Peter Alderliesten Nce Film Editor
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Deliverable D2.4 As
Ref. Ares(2021)220364 - 11/01/2021 Deliverable D2.4 Database of Films, Artworks, and other Visual Culture Products Lead-beneficiary OFM Work Package No. and Title WP2 Curation and advanced digitization of assets Work Package Leader OFM Relevant Task Task 2.8 Curation and advanced digitization of popular culture content Task Leader HUJI Main Author(s) HUJI (Tobias Ebbrecht-Hartmann, Lital Henig, Noga Stiassny) Contributor(s) DFF (Kerstin Herlt, David Kleingers, Bianca Sedmak) HUJI (Talia Litvinov, Shir Ventura, Julia Marie Wittorf) LBI/HUJI (Fabian Schmidt) LBI (Ingo Zechner) Reviewer(s) LBI (Ingo Zechner, Sema Colpan) OFM (Anna Högner, Michael Loebenstein) Dissemination Level Public Due Date M24 (2020-12) Version (No., Date) V1.9, 2021-01-11 This project has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 822670. www.vhh-project.eu Database of Films, Artworks and other Visual Culture Content Table of Contents 1. INTRODUCTION .............................................................................................................. 3 2. THE VHH POPULAR CULTURE COLLECTION ................................................................ 4 2.1. Migrating images ........................................................................................................ 5 2.2. Representations of the Holocaust in popular culture ............................................... 7 2.3. VHH Premium Content ........................................................................................... -
Features from the Netherlands See Nl
CATALOGUE 2021 FEATURES FROM THE NETHERLANDS SEE NL Ido Abram Nathalie Mierop Director SEE NL Feature Films [email protected] [email protected] Erik Mund Marleen Labijt Children's and Youth Films NL Heritage [email protected] [email protected] Ph: +31 20 589 1400 / www.see-nl.com FEATURE FILMS 2021 2 INDEX 3 NL FEATURES No 10 49 All-in 6 Piece of My Heart 50 Anne+ 7 Pink Moon 51 Bon Bini: Judeska in da House 8 Quicksand 52 Buladó 9 Red 53 Captain Nova 10 Sea of Time 54 Casa Coco 11 Sisyphus at Work 55 Casanovas 12 Stranger’s Arms 56 Dirkje Bakkes, Nettle Specialist 13 El Houb 14 MINORITY CO-PRODUCTIONS Feast 15 Anatomy of Time 58 FEMI 16 Arnold Is a Model Student 58 I Don’t Wanna Dance 17 Benedetta 59 If yes, Okay 18 Best Birthday Ever 59 The Judgement 19 Chnchik 60 Love in a Bottle 20 The Consequences 60 Met Mes 21 Cool Abdoul 61 Misfit 3 22 The Dragon Girl 61 Moloch 23 EAMI – La Memoria del Monte 62 My Best Friend Anne Frank 24 Everything Will Change 62 My Father Is an Airplane 25 Feathers 63 Pregnant & Co 26 The Ghastly Brothers 63 Sinkhole 27 Home 64 Soof 3 28 A House in Jerusalem 64 Splendid Isolation 29 Huda’s Salon 65 Sputum 30 I Am Zlatan 65 When Forever Dies 31 The Last Ones 66 My Dad Is a Sausage 66 MAJORITY CO-PRODUCTIONS Pleasure 67 10 Songs for Charity 34 Quo Vadis, Aida? 67 Ainbo - Spirit of the Amazon 35 Rain Anyway 68 Becoming Mona 36 Raspberries with Mustard 68 BO 37 Reply to a Letter from Helga 69 Coppelia 38 Rookie 69 Dead & Beautiful 39 Sans Soleil 70 Do Not Hesitate 40 Save Sandra 70 The East 41 Sihja, the Rebel Fairy 71 The Forgotten Battle 42 Wandering Heart 71 Hidden in the Spotlight 43 Where Is Anne Frank 72 Last Days of Spring 44 The Last Ride of the Wolves 45 NL HERITAGE Mascot 46 Cha Cha 74 Meskina 47 Character 75 Mitra 48 Hedwig, or the Cool Lakes of Death 76 Wings of Fame 77 NL FEATURES 6 NL FEATURES ALL-IN Will Koopman A group of friends decide to play a 100’ / colour dangerous game during a dinner Genre: comedy, drama Original filmtitle: ALLES OP TAFEL party. -
