TRAVELER in the SUNSET CLOUDS Photographs by JAMES WHITLOW DELANO
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Chapter 5 Sinicization and Indigenization: the Emergence of the Yunnanese
Between Winds and Clouds Bin Yang Chapter 5 Sinicization and Indigenization: The Emergence of the Yunnanese Introduction As the state began sending soldiers and their families, predominantly Han Chinese, to Yunnan, 1 the Ming military presence there became part of a project of colonization. Soldiers were joined by land-hungry farmers, exiled officials, and profit-driven merchants so that, by the end of the Ming period, the Han Chinese had become the largest ethnic population in Yunnan. Dramatically changing local demography, and consequently economic and cultural patterns, this massive and diverse influx laid the foundations for the social makeup of contemporary Yunnan. The interaction of the large numbers of Han immigrants with the indigenous peoples created a 2 new hybrid society, some members of which began to identify themselves as Yunnanese (yunnanren) for the first time. Previously, there had been no such concept of unity, since the indigenous peoples differentiated themselves by ethnicity or clan and tribal affiliations. This chapter will explore the process that led to this new identity and its reciprocal impact on the concept of Chineseness. Using primary sources, I will first introduce the indigenous peoples and their social customs 3 during the Yuan and early Ming period before the massive influx of Chinese immigrants. Second, I will review the migration waves during the Ming Dynasty and examine interactions between Han Chinese and the indigenous population. The giant and far-reaching impact of Han migrations on local society, or the process of sinicization, that has drawn a lot of scholarly attention, will be further examined here; the influence of the indigenous culture on Chinese migrants—a process that has won little attention—will also be scrutinized. -
Julian WARD, Xu Xiake (1587-1641): the Art of Travel Writing , Richmond, Surrey, U.K.: Curzon Press, 2001
REVIEWS Julian WARD, Xu Xiake (1587-1641): The Art of Travel Writing , Richmond, Surrey, U.K.: Curzon Press, 2001. 231, xviii pp. ISBN 0-7007-1319-0. On October 17, 1636, Xu Xiake, then almost fty years old, left his family in Jiangyin (in present-day Jiangsu province) and embarked on what would be his last and, by far, most challenging expedition. Accompanied by a Buddhist monk and two servants (one of whom would abandon the party just a fortnight into the journey), Xu would eventually spend nearly four years on the road, traveling through the provinces of Zhejiang, Jiangxi, Huguang, Guangxi, Guizhou, and Yunnan as well as seeking out and exploring sites both famous and out of the ordinary. Life on the road was as invigorating as it was hazardous. During the journey, as Ward notes, ÒXu was robbed three times, ran out of money and was nally deserted by his remaining servantÓ (p. 43). Xu Xiake was of course not the rst Ming-dynasty literatus to have traveled extensively in southwest China; quite a few had gone before him, though, unlike Xu, almost all had done so in the capacity either as o cials or as political exiles. What sets Xu apart from his con- temporaries is not just his desire for travel; during his long and arduous journey, Xu man- aged to keep a detailed record of most of the notable places he had visited (judging from the editions still extant, Xu must have written, on average, 500 characters per day for nearly 1,100 consecutive days). -
UC Berkeley Berkeley Undergraduate Journal
UC Berkeley Berkeley Undergraduate Journal Title Tales from the Cinnamon Sea: Literary Appropriation and the Creation of Paradise in the works of Fan Chengda Permalink https://escholarship.org/uc/item/36n4t98z Journal Berkeley Undergraduate Journal, 29(1) ISSN 1099-5331 Author Merlo, Phillip Edward Publication Date 2016 DOI 10.5070/B3291030167 Peer reviewed|Undergraduate eScholarship.org Powered by the California Digital Library University of California Tales from the Cinnamon Sea TALES FROM THE CINNAMON SEA: Literary Appropriation and the Creation of Paradise in the Works of Fan Chengda By Phillip Merlo his paper introduces the reader to China’s Southern Song dynasty (1127-1279), and specif- cally the diplomat, court ofcial, and poet Fan Chengda (1127-1279). During his years in government bureaucracy Fan Chengda traveled widely throughout the Southern Song Em- Tpire. During his travels he wrote several travel diaries, encyclopedias, and geographical treatises, in addition to thousands of extant travel poems. Tis paper investigates two of his works in particular: the Canluan lu and the Guihai yuheng zhi (both circa 1171-1174), both written during his travels to Guilin in the far South of the empire. Canluan lu, or the Register of Mounting a Simurgh is a travel diary of his trip to Guilin, and Guihai yuheng zhi is a geographical encyclopedia of Guilin and its surroundings. Comparative analysis of the two texts shows that in an apparent attempt to validate his self-image as an ideal Song scholar-ofcial, Fan Chengda appropriated historical descriptions of Guilin from past scholars. His in-text statements as well as his descriptive style suggest that Fan Chengda wished to identify and commune with scholars from other eras of Chinese dynastic his- tory. -
