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Ensuring a Sustainable Australian Steel Industry in the 2020S and Beyond
ENSURING A SUSTAINABLE AUSTRALIAN STEEL INDUSTRY IN THE 2020s AND BEYOND WHITE PAPER | OCTOBER 2020 www.steel.org.au 02 8748 0180 [email protected] ABOUT THE The Australian Steel Institute (ASI) is the nation’s peak body representing the entire AUSTRALIAN steel supply chain, from the primary producers right through to end users in building and construction, resources, heavy engineering and STEEL INSTITUTE manufacturing. Steel is the backbone of Australia’s construction, resources, infrastructure and manufacturing sectors. It is a vital and COORDINATION sustainable source of innovation, employment and capability in The ASI acts as the focal point for the steel industry, providing our cities and our regional communities. leadership on all major strategic issues affecting the industry. A member-based organisation, the ASI’s activities extend It focuses particularly on economic, environmental and social to, and promote, advocacy and support, steel excellence, sustainability, and works with government, the media and other standards and compliance, training, events and publications. associations to provide an independent voice for industry. This includes promoting the advantages of local content LEADERSHIP AND ADVOCACY procurement in the nation’s interest, both to the client and to government. The ASI provides marketing and technical leadership to promote Australian-made steel as the preferred material to TECHNICAL SUPPORT the building, construction, resources, and manufacturing industries, as well as policy advocacy to government. The technical support arm of the ASI facilitates events and technical training at both shop floor vocational and degree It exists to represent the Australian steel industry and to qualified continuing professional development level, as well support its future growth, so that the industry can maintain and as case study seminars and awards. -
Submission by Music Tasmania
Parliamentary Inquiry into the Australian music industry : Submission by Music Tasmania Parliamentary Inquiry into the Australian music industry: Submission by Music Tasmania Introduction On behalf of Music Tasmania, thank you for the opportunity to provide input into the Parliamentary Inquiry regarding: Factors contributing to the growth and sustainability of the Australian music industry. Music is the soundtrack to the creative economy in Tasmania. Acts like ASTA, Striborg, Psycroptic, Monique Brumby, The Innocents, The Paradise Motel, The Wolfe Brothers, and Luca Brasi, are all part of a legacy of Tasmanian musicians who have a powerful impact on our national and international reputation. Local music festivals such as MONA FOMA, Dark MOFO, Party in the Paddock, and a festival called Panama, are gaining worldwide attention and putting Tasmania on the music map. Apart from their talent, the people working in the Tasmanian music sector are highly committed and resourceful in an environment where funding is scarce, paid opportunities limited, and the music marketplace is increasingly competitive and globalised. Some of the challenges faced by musicians are endemic to the nature of this evolving artform; others however, are more determined by the local music ecosystem in Tasmania. In August 2016, Music Tasmania, in partnership with APRA AMCOS and the Live Music Office, facilitated a statewide consultation to understand the challenges and opportunities facing the Tasmanian sector. The consultation involved face-to-face sessions with key stakeholders, -
Arts and Health Overseas Experience
Submission to Joint Select Committee Preventative Health Care Inquiry Strengthening the contribution that creativity makes to the health and wellbeing of Tasmanians An opportunity not to be missed! Closeknit” Beaconsfield Scarf Project. Beaconsfield District Health Service. Time to be creative network March 2013 Table of Contents Introduction and Time to Be Creative Network 3 How arts can benefit our health 4 Helping communities in times of crisis Building community Contributing to the healing process Creating a healing environment through the arts Caring for caregivers/health professionals Enriching the medical curriculum Effective Health Education/illness prevention Engaging with disadvantaged groups/sensitive health issues Tasmanian experience 6 Research and evaluation Partnerships with the private sector Partnerships with other levels of government National and overseas developments 8 National framework on Arts and Health Overseas experience Arts and a Preventative Health Care System 9 Recommendations 10 Letters of support 11 References 12 Attachments 1. Program can Creativity Save the Day conference 2. Letter from Jerril Rechter, CEO VicHealth, congratulations on the formation of the network 3. Arts and Health the evidence DHHS 4. Arts and Health a Guide to the Evidence, Arts and Health Foundation 5. Letters of support - - 2 Introduction- Time to be creative Network The TTBCN is please to have the opportunity to make a submission to this important inquiry. In considering the terms of reference the network has chosen to address the questions in this written submission but also requests of the committee the opportunity to “Let the Arts speak for themselves” in the form of a presentation. It is envisaged that the presentation will comprise of visual images of a variety of arts programs that has a positive impact on health and wellbeing and particularly include people who are adversely affected by the social determinants of health. -
