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JOURNAL of the PROCEEDINGS of the CITY COUNCIL of the CITY of CHICAGO, ILLINOIS
(Published by the Authority of the City Council of the City of Chicago) COPY JOURNAL of the PROCEEDINGS of the CITY COUNCIL of the CITY of CHICAGO, ILLINOIS Inaugural Meeting -- Monday, May 20, 2019 at 10:30 AM. (Wintrust Arena -- Chicago, Illinois) OFFICIAL RECORD. LORI E. LIGHTFOOT ANDREA M. VALENCIA Mayor City Clerk 5/20/2019 INAUGURAL MEETING 1 MUSICAL PRELUDE. The Chicago Gay Men's Chorus, led by Artistic Director Jimmy Morehead, performed a series of musical selections including "World". The ensemble from the Puerto Rican Arts Alliance, led by Founder and Executive Director Carlos Hernandez-Falcon, performed a series of musical selections. The After School Matters Choir, led by Directors Daniel Henry and Jean Hendricks, performed a series of musical selections including "Bridge Over Troubled Water'' and "Rise Up". The Native American Veterans Group of Trickster Art Gallery, led by Courte Tribe and Chief Executive Officer Joseph Podlasek Ojibwe Lac Oreilles, and the Ribbon Town Drum from Pokagon Band of Potawatomi performed the ceremony dedication. The Merit School of Music, comprised of Joshua Mhoon, piano, and Steven Baloue, violin, performed a musical selection. Chicago Sinfonietta -- Project Inclusion, led by Executive Director Jim Hirsch and comprised of Danielle Taylor, violin; Fahad Awan, violin; Seth Pae, viola; and Victor Sotelo, cello, performed a series of musical selections, including "At Last" and "Chicago". INTRODUCTION OF 2019 -- 2023 CITY COUNCIL MEMBERS-ELECT. Each of the members-elect of the 2019 -- 2023 City Council of Chicago was introduced as they entered the arena. INTRODUCTION OF SPECIAL GUESTS. The following special guests were introduced: Mr. -
Street Guide
CITY CLERK STREET GUIDE Helpful tips and resources for Chicago’s resident’s. A M. V C C C C 20191 WELCOME FROM CITY CLERK WELCOME ANNA M. VALENCIA Dear Friend, Thank you for picking up a copy of our Chicago City Clerk Steet Guide. Chicago is an amazing city to explore and we want to help you get around all of its neighborhoods with ease. In this guide, you will find maps, a list of streets and much more. We’ve included information on how to renew your Chicago City Vehicle stickers as well as information on the other programs our office has to offer. As the link between community and government, we want to ensure that all residents of the city have access to the information they need! For more information, please visit our website at www.ChiCityClerk.com or follow us on social media @ChiCityClerk. Whether you’re visiting the city or are a proud Chicagoan, we hope you enjoy the information on the following pages. Sincerely, Anna M. Valencia City Clerk of Chicago 2 LOCATIONS CITY HALL WELCOME 121 N LA SALLE STREET | ROOM 107 FROM CITY CLERK CHICAGO, ILLINOIS 60602 ANNA M. VALENCIA 312.742.5375 Monday-Friday 8:00AM-5:00PM CITY CLERK SATELLITE OFFICE SOUTH 5672 SOUTH ARCHER AVENUE CHICAGO, ILLINOIS 60638 312.745.1100 Monday-Friday 9:00AM-5:00PM CITY CLERK SATELLITE OFFICE NORTH 5430 WEST GALE STREET CHICAGO, ILLINOIS 60630 312.742.5318 Monday-Friday 9:00AM-5:00PM FIND US ONLINE WWW.CHICITYCLERK.COM SOCIAL MEDIA 3 WELCOME ................................................................................................. 2 TELEPHONE RESOURCES .............................................................. -
Batman’S Story
KNI_T_01_p01 CS6.indd 1 10/09/2020 10:14 IN THIS ISSUE YOUR PIECE Meet your white king – the latest 3 incarnation of the World’s Greatest Detective, the Dark Knight himself. PROFILE From orphan to hero, from injury 4 to resurrection; this is Batman’s story. GOTHAM GUIDE Insights into the Batman’s sanctum and 10 operational centre, a place of history, hi-tech devices and secrets. RANK & FILE Why the Dark Knight of Gotham is a 12 king – his knowledge, assessments and regal strategies. RULES & MOVES An indispensable summary of a king’s 15 mobility and value, and a standard move. Editor: Simon Breed Thanks to: Art Editor: Gary Gilbert Writers: Frank Miller, David Mazzucchelli, Writer: