Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY

“ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator

Theatre skills help support critical thinking, decision-making, teamwork and improvisation . It can bridge the gap from imagination to reality . We inspire students to feel that anything is possible . LAST SEASON WE REACHED

OVER 11,000 STUDENTS

IN 80 SCHOOLS

ACROSS 8 AZ COUNTIES

For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE

April – May 2015

Title Page...... 6

Cast List...... 8

About the Play...... 12

ATC Leadership...... 20

The Cast...... 28

About Arizona Theatre ...... 31

The Creative Team...... 34

Board of Trustees...... 36

ATC 2014-15 Season Artists ...... 40

Theatre Information...... 47

Corporate and Foundation Donors...... 48

Individual Donors...... 49

Staff...... 59

Herbert Siguenza in Arizona Theatre Company’s production of A Weekend with Pablo Picasso. Photo by Darren Scott . THE ART OF LIVE

Shakespeare would say, “A rose by any other name would smell as sweet.”

You know Arizona Theatre Company as “The State Theatre”: Arizona’s preeminent fully professional theatre, with a proud 48-year history of producing the rich variety of world drama – from classics to contemporary plays, from musicals to new works – along with a wide array of community outreach programs, educational opportunities, access initiatives and new play programs .

That’s the “rose” you know and love – and that’s the “rose” we are privileged to nurture and guide .

Starting this spring, we invite you to see Arizona Theatre Company in a new way … and it starts with a new logo designed to assert what makes ATC unique: the highest quality, of course, coupled with promise that this company is energetic, strong and inviting .

A new approach to ATC’s public face is one of the important ways to shape our future . And ATC has a bright future! Even so, we recognize and respect the history, efforts and deep-rooted community support that has enabled us to reach our 49th season . We hope you’ll join us for it!

With thanks for the past – and with great aspirations for the future!

David Ira Goldstein Matt Lehrman Artistic Director Interim Managing Director

4 APPLAUSE FOR MIKE KASSER

In recognition of his longtime support of and fervent dedication to Arizona Theatre Company, I . Michael Kasser was honored, on March 24, with the 2015 Individual Governor’s Arts Award .

Mike Kasser and his wife, Beth, have been ardent and generous supporters of the arts in Southern Arizona for many years . Mike’s passion encompasses Arizona Theatre Company, Tucson Museum of Art and beyond .

In letters of support for Mike’s nomination, University of Arizona

Mike Kasser President Ann Weaver Hart wrote of Mike’s “humble, easy demeanor” and added that we, “are fortunate to have Michael Kasser as a civic, cultural and business leader ”. Tucson business leader Jim Click noted that Mike’s “support of our community and passion for fine arts…is immense ”.

That combination – “humble and easy” joined with “immense passion” – describes Mike Kasser perfectly .

Mike’s commitment isn’t merely to one organization, but to the belief that Arizonans deserve a rich, diverse, and high-quality array of arts and cultural offerings . In addition to years of financial support to Arizona Theatre Company, Mike was responsible for this season’s blockbuster exhibit at Tucson Museum of Art entitled, The Figure Examined, featuring his family’s impressive collection of early 20th-century western European modern art comprised of 120 works from 70 different artists .

Mike Kasser is a role model for what it means to be an enthusiastic audience member, a committed philanthropist, an activist board member, a passionate advocate and a visionary community leader .

Arizona Theatre Company couldn’t be prouder of his accomplishments – or more profoundly grateful .

ABOUT I. MICHAEL KASSER

Mike Kasser is the CEO and president of Holualoa Companies, a real estate investment company with interests in residential and commercial real estate in the Northeast, Southwest, Hawaii and Europe . A multi-Ironman triathlete, Mike has a B .S . and an M .S . in chemical engineering from MIT, a Doctorate of Engineering from the University of Grenoble (France) and an M B. A. . from Harvard Business School . He is fluent in French, German, Spanish, Italian and Hungarian .

Mike presently serves as a trustee or board member of Arizona Theatre Company, Tucson Museum of Art, The University of Arizona Foundation, the College of Science at The University of Arizona, and the Metropolitan Museum of Art Department of Scientific Research Visiting Committee .

5 David Ira Goldstein Matt Lehrman Jessica L. Andrews Artistic Director Interim Managing Director Managing Director Emeritus

A WEEKEND with PABLO PICASSO

written and performed by Herbert Siguenza based on the writings of Pablo Picasso

Todd Salovey...... Director Giulio Cesare Perrone...... Scenic and Costume Designer Ross Glanc...... Lighting Designer Bruno Louchouarn...... Sound Designer Victoria Petrovich...... Projections Designer Omar Ramos...... Assistant Projections Designer T. Greg Squires...... Resident Lighting Designer Brian Jerome Peterson...... Resident Sound Designer Glenn Bruner ...... Production Stage Manager Timothy Toothman...... Assistant Stage Manager

On this Arizona Theatre Company production, the ATC Production Staff is responsible for coordinating costumes, lighting, projections, sound, props, furniture, wigs, scene painting, special effects and for building the scenery.

Workshop Production originally produced by San Diego Repertory Theatre . Sam Woodhouse, Artistic Director; Larry Alldredge, Managing Director . World Premiere produced by Theatre . Gregory Boyd, Artistic Director; Dean R . Gladden, Managing Director .

THIS PERFORMANCE IS SUPPORTED IN PART BY AN AWARD FROM THE NATIONAL ENDOWMENT FOR THE ARTS:

2014-2015 SEASON SPONSORS: I. Michael and Beth Kasser

COVER ART BY: Esser Design

6 Printer’s Ad CAST

Herbert Siguenza...... Pablo Picasso The and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

TIME: 1957 Place: The south of France

A Weekend with Pablo Picasso is performed without an intermission.

ADDITIONAL STAFF

Emma DeVore...... Assistant to the Stage Manager

Arizona Theatre Company operates under agreements between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States; Stage Directors and Choreographers, an independent national labor union; and United Scenic Artists Local USA-829, IATSE.

To learn more about A Weekend with Pablo Picasso, please visit the Education page on our website at arizonatheatre org. for a comprehensive free Play Guide . The Play Guide contains information about Picasso’s artistic endeavors, historical information, and more . Play Guides are also available in The Temple Lounge for a nominal charge to cover printing .

No te pierdas funciones en Espanol: 6 de mayo a las 7:30pm y 17 de mayo a las 7pm. Don’t miss the performances in Spanish: May 6 at 7:30pm and May 17 at 7pm.

Cell phones and other devices that make a noise can greatly disturb your fellow audience members and the performers. PLEASE TURN THEM OFF before the performance.

8 Printer’s Ad Printer’s Ad Printer’s Ad ABOUT THE PLAY

INTERVIEW WITH THE PLAYWRIGHT

Mark Bly, Resident Dramaturg at Alley Theatre, Interviews Herbert Siguenza Mark Bly: What inspired you to write A Weekend with Pablo Picasso?

Herbert Siguenza: I was born with the mysterious gift of being able to draw . Since I was a young boy, I would press crayons against paper and create imaginary worlds and characters . In fact, when I was in second grade, my teacher, Mrs . Sharp, would pull me out of Herbert Siguenza the reading circle and have me draw on giant rolls of butcher paper instead . She kept everything I drew .

Later that semester, we went on a field trip to downtown San Francisco to visit City Hall and the Board of Education building . To my great surprise, there was an exhibit of all my work hanging in the halls! My fellow students were very impressed, and I was immensely proud as well . That first exhibit made it clear to me that I would grow up to become an artist .

That same year, my mother took me to the dentist . While we waited in the reception area, I picked up a photo book by Douglas Duncan called The Private Life of Picasso. The beautiful black and white photos showed a shirtless old man who painted and played like a child . He also had doves, several dogs and a goat . I turned and said to my mom, “When I grow up I want to be that old man .”

“That’s Pablo Picasso,” she said . “Es loco” [“You’re crazy”] . My dear mother did not discourage me; I knew better . The old man Columbus was not crazy but rather unconventional and free, which inspired me profoundly to later live my own life in that manner . I eventually went to the California College of Arts in Oakland were I got a B .F .A . in printmaking and taught for two years . I also worked for ten years at La Raza Silkscreen Center producing posters for cultural and political events .

All these experiences have contributed to my personal and artistic growth . I see this play as a result of everything I have ever learned in regard to the visual and theatrical arts . It is a perfect and natural marriage for me . A play that I was born to perform starting now . It is a culmination of everything I’ve known since I was a curious child . And yes, I still don’t read very well . Thank you, Mrs . Sharp!

Herbert Siguenza in Arizona Theatre Company’s production of A Weekend with Pablo Picasso. Photos by Darren Scott .

12 ABOUT THE PLAY

Herbert Siguenza in Arizona Theatre Company’s production of A Weekend with Pablo Picasso. Photos by Darren Scott .

MB: Would you talk about your process as an and playwright in creating the play? Where does the painter-artist Herbert Siguenza figure into this stage equation?

HS: I don’t have a formal education in theatre but rather, as I said, a degree in art . To a certain extent that has been very liberating, because I never overthink or analyze what I do . I simply act on a real instinctive level, free from academic philosophies . I just do . My character of Picasso is not an imitation of Picasso because that would be false or impossible . My character of Picasso is me as a rich, old man who paints and lives in southern France . It’s simple and direct .

After 30 years of performing comedy and drama on stage, I feel ready to take on the challenge of portraying an icon . I could never have portrayed him ten years ago, you know? I wasn’t ready to take on such a giant character . He is [Shakespeare’s] Falstaff or Big Papa fromCat on a Hot Tin Roof. Now on the script, I took all the quotes Picasso said during his lifetime and constructed an imaginary weekend in 1957 in his studio, La Californie . I wanted to recreate the sights and sounds of the pictures I saw in Duncan’s wonderful photographs . My only goal as a playwright was for the audience to experience and feel like they are spending an intimate weekend with a master, a genius but also a Spanish man in exile .

Picasso said that viewing art is a kind of voyeurism . I think viewing theatre is even more voyeuristic, because we are seeing people in their most private moments . In my play I want no separation between performer and audience . The audience is a participant and the reason for the play . There are only a few moments where the audience “is not there” and watches Picasso at his most private and most vulnerable . As a painter I am also vulnerable, I paint and create in front of the audience . No safety net, no gimmicks – just magic and truth in action . Like my acting, I just do it without thinking . I think Picasso would be proud of me .

13 ABOUT THE PLAY

MB: Picasso’s relationship with 20th-century political movements was complex and you explore that struggle in your play . Can you characterize that epic “tug and pull” between art and politics that manifested itself in Picasso’s work?