Review of the Tasmanian Arts Advisory Board and Screen Tasmania Advisory Board – Consultation Paper
This area is used for a longer descriptive document title. Review of the Tasmanian Arts Advisory Board and Screen Tasmania Advisory Board – Consultation Paper CONTENTS 1. INTRODUCTION ............................................................................................................. 1 2. REVIEW PRINCIPLES ..................................................................................................... 2 3. BACKGROUND ................................................................................................................ 3 4. CURRENT ARRANGEMENTS ........................................................................................ 5 4.1 TAAB and Screen Tasmania Advisory Board (STAB) .............................................. 5 5. RECOMMENDATION ..................................................................................................... 7 6. OVERVIEW– RECOMMENDED OPTION .................................................................... 7 7. SUMMARY....................................................................................................................... 11 Appendix 1 -Tasmanian Arts Governance Review ............................................................. 12 1. INTRODUCTION The arts and cultural sector is increasingly important to the Tasmanian community and economy. Culture, and the cultural sector, is a major contributor to the Tasmanian brand, particularly as Tasmania is increasingly being recognised as an attractive destination for tourists and for its cultural environment and -
Annual Report 2011-12
Annual Report 2011-12 Department of Economic Development, Tourism and the Arts Submission to Ministers Dear Ministers In accordance with the requirements of Section 36 of the State Services Act 2000 and Section 27 of the Financial Management and Audit Act 1990, I submit to you, for presentation to parliament, this report on the affairs and activities of the Department of Economic Development, Tourism and the Arts 1 2 3 4 for the financial year ended 30 June 2012. Separate reports will be presented to you by Tasmania 1 Lara Giddings MP 3 Scott Bacon MP Development and Resources, the Board of Tourism Tasmania Premier Minister for Tourism and the Board of Trustees of the Tasmanian Museum and Art Gallery in accordance with state legislation. Treasurer Minister for Hospitality Minister for the Arts Yours sincerely 2 David O’Byrne MP 4 Michelle O’Byrne MP Minister for Economic Development Minister for Sport and Recreation Minister for Innovation, Science and Technology Mark Kelleher Secretary Department of Economic Development, Tourism and the Arts October 2012 Department of Economic Development, Tourism and the Arts © State of Tasmania October 2012 ISSN 1837–9648 Disclaimer The information contained within the Annual Report 2011-12 is considered to be correct at the time of publication. Images used within this publication remain the property of the copyright holder. An electronic version of this report is available at www.development.tas.gov.au 2 :: Annual Report 2011-12 Contents 2 Submission to Ministers 37 Our activities 74 Financial statements 4 About this publication 59 People and culture 132 Photo credits and acknowledgements 5 Message from the Secretary 62 Supporting information 133 How to contact us 7 About us 69 Glossaries and index 3 :: Annual Report 2011-12 About this publication Each year the Department of Economic Development, Tourism and the Arts (department) is required by legislation to produce an annual report. -
Tasmanian Government's Submission
Tasmanian Government's submission Inquiry into the impact of the 2014 and 2015 Commonwealth Budget decisions on the Arts Document title 1 Introduction The Tasmanian Government welcomes the opportunity to contribute to the Senate Legal and Constitutional Affairs References Committee's inquiry into the impact of the 2014 and 2015 Commonwealth Budget decisions on the Arts. The Tasmanian Government recognises the importance of the cultural sector to the Tasmanian community and the economic value it brings to the State. Tasmania currently holds a unique place in the world’s imagination. Our culture, cultural sector and products, and expression are a major contributor to our brand, particularly as we are increasingly being recognised as an attractive destination for tourists and for our cultural environment and industries. This success is the product of work over many years, with the opening of MONA in January 2011 providing a significant boost in the State's development and profile, and the Tasmanian Government is actively working to continue to grow this vibrant sector and encourage more cultural experiences and events in the State. To remain competitive, Tasmania needs to build upon its current unique position through characteristics and capabilities that distinguish it from its competitors and acknowledge both its advantages and constraints – culture is one such attribute. As an island state, with a regionally dispersed population, our unique cultural ecology is somewhat delicate and the impact of changes in policy and funding can have a significant impact on our Arts community. The Tasmanian Government recognises this, and has committed to maintaining State-based funding for Tasmania Arts grant programs, despite challenging budget conditions. -
