instill a sense of pride in our Newark history. 1 NEWARK PUBLIC SCHOOLS DISTINGUISHED ALUMNI The Newark Public School District Historical Preservation Committee GOALS ≈ To establish a policy and guidelines for the preservation and archiving of historically valuable artifacts of the Newark Public Schools. ≈ To establish repositories within the schools for the col- lection and preservation of valuable documents and materials relating to the history of the school district which otherwise would be lost. ≈ To develop and keep current a chronology of significant events in the Newark Public Schools. ≈ To identify and nominate public schools for listing on the National Register of Historic Places. ≈ To establish a permanent Newark Public Schools museum. ≈ To have students become involved with the archiving and chronicling process. To develop collaborative work- ing relationships with alumni associations and other preservation organizations. 2 NEWARK PUBLIC SCHOOLS DISTINGUISHED ALUMNI JANET LIPPMAN ABU-LUGHOD (Weequahic/1945) (1928–2013) Urban sociologist; expert on the history and dynamics of the World System and Middle Eastern cities; taught for twenty years at Northeastern; retired in 1988 as professor of sociology and historical research on the Gradu- ate Faculty of the New School for Social Research; her thirteen books include the classic work: Cairo: 100 Years of the City Victorious. -
Schor Moma Moma
12/12/2016 M/E/A/N/I/N/G: The Final Issue on A Year of Positive Thinking3 H O M E A B O U T L I N K S Browse: Home / 2016 / December / 09 / M/E/A/N/I/N/G: The Final Issue on A Year of Positive Thinking CONNE CT 3 Mira's Facebook Page DE CE MBE R 9 , 2 0 1 6 Subscribe in a Reader Subscribe by email M/E/A/N/I/N/G: The Final Issue on A Year of Positive Thinking3 miraschor.com The first issue of M/E/A/N/I/N/G: A Journal of Contemporary Art Issues, was published in December 1986. M/E/A/N/I/N/G is a collaboration between two artists, TAGS Susan Bee and Mira Schor, both painters with expanded interests in writing and 2016 election Abstract politics, and an extended community of artists, art critics, historians, theorists, and Expressionism ACTUAW poets, whom we sought to engage in discourse and to give a voice to. Activism Ana Mendieta Andrea For our 30th anniversary and final issue, we have asked some longtime contributors Geyer Andrea Mantegna Anselm and some new friends to create images and write about where they place meaning Kiefer Barack Obama CalArts craft today. As ever, we have encouraged artists and writers to feel free to speak to the Cubism DAvid Salle documentary concerns that have the most meaning to them right now. film drawing Edwin Denby Facebook feminism Every other day from December 5 until we are done, a grouping of contributions will Feminist art appear on A Year of Positive Thinking. -
Barbara-Zucker-CV-1.Pdf
Barbara Zucker Born, Philadelphia, PA. Lives and works in Burlington,Vermont, and New York, New York. Studio: 444 S. Union St. Burlington, Vermont 05401 802 863 8513 Fax: 802 864 5841 email: [email protected] Education University of Michigan, BS in Design Hunter College, MA Cranbrook Academy of Art Selected One Person Exhibitions Barbara Zucker: Time Signatures, The Gershman Y, Phila., Pa. 2007 Time Signatures: Tufts University, Mass., 2005 Universal Lines: Homage to Lilian Baker Carlisle and Other Women of Distinction”; Amy Tarrant Gallery, The Flynn Center for the Performing Arts, Burlington, Vt., 2001 Robert Hull Fleming Museum, Burlington, VT, 1998, 1980 One Great Jones Gallery, NYC, 1997 Paley Gallery, Moore College of Art, Phila., PA, 1996 (catalog) “For Beauty’s Sake,” Artists’ Space, NYC, 1994 Haeneh Kent Gallery, NYC, 1990 Webb and Parsons, Burlington, VT, 1989, 1991 Benjamin Mangel Gallery, Phila., PA, 1989 The Sculpture Center, NYC, April, 1989 Pam Adler Gallery, NYC, 1983, 1885 Swarthmore College, PA, 1983 Fine Arts Center, University of Massachusetts, Amherst, 1982 Joselyn Art Museum, Omaha, Nebraska, 1981 Robert Hull Fleming Museum, Burlington, VT, 1981 Robert Miller Gallery, NYC, 1978, 1980 Pennsylvania Academy of Fine Art, 1980 Marion Deson Gallery, Chicago, 1979, 1985 112 Greene Street Gallery, NYC, 1976 A.I.R. Gallery, NYC, 1972, 1974 Rutgers University, Douglass College, New Brunswick, NJ, 1973 Selected Group Exhibitions ‘Radical Lace and Subversive Knitting”, The Museum of Arts and Design, New York, 2007 “From the Inside Out: Feminist Art Then and Now”, New York, 2007 Winter Salon , Lesley Heller Gallery, December, New York, 2006 “Selfish“, curated by Lori Waxman, 128 Rivington, New York, 2004 Reading Between the Lines”, curated by Joyce Kozloff; Wooster Arts Space, New York, 2003 “Drawing Conclusions: Work by Artists Critics”, curated by Judith Collishan, New York Arts, New York, 2003 “The Art of Aging”, Hebrew Union College Museum, New York, 2003-2004; traveling exhibition, through 2006. -