HS: Picasso’s long-time friend Jaime Sabartés said that, “Picasso is the most apolitical person I know ”. I think to a certain degree it was true . Even though Picasso was a member of the French Communist Party and contributed to many leftist causes, he wasn’t politically or physically involved . He was sort of a communist from afar . As long as he could paint what he wanted in freedom, he was content being in the party for idealistic reasons .

He was an artist first and foremost and an activist second . I have struggled with that “tug and pull” in my own life as a Chicano/Latino actor-activist . At one point you have to decide what you were meant to do in this life, you know? Are you an artist or a politician?

Picasso remained free and true to his style, he never succumbed to the pressures of the party to paint in a social realist manner . I believe theatre that is didactic and pounds you over the head is the worst kind of theatre and does not accomplish what it wants to do in the first place: make people think . If art does the thinking for you, what’s the use? That’s why [Picasso’s] Guernica is so amazingly powerful and eternal . It’s politically charged but aesthetically transcendental .

During the Cold War, Picasso did not fan the fire of nuclear destruction but rather was a global peace campaigner and contributed art and financial donations to many peace orga- nizations and social causes . In fact, the iconography of the peace movement – the doves, flowers, children that are used today – was first created by Picasso in the late ’50s .

Picasso was a humanist who just happened to be a communist . We are lucky because Guernica, the peace dove, the hands holding flowers were created as if a child had drawn them, and that is why it has lasted so long because it connects with our inner child full of joy, happiness and hope .

– This interview originally appeared in the Alley Theatre’s program for A Weekend with Pablo Picasso.

Herbert Siguenza in Arizona Theatre Company’s production of A Weekend with Pablo Picasso. Photos by Darren Scott .

14 ABOUT THE PLAY

PICASSO’S WHO’S WHO Diego Velázquez (1599-1660) Spanish baroque painter and leading artist of the Spanish Golden Age and court of King Philip IV . In 1957 Picasso painted 58 variations on Velázquez’s most famous creation, Las Meninas.

Eugène Delacroix (1798-1863) French romantic artist whose painting style greatly infl uenced the later impressionists . Delacroix’s 1834 harem sceneThe Women of Alger (In Their Apartment) inspired Picasso’s Les Femmes d’Alger series of 15 paintings . Picasso’s model for the series was his lover, Jacqueline Roque, whom he married in 1961 .

Gertrude Stein (1874-1946) American writer, poet, and art collector whose prestigious salon in Paris in the early 20th century brought together many artists, including Picasso, F . Scott Fitzgerald, Ernest Hemingway, Max Jacob, James Joyce, Sinclair Lewis, Henri Matisse and Thornton Wilder .

Max Jacob (1876-1944) French artist and critic and one of Picasso’s fi rst friends in Paris; the two young artists shared an apartment on the Boulevard Voltaire . Jewish by birth, Jacob converted to Catholicism in 1909, but he was nonetheless arrested by the Gestapo in 1944 and died in Drancy internment camp .

Jaime Sabartés (1881-1968) Spanish artist, writer and close friend of; he became Picasso’s secretary in 1939 .

Béla Czóbel (1883-1976) Hungarian painter who was a member of “The Eight,” an avant-garde movement known for introducing post-impressionist forms into Hungary, including Fauvism, cubism and expressionism .

Daniel-Henry Kahnweiler (1884-1979) One of the premier French art dealers of the 20th century whose gallery opened in Paris in 1907 and championed Picasso and other cubist artists . Picasso said, “What would have become of us if Kahnweiler hadn’t had a business sense?”

André Breton (1896-1966) French writer/poet and founder of surrealism . He wrote the fi rst Surrealist Manifesto in 1924 .

Gary Cooper (1901-1961) American fi lm actor who won two for Best Actor in Sergeant York and High Noon . He eventually appeared in more than 100 fi lms, including westerns, crime stories, comedy and drama .

Salvador Dalí (1904-1989) Spanish surrealist painter who revered Picasso as his “artistic father,” but later challenged him saying he was a “destroyer” of art, concerned with ugliness, while Dalí embraced beauty .

15 Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad ATC LEADERSHIP

David Ira Goldstein celebrates his 23rd season as Artistic Director of Arizona Theatre Company . In over two decades, he has produced over 190 mainstage plays, workshops and presentations including acclaimed appearances by the Royal National Theatre of Great Britain and the Theatre Royal Bath . He received the 2010 Leader of the Year Award in Arts and Humanities from the Capitol Times and the 2003 Governor’s Arts Award as Individual Artist for his contributions to the arts in Arizona .

This season he directed Wait Until Dark for ATC . He has directed over 40 mainstage productions for ATC ranging from classics to new plays to musicals, including Wait Until Dark, Xanadu, , The Sunshine Boys, Hair, Much Ado about Nothing, My Fair Lady, Valley Song, The Illusion, The Pajama Game, Side Man, [title of show], How I Learned to Drive, The Mystery of Irma Vep, Scapin, The Two Gentlemen of Verona, The Boys Next Door, Shadowlands, Fully Committed, The Pirates of Penzance, H.M. S. Pinafore, Willi, Dreams from A Summer House, Other People’s Money, The Heidi Chronicles, Noises Off and A Midsummer Night’s Dream, as well as many world premieres including The Kite Runner by Khaled Hosseini, Sherlock Holmes: The Final Adventure (winner of the Edgar Award from the Mystery Writers of America), Inventing van Gogh, Rocket Man, Private Eyes, Over the Moon and Dracula by Steven Dietz, and Ten Chimneys, Dr. Jekyll and Mr. Hyde (Edgar Award nominee) and Sherlock Holmes and the Adventure of The Suicide Club (Edgar Award nominee) by Jeffrey Hatcher .

Mr . Goldstein has been a guest director at theatres all across the country including Arizona Opera, The , Berkeley Repertory Theatre, Seattle Repertory Theatre, Florida Stage, Center Repertory Theatre, Kansas City Repertory Theatre, Northlight Theatre, San Jose Repertory Theatre, Village Theatre, Geva Theatre Center, Laguna Playhouse, Repertory Theatre of St . Louis, Mixed Blood Theatre, The Children’s Theatre Company in Minneapolis, Alaska Repertory Theatre, Illusion Theatre . His musical A Marvelous Party: The Noël Coward Celebration, which originated at ATC, has played extensively across the U .S ,. winning many awards including four Jeff Awards in Chicago (including Best Director), the Elliot Norton Award in Boston, several Bay Area Critics Awards and the Los Angeles Drama Critics Award for Best Production .

Before coming to Arizona, Mr . Goldstein was Associate Artistic Director of ACT Theatre in Seattle . His many productions there included Glengarry Glen Ross, Hapgood, Breaking the Silence, Lloyd’s Prayer, the world premieres of God’s Country by Steven Dietz and Willi by John Pielmeier, as well as a joint Soviet-American production of The Falcon. He was Associate Artistic Director at Actors Theatre of St . Paul from 1983-86 . Mr . Goldstein holds an MFA from the University of Minnesota . He has been a visiting instructor and director at ASU, University of Washington, University of Minnesota and University of Northern Iowa . He has served as a panelist for the National Endowment for the Arts, Theatre Communications Group, Arts Midwest, and the Arizona, Minnesota, Oregon and Washington State Arts Commissions . Mr . Goldstein is a proud member of Stage Directors and Choreographers Society, and Actors’ Equity Association . He is married to KJZZ radio announcer Michele Robins . They share their home with their dogs and cats: Rio, Rocky, Cary, Reggie, and Dexter .

20 ATC LEADERSHIP

Matt Lehrman experienced his first Arizona Theatre Company pro- duction, A Walk in the Woods, as an audience member in 1989, shortly after moving to Arizona . He’s delighted to join ATC as Interim Managing Director as of September 2014 .

Mr . Lehrman is best known in Arizona as the founder (in 2003) and CEO of Alliance for Audience and ShowUp .com, a pioneering initiative within Arizona’s arts and cultural community to stimulate public engagement with theatre, music, dance, art and cultural attractions statewide .

He was recognized by the Arizona Republic as “Best Cheerleader for the Arts,” and has received accolades from the ariZoni Theatre Awards, the Arizona Office of Tourism and the Arts and Business Council of Greater Phoenix . He has served as Faculty Associate at Arizona State University, teaching upper level seminars on Arts Entrepreneurship and Arts and Public Policy .

As the Principal of Audience Avenue, LLC, Mr . Lehrman is a popular speaker and consultant to arts and cultural organizations nationally, excited to explore the options and opportunities of not-for-profits when viewed from the audience-side of their mission statement .

Beginning in 1995, Mr . Lehrman served as the Scottsdale Cultural Council’s Vice President of Marketing & Communications, the not-for-profit agency that manages the Scottsdale Center for the Performing Arts and the Scottsdale Museum of Contemporary Art . Mr . Lehrman began his career as a lobbyist on banking and mortgage finance issues in Washington, D .C ., in the mid 1980s .

He is a graduate of Oberlin College .

21 ATC LEADERSHIP

Jessica L. Andrews became Managing Director Emeritus in September, 2014 . She returned last year as Managing Director having retired from ATC in July 2009 after eleven seasons as Managing Director and three as Executive Director . From September 2010 – September 2011, she returned to ATC as Interim Managing Director . Following her tenure at ATC, she founded jandrews consulting and is currently consulting with Invisible Theatre and The Mini-Time Machine Museum . Previous consultancies include Borderlands Theater, The Loft Cinema, Pan Left Productions, the University of Arizona Poetry Center through the Tucson Pima Arts Council, Metro Theater Company, The Vineyard Playhouse, Emerge! Center Against Domestic Abuse, and Break-Away Tours .

Ms . Andrews is the recipient of the 2008 Governor’s Arts Award for an Individual, the 2013 Lumie for Lifetime Achievement from the Tucson Pima Arts Council, the 2007 Distinguished Achievement in Theatre Management Award from the United States Institute of Theatre Technology, and a 2002 Woman on the Move Award from the Tucson YWCA .

During her career, she served on the Executive Committee of the League of Resident Theatres, and on the Board of Directors of Theatre Communications Group . Since her arrival in Arizona, she has served on the Theatre Panel of the Arizona Commission on the Arts, was the president of Arizona Theatre Alliance, on the Board of the Maricopa Partnership for Arts and Culture and Arizona Citizens for the Arts, and is a member of Women at the Top; Nonprofit Executives Together; Nature, Arts, Culture and Heritage Organizations; and the Advisory Board of Arizona Woman Magazine. She also chaired a task force for the Pima Cultural Plan and served on the Livable Communities Mobilization Council of the Tucson Regional Economic Organization Blueprint .