Film Facts & Figures
FILM FACTS & FIGURES OF THE NETHERLANDS MAY 2019 ISSUE GHF WE 2014 2015 2016 2017 2018 25+27+29+32+35TOTAL REVENUES DUTCH MARKET (M) € CONTENT 33+31+25+27+29DUTCH FEATURES PRODUCED (MIN & MAJ) NL Key Trends 2014-2018 33+34+26+27+35TOTAL DUTCH FILM PRODUCTION ACTIVITY (M) € Introduction - Review of 2018 p 4 Chapter 1 Production and Financing p 7 32+37+40+43+48FEATURE LENGTH FILMS RELEASED Chapter 2 Releases p 19 Chapter 3 International Performance and Festivals p 23 Chapter 4 Distribution p 32 29+28+26+27+33DUTCH FEATURE LENGTH FILMS RELEASED (MAJ) Chapter 5 Exhibition p 38 Chapter 6 DVD / Blu-ray / VOD p 44 31+22+27+25+23INT. FILM FESTIVALS W. DUTCH FILM SELECTION Chapter 7 Television/ MEDIA p 47 NL Key Figures 2018 p 60 31+33+34+36+36ADMISSIONS TOTAL (M) 32+31+21+22+20ADMISSIONS DUTCH FILMS (M) 25+28+29+30+31BOX OFFICE TOTAL (M) € NL KEY TRENDS 2014-2018 21+19+12+12+11LOCAL MARKET SHARE DUTCH FILMS (ADM) 2014 2015 2016 2017 2018 Total revenues Dutch market (M) € 500 532 579 628 688 Dutch features produced (min & maj) 65 62 49 54 57 30+29+24+21+22MARKET SHARE EU FILMS (ADM) Total Dutch film production activity (M) € 133.3 136.9 105.9 108.3 140.9 Feature length films released 362 371 407 432 480 Dutch feature length films released (maj) 63 55 51 54 66 32+34+38+38+38MARKET SHARE US FILMS (ADM) Int. film festivals w. Dutch film selection 620 432 540 491 452 Admissions total (M) 30.8 33 34.2 36 35.7 Admissions Dutch films (M) 6.4 6.2 4.2 4.3 3.9 Box office total (M) € 250.1 275.8 287.7 301.9 312.3 Local market share Dutch films (adm) 20.9% -
Polak's Dirty God Opens IFFR, Competes at Sundance 3 More
Polak’s Dirty God opens IFFR, competes at Sundance 3 more Dutch filmmakers in Berlin Generation Bloody Marie bathes in IFFR Limelight Van Gool’s Beast roars in Rotterdam IFFR Bright Future for Nocturne Issue #34 January 2019 Sundance, IFFR, Berlin and Clermont Ferrand issue Index COLOPHON 4-5 London calling Sacha Polak’s Dirty 22-23 Hats off to Huub The Hubert Bals 42-45 Series catch-up The Netherlands God opens IFFR and plays in Sundance Fund celebrates its 30th anniversary Production Incentive, as applied to high- See NL is published four times per Competition during IFFR 2019 end series for the small screen year by EYE International and The Netherlands Film Fund and is distributed to international film 6-7 Homeward bound In Ena 24-25 Long hot summer Feature 46-47 Shell shocked The latest EYE professionals. Sendijarevic’s Take Me Somewhere debutant Steven Wouterlood on My exhibition A Tale of Hidden Histories Nice, selected for IFFR Tiger Extraordinary Summer With Tess, sets out to examine how audiovisual Editors in chief: Marten Rabarts, Competition, a young woman embarks selected for Berlin Generation Kplus media can be used to explore, (EYE), Jonathan Mees (Netherlands Film Fund) upon an odyssey to visit her father back deconstruct and ‘unmask’ stories about Executive editor: Nick Cunningham in Bosnia 26-27 Such sweet sorrow Zara history Contributor: Geoffrey Macnab Dwinger’s short film Yulia and Juliet, set Concept & Design: Lava.nl 8-9 Blurred lines Viktor van der Valk’s in a youth detention centre and selected 48-49 EYE on VR EYE’s -
Dutch Post-War Fiction Film Through a Lens of Psychoanalysis