Alan Cowsill Grant Morrison, Jeph Loeb, Dennis O’Neil. Consultant: Richard Jackson Pencillers: Brett Booth, Ben Oliver, Marcus Figurine Sculptor: Imagika Sculpting To, Adam Hughes, Jesus Saiz, Jim Lee, Studio Ltd Cliff Richards, Mark Bagley, Lee Garbett, Stephane Roux, Frank Quitely, Nicola US CUSTOMER SERVICES Scott, Paulo Siqueira, Ramon Bachs, Tony Call: +1 800 261 6898 Daniel, Pete Woods, Fernando Pasarin, J.H. Email: [email protected] Williams III, Cully Hamner, Andy Kubert, Jim Aparo, Cameron Stewart, Frazer Irving, Tim UK CUSTOMER SERVICES Sale, Yanick Paquette, Neal Adams. Call: +44 (0) 191 490 6421 Inkers: Rob Hunter, Jonathan Glapion, J.G. Email: [email protected] Jones, Robin Riggs, John Stanisci, Sandu Florea, Tom Derenick, Jay Leisten, Scott Batman created by Bob Kane Williams, Jesse Delperdang, Dick Giordano, with Bill Finger Chris Sprouse, Michel Lacombe. Copyright © 2020 DC Comics. BATMAN and all related characters and elements © and TM DC Comics. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Space Weapons Earth Wars
CHILDREN AND FAMILIES The RAND Corporation is a nonprofit institution that EDUCATION AND THE ARTS helps improve policy and decisionmaking through ENERGY AND ENVIRONMENT research and analysis. HEALTH AND HEALTH CARE This electronic document was made available from INFRASTRUCTURE AND www.rand.org as a public service of the RAND TRANSPORTATION Corporation. INTERNATIONAL AFFAIRS LAW AND BUSINESS NATIONAL SECURITY Skip all front matter: Jump to Page 16 POPULATION AND AGING PUBLIC SAFETY SCIENCE AND TECHNOLOGY Support RAND Purchase this document TERRORISM AND HOMELAND SECURITY Browse Reports & Bookstore Make a charitable contribution For More Information Visit RAND at www.rand.org Explore RAND Project AIR FORCE View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Unauthorized posting of RAND electronic documents to a non-RAND website is prohibited. RAND electronic documents are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. The monograph/report was a product of the RAND Corporation from 1993 to 2003. RAND monograph/reports presented major research findings that addressed the challenges facing the public and private sectors. They included executive summaries, technical documentation, and synthesis pieces. SpaceSpace WeaponsWeapons EarthEarth WarsWars Bob Preston | Dana J. Johnson | Sean J.A. Edwards Michael Miller | Calvin Shipbaugh Project AIR FORCE R Prepared for the United States Air Force Approved for public release; distribution unlimited The research reported here was sponsored by the United States Air Force under Contract F49642-01-C-0003. -
The Evolution of Batman and His Audiences
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history. -
Artillery Through the Ages, by Albert Manucy 1
Artillery Through the Ages, by Albert Manucy 1 Artillery Through the Ages, by Albert Manucy The Project Gutenberg EBook of Artillery Through the Ages, by Albert Manucy This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Artillery Through the Ages A Short Illustrated History of Cannon, Emphasizing Types Used in America Author: Albert Manucy Release Date: January 30, 2007 [EBook #20483] Language: English Artillery Through the Ages, by Albert Manucy 2 Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ARTILLERY THROUGH THE AGES *** Produced by Juliet Sutherland, Christine P. Travers and the Online Distributed Proofreading Team at http://www.pgdp.net ARTILLERY THROUGH THE AGES A Short Illustrated History of Cannon, Emphasizing Types Used in America UNITED STATES DEPARTMENT OF THE INTERIOR Fred A. Seaton, Secretary NATIONAL PARK SERVICE Conrad L. Wirth, Director For sale by the Superintendent of Documents U. S. Government Printing Office Washington 25, D. C. -- Price 35 cents (Cover) FRENCH 12-POUNDER FIELD GUN (1700-1750) ARTILLERY THROUGH THE AGES A Short Illustrated History of Cannon, Emphasizing Types Used in America Artillery Through the Ages, by Albert Manucy 3 by ALBERT MANUCY Historian Southeastern National Monuments Drawings by Author Technical Review by Harold L. Peterson National Park Service Interpretive Series History No. 3 UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON: 1949 (Reprint 1956) Many of the types of cannon described in this booklet may be seen in areas of the National Park System throughout the country. -