From 1990-94, Ms . Andrews served as Managing Director of The Shakespeare Theatre (Washington, D .C ),. and was the Director of the Theater Program for the National Endowment for the Arts from 1987-1990 . From 1985-87, she was Managing Director of Indiana Repertory Theatre and from 1980-85 was Director of the Theatre Division of the national service organization, FEDAPT . Previously, Ms . Andrews was Managing Director of Geva Theatre Center in Rochester, NY, and Hartford Stage Company .

In 2010, Ms . Andrews taught a class on Theatre Management and Organization at Arizona State University . She has guest lectured at University of Arizona, Arizona State University and The Yale School of Drama, and has been a reader for the Fund for New American Plays at the Kennedy Center . She served as co-chair of the Arts Committee for the 1997 UK/AZ Festival, and during the summer of 1995, taught a class in theatre management at the Centro Nacional de los Artes in Mexico City . She has served on grants panels for nine state arts agencies and on the Theatre Grants Panel for the U .S ./Mexico Fund for Culture . She has served on the NEA Theater Program’s Professional Companies, Challenge Review, Creation and Presentation, and Education and Access panels, and was an NEA site reporter for the Theater and Musical Theater Program .

22 Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad THE CAST

Herbert Siguenza (Pablo Picasso) is a founding member of the perfor- mance group Culture Clash . Along with Richard Montoya and Ric Salinas, Culture Clash is the most-produced Latino theatre troupe in the United States . Founded in San Francisco in 1984, Culture Clash has performed on the stages of America’s top regional theatres including Mark Taper Forum, The Kennedy Center, Arena Stage, Alley Theatre, Berkeley Repertory Theatre, Yale Repertory Theatre, South Coast Repertory, La Jolla Herbert Siguenza Playhouse, San Diego Repertory Theatre, Syracuse Stage, Huntington Theatre Company and countless universities and colleges . Mr . Siguenza has co-written and/or performed in the following Culture Clash plays: American Night (commissioned by Oregon Shakespeare Festival); Palestine New Mexico, Water and Power, Chavez Ravine (all three commissioned by Mark Taper Forum); Peace (commissioned by Getty Villa); Zorro in Hell! (commissioned by Berkeley Repertory Theatre); The Birds (commissioned by Berkeley Repertory Theatre and South Coast Repertory); Bordertown (commissioned by San Diego Repertory Theatre); Radio Mambo, Nuyorican Stories, Anthems, S.O.S., A Bowl of Beings, The Mission and others . As a solo writer and performer Mr . Siguenza has produced Cantinflas! and A Weekend with Pablo Picasso, currently on national tour . His latest plays Steal Heaven and El Henry (Best New Play, San Diego Critics Circle Award 2014) have been produced at San Diego Repertory Theatre and La Jolla Playhouse . Mr . Siguenza is also an accomplished visual artist and has exhibited both nationally and internationally . He has a B F. A. . in printmaking from the California College of Arts, Oakland, California . TV and Film credits: Ben Ten Alien Swarm for Cartoon Network and Larry Crowne, a feature film directed by Tom Hanks .

28 THE CREATIVE TEAM

Todd Salovey (Director) has directed A Weekend with Pablo Picasso at San Diego Repertory Theatre, Denver Center Theatre Company, Alley Theatre, Los Angeles Theatre Center, San Jose Stage and Center Repertory Company . He is in his 25th season as San Diego Repertory Theatre’s Associate Artistic Director, where he has directed the American protest musical A Hammer, A Bell, and A Song to Sing, which he also co-wrote; Steal Heaven and In the Time of the Butterflies with Herbert Siguenza; The Blessing of a Broken Heart, which he also adapted; the world premiere of Yehuda Hyman’s The Mad Dancers; Hamlet starring Jefferson Mays;Uncle Vanya; Death of a Salesman; Who’s Afraid of Virginia Woolf?; King Lear; The Illusion; The Dybbuk; The Imaginary Invalid; Doubt; The Road to Mecca; Three Hotels and A Christmas Carol. He has won numerous West Coast and national awards, and is on the theatre faculty at the University of California, San Diego . Mr . Salovey is the Artistic Director of the Lipinsky Family San Diego Jewish Arts Festival . tsalovey@ucsd .edu . Giulio Cesare Perrone (Scenic and Costume Designer) is making his Arizona Theatre Company debut . Previous theatre credits include: Laguna Playhouse, San Diego Repertory Theatre, San Jose Repertory Theatre, Festival Opera, Dell’Arte International, ACT Academy, Opera San Jose, Foghouse Productions, California Shakespeare Festival, Theatre Works, A Travelling Jewish Theatre, Marin Theatre Company, Magic Theatre, Alley Theatre, Denver Center Theatre Company, and others . International credits include: Milan, Rome, Naples, Sicily, Croatia, Hungary and Denmark . Special/Awards/Training: 2000 Pew National Artists Residency grant with Dell’Arte International for his adaptation of Milton’s Paradise Lost and a 2002 Pew-Theatre Communications Group grant for his adaptation of The Memoirs of Jacques Casanova. Mr . Perrone graduated from the Accademia di Belle Arti “Brera” in Milan . Ross Glanc (Lighting Designer) is happy to be making his ATC debut . Previous regional designs include: Walter Cronkite is Dead, Storyville, The Road to Mecca, A Weekend with Pablo Picasso (2009, 2012) at San Diego Repertory Theatre; Rick Najera’s Daddy Diaries, Lipinsky Family San Diego Jewish Arts Festival (2009-2014); Kuumba Fest (2009-2014); Mistakes Were Made, Joe Calarco’s Shakespeare’s R&J at Cygnet Theatre; Crumbs from the Table of Joy at Moxie Theatre; A Weekend with Pablo Picasso at Los Angeles Theatre Center; A Weekend with Pablo Picasso at San Jose Stage; Old Jews Telling Jokes with Philip Roger Roy Productions; Mira Costa Dance; San Diego Ballet; Malashock Dance; ion theatre; Lasting Glow Productions . Bruno Louchouarn (Sound Designer) has designed for theatre, dance and film . Credits include the futuristic cantina music in the filmTotal Recall; A Weekend with Pablo Picasso (San Diego Repertory Theatre, Alley Theatre, Los Angeles Theatre Center, Center Rep, Denver Center Theatre Company, San Jose Stage); Motherfu**er with a Hat, Eurydice (South Coast Repertory); Surf Orpheus, the musical (UCSD, Getty Villa); Courting Vampires (Boston Court Performing Arts Center); Café Vida (Cornerstone Theater Company); The Road Weeps, The Well Runs Dry (Los Angeles Theatre Center); Wrestling Jerusalem (Intersection for the Arts, Playmakers Repertory Company); Day for Night, 12-hour installation (GLOW 2010, Santa Monica); Voces en el Polvo, an opera (Boston Court Performing Arts Center); El Henry (La Jolla Playhouse/San Diego Repertory Theatre); Sol Path, immersive installation (AxS Festival 2014); Pygmalion (Pasadena Playhouse); Cubicle, Diavolo Dance Company (Broad Stage, Santa Monica) .

29 THE CREATIVE TEAM

Victoria Petrovich (Projections Designer) is making her Arizona Theatre Company debut . /NYC: Roundabout Theatre Company, Music-Theatre Group, Theater for the New City, BOCA Downtown . Regional: Set/Costume Design and/or Projection Design at American Repertory Theater, Denver Center Theatre Company, Geva Theatre Center, Seattle Repertory Theatre, La Jolla Playhouse, Mark Taper Forum, Alley Theatre, Trinity Repertory Company, South Coast Repertory, East West Players, Center Repertory Company, San Jose Repertory Theatre, Los Angeles Theatre Center, San Diego Repertory Theatre, Children’s Theatre, Mainstreet Theatre Company, El Teatro Campesino . Opera: Los Angeles Opera, Minnesota Opera Company, Nautilus Music-Theater . International: Singapore Repertory Theatre . Special Awards: L A. . Drama-Logue Award for Outstanding Scenic Design: Lips Together, Teeth Apart (South Coast Repertory), Passion (East West Players), The Women (San Diego Repertory Theatre); San Diego Theatre Critics Circle Award for Outstanding Projection Design: A Weekend with Pablo Picasso (San Diego Repertory); Ivey Award for Best Production: Ordinary Days (Scenic/Costume Design, Nautilus Music-Theatre) . Omar Ramos (Assistant Projections Designer) is keenly interested in emerging technologies, real-time design for aleatoric stage performances, and works that question perceptions of reality and undermine prevailing ideas about how humanity and the world function . Video credits include , The Cocoanuts, The Tenth Muse, King Lear (Oregon Shakespeare Festival); The Canticle of the Black Madonna, a new opera (Newmark Theatre); The Trial of Dedan Kimathi (Claire Trevor School of the Arts, UCI) . T. Greg Squires (Resident Lighting Designer) began working for ATC in 1988 as a lighting and sound technician . Since becoming the Resident Lighting Designer, he is responsible for remounting all of the designs in Phoenix and was the designer for Permanent Collection and Tuesdays with Morrie. Mr . Squires has been the Associate Lighting Designer for Michael Gilliam, Dennis Parichy, Ann Wrightson, Don Darnutzer, Allen Lee Hughes, York Kennedy, David Lee Cuthbert and Peter Maradudin . In addition to ATC, Mr . Squires has designed lights and/or sound for Laguna Playhouse, The Pasadena Playhouse, Creede Repertory Theatre, Borderlands Theater and Childsplay . Recently, Mr . Squires was Sound Designer for Actors Theatre of Phoenix productions of This, Circle Mirror Transformation and Dead Man’s Cell Phone, all of which received ariZoni Award nominations . Brian Jerome Peterson (Resident Sound Designer) celebrates his 29th season at ATC, where he has designed 77 productions, including Wait Until Dark, Around the World in 80 Days, The Importance of Being Earnest, The Sunshine Boys, Jane Austen’s Emma, The Great Gatsby, God of Carnage, Ma Rainey’s Black Bottom, Lost in Yonkers, Ain’t Misbehavin’, George is Dead, Somebody/ Nobody, Enchanted April, Touch the Names, I Am My Own Wife, , Tuesdays with Morrie, Crowns, Macbeth, The Pirates of Penzance, The Immigrant, A Streetcar Named Desire, Oh Coward!, Copenhagen, Fully Committed and The Mystery of Irma Vep (for which he won an ariZoni Award) and the world premieres of Sherlock Holmes and the Adventure of The Suicide Club, Dr. Jekyll and Mr. Hyde, Sherlock Holmes: The Final Adventure, Inventing van Gogh, Rocket Man, Minor Demons and The Holy Terror. His designs have been heard in many theatres including GEVA, Berkeley Repertory Theatre, Seattle Repertory Theatre, The Cleveland Play House, Northlight Theatre, Portland Center Stage, Actors Theatre of Louisville and San Jose Repertory Theatre .

