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A Contextual Examination of Three Historical Stages of Atheism and the Legality of an American Freedom from Religion
ABSTRACT Rejecting the Definitive: A Contextual Examination of Three Historical Stages of Atheism and the Legality of an American Freedom from Religion Ethan Gjerset Quillen, B.A., M.A., M.A. Mentor: T. Michael Parrish, Ph.D. The trouble with “definitions” is they leave no room for evolution. When a word is concretely defined, it is done so in a particular time and place. Contextual interpretations permit a better understanding of certain heavy words; Atheism as a prime example. In the post-modern world Atheism has become more accepted and popular, especially as a reaction to global terrorism. However, the current definition of Atheism is terribly inaccurate. It cannot be stated properly that pagan Atheism is the same as New Atheism. By interpreting the Atheisms from four stages in the term‟s history a clearer picture of its meaning will come out, hopefully alleviating the stereotypical biases weighed upon it. In the interpretation of the Atheisms from Pagan Antiquity, the Enlightenment, the New Atheist Movement, and the American Judicial and Civil Religious system, a defense of the theory of elastic contextual interpretations, rather than concrete definitions, shall be made. Rejecting the Definitive: A Contextual Examination of Three Historical Stages of Atheism and the Legality of an American Freedom from Religion by Ethan Gjerset Quillen, B.A., M.A. A Thesis Approved by the J.M. Dawson Institute of Church-State Studies ___________________________________ Robyn L. Driskell, Ph.D., Interim Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ T. -
Theory of Forms 1 Theory of Forms
Theory of Forms 1 Theory of Forms Plato's theory of Forms or theory of Ideas[1] [2] [3] asserts that non-material abstract (but substantial) forms (or ideas), and not the material world of change known to us through sensation, possess the highest and most fundamental kind of reality.[4] When used in this sense, the word form is often capitalized.[5] Plato speaks of these entities only through the characters (primarily Socrates) of his dialogues who sometimes suggest that these Forms are the only true objects of study that can provide us with genuine knowledge; thus even apart from the very controversial status of the theory, Plato's own views are much in doubt.[6] Plato spoke of Forms in formulating a possible solution to the problem of universals. Forms Terminology: the Forms and the forms The English word "form" may be used to translate two distinct concepts that concerned Plato—the outward "form" or appearance of something, and "Form" in a new, technical nature, that never ...assumes a form like that of any of the things which enter into her; ... But the forms which enter into and go out of her are the likenesses of real existences modelled after their patterns in a wonderful and inexplicable manner.... The objects that are seen, according to Plato, are not real, but literally mimic the real Forms. In the allegory of the cave expressed in Republic, the things that are ordinarily perceived in the world are characterized as shadows of the real things, which are not perceived directly. That which the observer understands when he views the world mimics the archetypes of the many types and properties (that is, of universals) of things observed. -
On the Arrangement of the Platonic Dialogues
Ryan C. Fowler 25th Hour On the Arrangement of the Platonic Dialogues I. Thrasyllus a. Diogenes Laertius (D.L.), Lives and Opinions of Eminent Philosophers 3.56: “But, just as long ago in tragedy the chorus was the only actor, and afterwards, in order to give the chorus breathing space, Thespis devised a single actor, Aeschylus a second, Sophocles a third, and thus tragedy was completed, so too with philosophy: in early times it discoursed on one subject only, namely physics, then Socrates added the second subject, ethics, and Plato the third, dialectics, and so brought philosophy to perfection. Thrasyllus says that he [Plato] published his dialogues in tetralogies, like those of the tragic poets. Thus they contended with four plays at the Dionysia, the Lenaea, the Panathenaea and the festival of Chytri. Of the four plays the last was a satiric drama; and the four together were called a tetralogy.” b. Characters or types of dialogues (D.L. 3.49): 1. instructive (ὑφηγητικός) A. theoretical (θεωρηµατικόν) a. physical (φυσικόν) b. logical (λογικόν) B. practical (πρακτικόν) a. ethical (ἠθικόν) b. political (πολιτικόν) 2. investigative (ζητητικός) A. training the mind (γυµναστικός) a. obstetrical (µαιευτικός) b. tentative (πειραστικός) B. victory in controversy (ἀγωνιστικός) a. critical (ἐνδεικτικός) b. subversive (ἀνατρεπτικός) c. Thrasyllan categories of the dialogues (D.L. 3.50-1): Physics: Timaeus Logic: Statesman, Cratylus, Parmenides, and Sophist Ethics: Apology, Crito, Phaedo, Phaedrus, Symposium, Menexenus, Clitophon, the Letters, Philebus, Hipparchus, Rivals Politics: Republic, the Laws, Minos, Epinomis, Atlantis Obstetrics: Alcibiades 1 and 2, Theages, Lysis, Laches Tentative: Euthyphro, Meno, Io, Charmides and Theaetetus Critical: Protagoras Subversive: Euthydemus, Gorgias, and Hippias 1 and 2 :1 d. -
