Protective & Marine Color System
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Color Chart ® ® ® ® Closest Pantone® Equivalent Shown
™ ™ II ® Color Chart ® ® ® ® Closest Pantone® equivalent shown. Due to printing limitations, colors shown 5807 Reflective ® ® ™ ® ® and Pantone numbers ® ™ suggested may vary from ac- ECONOPRINT GORILLA GRIP Fashion-REFLECT Reflective Thermo-FILM Thermo-FLOCK Thermo-GRIP ® ® ® ® ® ® ® tual colors. For the truest color ® representation, request Scotchlite our material swatches. ™ CAD-CUT 3M CAD-CUT CAD-CUT CAD-CUT CAD-CUT CAD-CUT CAD-CUT Felt Perma-TWILL Poly-TWILL Thermo-FILM Thermo-FLOCK Thermo-GRIP Vinyl Pressure Sensitive Poly-TWILL Sensitive Pressure CAD-CUT White White White White White White White White White* White White White White White Black Black Black Black Black Black Black Black Black* Black Black Black Black Black Gold 1235C 136C 137C 137C 123U 715C 1375C* 715C 137C 137C 116U Red 200C 200C 703C 186C 186C 201C 201C 201C* 201C 186C 186C 186C 200C Royal 295M 294M 7686C 2747C 7686C 280C 294C 294C* 294C 7686C 2758C 7686C 654C Navy 296C 2965C 7546C 5395M 5255C 5395M 276C 532C 532C* 532C 5395M 5255C 5395M 5395C Cool Gray Warm Gray Gray 7U 7539C 7539C 415U 7538C 7538C* 7538C 7539C 7539C 2C Kelly 3415C 341C 340C 349C 7733C 7733C 7733C* 7733C 349C 3415C Orange 179C 1595U 172C 172C 7597C 7597C 7597C* 7597C 172C 172C 173C Maroon 7645C 7645C 7645C Black 5C 7645C 7645C* 7645C 7645C 7645C 7449C Purple 2766C 7671C 7671C 669C 7680C 7680C* 7680C 7671C 7671C 2758U Dark Green 553C 553C 553C 447C 567C 567C* 567C 553C 553C 553C Cardinal 201C 188C 195C 195C* 195C 201C Emerald 348 7727C Vegas Gold 616C 7502U 872C 4515C 4515C 4515C 7553U Columbia 7682C 7682C 7459U 7462U 7462U* 7462U 7682C Brown Black 4C 4675C 412C 412C Black 4C 412U Pink 203C 5025C 5025C 5025C 203C Mid Blue 2747U 2945U Old Gold 1395C 7511C 7557C 7557C 1395C 126C Bright Yellow P 4-8C Maize 109C 130C 115U 7408C 7406C* 7406C 115U 137C Canyon Gold 7569C Tan 465U Texas Orange 7586C 7586C 7586C Tenn. -
Federal Standard 595 Paint Spec
Federal Standard 595 Paint Spec The colors in the Federal Standard set have no official names, just five-digit numbers. Any names given below are generic. The first figure can be 1,2 or 3 and indicates the level of sheen: . 1 = gloss . 2 = semi gloss . 3 = matt The second figure of the code indicates a general color classification group; 0 = Brown 5 = Blue 1 = Red 6 = Grey 2 = Orange 7 = Other (white, black, violet, metallic) 3 = Yellow 8 = Fluorescent 4 = Green The remaining figures (third to fifth) combined into a number indicate the intensity. Lower value indicates a darker color, higher value - a lighter color, with no other significance. The numbers have been assigned with gaps to allow addition of new colors. Fed-Std-595 is a color collection, not a complete color system, and this has the following implications: . The existence of a color chip 1xxxx in the FS Fan Deck doesn't imply that there is a color chip for 3xxxx. However, references to such "virtual" chips built on the principle "same color, but different sheen" is a widespread practice. The FS in not extensible, i.e. it does not allow to derive new colors form the existing ones. Thus, if you compare i.e. RLM colors to FS codes, you can only refer to the nearest existing FS color, which most often isn't a perfect match. In practice, the FS set is extensive enough to find a good-enough match for almost any color. The following chart is a reference guide only to give you an idea as to the approximate color. -
Safety Color Guide
SAFETY COLOR GUIDE Safety Color Codes For Physical Hazards And Pipe Identification Conforms to OSHA and ANSI Standards Safety Colors SAFETY RED SAFETY GREEN Fire protection equipment Safety Containers of flammable liquids First aid equipment Lights at barricades and obstructions Safety bulletin boards Stop bars and switches on machinery Gas masks Fire alarm boxes Stretchers Fire exit signs Safety deluge showers Sprinkler piping BLACK & WHITE SAFETY ORANGE Traffic and housekeeping markings Dangerous parts of machinery Dead ends of aisles or passageways Inside of movable guards Stairways Safety starting buttons Directional signs Exposed parts Refuse cans SAFETY YELLOW Caution, physical hazard Construction equipment SAFETY PURPLE Handrails, Guardrails Designates radiation hazards. Often used Material Handling Equipment in combination