30 THE CREATIVE TEAM

Glenn Bruner (Production Stage Manager) is in his 18th season as Production Stage Manager at ATC where he has stage managed over 60 productions, including Romeo and Juliet, Five Presidents, Other Desert Cities, The Mountaintop, The Importance of Being Earnest, Clybourne Park, The Sunshine Boys, Next to Normal, The Great Gatsby, The Mystery of Irma Vep, [title of show], The Kite Runner, Hair, Enchanted April, and the world premieres of Jeffrey Hatcher’s Sherlock Holmes and the Adventure of The Suicide Club and Ten Chimneys, and Steven Dietz’s Sherlock Holmes: The Final Adventure, Rocket Man, Inventing van Gogh, and Over the Moon. Mr . Bruner has worked at Kansas City Repertory Theatre, Alley Theatre, Dallas Theater Center, The Pasadena Playhouse, Centerstage, Studio Arena Theatre, and Maine’s Portland Stage Company . He was the Assistant Stage Manager for the world premiere of On the Waterfront at Cleveland Play House and stage managed the Off-Broadway premiere of Alan Ayckbourn’sSeason’s Greetings. He has also been the voice for many radio and television commercials and worked for Texas Public Radio in his hometown of San Antonio . Mr . Bruner was the 2012 recipient of the Lucy Jordan Recognition Award, presented annually by the Western Region of Actors’ Equity Association . He has been a member of AEA since 1981 . Timothy Toothman (Assistant Stage Manager) is the Artistic Associate at ATC . He most recently stage managed ATC’s productions of Five Presidents, Wait Until Dark, Around the World in 80 Days, The Importance of Being Earnest, Freud’s Last Session, Lombardi, Daddy Long Legs and God of Carnage, among others . Mr . Toothman spent five seasons as the Production Stage Manager for Geva Theatre Center in Rochester, NY and then Company Manager for five years for Sunshine Too, a national touring ensemble of deaf and hearing actors . He has also managed producing and presenting theatres in Indiana and Maryland . Prior to moving to Arizona, Mr . Toothman spent eleven years as a program and grants director for the Maryland State Arts Council and the Connecticut Commission on the Arts . Mr . Toothman stage managed the National Heritage Awards Program for the National Endowment for the Arts for ten years and was the Production Stage Manager for six seasons at Martha’s Vineyard Playhouse . Emma DeVore (Assistant to the Stage Manager) served as Assistant to the Stage Manager for ATC’s productions of Romeo and Juliet, Murder for Two, Vanya and Sonia and Masha and Spike, Around the World in 80 Days, Xanadu, The Importance of Being Earnest, Clybourne Park, Freud’s Last Session, Lombardi, God of Carnage and The Great Gatsby. Regionally, she has worked at the Utah Shakespearean Festival, Phoenix Theatre, Phoenix Theatre’s Cookie Company, Gulfshore Playhouse, and Southwest Shakespeare Company . She was the Production Stage Manager for E&M Theatrical’s Las Vegas production of The D*Word: A Musical, and has toured with the vaudeville troupe Handsome Little Devils, and with The Magic of David Copperfield.

The Actors and Stage The Director is a member The Scenic, Costume, Managers employed in these of the Stage Directors and Lighting and Sound productions are members of Choreographers Society, Designers in LORT Actors’ Equity Association, an independent national Theatres are represented the Union of Professional labor union . by Union Scenic Artists Actors and Stage Managers Local USA-829, IATSE . in the United States .

31 Printer’s Ad Printer’s Ad Announcing Our New Season 2015-2016 ARIZONA THEATRE COMPANY IS THRILLED TO SHARE WITH YOU A LOOK AT WHAT PROMISES TO BE ONE OF OUR MOST SENSATIONAL SEASONS EVER.

HERSHEY FELDER "Remarkable! Richly entertaining and AS IRVING BERLIN ultimately touching." – LOS ANGELES TIMES Lyrics & Music by IRVING BERLIN ★ARIZONA★ Book by HERSHEY FELDER PREMIERE!

DISGRACED “Terrific, turbulent, DISGRACED comes roaring to life!” – THE TIMES By AYAD AKHTAR WINNER of the 2013 Pulitzer Prize ★ARIZONA★ PREMIERE!

SNAPSHOTS “Truly superb!” – CHICAGO TRIBUNE Lyrics & Music by STEPHEN SCHWARTZ Book by DAVID STERN ★ARIZONA★ PREMIERE!

FENCES “A blockbuster and a major American play.” – NEW YORK DAILY NEWS By AUGUST WILSON WINNER of the Pulitzer Prize WINNER of the Tony Award for Best Play

OF MICE AND MEN “A pulls-no-punches American classic.” – THE JOURNAL By JOHN STEINBECK WINNER of the NY Drama Critics Circle Award for Best Play

THE GOSPEL ACCORDING TO THOMAS JEFFERSON, “Funny and thought-provoking ... Hilariously CHARLES DICKENS AND COUNT LEO TOLSTOY: theatrical!" – LOS ANGELES TIMES

DISCORD ★ARIZONA★ A new play by SCOTT CARTER PREMIERE!

TUCSON / THE TEMPLE OF MUSIC AND ART PHOENIX / THE HERBERGER THEATER CENTER 520-622-2823 602-256-6995 ARIZONATHEATRECOMPANY.ORG/SUBSCRIBE 34 ABOUT ARIZONA THEATRE COMPANY

Herbert Siguenza in Arizona Theatre Company’s production of A Weekend with Pablo Picasso. Photo by Darren Scott .

Now celebrating 48 years, Arizona Theatre Company (ATC) boasts the largest subscriber base of any performing arts organization in Arizona with more than 130,000 people each year attending performances at the historic Temple of Music and Art in Tucson, and the elegant Herberger Theater Center in downtown Phoenix . Each season of carefully selected productions reflects the rich variety of world drama – from classic to contemporary plays, from musicals to new works, as audiences enjoy a rich emotional experience that can only be captured through live theatre .

Touching lives through the power of theatre, ATC is the preeminent professional theatre in the state of Arizona . Under the direction of Artistic Director David Ira Goldstein, Interim Managing Director Matt Lehrman and Managing Director Emeritus Jessica L . Andrews, ATC operates in two cities – unlike any other League of Resident Theatres (LORT) company in the country .

ATC shares the passion of the theatre through a wide array of outreach programs, educational opportunities, access initiatives and community events . Through school and summer programs, ATC focuses on teaching Arizona’s youth about literacy, cultural development, performing arts, specialty techniques used onstage, and opens their minds to the creative power of dramatic literature . With approximately 450 Learning & Education activities annually, ATC reaches far beyond the metropolitan areas of Tucson and Phoenix, enriching the theatre learning experience for current and future audiences .

The mission of Arizona Theatre Company is to inspire, engage and entertain – one moment, one production and one audience at a time .

35 2014-2015 BOARD OF TRUSTEES

Cameron Artigue Jessica L. Andrews Chair Managing Director Emeritus Attorney, Gammage & Burnham Arizona Theatre Company Robert Glaser Char Augenstein Immediate Past Chair Community Volunteer Principal, PICOR Commercial Real Estate Services Robert Begam Attorney, Begam & Marks Lynne Wood Dusenberry President Joanie Flatt Community Volunteer President, Flatt & Associates Susan Segal Kevin Gebert Vice President (Phoenix) Investment Analyst, Holualoa Companies Attorney, Gust Rosenfeld PLC Jay Glaser Peter Akmajian Retired Computer Professional and Treasurer Community Volunteer Attorney, Udall Law Firm LLP David Ira Goldstein Marc Erpenbeck Artistic Director, Arizona Theatre Company Assistant Treasurer President and Chief Legal Officer, George Brazil Daniel Hagerty Senior Consultant, DeVos Institute Robert Taylor of Arts Management Secretary Senior Director of Regulator Policy and Public I. Michael Kasser Involvement, Salt River Project President, Holualoa Companies Jeff Gold Matt Lehrman Assistant Secretary Interim Managing Director Retired Entrepreneur and Community Volunteer Arizona Theatre Company Jennifer Lohse Program Director, Tucson Foundations

EMERITI TRUSTEES HONORARY TRUSTEES Shirley Estes, Donald Nickerson, Betsy Bolding, Joan Kaye Cauthorn, Norma George Rosenberg, F . William Sheppard Feldman, Catherine “Rusty” Foley, Joe Gootter, Sandy Hatfield, Jessica Lazarus, Sandra C . Maxfield, Emily Rosenberg Pollock, Nina Trasoff, Arlene Webster, Ruth A . Zales

A special note of thanks to the partners and staff at Lewis Roca Rothgerber for hosting ATC’s Board of Trustees’ meetings .

36 Printer’s Ad Printer’s Ad Printer’s Ad ATC 2014-15 SEASON ARTISTS

Writers Designers Actors Understudies Kellen Blair Beowulf Boritt Richard Baird Bryn Booth Rick Cleveland Barry Browing Kevin Black Sterling Boyns Kristiana Colón David Lee Cuthbert Craig Bockhorn Kyle Branzel Christopher Durang Don Darnutzer John Bolger Noel Carey Jeffrey Hatcher Jill BC Du Boff Micah Bond Abigail Grace Harms Joe Kinosian Kish Finnegan Suzanne Bouchard David Anthony Hentz Frederick Knott Mary Folino Sterling Boyns Hunter V . Hnat Pablo Picasso Ross Glanc Joshua James Campbell Brian Klimowski Sean Healey Ali Rose Dachis Paul Michael Thomson Herbert Siguenza Todd Edward Ivins Vivia Font Silvia Vannoy Natasha Smith Marcia Dixcy Jory Teré Fowler-Chapman Brenna Welsh Caridad Svich Jesse Klug Marissa Garcia Andrea Lauer Heather Lee Harper Assistant Director Directors Bruno Louchouarn Tess Hernandez Adin Walker Kirsten Brandt Jason Lyons Jennifer Hijazi Mark Clements Giulio Cesare Perrone Hunter V . Hnat Associate David Ira Goldstein Brian Jerome Peterson Mark Jacoby Designer Katherine Monberg Victoria Petrovich Charles Janasz Gregory W . Towle Todd Salovey Todd Rosenthal Israel Jimenez Joel Sass Vicki Smith Joe Kinosian Assistant Designer Scott Schwartz Ilona Somogyi Ted Koch Omar Ramos Stephen Wrentmore T . Greg Squires Joseph Kremer Lauren Wilde Chelsea Kurtz Casting Assistant Composers Leslie Law Richie Ferris Michael Roth Dramaturgs Ezra Letra Jonathan Snipes Katherine Monberg Martin L’Herault Assistants to the Carla Steen Ian Lowe Stage Managers Choreographer Danielle Ward Reese Madigan Emma DeVore Wendy Seyb José Martinez Carlos A . Lara Casting Carli Naff Ashley Simon Music Director Calleri Casting Isabell Monk O’Connor David Caldwell Elissa Myers, CSA Chris Okawa Assistant to McCorkle Casting, Ltd . Brooke Parks the Director Fight Directors Michael Donovan, CSA Marc David Pinate Natasha Smith Adriano Gatto Paul Fouquet, CSA Peter Rini Brent Gibbs Remi Sandri Movement Coach Lauren Schaffel Marcela Lorca Steve Sheridan Herbert Siguenza Voice and Dialect Kyle Sorrell Coaches Jeff Steitzer Lucinda Holshue Paul David Story David Morden Paul Michael Thomson Jill Walmsley Zager Kathryn Tkel Richard Trujillo Stage Managers Silvia Vannoy Glenn Bruner Suzanne Warmanen Timothy Toothman Brenna Welsh Kat West Brit Whittle