The Tyrannies in the Greek Cities of Sicily: 505-466 Bc
THE TYRANNIES IN THE GREEK CITIES OF SICILY: 505-466 BC MICHAEL JOHN GRIFFIN Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Classics September 2005 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2 ACKNOWLEDGEMENTS Firstly, I would like to thank the Thomas and Elizabeth Williams Scholarship Fund (Loughor Schools District) for their financial assistance over the course of my studies. Their support has been crucial to my being able to complete this degree course. As for academic support, grateful thanks must go above all to my supervisor at the School of Classics, Dr. Roger Brock, whose vast knowledge has made a massive contribution not only to this thesis, but also towards my own development as an academic. I would also like to thank all other staff, both academic and clerical, during my time in the School of Classics for their help and support. Other individuals I would like to thank are Dr. Liam Dalton, Mr. Adrian Furse and Dr. Eleanor OKell, for all their input and assistance with my thesis throughout my four years in Leeds. Thanks also go to all the other various friends and acquaintances, both in Leeds and elsewhere, in particular the many postgraduate students who have given their support on a personal level as well as academically. -
The Form of the Good in Plato's Timaeus
THANASSIS GKATZARAS | 71 One of the many philosophical problems The Form of the Good in that we face in the Timaeus is raised by the Plato’s Timaeus claim that the God who created the world (from now on we shall call him ‘Demiurge’)1 is good (Tim. 29d7-30a2). A satisfying explanation of Demiurge’s goodness is far from easy, and dif- ferent approaches have been proposed. How- ever, in this paper I’ll try to show that a clear, sufficient and relatively simple interpretation is possible, if we are based on the hypothesis that Timaeus follows the theory of causation in the Phaedo (including the distinction between ‘safe’ and ‘elegant’ cause) and the concept of the Thanassis Gkatzaras Form of the Good in the Republic.2 University of Ioannina [email protected] To be more specific, I’ll try to show that the Form of the Good of the Republic is also presupposed in the Timaeus and it plays the same role, and we should consider it as a first principle of platonic cosmology, independ- ent from the existence of Demiurge or even the Divine Paradigm (i.e. the model accord- ing to which the Demiurge creates the world). On first impression, this interpretation looks barely possible, since there is no direct refer- ence in the text to this particular Form, with the possible exception of what is said at Tim. 46c7-d1.3 In my opinion, this absence has to do ABSTRACT with specific purposes Timaeus serves, and not with the abandonment of the Good as a cause. -
Rethinking Plato's Theory of Art: Aesthetics and the Timaeus
Rethinking Plato’s Theory of Art: Aesthetics and the Timaeus Omid Tofighian Introduction The Timaeus presents a fascinating account of the cosmos. It includes a creation myth that introduces the figure known as the ‘Demiurge’, who, despite the fact that he is the cause of the sensible world, is reverently attributed with reason, and whose creation – the cosmos – is actually beautiful and good. In this dialogue Plato offers his readers a panorama of the universe. But just what are his intentions for this? Is his approach a precursor to the methods of natural science,1 or does the Timaeus fall under the category of theology? This paper will discuss Plato’s cosmological treatise and certain consequences that can be drawn, that is, how the methods used to analyse the origins and structure of the universe reveal a more existential attitude towards aesthetics. In the Timaeus Plato explores the complexities of mimesis and entertains the possibility that imitation could actually exhibit ideal qualities. These considerations have repercussions for the status of the material world in Plato’s cosmology, but they may also be extended to rethink his theory of art. I wish to analyse a number of salient themes in the Timaeus such as ontology, mythic symbols and the use of rhetoric. I will demonstrate how Plato’s view towards these themes in the Timaeus can be extrapolated to reassess his aesthetics. My critical analysis will provoke the question – ‘What evaluation of art would Plato have offered in accordance with the positions explicated in the Timaeus?’ Upon investigating a number of dialogues, searching specifically for references to art or representation, I realised that certain views I had thought to be exclusive to the Timaeus, or other late dialogues, also featured in works as early as the Ion. -