with yellow on tags, labels, Piping systems containing dangerous materials signs, and floor markers. Waste containers Exposed, unguarded edges SAFETY BLUE For more information please reference: Caution, equipment under repair OSHA 29 CFR 1910.144, Warnings should be located at the starting point or power source of Safety Color Code for Marking Physical Hazards machinery. ANSI Z535.1, Safety Color Code Recommended Standards for Color Coding SERVICE SCHEDULE SYSTEM 4000 COLOR BANDS WATER LINES Raw Water Olive Green 4070 Generator Green Settled or Clarified Water Aqua 4068 Alloy Aqua Finished or Potable Water Dark Blue 4086 Safety Blue Sprinklers Dark Red 4081 Safety Red Suction Line (Pump Stations) Mid Blue 4063 -
1 = Gloss 2 = Semi Gloss 3 = Matt 0 = Brown 5 = Blue 1 = Red 6 = Grey
Federal Standard 595 Paint Spec Information The following information is made available to our customers as a reference point only. See below for how to request the 595 specification from the US Government. Contact your paint manufacturer such as Sherwin Williams for paint or additional information. The colors in the Federal Standard set have no official names, just five-digit numbers. Any names given below are generic. The first figure can be 1,2 or 3 and indicates the level of sheen: 1 = gloss 2 = semi gloss 3 = matt The second figure of FS code indicates a general color classification group; 0 = Brown 5 = Blue 1 = Red 6 = Grey 2 = Orange 7 = Other (white, black, violet, metallic) 3 = Yellow 8 = Fluorescent 4 = Green The remaining figures (third to fifth) combined into a number indicate the intensity. Lower value indicates a darker color, higher value - a lighter color, with no other significance. The numbers have been assigned with gaps to allow addition of new colors. Fed-Std-595 is a color collection, not a complete color system. How To Request the Spec, Fan Deck, or Paint Chips You can request a copy of the 595 spec, Fan Deck or Paint Chips by contacting the GSA Federal Supply Service Bureau Specification Section at 202-619-8925. These can also be ordered from http://assist.daps.dla.mil. Search on Fed-Std-595. This chart is a reference guide only to give you an idea as to the approximate color. Colors on computer screens may vary based on the graphics card and monitor used in your system. -
RAL Colour Chart
RAL COLOURS RAL 1000 Green beige RAL 1001 Beige RAL 1002 Sand yellow RAL 1003 Signal yellow RAL 1004 Golden yellow RAL 1005 Honey yellow RAL 1006 Maize yellow RAL 1007 Daffodil yellow RAL 1011 Brown beige RAL 1012 Lemon yellow RAL 1013 Oyster white RAL 1014 Dark Ivory RAL 1015 Light Ivory RAL 1016 Sulfur yellow RAL 1017 Saffron yellow RAL 1018 Zinc yellow RAL 1019 Grey beige RAL 1020 Olive yellow RAL 1021 Rape yellow RAL 1023 Traffic yellow RAL 1024 Ochre yellow RAL 1027 Curry RAL 1028 Melon yellow RAL 1032 Broom yellow RAL 1033 Dahlia yellow RAL 1034 Pastel yellow RAL 2000 Yellow orange RAL 2001 Red orange RAL 2002 Vermilion RAL 2003 Pastel orange RAL 2004 Pure orange RAL 2008 Bright red orange RAL 2009 Traffic orange RAL 2010 Signal orange RAL 2011 Deep orange RAL 2012 Salmon orange RAL 3000 Flame red RAL 3001 Signal red RAL 3002 Carmine red RAL 3003 Ruby red RAL 3004 Purple red RAL 3005 Wine red RAL 3007 Black red RAL 3009 Oxide red RAL 3011 Brown red RAL 3012 Beige red RAL 3013 Tomato red RAL 3014 Antique pink RAL 3015 Light pink RAL 3016 Coral red RAL 3017 Rose RAL 3018 Strawberry red RAL 3020 Traffic red RAL 3022 Salmon pink RAL 3027 Rasberry red RAL 3031 Orient red RAL 4001 Red lilac RAL 4002 Red violet RAL 4003 Heather violet RAL 4004 Claret violet RAL 4005 Blue lilac RAL 4006 Traffic purple RAL 4007 Purple violet RAL 4008 Signal violet RAL 4009 Pastel violet RAL 4010 Tele magenta RAL 5000 Violet blue RAL 5001 Green blue RAL 5002 Ultramarine RAL 5003 Sapphire blue RAL 5004 Black blue RAL 5005 Signal blue RAL 5007 Brilliant blue -
Color Matters