PHOTO CREDITS FOR PAGE 41: Top Left: Paige Lindsey White in Other Desert Cities. Top Right: Anneliese van der Pol & Loren Dunn in The Importance of Being Earnest. Middle Right: Kyle Sorrell, Mark Anders, Jon Gentry & Bob Sorenson in Around the World in 80 Days. Bottom Left: James T . Alfred in The Mountaintop. Bottom Right: Jessica Skerritt & Company in Xanadu. Photos by Tim Fuller .

40 48 YEARS OF AWARD-WINNING T H EATRE

ARIZONA’S NATIONALLY-RENOWNED PROFESSIONAL THEATRE

Special Thanks to I. Michael and Beth Kasser Season Sponsors Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad Printer’s Ad THEATRE INFORMATION

HERBERGER THEATER ACCESSIBILITY SERVICES ADDITIONAL SERVICES CENTER The Herberger Theater Center VOLUNTEER USHERS strives to be accessible to all BOX OFFICE INFORMATION patrons . Request special services AND TICKET TAKERS Monday - Friday: 10am to 5pm when purchasing tickets or The Herberger Theater seeks Saturday & Sunday: 12pm to 5pm arriving at the theater . Infrared volunteers to serve as ushers Evenings: one hour prior assistive listening headsets are and ticket takers . New to performance available in the lobby . Many volunteers will attend a tour performing companies provide and orientation . Volunteer LOCATION audio-described performances orientation is held monthly . The Box Office is located on the for the visually impaired and ASL For more information, please southeast side of the building, interpretation for the hearing call 602-254-7399 x176 . near the corner of 3rd and impaired . Call the Box Office for Monroe Streets . dates and performance times . LOST AND FOUND Please call 602-254-7399 x0 PURCHASING TICKETS LATECOMER SEATING POLICY regarding items left at the Tickets can be purchased Depending on the performing Herberger Theater Center . in person at the Box Office, company’s policy, patrons by calling 602-252-8497 or arriving after a performance has EMERGENCY TELEPHONE CALLS through our website at begun may be asked to wait in Please leave your name and seat www .HerbergerTheater .org . the lobby . At the appropriate location with our Patron Services All tickets are subject to a time, latecomers will be escorted Manager if you are expecting facility fee . to available seating near the back emergency calls during the of the orchestra or to the balcony, performance, and leave the PAYMENT METHODS ACCEPTED and may proceed to their ticketed phone number 602-254-7399 x0 The Herberger Theater Center seats at intermission . with your telephone service . accepts cash, personal checks, American Express, Discover, CELL PHONES AND PAGERS TOURS MasterCard and Visa . Please turn off all cell phones, The Herberger Theater Center pagers and watch alarms before provides free tours of the facility REFUND POLICY entering the theater . by appointment . Call 602-254- Refunds are offered for cancelled 7399 x197 . performances only . LOBBY REFRESHMENTS Put A Fork In It Catering sells PARKING PASSES GROUP & DISCOUNT INFO beverages as well as light and Purchase your parking pass Please contact the performing delicious food items 90 minutes from the Herberger Theater’s company for group discounts . prior to performances and during Box Office or online prior to the intermission . Bottled water is performance and park at the the only refreshment permitted Arizona Center Parking Garage FACILITY INFORMATION in the theater . During certain for only $3 .00 . performances, additional CHILDREN Located at 5th Street & Fillmore . beverages may also be permitted . Children under 3 years of age Valid Monday - Friday from 5pm Please inquire when purchasing are not permitted in the theaters, to 4am and all day on Saturday beverages to determine if they unless otherwise specified by and Sunday . the performing company . will be permitted in the theater for your performance . EMERGENCY EXIT NOTICE To avoid intermission lines, you HTC CONTACT INFORMATION Emergency exits are indicated by can pre-purchase your food the red Exit signs located above and drinks and have it ready 222 E . Monroe Street certain doors . Please check the when intermission begins . Phoenix, AZ 85004 location of the nearest exit after you have taken your seat . It may SMOKING ADMINISTRATIVE OFFICES not be the same way you entered . Smoking is prohibited in the 602-254-7399 Herberger Theater Center . In the RESTROOMS event of smoking onstage, non- BOX OFFICE Restrooms are located in the first nicotine electronic cigarettes or 602-252-8497 and second floor lobbies between non-nicotine herbal substitutes Fax 602-258-9521 Center Stage and Stage West . will be used, and a sign will be posted in the lobby . www .HerbergerTheater .org

47 GET CONNECTED TO ATC

BECOME AN ATC CIRCLES MEMBER AND EXPERIENCE THE POWER OF THEATRE

When you’re a circles member: You go behind the scenes . You enjoy the highest level of customer service . You interact with theatre patrons such as yourself . Through your generous support, you’ll help ATC produce thrilling and engaging work and continue our Learning & Education programs .

ANGELS $25,000 and above

PLAYWRIGHT’S GUILD $10,000 – $24,999

PRODUCER’S CIRCLE $5,500 – $9,999

DESIGNER’S CIRCLE $3,500 – $5,499

DIRECTOR’S CIRCLE $1,750 – $3,499

For more information visit our website arizonatheatre.org or contact: Geri Wright, Senior Director of Development | 602-810-0918 | gwright@arizonatheatre .org Leslie Freed, Director of Development | 520-884-8210 x7301 | lfreed@arizonatheatre .org CORPORATE AND FOUNDATION DONORS

ATC is proud to acknowledge the following donors who made contributions to the ATC Annual Fund from July 1, 2013 through April 1, 2015 .

$25,000 AND UP $5,500 – $9,999 $1,000 – $1,749 American Express BeachFleischman PC Actors’ Equity Foundation, Inc . Anonymous Boeing Co . Margaret Mellon Hitchcock APS City of Tempe Foundation Arizona Commission Frances Chapin Foundation Nextrio, LLC on the Arts Gammage & Burnham Phoenix New Times Cities West Publishing Lewis Roca Rothgerber LLP Phoenix Suns Charities City of Phoenix Scottsdale League for the Arts PICOR Charitable Foundation Community Finance Corporation The Maurice and Meta Gross Resolution Copper Holualoa Arizona, Inc . Foundation The Charro Foundation Jewish Community Foundation Tucson Electric Power The Donald Pitt Family of Southern Arizona Foundation Jim Click Automotive Team $3,500 – $5,499 The Molly and Joseph Herman Phoenix Magazine Foundation Anonymous Phoenix Office of Arts The Phoebe R . and John D . Lewis AGM Container Controls, Inc and Culture Foundation Break-Away Tours The Diamond Foundation Tim Fuller Studio City of Glendale The Margaret E . Mooney Foundation Community Foundation for $500 – $999 Southern Arizona The Shubert Foundation Cox Charities ACP Computer Services The Stonewall Foundation Cox Communications Russ and Carolyn Russo Zazu Pannee Park Regent Flagstaff Community Foundation Foundation Kinder Morgan Foundation The Shirley and David Allen $10,000 – $24,999 Kohl Family Foundation Foundation Anonymous Providence Service Corporation The Harold and Jean Grossman Arizona Community Foundation Shapiro Family Philanthropic Family Foundation BMO Private Bank Foundation The Learning Curve / Downtown Kitchen + Cocktails Susan and Barclay Dick Frances Chapin Foundation $1,750 – $3,499 Holsclaw Advisory Endowment $250 – $499 Bank of America Fund Desert Diamond Casino ExxonMobile Foundation National Endowment Kaizen Education Foundation for the Arts Enterprise Holdings Foundation GeoFund Gordon and Betty Moore PICOR Commercial Real Estate Foundation Services Joseph and May Winston Foundation Palomar Group Clinic, Inc . Salt River Project Roth Family Foundation Side By Side Foundation LASSO Corp . Syncardia Raytheon Systems Company The David C . and Lura Scottsdale Cultural Council M . Lovell Foundation Target Corporation The Stocker Foundation The Evo and Ora DeConcini and Tucson Pima Arts Council Thu Family Foundation The Torosian Foundation Zuckerman Family Foundation

49 INDIVIDUAL DONORS

ATC is proud to acknowledge the following donors who made contributions to the ATC Annual Fund from July 1, 2013 through March 1, 2015 .