FRAMING PETER VERSTRATEN FILM DUTCH POST-WAR FICTION PETER VERSTRATEN FILM THROUGH A LENS OF PSYCHOANALYSIS DUTCH POST-WAR FICTION FILM THROUGH A LENS OF PSYCHOANALYSIS Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a DUTCH POST-WAR FICTION FILM POST-WAR DUTCH Peter Verstraten is Assistant THROUGH A LENS OF PSYCHOANALYSIS sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, Professor of Film and Literary 2016), but the two studies can be read separately. Because of the Studies at Leiden University. sheer variety of Fons Rademakers’ oeuvre, which spans ‘art’ cinema His publications include and cult, genre film and historical epics, each chapter will start with Film Narratology (2009) and one of his titles to introduce a key concept from psychoanalysis. It is Humour and Irony in Dutch an oft-voiced claim that Dutch cinema strongly adheres to realism, Post-war Fiction Film (2016). Together with directors of but this idea is put into perspective by using psychoanalytic theories photography Richard van on desire and fantasy. In the vein of cinephilia, this study brings Oosterhout and Maarten together canonical titles (Als twee druppels water; Soldaat van Oranje) van Rossem, he co-edited and little gems (Monsieur Hawarden; Kracht). It juxtaposes among Shooting Time (2012), a others Gluckauf and De vliegende Hollander (on father figures); volume on cinematography. Flanagan and Spoorloos (on rabbles and heroes); De aanslag and He is a regular contributor to Senses of Cinema. Leedvermaak (on historical traumas); and Antonia and Bluebird (on aphanisis). FRAMING AUP.nl FILM 9789463725330 Eye Filmmuseum DUTCH POST-WAR FICTION FILM THROUGH A LENS OF PSYCHOANALYSIS FRAMING FILM FRAMING FILM is a book series dedicated to theoretical and analytical studies in restoration, collection, archival, and exhibition practices in line with the existing archive of Eye Filmmuseum. -
Film Facts and Figures 2018
FILM FACTS & FIGURES OF THE NETHERLANDS MAY 2018 ISSUE GHF 2013 2014 2015 2016 2017 LIFE QUARTER 25+25+26+29+32TOTAL REVENUES DUTCH MARKET (M) € CONTENT 26+33+31+25+27DUTCH FEATURES PRODUCED NL Key Trends 2013-2017 P 02 24+33+34+26+27TOTAL DUTCH FILM PRODUCTION ACTIVITY (M) € Introduction - Year 2017 in Review P 04 Chapter 1 Production and Financing P 07 35+36+37+40+43FEATURE LENGTH FILMS RELEASED Chapter 2 Releases P 18 Chapter 3 International Performance and Festivals P 22 Chapter 4 Distribution P 30 29+29+31+29+29DUTCH FILMS RELEASED (FEATURES & DOCS) Chapter 5 Exhibition P 36 Chapter 6 DVD / BluRay / VOD P 43 25+31+22+27+25INT. FILM FESTIVALS W. DUTCH FILM SELECTION Chapter 7 Television / MEDIA P 48 NL Key Figures 2017 P 56 31+31+33+34+36ADMISSIONS TOTAL (M) 32+32+31+21+22ADMISSIONS DUTCH FILMS (M) 31+25+28+29+30BOX OFFICE TOTAL (M) € NL KEY TRENDS 2013-2017 21+21+19+12+12LOCAL MARKET SHARE DUTCH FILMS (ADM) 2013 2014 2015 2016 2017 Total revenues Dutch market (M) € 507 500 532 579 628 Dutch features produced (min.& maj.) 52 65 62 49 54 Total Dutch film production activity (M) € 95.6 133.3 136.9 105.9 108.3 29+30+29+24+21MARKET SHARE EU FILMS (ADM) Feature length films released 353 362 371 407 432 Dutch films released 57 57 61 58 58 (features & documentaries) 34+32+34+38+38MARKET SHARE US FILMS (ADM) Int. film festivals w. Dutch film selection 494 620 432 540 491 Admissions total (M) 30.8 30.8 33 34.2 36 Admissions Dutch films (M) 6.2 6.4 6.2 4.2 4.3 Box office total (M) € 249.5 250.1 275.8 287.7 301.9 Local market share Dutch films -
Transitional Justice and the Dutch Resistance