Authenticity, Preservation, and the Transnational
AUTHENTICITY, PRESERVATION, AND THE TRANSNATIONAL IDENTITY OF SPACE: COMPARING YIN YU TANG AND THE LINDEN CENTRE by Mariko Azuma A thesis submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Master of Arts in Art History Department of Art and Art History The University of Utah December 2018 Copyright © Mariko Azuma 2018 All Rights Reserved T h e University of Utah Graduate School STATEMENT OF THESIS APPROVAL The thesis of Mariko Azuma has been approved by the following supervisory committee members: Winston C. Kyan , Chair 9/25/18 Date Approved Lela J. Graybill , Member 9/25/18 Date Approved Shundana Yusaf , Member 9/25/18 Date Approved and by Paul Stout , Chair of the Department of Art and Art History and by David B. Kieda, Dean of The Graduate School. ABSTRACT My thesis compares the theoretical ideas of authenticity through two forms of rural Chinese vernacular architecture, Yin Yu Tang in Salem, MA, U.S.A. and the Linden Centre in Xizhou, Yunnan Province, China. Yin Yu Tang is a house originally built in the Huizhou Region in Southeast China around 1800 and then eventually moved to the Peabody Essex Museum in New England. The Linden Centre, formerly known as Yang’s Compound, was built in 1947 and did not experience physical recontextualization but was transformed into a boutique hotel operated by an American. Through art historical analysis that is informed by the social sciences, museum studies, and tourism studies, I argue that Yin Yu Tang and the Linden Centre are examples of vernacular architecture that use recontextualization to cultivate an authenticity found within the framework of display. -
Origin Narratives: Reading and Reverence in Late-Ming China
Origin Narratives: Reading and Reverence in Late-Ming China Noga Ganany Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Noga Ganany All rights reserved ABSTRACT Origin Narratives: Reading and Reverence in Late Ming China Noga Ganany In this dissertation, I examine a genre of commercially-published, illustrated hagiographical books. Recounting the life stories of some of China’s most beloved cultural icons, from Confucius to Guanyin, I term these hagiographical books “origin narratives” (chushen zhuan 出身傳). Weaving a plethora of legends and ritual traditions into the new “vernacular” xiaoshuo format, origin narratives offered comprehensive portrayals of gods, sages, and immortals in narrative form, and were marketed to a general, lay readership. Their narratives were often accompanied by additional materials (or “paratexts”), such as worship manuals, advertisements for temples, and messages from the gods themselves, that reveal the intimate connection of these books to contemporaneous cultic reverence of their protagonists. The content and composition of origin narratives reflect the extensive range of possibilities of late-Ming xiaoshuo narrative writing, challenging our understanding of reading. I argue that origin narratives functioned as entertaining and informative encyclopedic sourcebooks that consolidated all knowledge about their protagonists, from their hagiographies to their ritual traditions. Origin narratives also alert us to the hagiographical substrate in late-imperial literature and religious practice, wherein widely-revered figures played multiple roles in the culture. The reverence of these cultural icons was constructed through the relationship between what I call the Three Ps: their personas (and life stories), the practices surrounding their lore, and the places associated with them (or “sacred geographies”). -
'Non-Chinese' in Ming China
$QWLTXDULDQLVPDQG,QWHOOHFWXDO/LIHLQ(XURSHDQG&KLQD 3HWHU10LOOHU)UDQFRLV/RXLV 3XEOLVKHGE\8QLYHUVLW\RI0LFKLJDQ3UHVV 3HWHU10LOOHUDQG)UDQFRLV/RXLV $QWLTXDULDQLVPDQG,QWHOOHFWXDO/LIHLQ(XURSHDQG&KLQD $QQ$UERU8QLYHUVLW\RI0LFKLJDQ3UHVV 3URMHFW086( :HE)HEKWWSPXVHMKXHGX For additional information about this book http://muse.jhu.edu/books/9780472028269 Access provided by University of British Columbia Library (21 May 2015 23:33 GMT) Twelve Thinking About “Non- Chinese” in Ming China Leo K. Shin At the start of his Record of All Vassals (Xian bin lu), a text completed no later than 1591, Luo Yuejiong, a scholar from Jiangxi (in southern China) whom we otherwise know little about, seeks to explain to his read- ers why his historical survey of “non- Chinese” peoples (si yi) deserves at- tention. In Luo’s telling, in his time, “scholars who are fond of antiquity” (haogu zhi shi) have generally taken to focus on texts composed before the Han dynasty (206 BCE–220 CE) and ignore those from later periods. But while scholars who have developed a degree of familiarity with pre- Han sources might like to think of themselves as “broadly learned” (bo- xue), Luo observes, their intellectual horizon is, in fact, not unlike “the outlook of a frog at the bottom of a well.” By contrast, in composing his general study of those “non- Chinese” peoples who have, over time, inter- acted with China (Zhongguo; literally, “central dominion”), Luo Yuejiong points out, he has consciously consulted a wide range of sources, includ- ing in particular materials that are outside -