La Mitrailleuse Gatling…
1861……….1911……….. Autour de la mitrailleuse Gatling….. quelques modèles d’époque. En ervice entre 1861 et 1865……….La AGAR Mitrailleuse ou canon à balles mise au point par Joseph Montigny …en 1963 Système Montigny (1869) Mitrailleuse Williams Gardner A 2 canons …1874 Mitrailleuse Nordenfelt Version à 5 canons … 1873 Début XX siècle, en Angleterre des mitrailleuses Gardner, Maxim et Nordenfelt Version Allemande de la Mitrailleuse Maxim (1880 – 1884) Elle fut l’une des mitrailleuses les plus utilisée par les Allemands pendant la première guerre mondiale Mitrailleuse Hotchkiss .. 1900 Canon Hotchskis de 37 mm, inspiré du mécanisme de la Gatling Mitrailleuse Vickers Britannique Vers 1909 ------------------------- On ne trouve pratiquement ce genre de Mitrailleuse en très bon état que dans les musées. Une Gatling, pratiquement « neuve », très belle arme d’époque en état de tir s’est vendue aux enchères par un armurier Américain autour de 335 000 dollars. (2017) Mitrailleuse Gatling Le docteur Richard Jordan Gatling, né le (12 septembre 1818 dans le comté de Hertford en Caroline du Nord, et mort le 26 février 1903 à New York, est un inventeur américain. Biographie Il est surtout connu pour la fameuse mitrailleuse Gatling, la première vraiment efficace. Il est le fils de Jordan Gatling, fermier et inventeur. Il invente à l'âge de 21 ans un nouveau mécanisme de propulsion pour les bateaux à vapeur, mais qui avait déjà été breveté par John Ericsson. Il travaille comme pêcheur, greffier, enseignant, et même magasinier. En ouvrant sa propre boutique, il inventa une semeuse à blé, et la rentabilise pour l'exploiter financièrement. -
Gatling, Docteur En Médecine Et Inventeur De Machines Agricoles
ParParPar Gérard Hawkins orsque, le 15 avril 1861, le président Lincoln proclama l’existence d’un état L insurrectionnel dans l’Union et décida de faire appel à 75.000 volontaires à recruter parmi les milices locales, le Nord n’était malheureusement pas en mesure de s’engager dans une guerre offensive de grande envergure. Commandée par un septuagénaire malade, le général Winfield Scott, l’armée US pouvait à peine aligner 16.000 officiers et hommes de troupe. Quant à la marine, ses effectifs se limitaient à quelque 8.000 officiers et marins répartis sur 42 navires éparpillés aux quatre coins du monde. L’Union s’attendait à un conflit bref et limité bien qu’une analyse en profondeur eût indiqué le contraire. Ses réserves en ressources humaines et industrielles excédaient certes celles de la Confédération mais, en 1861, elles étaient seulement potentielles. L’étonnante victoire des Confédérés à la bataille de Bull Run le 21 juillet 61 aux portes mêmes de Washington allait définitivement dissiper les illusions dont s’était trop longtemps bercée l’Union et inciter le Nord à fournir un effort militaire accru. La guerre a de tous temps stimulé l’esprit inventif des belligérants. Tel fut certes le cas en 1861 où inventeurs et génies en herbe s’efforcèrent de concevoir des machines à tuer toujours plus performantes. Les journaux du Nord annonçaient d’ailleurs à leurs lecteurs que l’ingéniosité yankee produirait bientôt une « arme absolue » qui mettrait rapidement fin au conflit. Alors que le très sérieux Scientific American encourageait les innovateurs potentiels en ces termes : Il y a une demande énorme pour des modèles améliorés d’armes, de canons, de projectiles, d’obus, de grenades explosives et d’accoutrements militaires en tous genres, le colonel James Ripley, chef de l’Ordonnance de l’armée US, déclarait dans un mémorandum daté du 11 juin .. -
Comic Book Collection