Poem on the Page: a Collection of Broadsides
Granary Books and Jeff Maser, Bookseller are pleased to announce Poem on the Page: A Collection of Broadsides Robert Creeley. For Benny and Sabina. 15 1/8 x 15 1/8 inches. Photograph by Ann Charters. Portents 18. Portents, 1970. BROADSIDES PROLIFERATED during the small press and mimeograph era as a logical offshoot of poets assuming control of their means of publication. When technology evolved from typewriter, stencil, and mimeo machine to moveable type and sophisticated printing, broadsides provided a site for innovation with design and materials that might not be appropriate for an entire pamphlet or book; thus, they occupy a very specific place within literary and print culture. Poem on the Page: A Collection of Broadsides includes approximately 500 broadsides from a diverse range of poets, printers, designers, and publishers. It is a unique document of a particular aspect of the small press movement as well as a valuable resource for research into the intersection of poetry and printing. See below for a list of some of the poets, writers, printers, typographers, and publishers included in the collection. Selected Highlights from the Collection Lewis MacAdams. A Birthday Greeting. 11 x 17 Antonin Artaud. Indian Culture. 16 x 24 inches. inches. This is no. 90, from an unstated edition, Translated from the French by Clayton Eshleman signed. N.p., n.d. and Bernard Bador with art work by Nancy Spero. This is no. 65 from an edition of 150 numbered and signed by Eshleman and Spero. OtherWind Press, n.d. Lyn Hejinian. The Guard. 9 1/4 x 18 inches. -
13 Feminist Art Shows to See in Honor of Women's History Month
Exhibitions 13 Feminist Art Shows to See In Honor of Women’s History Month See these shows in New York and around the country, featuring women artists and feminist icons. Sarbani Ghosh, March 6, 2017 Susan Bee, Pow! (2014). Courtesy of A.I.R. Politics got you down? Grab back! March is Women’s History Month, and what better way to pay homage to all the pioneering women who have advanced the cause for women’s equality than to go see these 12 shows and exhibitions? Currently on view in New York and around the country, these shows feature the work of pioneering feminist artists, old and new: Vadis Turner, Black Nest , 2016. Photo Courtesy Equity Gallery and © Vadis Turner 1. “FemiNest” at Equity Gallery “FemiNest” brings together the works of Natalie Frank, Karen Lee Williams, Michele Oka Doner, Barbara Segal, Page Turner, and Vadis Turner around the idea of a “nest,” in both its literal and metaphorical meanings. The show explores new spaces for women, considering spirituality, materiality, societal behaviors in the domestic and non-domestic spheres, protection, and gender-specific production, via works in sculpture, textiles, painting, and many other media. Location: Equity Gallery, 245 Broome Street, New York Price: Free Date and time: Through March 25. Wednesday to Saturday, 12 p.m.–6 p.m., and by appointment. Yayoi Kusama’s Aftermath of Obliteration of Eternity. 2. “Yayoi Kusama: Infinity Mirrors” at the Hirshhorn Yayoi Kusama has been making headlines recently with her polka dots and pumpkins at the Hirshhorn Museum. Her “Happenings” in New York in the 1960s, where she explored the naked body as a stage for performance, were just the start of her rebellion against patriarchal systems of power. -
Dear Friends and Readers, Happy Holidays, Phong