THE FORMATION of MODERN CHINESE GEOGRAPHY in TWENTIETH-CENTURY CHINA by RACHEL WALLNER a THES
SCIENCE, SPACE, AND THE NATION: THE FORMATION OF MODERN CHINESE GEOGRAPHY IN TWENTIETH-CENTURY CHINA by RACHEL WALLNER A THESIS Presented to the Department of Asian Studies and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts September 2014 THESIS APPROVAL PAGE Student: Rachel Wallner Title: Science, Space, and the Nation: The Formation of Modern Chinese Geography in Twentieth-Century China This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of Asian Studeis by: Dr. Bryna Goodman Chair Dr. Roy B. Chan Member Dr. Daniel Buck Member and J. Andrew Berglund Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2014. ii © 2014 Rachel Wallner iii THESIS ABSTRACT Rachel Wallner Master of Arts Department of Asian Studies September 2014 Title: Science, Space, and the Nation: The Formation of Modern Chinese Geography in Twentieth-Century China At the turn of the twentieth century, the modern epistemological framework of science superseded indigenous Chinese knowledge categories as the organizing unit for empirical knowledge about space. By the 1920s, pioneering Chinese intellectuals housed spatial knowledge under the new category of modern geography. While this framework for modern knowledge was rooted in the West, Chinese scholars innovated the discipline in ways that enabled them to consistently attend to fluctuating nation-building imperatives. Using autobiography, memoir, and periodicals produced by early Chinese geographers, this study explores how the intellectual shift toward spatial epistemological modernity facilitated modern China's entrance into the global nation-state system. -
China Fieldwork Semester
CET CHINA FIELDWORK SEMESTER HIGH SCHOOL/GAP PROGRAM IN RURAL YUNNAN PROVINCE Spring 2021 and 2022 WHY CHOOSE CHINA FIELDWORK SEMESTER? Because you’ll take advantage of all that rural China has to offer. China’s mega cities get a lot of media attention, but living and studying in rural China allows you to observe how economic, social, and environmental changes are impacting smaller communities. In this interdisciplinary, full-semester program, you’ll discover how the Chinese landscape has changed a community’s sense of place over generations and then compare that to the urban setting of Shanghai at the end of the program. You’ll benefit from inspired teaching in the field. Academic Director John Flower (of Sidwell Friends School in Washington, DC) designed the fieldwork-based curriculum to challenge motivated high school and gap year students looking for a study abroad experience unlike any other. You’ll engage with teachers and mentors in the field and the classroom. Receive proof of all that you’ve accomplished with a transcript from Dickinson College, CET’s school of record for high school and pre-college programs. You’ll also take advantage of the industry-leading advising, risk management, and student support services of CET, expertise we’ve honed through 35+ years of experience operating study abroad programs in China. Because you’ll grow beyond your wildest expectations. Though your curriculum has courses focused on individual topics, the program’s experiential learning component ties all the different subjects together. You’ll be challenged to speak Mandarin, learn new skills through an apprenticeship, and apply your learning in an entirely new way through individual and group projects. -
The Great Walk of China
The Great Walk of China Travels on foot from Shanghai to Tibet Graham Earnshaw To the people of China, who have taught me so much. The Great Walk of China ISBN 978-988-19002-1-0 Published by Blacksmith Books 5th Floor, 24 Hollywood Road, Central, Hong Kong Tel: (+852) 2877 7899 www.blacksmithbooks.com Copyright © Graham Earnshaw 2010 The author asserts the moral right to be identified as the author of this work. All rights reserved. No part of this publication may be reproduced, stored or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. Contents The First Step . .7 Into the Mountains.......................13 Drinking Games .........................25 Anhui in May ...........................39 A Peasant’s Life ..........................51 End of Anhui . .65 Putting away the GPS .....................77 Red Tourism ............................89 Countryside Politics . 105 Harvest Time . .125 Mr. Ren . .137 Horse Country . 145 The Man Who Lost His Life ................153 The Special Farms ........................161 The Casino Operator . .167 Million Dollar Rocks . .179 The Dam...............................189 The Gorges .............................203 How Green is Their Valley . .219 Over the River . 239 Across the Line . 247 Signs of a Storm . .257 Smoker’s Cough . .275 Environmental Nuns . .293 The Bluest Eyes in Chongqing . 305 Joining Isabella . 313 Buffalo in Winter . 323 Tobacco Road ...........................327 You’re Welcome..........................335 Preface The First Step am walking from Shanghai to Tibet. I It is a great line, and it is true. My journey is not continuous; I walk when I have the time, usually once a month and always starting from the last place I stopped and always heading west. -