2008 preview: fre comic book day 1 3x3 Eyes:Curse of the Gesu 1 76 1 76 4 76 2 76 3 Action Comics 694/40 Action Comics 687 Action Comics 4 Action Comics 7 Advent Rising: Rock the Planet 1 Aftertime: Warrior Nun Dei 1 Agents of Atlas 3 All-New X-Men 2 All-Star Superman 1 amaze ink peepshow 1 Ame-Comi Girls 4 Ame-Comi Girls 2 Ame-Comi Girls 3 Ame-Comi Girls 6 Ame-Comi Girls 8 Ame-Comi Girls 4 Amethyst: Princess of Gemworld 9 Angel and the Ape 1 Angel and the Ape 2 Ant 9 Arak, Son of Thunder 27 Arak, Son of Thunder 33 Arak, Son of Thunder 26 Arana 4 Arana: The Heart of the Spider 1 Arana: The Heart of the Spider 5 Archer & Armstrong 20 Archer & Armstrong 15 Aria 1 Aria 3 Aria 2 Arrow Anthology 1 Arrowsmith 4 Arrowsmith 3 Ascension 11 Ashen Victor 3 Astonish Comics (FCBD) Asylum 6 Asylum 5 Asylum 3 Asylum 11 Asylum 1 Athena Inc. The Beginning 1 Atlas 1 Atomic Toybox 1 Atomika 1 Atomika 3 Atomika 4 Atomika 2 Avengers Academy: Fear Itself 18 Avengers: Unplugged 6 Avengers: Unplugged 4 Azrael 4 Azrael 2 Azrael 2 Badrock and Company 3 Badrock and Company 4 Badrock and Company 5 Bastard Samurai 1 Batman: Shadow of the Bat 27 Batman: Shadow of the Bat 28 Batman:Shadow of the Bat 30 Big Bruisers 1 Bionicle 22 Bionicle 20 Black Terror 2 Blade of the Immortal 3 Blade of the Immortal unknown Bleeding Cool (FCBD) Bloodfire 9 bloodfire 9 Bloodshot 2 Bloodshot 4 Bloodshot 31 bloodshot 9 bloodshot 4 bloodshot 6 bloodshot 15 Brath 13 Brath 12 Brath 14 Brigade 13 Captain Marvel: Time Flies 4 Caravan Kidd 2 Caravan Kidd 1 Cat Claw 1 catfight 1 Children of -
Guide on Firearms Licensing Law
Guide on Firearms Licensing Law April 2016 Contents 1. An overview – frequently asked questions on firearms licensing .......................................... 3 2. Definition and classification of firearms and ammunition ...................................................... 6 3. Prohibited weapons and ammunition .................................................................................. 17 4. Expanding ammunition ........................................................................................................ 27 5. Restrictions on the possession, handling and distribution of firearms and ammunition .... 29 6. Exemptions from the requirement to hold a certificate ....................................................... 36 7. Young persons ..................................................................................................................... 47 8. Antique firearms ................................................................................................................... 53 9. Historic handguns ................................................................................................................ 56 10. Firearm certificate procedure ............................................................................................... 69 11. Shotgun certificate procedure ............................................................................................. 84 12. Assessing suitability ............................................................................................................ -
Justice League: Origins
JUSTICE LEAGUE: ORIGINS Written by Chad Handley [email protected] EXT. PARK - DAY An idyllic American park from our Rockwellian past. A pick- up truck pulls up onto a nearby gravel lot. INT. PICK-UP TRUCK - DAY MARTHA KENT (30s) stalls the engine. Her young son, CLARK, (7) apprehensively peeks out at the park from just under the window. MARTHA KENT Go on, Clark. Scoot. CLARK Can’t I go with you? MARTHA KENT No, you may not. A woman is entitled to shop on her own once in a blue moon. And it’s high time you made friends your own age. Clark watches a group of bigger, rowdier boys play baseball on a diamond in the park. CLARK They won’t like me. MARTHA KENT How will you know unless you try? Go on. I’ll be back before you know it. EXT. PARK - BASEBALL DIAMOND - MOMENTS LATER Clark watches the other kids play from afar - too scared to approach. He is about to give up when a fly ball plops on the ground at his feet. He stares at it, unsure of what to do. BIG KID 1 (yelling) Yo, kid. Little help? Clark picks up the ball. Unsure he can throw the distance, he hesitates. Rolls the ball over instead. It stops halfway to Big Kid 1, who rolls his eyes, runs over and picks it up. 2. BIG KID 1 (CONT’D) Nice throw. The other kids laugh at him. Humiliated, Clark puts his hands in his pockets and walks away. Big Kid 2 advances on Big Kid 1; takes the ball away from him.