U Ottawa L'universite Canadienne Canada's University FACULTE DES ETUDES SUPERIEURES 1^=1 FACULTY of GRADUATE and ET POSTOCTORALES U Ottawa POSDOCTORAL STUDIES
nm u Ottawa L'Universite canadienne Canada's university FACULTE DES ETUDES SUPERIEURES 1^=1 FACULTY OF GRADUATE AND ET POSTOCTORALES U Ottawa POSDOCTORAL STUDIES L'Universitc canadienne Canada's university Steven Tomlins M.A. (Religious Studies) _._„„__„„„._ Department of Religious Studies In Science we Trust: Dissecting the Chimera of New Atheism TITRE DE LA THESE / TITLE OF THESIS Lori Beaman Peter Beyer Anne Vallely Gary W. Slater Le Doyen de la Faculte des etudes superieures et postdoctorales / Dean of the Faculty of Graduate and Postdoctoral Studies IN SCIENCE WE TRUST: DISSECTING THE CHIMERA OF NEW ATHEISM Steven Tomlins Student Number: 5345726 Degree sought: Master of Arts, Religious Studies University of Ottawa Thesis Director: Lori G. Beaman © Steven Tomlins, Ottawa, Canada, 2010 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-73876-4 Our file Notre reference ISBN: 978-0-494-73876-4 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciaies ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. -
Timaeus' Views on the Past*
Timaeus’ views on the Past* F. W. Walbank 1 The question I should like to try to answer in this paper is whether by the Hellenistic period there existed something that we could call a west Greek view of the past. There is no simple answer to this since, until one gets down as far as Diodorus, who was writing at the time of Julius Caesar, all the western Greek historians exist only in fragments; and indeed, after looking at the fragments,1 I fairly soon reached the conclusion that any discussion of their views about the past would have to centre on Timaeus. For that there is a good reason. Apart from Timaeus, the attested fragments of authors such as Antiochus and Philistus, not to mention lesser figures like Athanis of Syracuse, Timonides of Leucas, Callias and Antander, the brothers of Agathocles, and Alcimus, are so meagre — indeed in some cases we have little more than their names — that they emerge as wholly shadowy person alities. Nor is it simply that the fragments are few in number. In adition there is a strong likelihood that often these writers are being quoted at second hand via Timaeus. Consequently, if the fragments seem to suggest that their authors were interested predominantly in the same kind of things as Timaeus, that may well be because he quoted material from them which happened to fall in with his own interests. For Timaeus himself the situation is a little better, though by no means wholly satisfactory. Jacoby lists over a hundred and fifty attested fraqments of the historian. -
THE MATHEMATICAL COSMOLOGY of PLATO's TIMAEUS Introduction
THE MATHEMATICAL COSMOLOGY OF PLATO’S TIMAEUS [419] Introduction In this paper I argue that Plato’s Timaeus should be understood in light of the purportedly Socratic ‘autobiography’ in Phaedo 96–100, even though the Apology claims that Socrates took little or no interest in cosmological speculation. Extant reports (Met. 987b1–3) about Socrates’ philosophical activity also testify to his lack of interest in mathematics and in physics, while the early ‘Socratic’ dialogues consistently con ne him to pursuing moral questions by means of his famous elenctic method. By contrast, the Meno presents a ‘Socrates’ who uses mathematical diagrams to teach a slave boy something about geometry, so as to illustrate and defend a theory of recollection which can hardly be attributed to the historical Socrates. Finally the Phaedo, which develops a more elaborate version of this theory, the so- called ‘autobiography’ of Socrates, tells about an early interest in cosmological speculation which he gave up in disappointment because it failed to answer his questions. This inconsistency in the representation of Socrates I see as a clear hint that in the Meno and Phaedo Plato is self-consciously going beyond his mentor by introducing the hypothetical method of mathematics, combined with a metaphysical and epistemological theory of recollection. Furthermore, I claim that the so-called ‘autobiographical’ passage in the Phaedo can be treated as Plato’s own path to the cosmological theory which is developed fully in the Timaeus. Since this cosmology is narrated by a Pythagorean from Sicily in the sort of ‘long speech’ which Socrates deplored, it is quite clear that Plato has abandoned any pretence of merely expanding the ideas of his mentor. -