Emma Bee Bosco Sodi’s IN CONVERSATION Poems by Bernstein Casa Wabi Eric Walker Philip Taaffe 67 IN IN CONVERSATION CONVERSATION Epstein Will Vestry Barbara Street Ecological The Held Gregory J. Markopoulos Rose Activisim Essays On Alex Visual Art on in France SIONE IN WILSON Ross CONVERSATION Duchamp Robert Guest Editor: Gober Best Raymond Foye Dear Friends and Readers, IN CONVERSATION Henry Threadgill Art Jason Moran & Books a Tribute to IN CONVERSATION of 2014 Alanna Heiss Rene Ricard ow can ecological and social forces be transformative? In her recent Philip Taaffe AICA-USA Distinguished Critics Lecture, Carolyn Christov-Bakargiev “Sanctuarium,” 2010. Installation Hexplored this question through the lens of Lacan’s fascination with of 148 drawings. Oil pigment topology and the creation of chain relations or knots. Te notions of alchemy on paper, dimensions vari- and “thought form” were brought up repeatedly in her presentation, Tought- able. Collection Kunstmuseum Forms being the well-known book of Annie Besant and C.W. Leadbeater that Luzern. Purchase made possible helped spread the ideas of the Teosophical Society—a central infuence on by a contribution from Landis & modern art. Mahler, Sibelius, Mondrian, Hilma af Klint, and Kandinsky, Gyr Foundation. ©Philip Taafe; were members along with many writers and poets, from James Joyce, D.H. Courtesy of the artist and Luhring Lawrence, Lewis Carroll, William Butler Yeats to Lyman Frank Baum (the Augustine, New York. author of the Wizard of Oz), even the inventor Tomas Edison. Our latest Rail Curatorial Project, Spaced Out: Migration to the Interior at Red Bull Studios in Chelsea, ofered a similar opportunity to submit ourselves to a realm of play and experiment, expanding our “thought forms” beyond conventional norms and expectations. -
Paintings by Susan Bee and Miriam Laufer, AIR Gallery, NY, 2006
SUSAN BEE E-mail: [email protected] Website: http://epc.buffalo.edu/authors/bee/ SELECTED EXHIBITIONS Solo Shows Seeing Double: Paintings by Susan Bee and Miriam Laufer, A.I.R. Gallery, NY, 2006 (catalogue with essay by Johanna Drucker) Sign Under Test: Paintings and Artist’s Books, Pacific Switchboard Art Space, Portland, Oregon, 2004 Miss Dynamite: New Paintings, A.I.R. Gallery, New York, 2003 Miss Dynamite and Other Tales, Olin Art Gallery, Kenyon College, Gambier, Ohio, 2002 Ice Cream Sunday: Paintings and Works on Paper, Ben Shahn Galleries at William Paterson University of New Jersey, 2001 (catalogue with essay by David Shapiro) New Work, Rare Books and Manuscript Library, School of International Affairs, Columbia University, New York, 2000 Beware the Lady: New Paintings and Works on Paper, A.I.R. Gallery, New York, 2000 (catalogue with essay by John Yau) Touchdown, Recent Paintings, Cornershop Gallery, Buffalo, 1999 Post-Americana: New Paintings, A.I.R. Gallery, New York, 1998 Recent Paintings and a New Artist's Book, Granary Books Gallery, New York, 1997 New Paintings, Virginia Lust Gallery, New York, 1992 Altered Photo Images, Jack Morris Gallery, New York, 1979 Solo Show, Office of the Graduate School, Columbia University, New York, 1972 Selected Group Shows One True Thing, A.I.R. Gallery, NY; Putney School, VT, 2007 Pink Kid Gloves, Chashama Gallery, NY, 2006 Complicit! Contemporary American Art and Mass Culture, University of Virginia Art Museum, Charlottesville, VA, 2006 Conceptual Comics, Banff Centre for the Arts, Alberta, Canada, 2006 Generations, A.I.R. Gallery, NY, 1997, 2002, 2004, 2006 Too Much Bliss: Twenty Years of Granary Books, Smith College Museum, MA, 2005-06 I.D.:id; Wish You Were Here IV, A.I.R. -
View Prospectus
Archive from “A Secret Location” Small Press / Mimeograph Revolution, 1940s–1970s We are pleased to offer for sale a captivating and important research collection of little magazines and other printed materials that represent, chronicle, and document the proliferation of avant-garde, underground small press publications from the forties to the seventies. The starting point for this collection, “A Secret Location on the Lower East Side,” is the acclaimed New York Public Library exhibition and catalog from 1998, curated by Steve Clay and Rodney Phillips, which documented a period of intense innovation and experimentation in American writing and literary publishing by exploring the small press and mimeograph revolutions. The present collection came into being after the owner “became obsessed with the secretive nature of the works contained in the exhibition’s catalog.” Using the book as a guide, he assembled