C:\Documents and Settings\Alan Smithee\My Documents\MOTM
Itkx1//7Lhmdq`knesgdLnmsg9Rshbgshsd Our ongoing search for new minerals to feature finds us scouring the more than forty separate shows that comprise the Tucson Gem & Mineral show every year, looking for large lots of interesting and attractive minerals. The search is rewarded when we make a new contact and find something especially vibrant like this month’s combination of lavender stichtite in green serpentinite! OGXRHB@K OQNODQSHDR Chemistry: Mg6Cr2(CO3)(OH)16A4H2O Basic Hydrous Magnesium Chromium Carbonate (Hydrous Magnesium Chromium Carbonate Hydroxide) Class: Carbonates Subclass: Carbonates with hydroxyl or halogen radicals Group: Hydrotalcite Crystal System: Trigonal Crystal Habits: Crystals rarely macroscopic; usually as crust-like aggregates in matrix; sometimes radiating, micaceous with flexible plates, and nodular with tuberous, irregular surface projections; also massive and fibrous. Color: Lavender, lilac, light violet, pink, or purplish. Luster: Waxy, greasy, sometimes pearly. Transparency: Transparent to translucent Streak: White to pale lilac Refractive Index: 1.516-1.542 Cleavage: Perfect in one direction Fracture: Uneven, brittle. Hardness: 1.5-2.0 Specific Gravity: 2.2 Luminescence: None Distinctive Features and Tests: Softness, color, crystal habits, occurrence in chromium-rich metamorphic environments, and frequent association with serpentinite (a greenish metamorphic rock). Stichtite can be confused with similarly colored sugilite [potassium sodium iron manganese aluminum lithium silicate, KNa2(Fe,Mn,Al)2Li2Si12O30]. -
Legislative Council Tuesday 19 June 2018
Tuesday 19 June 2018 The President, Mr Wilkinson, took the Chair at 11 a.m. and read Prayers. RECOGNITION OF VISITORS Lindisfarne Riverside Arts Club Mr PRESIDENT - Honourable members, I welcome members of the Lindisfarne Riverside Arts Club. It is their sixtieth anniversary and we welcome them. The member for Pembroke will speak on a special interest matter relating to the Lindisfarne Riverside Arts Club. Members - Hear, hear. SPECIAL INTEREST MATTERS Norman 'Bluey' Watson - Tribute [11.05 a.m.] Mr VALENTINE (Hobart) - Mr President, I wish to mark the life of one Norman 'Bluey' Watson, who sadly passed away on 18 April this year at the age of 88. First, I thank Mr John Livermore, a West Hobart resident, for providing a great deal of information toward this matter of special interest. Information has also been gained from Semaphore, issue No. 2 of 2016, which I believe is linked to the Royal Australian Navy, and from Norman's daughter, Julie, to whom I am also very thankful. Norman Watson was born on 23 August 1929 in the suburb of Deagon in Sandgate, Queensland. At the age of three, Bluey, along with his sister Alma, was placed in a Nudgee orphanage in Brisbane, where, sadly, his sister later died. Bluey started singing at four years of age and at age six and seven was the lead singer in a church choir. You would have to say that is quite amazing. At a very young age he went on stage at the Tivoli Theatre in Brisbane with George Wallace, and sang 'Madam, will you walk?' He was one of life's great characters, with such an engaging manner that it does not take much to imagine him accomplishing that at such a young age. -
NOTES on the TASMANIAN "BLACK WAR" 1827 • 1830 [By J
495 NOTES ON THE TASMANIAN "BLACK WAR" 1827 • 1830 [By J. C. H. GILL, B.A., LL.B.] (Read to a meeting of The Royal Historical Society of Queensland on 23 May 1968.) (AU Rights Reserved) The Tasmanian Aboriginal, in general, and my topic, in particular, have an extensive bibliography and much archival material is also avaUable in the State Archives of Tasmania and in the Mitchell and Dixson Collections in the PubUc Library of New South Wales. James Bonwick (in 1870), J. E. Calder (1875) and C. TumbuU (1948) aU wrote accounts of the Black War con jointly with an account of the extirpation of the Tasmanoids.* It is obvious that to cover the subject properly one would require 900 pages instead of the 9,000 words to which I am Umited. Furthermore, unlimited time to research amongst archival material would be needed and research of this nature has not been possible at all. However, before Bonwick's work in 1870 there had already been written a number of Histories of Tasmania, as you will note from my own bibliography. MelvUle and Bischoff are virtuaUy contemporary with the topic and West little more than twenty years after the event. With these as my principal sources for the events of 1827-1830 I have sought briefly to recapitulate the sad story from its sorry beginning to its tragic aftermath with some observations on possible causes and effects. AN ENIGMA The Tasmanian aborigines, like all extinct peoples, must remain perforce something of an enigma, despite the fact that the last of them died within living memory. -