The Theodicy of Plato's Timaeus
Georgia State University ScholarWorks @ Georgia State University Philosophy Theses Department of Philosophy 8-10-2021 Reincarnation and Rehabilitation: the Theodicy of Plato's Timaeus John Garrett Follow this and additional works at: https://scholarworks.gsu.edu/philosophy_theses Recommended Citation Garrett, John, "Reincarnation and Rehabilitation: the Theodicy of Plato's Timaeus." Thesis, Georgia State University, 2021. https://scholarworks.gsu.edu/philosophy_theses/298 This Thesis is brought to you for free and open access by the Department of Philosophy at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Philosophy Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. REINCARNATION AND REHABILITATION: THE THEODICY OF PLATO’S TIMAEUS by JOHN GARRETT Under the Direction of Timothy O’Keefe, PhD A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the College of Arts and Sciences Georgia State University 2021 ABSTRACT Plato wonders why a good God might allow the existence of evil. This problem is especially pertinent to his dialogue Timaeus, in which Plato describes the creation of the cosmos by a benevolent divine craftsman called the Demiurge. A justification for why God allows evil to exist is called a theodicy. Readers of the Timaeus have interpreted the theodicy of this dialogue in many ways. After showing the shortcomings of some common interpretations, I offer a largely original interpretation of the theodicy of the Timaeus. I claim that in the Timaeus evil is caused by conflict between souls, and this conflict is something that the good (but not omnipotent) Demiurge could not avoid. -
PLATO's NATURAL PHILOSOPHY: a Study of the Timaeus-Critias
Cambridge University Press 978-0-521-06748-5 - Plato’s Natural Philosophy: A Study of the Timaeus-Critias Thomas Kjeller Johansen Excerpt More information Introduction: Plato’s tales of teleology The ancient covenant is in pieces; man knows at last that he is alone in the universe’s unfeeling immensity, out of which he emerged only by chance. His destiny is nowhere spelled out, nor is his duty. The kingdom above or the darkness below; it is for him to choose.1 Does the universe support our moral endeavours? Does the world, as we know it, give us reason to think that we will be better off, happier, more thriving, if we pursue a course of moral probity than if we do not? Does the universe make us feel at home as moral agents? Does goodness or beauty figure in the world independently of us? Can we learn something about how to live our lives from observing the universe? Many today would agree with Jacques Monod in answering ‘no’ to all of these questions. We live in an ‘unfeeling’ universe. The world is insensitive to our moral concerns. Values are mere human ‘constructs’, which the universe at best is indifferent to and at worst undermines. Reading Plato we are brought back to a world in which the ‘ancient covenant’, the moral agreement between man and the universe, still holds. It is a tenet of Plato’s thought that man is not alone in the universe with his moral concerns. Goodness is represented in the universe. We can there- fore learn something about goodness by studying the cosmos. -
The Ecology O Critias and Platonic Metaphysics
Marquette University e-Publications@Marquette Philosophy Faculty Research and Publications Philosophy, Department of 1-1-1997 The cologE y o Critias and Platonic Metaphysics Owen Goldin Marquette University, [email protected] Published version. "The cE ology of Critias and Platonic Metaphysics," in The Greeks and the Environment by Laura Westra and Thomas More Robinson. Lanham (Md.) ; New York ; Boulder (Colo.) [etc] : Rowman & Littlefield publ., cop. 1997: 73-82. reproduced by permission of Rowman & Littlefield Publisher link. © 1997 Rowman & Littlefield. All rights reserved. Please contact the publisher for permission to copy, distribute or reprint. 6 The Ecology of Critias and Platonic Metaphysics Owen Goldin lato cannot be said to have been an ecologist. That is to say, his bio Plogical stu.dies did not attend to the relations between living beings and their environment. Our evidence for Plato's biological thought is almost exclusively found in the Timaeus, which considers particular living beings as images of Form. Each living being is a copy of the Form of some particular animal, and all of these forms are parts of the Form of Animal (or Living Being) as such, of which the cosmos as a whole is said to be a copy (30c-d). Each of the copies is a body vivified by soul, whose proper motions are the regular cyclical motions of thinking (36d-37d, 42e-44d). Human beings are teleologically organized to allow these cyclical soul motions to occur with as little bodily interference as possible (47a-e). All other living things are understood as deformed versions of humans (42b-d, 91d-92c).