ANGELS DESIGNER’S CIRCLE Robert and Nancy Clark $25,000 AND UP ($3,500 – $5,499) Ginny Clements Jacklyn Connoy and Paul and Alice Baker Frank and Barbara Bennett William Maguire Jim and Vicki Click / The Jim In Memory of Dr . Richard D . Call Len and Doris Coris / Click Automotive Team Bruce and Jane Cole Watermill Financial Donald and Joan Diamond Dino and Elizabeth Murfee Bob and Vanne Cowie Shirley Estes DeConcini Mark and Julie Deatherage Mr . and Mrs . I . Michael Kasser Bruce L . and Lynne Wood Don and Jonae DeLong Dolly and Jim Moran Dusenberry Michael and Geri DeMuro Marilyn Papp Ms . Deanna Evenchik Martha Durkin Norma and Stanley G . Feldman Marc and Margaret Erpenbeck PLAYWRIGHT’S GUILD Catherine “Rusty” Foley Fractured Earth Tile & Stone / Kate Garner Elizabeth Miller ($10,000 – $24,999) Michael and Lauren Gordon Leslie Freed Anonymous Daniel Hagerty and Michael Cook Ellis F . Friedman and Mary and Cameron Artigue Donald Henke Irene Stern Friedman Paul and Mary Jan Bancroft Bob and JoAnne Hungate Ted and Barb Frohling Darryl and Mary Ann Dobras Rebecca and Sid Johnson Harry and Lois Garrett Bruce and Katie Dusenberry / Randy Kendrick Harry George and Cita Scott Horizon Moving Systems Drs . Steven and Marta Ketchel Gail and Patric Giclas Joanie Flatt Tandy and Gary Kippur Ellyn and Jeff Gold Roger G . Ford Kevin and Jill Madden Charles and Laurie Goldstein Bruce and Edythe Gissing Allan and Alfie Norville Dr . Robert W . Gore Rob and Laurie Glaser Matthew and Mary Palenica Jeff Guldner Scott Kendall Haun Jennifer A . Roberts Leslie Hall and Ted Jarvi Helen Dyar King Fund Herschel and Jill Rosenzweig Hazel Hare Peggy and Emerson Knowles Susan P . Segal William and Theresa Hawgood Mr . and Mrs . Richard Lehmann F . William Sheppard and Elliott and Sandra Heiman Dr . and Mrs . Robert G . Maxfield Range P . Shaw Dan Hennessee Enid and Michael Seiden Richard P . Stahl Jeanne and Gary Herberger Janos and Rebecca Wilder Mrs . Robert K . Swanson Joseph Huang and Karen Rigby Robert and Shoshana Tancer / Kay Juhan PRODUCER’S CIRCLE Tancer Law Firm, P .L .C . Martha and George Kellner Ann and Van Wolf Don Klomp ($5,500 – $9,999) Gary Wolff and Sandy Gibson Drs . George and Maria Knecht Anonymous Linda Wurzelbacher Ruth and Ronald Kolker Jessica L . Andrews and Drs . Paul and Mary Koss Timothy W . Toothman DIRECTOR’S CIRCLE Toby and Matt Lehrman Bill and Donna Dehn ($1,750 – $3,499) Tracy and Michael Levy Dr . Mary Jo Ghory Lithe Technology Babs and Jay Glaser Anonymous Leroy Littleton Davina Glaser Roberta Aidem Stacy and Susan Litvak David Ira Goldstein and Michele Affinity Eye Care / Lori Mackstaller, M .D . Robins Goldstein Dr . Robert Mulgrew Nora and Phil Mazur Paulette and Joe Gootter Peter Akmajian and Colleen Cacy Richard and Yvonne Morris Judith Hardes Mary and Todd Anderson Deborah Moss and Stephen Collins Bill Lewis and Rick Underwood Alan and Char Augenstein Helen and John Murphey Humberto and Czarina Lopez Christine and John R . Augustine Linda and Fred A . Nachman David Mackstaller and Lyn Mr . A . Frederick Banfield and Don and Peg Nickerson Papanikolas Ms . Eileen M . Fitzmaurice Dr . and Mrs . Charles W . Otto Elyce and Mark Metzner Denice Blake and John Blackwell Mr . Sydney Pearl and Jack and Becky Moseley Betsy Bolding held at the Dr . Judy Balan Pearl Slobodan Popovic and Janie Shapiro Community Foundation of Ben and Sally Perks Mary Beth and Gerald Radke Southern Arizona Linda “Mac” and Russ Perlich Jeffrey, Susan, Sara, and James Rein Connie and Rodney Boorse Jennifer A . Roberts Drs . Helen and John Schaefer Dr . Jose M . and Mrs . Frances Toby and Michael Rozen James Wezelman A . Burruel Ken and Judy Ryan Michael Willoughby 50 Printer’s Ad Printer’s Ad Printer’s Ad INDIVIDUAL DONORS

DIRECTOR’S CIRCLE Carol and Foster Kivel Mr . and Mrs . Edwin L . Biggers CONTINUED Janice and Al Kivel Kay Bouma Carole and Rich Kraemer Susan and Brian Boylan ($1,750 – $3,499) Eileen and John Lamse Martha V . Brightwell Dina Scalone-Romero Rob and Jenni Leinbach Shirley and Roland Calhoun Dr . and Mrs . Sanford H . Roth Helaine Levy and Steve Alley Tyna Callahan and Dimitri Lewis and Suzanne Schorr Phoebe and John Lewis Voulgaropoulos Steve and Shelly Silverman Sam and Judy Linhart Neal and Sally Cash Daniel J . and Evelyn G . Simon Edith E . Luty Paul and Vicki Chandler Susan S . Small Anne and Ed Lyman Shirley J . Chann Dawnelle and Ronald Spaulding Phil and Carol Lyons Amy Charles and Steve McMillan Rica and Harvey Spivack Courtney Mc Eniry Paul and Susan Charlton Phyllis and Richard Stern Ms . Elsa McTavish Kris and Earl Cohen Robert and Shoshana Tancer / Dorothy and Roy Mayeske Steven Cohen and Michael Godnick Tancer Law Firm, P .L .C . Tom and Marilyn Merryweather David and Susan Cone Melissa and Robert Taylor Jeffrey and Barbara Minker Ms . Cheryl Convery Mr . and Mrs . Don Underwood Rosanna Miller Mr . and Mrs . Duane Cote David and Dawn Veldhulzen Dr . James E . Nation Harlan and Gayla Crossman Barbra Vogen Pat and Wayne Needham Alicia and Jon Crumpton Dr . Richard and Madeline Wachter Jordan and Jean Nerenberg Shawne F . Cryderman Russell and Kay Weed Shelley Jo Pozez and Bill Holmes Mr . and Mrs . William Cullen Richard and Nancy Weiss Sandra L . Rausch Barbara and John Cummings Nancy and Jeff Werner Drs . Adib and Vivi Sabbagh Marjorie and George Cunningham Mark and Taryn Westergaard Michael and Enriqueta Salvo Mr . and Mrs . William H . Dantzler Allan and Diana Winston Samloff Family Fund Leslie Dashew and Jack Salisbury Enid and Mel Zuckerman Mary and Heliodoro Sanchez William DiVito and Marc and Deborah Sandroff Mary Jo Sheldon-DiVito BACKERS John Usher Sands Gail E . Dunlap Claire and Henry Sargent Dennis Emond ($1,000 - $1,749) Ms . Judith Seinfeld Annette Everlove and Anonymous (4) Cathy Shell Michael Johnson Loren and Darla Acker Ralph and Ingeborg Silberschlag Dr . and Mrs . John H . Finley Judy and Rory Albert Mary P . Sullivan Helen V . Fisher Ms . Kathy Alexander and Mr . and Mrs . Richard Tofel John and Louise Francesconi Mr . Paul Lindsey Mollie Trivers and Shelley Cohn Wendy Gamble and Carl Kuehn Becky and Doug Pruitt Family Fund Gerald and Linda Tumarkin Ann and Arthur Goldberg Susan Berg D . Rae Turley Donita Gross Bill and Barbara Bowermaster Mr . Richard K . Walker Jerome and Anita Gutkin Ed and Arlene Cohen Ronald and Diane Weintraub Andy and Sara Gyorke Jan Copeland Mary and Robert Wolk Rita C . Hagel Judie Cosetino Ruth Zales and Kenneth Greenfield Ms . Athia Hardt Ronna Fickbohm and Jeff Willis Drs . John M . and Robin B . Harris Ms . Carol Fink PATRONS Kathy Haun, The Haun Family Trust Michael and Phyllis Hawkins Pamela Frame ($500 - $999) Todd Franks and Nancy Bodinet John L . Hay and Ruth M . Murphy Drs . Margot W . and J .D . Garcia Anonymous (5) Les and Suzanne Hayt Becky and Dave Gaspar Sandra L . Abbey Pat and Jack Hemann Mr . and Mrs . James J . Glasser Dwight and Amy Adams Susan E . Hetherington Laurie and Chuck Goldstein Susan and Larry Allen Tom and Sandy Hicks Jon and Erika Grasse Corbett and Pat Alley Sharon and Jesse Hise Ms . Pamela Grissom Kate and Dabney Altaffer J . Hufford-Jensen and G . Kroening Jennifer H . Gross and Jerry LeFevre Arlene and Morton Scult David and Lori Iaconis Jeff Guldner Philanthropic Fund Abe J . Jacob Sarajean Harwood Susan and Gregory Ash Karen and Chuck Jonaitis Stephen and Amanda Heitz Lee and Gay Ashton Ms . Leianne Jones Peggy M . Hitchcock Bob and Judy Atwell Valerian and Mira Kaplan Ed and Sandra Holland Mary Ellen and Emery Bartle Gary and Lee Ana Kains Judy and William Jenney Richard and Ann Bates Sandy and Rick Kauffman Nathan Joseph Mathis and Barbara Becker Mr . and Mrs . Joseph Kendhammer Robyn Kessler and Jeff Timan Bill and Barbara Bickel Raymond Kemp and Rick Douglas