Foguangsi on Mount Wutai: Architecture of Politics and Religion Sijie Ren University of Pennsylvania, [email protected]
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 1-1-2016 Foguangsi on Mount Wutai: Architecture of Politics and Religion Sijie Ren University of Pennsylvania, [email protected] Follow this and additional works at: http://repository.upenn.edu/edissertations Part of the Asian Studies Commons, History of Art, Architecture, and Archaeology Commons, History of Religion Commons, and the Religion Commons Recommended Citation Ren, Sijie, "Foguangsi on Mount Wutai: Architecture of Politics and Religion" (2016). Publicly Accessible Penn Dissertations. 1967. http://repository.upenn.edu/edissertations/1967 This paper is posted at ScholarlyCommons. http://repository.upenn.edu/edissertations/1967 For more information, please contact [email protected]. Foguangsi on Mount Wutai: Architecture of Politics and Religion Abstract Foguangsi (Monastery of Buddha’s Radiance) is a monastic complex that stands on a high terrace on a mountainside, in the southern ranges of Mount Wutai, located in present-day Shanxi province. The mountain range of Wutai has long been regarded as the sacred abode of the Bodhisattva Mañjuśrī and a prominent center of the Avataṃsaka School. Among the monasteries that have dotted its landscape, Foguangsi is arguably one of the best-known sites that were frequented by pilgrims. The er discovery of Foguangsi by modern scholars in the early 20th century has been considered a “crowning moment in the modern search for China’s ancient architecture”. Most notably, the Buddha Hall, which was erected in the Tang dynasty (618-907 CE), was seen as the ideal of a “vigorous style” of its time, and an embodiment of an architectural achievement at the peak of Chinese civilization. -
AIEST Conference Pre-Tour China 2015
AIEST Conference Pre-Tour China 2015 AIEST Convention Lijiang 2015 AIEST CONFERENCE PRE-TRIP . Travel date: 19 – 22 August 2015 . Destinations: Kunming, Dali, Shaxi, Lijiang . Duration: 4 days . Starting in: Kunming . Ending in: Lijiang . Group size: minimum 8 Pax B=Breakfast, L=Lunch, D=Dinner 19 AUGUST 2015: KUNMING (NO MEALS) Independent arrival in Kunming. Pick-up by driver and transfer to Intercontinental Kunming Hotel or similar. Individual welcome by tour leader. Individual dinner Please visit our website www.hiddenchina.net for more information AIEST Convention Lijiang 2015 20 AUGUST 2015: KUNMING - DALI (B/L/D) In the morning transfer with coach and guide to Kunming airport and flight to Dali. After arrival visit the 3 Pagodas of Dali and have a stroll in the old town. Late afternoon visit a village on the shores of Erhai Lake. Check-in Linden Centre and in the evening have dinner at the Linden Centre. During the dinner, Brian Linden, founder of the Linden Center (or one of his Senior staff members) will be present and explain you about the strategy, philosophy, history and future plans of Linden Centre. He will explain the about the challenges and difficulties of setting up sustainable tourism projects in the Dali area. http://www.linden-centre.com/ Overnight at Linden Centre 21 AUGUST 2015: DALI - SHAXI (B/L/D) In the morning we will visit the latest project site of Linden Centre to understand more of the concept and ideas. In the late morning drive around 3 hours to Shaxi. In the afternoon visit Stone Treasure Mountain. -
Xu Xiake (1587-1641) This Page Intentionally Left Blank Xu Xiake (1587-1641) the Art of Travel Writing
Xu Xiake (1587-1641) This page intentionally left blank Xu Xiake (1587-1641) The Art of Travel Writing Julian Ward I~ ~~o~:~~n~~:up LONDON AND NEW YORK First Published in 2001 by Curzon Press Published 2013 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY, 10017, USA Routledge is an imprint a/the Taylor & Francis Group, an iriforma business © 2001 J ulian Ward Typeset in Times by Graphicraft Limited, Hong Kong All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record of this book is available from the British Library Library of Congress Cataloguing in Publication Data A catalogue record for this book has been requested ISBN 13: 978-0-700-71319-6 (hbk) To my family, Dee, David and Greg for constant love and support. This page intentionally left blank Contents List of Illustrations x Introduction xi Acknowledgements xv Explanatory note XVI List of Abbreviations XVll Chapter I The History of Chinese Travel Writing The Early History of Chinese Geographical Works 2 The Tang Dynasty: Liu Zongyuan 9 The Song Dynasty: Poets and Officials 11 The Ming Dynasty: Literati and Geographers 14 Wang Shixing 16 Ming Gazetteers and Route Books 18 Travellers and Artists 19 The Growth of