Transitional Justice and the Dutch Resistance What does the functioning of the National Honour Court of the Resistance tell us about the practice of resistance during the occupation and its legitimization through the resistance myth afterwards? Janneke Jorna Master thesis University of Amsterdam Program: Holocaust and Genocide Studies Student number: 11077050 Supervisors: Bas von Benda-Beckmann; Johannes Houwink ten Cate ECTS: 18 Hand-in date: 1 juli 2018 Table of contents Introduction 3 Chapter 1 – Resistance and Special Justice 20 Chapter 2 – Betrayal 39 Chapter 3 – Assassination 56 Chapter 4 – Robbery 70 Conclusion 84 Bibliography 90 Photograph frontpage: The armed civilians employed by the Internal Armed Forces (possibly the family Havedings). OVGC, copyright unknown. 2 Official history, with its oversights and the vocabulary used to recount it, varies according to regimes and eras. It reflects a community’s present state of mind with respect to its past more than what really happened.1 The resistance struggling for democracy and against Nazi occupation during the Second World War is a very important part of the founding myths of the modern European states. Derived from this founding myth is the so-called resistance mythology, based on ‘redemptive violence’: violence that is ‘perceived to be necessary’.2 The image of the resistance embodied the myth of modern European states rebirth by violence.3 Two integral elements of this myth are the maintenance of national unity during the occupation period and the recovery afterwards. In each country, different forms of unified resistance appeared, similar to how the German occupation had taken different forms. Is it even possible to speak of the resistance? The Dutch historian Chris van der Heijden proposed using quotation marks, as 'the resistance' has never existed as such.4 In reality, Dutch resistance was a collection of different organizations, networks, people and activities, which did not have aligned goals or guidelines. -
PROGRAM 2019 (May 21 & 22, 2019 – Tolhuistuin Amsterdam)
PROGRAM 2019 (May 21 & 22, 2019 – Tolhuistuin Amsterdam) Buma Awards Music in Media Categories 2019 ...................................................................................... 2 Session: #Artificial Intelligence for Media Composers ............................................................................ 2 BMIM Connects: Matchmaking - Broaden your Horizons with the One on One Sessions ..................... 3 United Nations? The landscape of music composing, commissioning and placement in 2019 ............. 3 To Temp or Not to Temp? A Very Important Question... ........................................................................ 6 The End of the Internet as We (Didn’t) Know It ...................................................................................... 7 Session: Build Your Own Unparalleled Audiovisual Experience .............................................................. 8 The Potential of Noise: Conny Plank ....................................................................................................... 9 Talk by Frans Bak (Forbrydelsen aka "The Killing") ............................................................................... 10 A Biased History of Music in Advertising ............................................................................................... 11 Session: Tech as the Composers Aid ..................................................................................................... 11 The Art of Teamwork: MocroMaffia ....................................................................................................