54 INDIVIDUAL DONORS

PATRONS CONTINUED Lin and Bob Spangler Thomas Delgado ($500 – $999) Darryl and Helen Stern Mr . Philip G . Derkum Dan and Jill Stevenson Peter DeLuca Gabrielle Klein Doug and Jean Stuart Stephen and Ruth Dickstein Mr . Robert Knopf Morton and Nina Susman Mr . Tom Dinwiddie Bill and Linda Knox Mrs . Susan and Mr . Glyn Thickett William DiVito and Mary Jo Jami Kozemczak Hugh and Allyn Thompson Jan and Leo Dressel Mr . and Mrs . Donald Laidlaw Stephen and Susan Thompson James Eichman Linda Lambert Bruce and Catherine Uhl Michael R . Elert and Bob and Sherrie Lane David and Nancy Ulmer Dr . Honora A . Norton Anne Leary and Bill Hemelt Bob and Emily Vincent Lee and Spencer Elliott Marianne and Bill Leedy Barbara and John Walker Tim and Susan Ernst James K . LeValley and Steve and Linda Wegener Mario and Elaine Espericueta Nancy Philippi Bernie and Libby Weiner Kish Finnegan Dr . Alan Levenson Maggie White Nancy and Richard Fintzy Dr . and Mrs . Marc Levison Ms . Mary Jo Fitzgerald Sharon Lewis and Mayor Shanken FRIENDS Ms . Tay Fitzgerald Herb and Nancy Lienenbrugger Sarilyn and Sherman Fogel Elaine Litvack ($250 – $499) Cindy Foley Roy Loewenstein Anonymous (7) Brian Folkes Jennifer Lohse and Jason DiPizzo Daniel and Audrey Abrams Denise Andre Ford Peter and Suzan Makaus Vicki and Jerry Alpert Drs . David William and Gregory and Emma Melikian Julia and Neal Armstrong Virginia Ramos Foster Richard and Kathryn Merkel Lee and Gay Ashton M . Fowler Darrel and Ann Merwin Eva and Martin Bacal Michael and Mary Fox Merrily and Bob Metzger Carole and John Backstrom David and Cathy Freedman Mr . Gary Molenda Emery and Jackie Barker Carol and Paul Gerlach Essie and George Nadler Mr . and Mrs . Robert Barnes Gary and Gini Gethmann Marlys and David Nelson Bret and Mary Batchelor M . Joyce Geyser Caren and Thomas Newman Char and Gerry Bates Mrs . Linda G . Golburgh Parviz Nikravesh and Trig Batten and Bill Henry Muriel and Marc Goldfeder Agnes Stahlschmidt John Bechman Dr . Gerald Golner Leslie Nixon and Barry Kirschner Dr . Cash and Susanne Beechler Stephen Gottlieb and Laura Penny Mr . and Mrs . Michael Ore Tony Beram Robert and Judi Gottschalk Bill and Kathie Peterson Bill and Kathleen Bethel Nancy and Thomas Green Marilyn M . Prince Elizabeth Beyrer and Fred D’Angelo Alan and Ann Grove Will Rapp and Kathy Kolbe Phylis and Gary Bolno Mary L . Haddad Charles and Linda Redman David and Bonnie Bickford Diane Haller and Steve Betts Lynda and Ed Rogoff Chuck and Sandy Bonstelle Michel Hamant, M .D ., and George and Bobbe Rosenberg Carla and Chuck Borkan Lynnell Gardner, M .D . David and Sonja Saar John Bowers Kenneth and Marian Handy Suzanne Samuels Sharon and Barry Briskman Monica and Jim Hart Annette and Bob Sandler Diane and Donald Bristow Pamela and Stanley Hart Vance, Louise and Corrine Brooks James and Victoria Haskins Camille Saunders Ms . Martha Brumfield Mr . and Mrs . Jerrold Hatcher Dr . J .M . Santiago and Vivian Bruns Alma Haywood Ms . Janice Catt Gene and Jeanne Bryan Susan B . Hazan and Michael T . Burns Dr . Frances Schulter-Ellis Herb and Sylvia Burton Frederick C . Henning Paul and Jacqueline Schulz Ralph H . Byerly Dr . and Mrs . Arthur L . Herbst Edward and Robyn Schwager Mr . and Mrs . John Carhart Sherry Heyman Dr . and Mrs . Fred Schwartz Margaret Chrisman Mr . and Mrs . William Hicks III Mr . and Mrs . Marc Schwimmer Elaine and Sidney Cohen Greg and Marcia Hilliard Dr . and Mrs . J . F . Seeger Ms . Joyce Cohen Ms . Michele Himovitz Dr . William and Joanne Sibley Beth A . Cooper Harriet and Robert Hirsch Drs . David Siegel and Mr . and Mrs . James Coyle Marsha and Sid Hirsh Linda Riordan Joan Coyne Marjorie Hoffman Raj Sivananthan Ronald & Vic Crowe Dr . Arnold and Carol Hollander Mr . and Mrs . Ken Skotak William and Saucy Cutlip Helen Holliday Richard Snodgrass and Susan Dale Ms . Pamela Horner Merrie Brucks Sandra and Anthony Dalessandro Ms . Nancy Howell

55 INDIVIDUAL DONORS

FRIENDS CONTINUED Delos D . McKnight Robert Sheely ($250 – $499) Lynda Menis Jim and Hazel Shuttleworth Jean and Walt Merkel Marvin Siegel and Eileen Bloom Mr . Robert Huber Valla Merriman Steve and Anita Slaughter John Irby and Norizan Osman Debra and Jeffrey Messing John and Phyllis Smiley Gary Israel Fred and Joyanne Mills Lois and Lowell Sorenson Dr . Leo M . Jacques Joe and Michelle Millstone Bradley and Loretta Sowers Frank and Caroline Jank Mr . and Mrs . George Mink Mark and Gloria Spies Helen and Robert Jennette Jacque L . Montrose Linda Staubitz Leonard and Marcelle Joffe Ms . Frances Moore Claire Steigerwald David Hoyt Johnson Phyllis and Harold Morgan Mr . and Mrs . David J . Sterle Kim Johnson Melvin E . Mounts Randy Sterna Bob and Susan Johnstone Shirley G . Muney Richard and Marie Stewart Mr . Bill Jones Mr . and Mrs . Chuck Munson Ms . Dana Stout Marcia Jones Mrs . Connie Myren Teri and Don Sullivan Mr . and Mrs . Robert Jones Dana and Rick Naimark Mr . Matthew Sweger Hy Kaplan and Sue Vardon Carl and Carolyn Nau Jay Sykes Mr . and Mrs . Gerald Karches Susan and James Navran Philip and Mary Taylor Ms . Juliana Kasper Dr . Janko Nikolich-Zugich Robert and Beth Taylor Sandra B . Katz, MD, JD and Ms . Leslie O’Hara Dr . N . Thomas and D . Stephenson Marilyn V . Olander, Ph .D . Ruth R . Debevoise Pam and Charles Katzenberg Paula and Carl Olson Anne and Steve Thomas David and Lisa Keene Betty Olwin Neil and Marge Thornton Allan and Carol Kern Mr . Jones Osborn, II Nina Trasoff and Rodney Jilg Darrell and Susan Kidd John Parente James and Vivian Ullman Ms . Susan Kidd Roger and Lori Peck Joan Vandevoort Bruce Kilbride and Lynn Krabbe Martha and Terry Allen Perl Tony and Rita Vickers Susan and Carlton King Julia Pernet Carol Vivona Jay and Barbara Kittle Jeanne Pickering and Charles and Ruth Waldron Don and Susan Kjerland Mike Andrew Linn and Karen Wallace Donald and Marsha Klein Ms . Linda Piele John and Connie Nygaard Wareing Susan Knowlton and Don Bourque Mr . Herbert C . Ploch Susan Watchman and Karen and Sherwin Koopmans Jeanne Porter Terry Corbett Jessica and Steve Kozloff Robert and Sheila Press Mr . and Mrs . Gregory S . Waterfall Bobbie and Ted Kraver Robert Davis and Ronald and Mary Weinstein Lynne Lagarde Lourdes Ramonet Mrs . Virginia A . Weise Arvie and Karen Lake John and Jennifer Reid Richard and Stephanie Weiss Nancy J . Lamphere Mr . and Mrs . Eugene R . Rice Jan Wezelman Sally Lanyon Roger and Janet Robinson Willard W . White Drs . Arlyn and Joyce Larson Mr . and Mrs . James Ronstadt Mr . and Mrs . Preston Whitt Lynne C . Larson Herbert and Laura Roskind Ms . Karin Williams Leslie Latham and Lou Kahn Kent and Barbara Rossman Mr . and Mrs . Peter Woods Jim and Gloria Lawrence Arnold and Carol Rudoff Pennie DeHoff and Larry Wurst Philip and Ellen Leavitt Mr . and Mrs . Richard Rundle Mr . and Mrs . Robert Lebby Jennifer and Charles Sands GIFTS IN MEMORY OF Mr . John Leonardo Kirk Saunders Charles Artigue by Gammage & Bertie Levkowitz and Thomas Herz Bart and Marcella Schannep Burnham, Richard B . Burnham, Mr . and Mrs . Matthew Madonna Tom and Chris Schatzman F . William Shepard and Range Martin Mannlein and Alred and Doris Schiller P . Shaw, Curtis and Paula Barbara Stern Mannlein Dr . and Mrs . Harry Schlosser Ullman, Susan Watchman and Mr . and Mrs . Thom Mansur Rita and Steven Schlosser Terry Corbett Mike Martin Jerusha and Marc Schmalzel Charles Artigue and Richard Alice Mason Mr . and Mrs . S .L . Schorr Segal by Bill Sheppard Rudy and Maria Mathews Trisa and Andy Schorr Ms . Beryl Beville by Matthew Mr . and Mrs . Stanley Matlick Lyle and Gail Schultz and Jo Ann Madonna Alan S . and Judi E . Max Susan and Ford Schumann Dr . Richard Call by Skip and Barbara McCarthy Jon and Maria Schwarz Mrs . Susan M . Call Andy McKnight Olivia and Dev Sethi