Planning Versus Power: Tasmania's Forest Policy Network and Gunn's
Planning Versus Power: Tasmania’s Forest Policy Network and Gunn’s Tamar Valley Pulp Mill Dr Fred Gale University of Tasmania Launceston Tasmania Please do not cite without permission. Comments are welcome and should be forwarded to [email protected] Introduction When Gunns announced its intention to build a pulp mill at Bell Bay in Northern Tasmania in mid-2004, it plunged the state into a socio-political crisis from which it has yet to recover. The proposal has re-opened the state’s forest wars—barely healed from the bruising battle over the state’s Regional Forestry Agreement (RFA)—further polarising the community (Ajani 2007; Buckman 2008). As each faction battles for the hearts and minds of ‘ordinary’ Tasmanians, the truism that truth is its first victim of warfare is once again illustrated. For the past five years Tasmanians have been bombarded with claims and counterclaims concerning the pulp mill’s economic, social and environmental impacts (i.e. via the Government sponsored Pulp Mill Task Force newsletters and contributors to the online newspaper Tasmanian Times). A concerted media blitz by the government, Gunns and unions spruiking the mill’s benefits has been countered by a diverse array of sources ranging from conservationists to religious figures to academics (Gale 2008). In this paper, I do not intend to assess the merits of the arguments made by these protagonists. Instead, I aim to take advantage of the opportunity the pulp mill presents to analyse the actors, institutions and ideologies of Tasmania’s forest policy network. In addressing the general question of how Tasmania’s forest policy network secures its interests, I will argue that it does so by enmeshing itself within a range of public and private institutions that enhances the legitimacy of individual actors and enables them to collectively achieve their objectives. -
Legislative Council Estimates B
PARLIAMENT OF TASMANIA TRANSCRIPT LEGISLATIVE COUNCIL ESTIMATES COMMITTEE B Hon. Elise Archer MP Tuesday 24 November 2020 MEMBERS Hon Rosemary Armitage MLC Hon Ivan Dean MLC Hon Jo Palmer MLC Hon Tania Rattray MLC (Chair) Hon Jo Siejka MLC Hon Josh Willie MLC WITNESSES IN ATTENDANCE Hon. Elise Archer MP, Attorney-General; Minister for the Arts; Minister for Corrections; Minister for Environment; Minister for Justice; Minister for Racing Ms Ginna Webster, Secretary, Department of Justice Ms Kerrie Crowder, Acting Deputy Secretary, Corrections and Justice, Department of Justice Mr Gavin Wailes, Director of Finance, Department of Justice Ms Penelope Ikedife, Administrator of Courts, Supreme Court, Department of Justice Ms Ann Owen, Manager, Births, Deaths and Marriages, Department of Justice Mr Nick Evans, Deputy Secretary, Regulation & Service Delivery, Department of Justice Ms Catherine Edwards, Manager, Victims Support Services, Department of Justice Mr Andrew Hawkey, Tasmanian Electoral Commission, Department of Justice Mr Daryl Coates, Director of Public Prosecutions, Office of the Director of Public Prosecutions Mr Michael Varney, Director, Crown Law, Department of Justice Ms Amber Mignot, Director, Child Abuse Royal Commission Response Unit, Department of Justice Ms Brooke Craven, Director, Strategic Legislation and Policy, Department of Justice Mr Wayne Johnson, Director, Monetary Penalties Enforcement Service, Department of Justice Mr Nick Evans, Deputy Secretary, Regulation & Service Delivery, Department of Justice Ms Amanda Russell, -
STUDY GUIDE by Robert Lewis
DICK SMITH’S POPULATION PUZZLE A STUDY GUIDE by robert lewis http://www.metromagazine.com.au http://www.theeducationshop.com.au OVERVIEW Population is a complicated and controversial subject and, despite its importance, it has rarely been debated in Aus- Dick Smith’s Population Puzzle tells the story of Dick Smith’s tralia. We currently have the highest population growth rate campaign to change national attitudes on population growth in the developed world, which would take us from today’s and to force the Australian government to reverse its back- population of 22 million to a predicted 36 million people or ing of a rapid population increase for Australia. more in 2050. This unprecedented growth amounts to what demographer Bob Birrell describes to Smith as ‘a revolution The 67-minute film follows Smith as he takes a barn- in our immigration policy’. storming tour of Australia, meeting with experts, talking to ordinary Australians, giving public talks and appearing in the But Australia has one of the youngest populations in the de- media. veloped world, and our push to bring in skilled workers has undermined our education system, placed extra stress on The film delves into Smith’s life, returning to his original our health system and made it even harder for us to reduce home in the Sydney suburb of Roseville where he lived in our carbon footprint. the 1950s – halcyon days when migrants were welcomed as they sailed into Sydney and everyone lived on quarter-acre Smith’s mission to slow this tide is a journey through one of blocks.