a singular library that contains many of the rare and fragile little magazines featured in the NYPL exhibition while adding important ancillary material, much of it from a West Coast perspective. Left to right: Bill Margolis, Eileen Kaufman, Bob Kaufman, and unidentified man printing the first issue of Beatitude. [Ref SL p. 81]. George Herms letter ca. late 90s relating to collecting and archiving magazines and documents from the period of the Mimeograph Revolution. Small press publications from the forties through the seventies have increasingly captured the interest of scholars, archivists, curators, poets and collectors over the past two decades. They provide bedrock primary source information for research, analysis, and exhibition and reveal little known aspects of recent cultural activity. The Archive from “A Secret Location” was collected by a reclusive New Jersey inventor and offers a rare glimpse into the diversity of poetic doings and material production that is the Small Press Revolution. -
The 0 to 9 Collection
The 0 to 9 Collection We are pleased to offer for sale a comprehensive collection of 0 to 9 magazine and books. From left to right. 0 to 9, no. 2. Aug. 1967; 0 to 9, no. 5. Jan. 1969; Bernadette Mayer. Story. 1968. Description of the Collection Edited by Vito Acconci and Bernadette Mayer, 0 to 9 is widely considered one of the most experimental and influential publications of the mimeograph and small press movement in America. Published in six issues from 1967 to 1969 in New York City, 0 to 9 also published a supplement titled Street Works and several books by Aram Saroyan, Bernadette Mayer, Vito Acconci, and Rosemary Mayer, along with three booklets that constituted Adrian Piper’s first solo exhibition. 0 to 9 was especially engaged in the particulars of the page and inscriptions upon it, emphasizing aspects of performance, minimalism, multi-disciplinarity, and concrete approaches to language. Given small print runs of 100 to 350 copies per issue, the original publications of 0 to 9 are exceedingly rare. References Phil Aarons and Andrew Roth, eds. with Victor Brand. In Numbers: Serial Publications By Artists Since 1955. PPP Editions/Andrew Roth, 2009. Vito Acconci and Bernadette Mayer, eds. 0 to 9: The Complete Magazine. Ugly Duckling Presse, 2006. [UDP] Gwen Allen. Artists’ Magazines: An Alternative Space for Art. MIT Press, 2001. Steve Clay and Rodney Phillips. A Secret Location on the Lower East Side. NYPL/Granary Books, 1998. https://fromasecretlocation.com/0-to-9/ [FASL] Citations are noted by abbreviation and page number in parentheses following bibliographic entries. -
Part of His History 1944-2020 by Steve Clay Originally Published in the Brooklyn Rail Dec 20 – Jan 21, 2021 Issue
IN MEMORIAM Lewis Warsh: Part of His History 1944-2020 By Steve Clay Originally published in The Brooklyn Rail Dec 20 – Jan 21, 2021 Issue Working with Lewis Warsh was always an effortless pleasure and indistinguishable from our friendship. I first met him in Brooklyn in 1995, introduced by Mitch Highfill. We spoke about his archive and collection of rare books he wanted to sell, and arranged to meet at his apartment. During that visit I looked at his treasures, among which was a small book he'd assembled by hand when he found a set of black and white photographs taken in 1968, primarily on Bustin's Island, Maine and in Bolinas, California. The photographs were classic family-style vacation snapshots of Lewis and Anne Waldman, Ted, Sandy, and Kate Berrigan, Tom, Angelica, and baby Juliet Clark, Joanne Kyger, Jack Boyce, and others. Lewis had mounted the photos into a store- bought hardcover photo book, then typed captions and placed them across from the pictures: The front cover read Bustin's Island '68. I immediately proposed that Granary Books publish Portrait of Lewis Warsh, pencil on paper by Phong H. Bui. an edition. I was impressed with the spontaneity of the photographs and the sincerity of the writing. They gave me a private glimpse into a community of poets whose work and stories I knew but was now seeing in their formative years as friends and collaborators. It's a remarkably lucid portrait of a time and place. The captions, written 28 years after the fact, brought perspective to the changes during the intervening years.