56 INDIVIDUAL DONORS

GIFTS IN MEMORY OF Anna Jolivet by Jessica L . Robyn Kessler by David Andrews and Timothy Mackstaller and Lyn Papanikolas CONTINUED W . Toothman Randy Kincaid by F . William Bob Cauthorn by John and Laura Renay F . Lehman by Carol Hollander Sheppard and Range P . Shaw Almquist, Jessica L . Andrews and Timothy W . Toothman, Elayne Miller by Jan Wezelman Anne Kleindienst by F . William Barbara Atwood, Alice and Paul and David Bartlett Sheppard and Range P . Shaw Baker, Patricia Ballard, Deanna Alfena “Alfie” Norville by Seth Kromholz and Gilat and Robert Bates, Jill Bishop, Jessica L . Andrews and Ben-Dor by Davina Glaser Betsy Bolding, Neal and Sally Timothy W . Toothman Clyde Kunz and Brian Arthur by Cash, Shirley J . Chann, Len and Mary Katherine Robinson by Jessica L . Andrews and Doris Coris, Edward Gentile and Jessica L . Andrews and Timothy W . Toothman Deborah Rosenwald, Rob and Timothy W . Toothman Matt Lerhman by Paulette and Laurie Glaser, David Ira Michael Schroeder by Raymond Joe Gootter Goldstein and Michele Robins Kemp and Rick Douglas Helaine Levy by Len and Doris Goldstein, Pamela Grissom, Richard Segal by Jessica L . Coris, Deanna Evenchik, Norma Naomi and Gene Karp, Shirley Andrews and Timothy W . and Stanley G . Feldman, Babs and Jim Kiser, Trudy Kohl, Clyde Toothman, Betsey Bayless, and Jay Glaser, Judi Kessler, W . Kunz and Brian L . Arthur Laura and Terry Bercovitz, Gina Richard and Sally Lehmann, George Loesch and Friends at and Rick DeGraw, Norma and Francie Merryman, Anne and Intersate General Media, Stanley G . Feldman, Babs and Lowell Rothschild, Anne and Tim Jennifer Lohse, David Jay Glaser, David Ira Goldstein Schaffner, Cristie and Bill Street, Mackstaller and Lyn and Michele Robins Goldstein, David and Kathryn Unger Bob Cauthorn by Papanikolas, Ellen and Mark Harrison, Luana Bill Lewis and Rick Underwood Robert Marshall, Sandy and and Doug Manning, Patricia by F . William Sheppard and Robert Maxfield, Brent Pichler, Martin and Timothy Berg, Range P . Shaw Judith Rich, Jill and Herschel Charles J . Muchmore and Karen Ann Lovell and the Lovell Rosenzweig, Robert Strauss, Nyrop, Nancy and Bruce Oyen, Foundation by Judith Braun, Lisa Ungar, Patricia H . Waterfall, Michael Parrish and Susan Clyde W . Kunz and Brian Jan Wezelman and David Davis, Vicki and Scott Ruby, L . Arthur Bartlett, Ruth Zales and Ken Michelle and Stan Sparrow, F . Vincent Lopez and Greg Roller Greenfield, Enid and Mel William Sheppard and Range P . by Raymond Kemp and Zuckerman ShawSheryl and Dale Wanek Rick Douglas Rudy Cosentino by Judie Cosentino Trudy Shapiro by Jessica L . Phil Lyon by Elyce and Mark Dan Davis by F . William Andrews and Timothy W . Metzner Sheppard and Range P . Shaw Toothman, Rob and Laurie Kevin E . Moore by David Ira Adele Furman by Ina and Glaser, Slobodan Popovic and Goldstein and Michele Robins Ian Shivack Janie Shapiro Goldstein Armen Dermen by Col . Mary Larry Smith by Frank Davis, F . Jean and Jordan Nerenberg by Pat Sullivan William Sheppard and Range Elyce and Mark Metzner Allan Glaser by Jessica L . P . Shaw Linda “Mac” Perlich by Kathy Andrews and Timothy W . Nemesio Trevino by Jessica L . Anne Raymond by Ann Bladwin Toothman, Alice and Paul Andrews and Timothy W . Asha and Jason Ricci by Len and Baker, I . Michael and Beth Toothman, David Ira Goldstein Doris Coris Kasser, Robyn Kessler and Jeff and Michele Robins Goldstein Anne Rothschild by Norma and Timan, Lynn and Mark Thomas Alan Wall by Mr . and Mrs . Stanley G . Feldman Rose Gottlieb by James Erikson, Gerald Vegodsky Patricia J . Ryan MSW by Terri Hall Joanne Adams, Jean and Karen Scates by Betsy Bolding Marvin Glassberg, Shigeko and GIFTS IN HONOR OF John and Helen Schaefer by Len Ke Hsieh, Lisa Humenik, Jessica Andrews by Paulette and Doris Coris, Norma and Rebecca Hurd, Linda and James and Joe Gootter Stanley G . Feldman Kastella, Phyllis and Theodore Betsy Bolding by Rebecca Lew Schorr by Shirley J . Chann Katz, Hani and Nora Murad, and David Gaspar Mike and Enid Seiden by Kenneth and Phyllis Myslik, Danielle Faitelson by Karen Stephanie Garfinkle Wanda and Angelo Petropolis, and Lionel Faitelson Bill Sheppard and Range Shaw Sonja Reinhardt, Nancy and Lu Stanley Feldman by David by Raymond Kemp and Rudolph, Robert and Susan Mackstaller and Lyn Papanikolas Rick Douglas Shrager, Dave Solomon Jay Glaser by Linda Goldburgh Ralph and Ingeborg Silberschlag Chris and Joel Hatfield by Norma by Marilyn Prince and Stanley G . Feldman David Ira Goldstein by Karen and Lionel Faitelson, Paulette Geri Silvi by Slobodan Popovic Karl Haytcher by Jessica L . and Joe Gootter and Janie Shapiro Andrews and Timothy W . Sara J . Wich by Anonymous Toothman, Claudia Vazquez Beth and Mike Kasser by Ruth and Henry Jacobson, Jill and Ruthie Zales by Marsha Cohen, Bob Hegyi by Raymond Kemp Herschel Rosenzweig, Paul Judy and Jay Feldstein and Rick Douglas Kraft, Leslie Glaze, Shelly Dr . Arnold I . Hollander by Silverman, Jody Gross, and Carol Hollander Scott Maizlish Mollie Hughes by Diane Tweedy 57 Printer’s Ad STAFF

David Ira Goldstein Matt Lehrman Jessica L. Andrews Artistic Director Interim Managing Director Managing Director Emeritus

ARTISTIC ADMINISTRATION ARTISTIC ASSOCIATE PLAYWRIGHT-IN-RESIDENCE ASSOCIATE MANAGING MARKETING Timothy Toothman Elaine Romero DIRECTOR Robyn Lambert PATRON RELATIONSHIP COMPANY MANAGER LITERARY INTERNS MANAGER Ashley Simon Kalan Benbow, Skye Westberg FRONT OFFICE MANAGER Ron May Sara Kavitch ASST. COMPANY MANAGER RESIDENT COSTUME DESIGNER MARKETING & COMMUNICATIONS Nicole Smith Kish Finnegan FRONT OFFICE COORDINATOR – TUC Pat Boysen, Helen Daniels, Barb LITERARY ASSOCIATE RESIDENT LIGHTING DESIGNER Erin Treat Katherine Monberg T . Greg Squires Dominick-Price, Ellen Gurewitz, Emily Lucas, Susan Tomlinson, MARKETING ASST. ARTISTIC & RESIDENT SOUND DESIGNER Linda Vogel Gary Edwards PLAYWRITING INTERN Brian Jerome Peterson Natasha Smith ACCESSIBILITY FACILITIES – TUCSON COMPANY MANAGEMENT ACCESSIBILITY COORDINATOR MAINTENANCE SUPERVISOR INTERN Eileen Bagnall Horace Ashley Sara Patterson MAINTENANCE TECHNICIANS DEVELOPMENT David Fitch, Dean Morgan SENIOR DIRECTOR OF DEVELOPMENT TICKET SALES & PRODUCTION Geri Wright HOUSE MANAGEMENT DIRECTOR OF DEVELOPMENT TICKETS SERVICES MANAGER PRODUCTION MANAGER COSTUMES & WARDROBE Leslie Freed Geri Silvi Jennifer Smith COSTUME DESIGN MANAGER DEVELOPMENT BOX OFFICE MANAGER – TUC ASSOCIATE PRODUCTION Kish Finnegan COORDINATOR – TUC Becca Moore MANAGER Carley Elizabeth Preston Christopher Gerling DRAPERS CUSTOMER SERVICE Phyllis Davies GRANTS MANAGER REPRESENTATIVES – PHX PRODUCTION MANAGEMENT Alexis Smith-Schallenberger Pam Beitman, Linda Scwartz INTERNS WARDROBE SUPERVISOR Courtney Stevens, Lisa A . Leonhardt CUSTOMER SERVICE Jonathan Thompson WIGMASTER FINANCE REPRESENTATIVES – TUC Amanda Gran DIRECTOR OF FINANCE Carrie Luker, Michi Yamasaki STAGE MANAGEMENT & ADMINISTRATION TICKET SERVICES Carrie Toth PRODUCTION STAGE MANAGER LIGHTING ASSOCIATE – PHX Glenn Bruner LIGHTING SUPERVISOR SENIOR ACCOUNTING Debra Field T . Greg Squires ASSOCIATE TICKET SERVICES STAGE MANAGER Yvette Miranda Timothy Toothman MASTER ELECTRICIAN ASSOCIATE – TUC Timothy Smith ACCOUNTING ASSISTANTS Debbie Archuleta ASST. TO THE STAGE MANAGER Debbie Archuleta Emma DeVore STAFF ELECTRICIAN HOUSE MANAGERS – TUC Kat Seaton Kalyn Scanlan Bill Bethel, Sonja Reinhardt SCENERY LIGHT BOARD OPERATOR – PHX THE TEMPLE LOUNGE AUDIENCE ENGAGEMENT STAFF TECHNICAL DIRECTOR Alexis Raetz Freda Ganem Matthew Saxton MANAGER OVERHIRE ELECTRICIANS Emily Lucas CONSULTANTS ASST. TECHNICAL DIRECTOR Connor Adams, Katelin Ashcraft, Philip Blackwood Daniel Black, Rick Holya, ASST. MANAGER HUMAN RESOURCES Sara Kavitch STAFF CARPENTERS Blue Martin, Dale Nakagawa Dina Scalone-Romero Scott Greenleaf, Jason LaFleur CONCESSIONAIRES AUDITORS SOUND Angela Aldrin, Crisi Badke, Beach, Fleischman & Co . OVERHIRE CARPENTERS Dawn Copps, Alison Doran, Dani Butch Foley, Matt Murray, SOUND SUPERVISOR MARKETING & COMMUNICATIONS Brian Jerome Peterson Gifford, Kim Grygutis, Cynthia Arthur Potts, Aaron Wheeler Hough, Shannon Lempke, Mariah Crowley Communications SCENIC CHARGE ARTIST ASST. TO THE SOUND DESIGNER McCammond, John McNiece, GRAPHIC DESIGN Brigitte Bechtel Kenny Erickson Rebecca Smiley, Liz Weibler Esser Design SCENIC ARTIST PRODUCTION SOUND ENGINEER IT SUPPORT Andrea Pratt Mathew DeVore Team Logic IT STAGE CARPENTER – PHX SOUND BOARD OPERATOR – PHX PUBLIC RELATIONS Robert Douglass Billy Lopez The Kur Carr Group, Inc ., STAGE CARPENTER – TUC SOUND INTERN SPANISH TRANSLATION Russell Long Jason Campbell Angelica Delgadillo PROPERTIES PROPERTIES MASTER Paul Lucas LEARNING & EDUCATION PROPERTIES ARTISANS DIRECTOR OF TEACHING ARTISTS Katelin Ashcraft LEARNING & EDUCATION Heidi Barker, Kevin Black, Stephen Wrentmore Emma DeVore, Mathew DeVore, LEARNING & EDUCATION Christopher Gerling, Athena MANAGER Hagen-Krause, Russell Long, April Jackson Katherine Monberg, Brian Jerome Peterson, Andrea Pratt, LEARNING & EDUCATION Sarah Ross, Kat Seaton, Amy ASSOCIATES Shuttleworth, Ashley Simon, Bryanna Patrick, Luke Young Natasha Smith, Jared Strickland, Barbara Tanzillo, Amber Tibbitts

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