Color Matters Color plays a vitally important role in the world in which we live. Color can sway thinking, change actions, and cause reactions. It can irritate or soothe your eyes, raise your blood pressure or suppress your appetite. When used in the right ways, color can even save on energy consumption. As a powerful form of communication, color is irreplaceable. Red means "stop" and green means "go." Traffic lights send this universal message. Likewise, the colors used for a product, web site, business card, or logo cause powerful reactions. Color Matters! Basic Color Theory Color theory encompasses a multitude of definitions, concepts and design applications. There are enough to fill several encyclopedias. However, there are basic categories of color theory. They are the color wheel and the color harmony. Color theories create a logical structure for color. For example, if we have an assortment of fruits and vegetables, we can organize them by color and place them on a circle that shows the colors in relation to each other. The Color Wheel A color wheel is traditional in the field of art. Sir Isaac Newton developed the first color wheel in 1666. Since then, scientists and artists have studied a number of variations of this concept. Different opinions of one format of color wheel over another sparks debate. In reality, any color wheel which is logically arranged has merit. 1 The definitions of colors are based on the color wheel. There are primary colors, secondary colors, and tertiary colors. Primary Colors: Red, yellow and blue o In traditional color theory, primary colors are the 3 colors that cannot be mixed or formed by any combination of other colors. -
Significant Visual Properties of Some Fluorescent Pigments
Significant Visual Properties of Some Fluorescent Pigments D. R. HANSON and A. D. DICKSON Minnesota Mining & Manufacturing Company, St. Paul High objed visibility is a necessary characteristic of traffic control devices and a significant factor in highway safety. Flu orescent pigments possess unique physical properties that pro vide high visibility characteristics not provided by conventional pigments. As a result, fluorescent colors are now used for safety markings and to a limited extent in the traffic field. This study compares the daylight visibility properties of fluorescent and conventional pigments. Fluorescent and conventional pigments have substantially different spectral energy radiation patterns. Fluorescent pig ments absorb energy from the near visible ultraviolet blue and green region of the electromagnetic spectrum and reemit this energy in a very narrow band of the spectrum. Conventional pigments simply absorb and reflect incident light. The prop erties of a selected group of fluorescent and conventional pig ments are shown, as well as the spectral response of the human eye and various source illumination distributions. The field study considered variations of daylight energy dis tribution under clear and overcast sky conditions, representa tive solar altitudes, and the cardinal directions. Two fluores cent and four conventional high visibility pigments we·re viewed against representative backgrounds. Detection and identifica tion of fluorescent pigments are comparable to conventional high visibility pigments under optimum viewing conditions; how ever, fluorescent pigments show a substantial improvement as illumination levels decrease or when the target situation is least advantageous. •NUMEROUS STUDIES by Armed Forces research groups and others have established that, under natural illumination, objects marked with fluorescent pigments have greater average conspicuity than those marked with conventional pigments. -
Awlgrip Color Chart
742 PAINT Sea Foam Boston Whaler Blue Island Turquoise Teal Brightside Teal Atlantic Blue H4256 ⁄ F4101 H5462 ⁄ F5323 H5723 ⁄ F5624 H5328 ⁄ F5252 H4264 ⁄ F4281 H5566 ⁄ F5623 Light Blue Sky Blue Bahama Blue Pigeon Blue Stars and Stripes Petrol Blue H5570 ⁄ F5516 G5014 ⁄ F5256 G5036 ⁄ F5418 H5511 ⁄ F5538 Blue H5627 ⁄ F5476 H5161 ⁄ F5194 Empress Blue Marlin Blue Ocean Blue Largo Blue Lauderdale Blue Navy Blue G5041 ⁄ F5264 G5011 ⁄ F5015 H5545 ⁄ F5622 H5732 ⁄ F5625 H5543 ⁄ F5566 G5001 ⁄ F5028 PAINT Royal Blue Aristo Blue Carinthia Blue Flag Blue Dark Blue Mauritius Blue G5007 ⁄ F5011 G5003 ⁄ F5010 H5342 ⁄ F5359 G5002 ⁄ F5014 H5524 ⁄ F5385 H5615 ⁄ F5422 Jade Mist Green Donegal Green Dark Green Timeless Green Majestic Blue Midnight Blue H4089 ⁄ F4114 H4492 ⁄ F4279 H4024 ⁄ F4121 H4413 ⁄ F4168 H5409 ⁄ F5275 H5346 ⁄ F5381 PLEASE CHECK PRICING AND AVAILABILITY OF YOUR CHOSEN COLOR WITH YOUR LOCAL SUPPLIER Item# www.awlgrip.com facebook.com/awlgripfinishfirst twitter.com/awlgrip List AwlGrip_Color Cards_1 NaN Awlcraft, Awlgrip, and the AkzoNobel logo are trademarks of AkzoNobel. © AkzoNobel 2014. ITEM NUMBERS IN RED "3&)";"3%064t*5&.4*/BLUE "3&/&8t*5&.4"3&450$,&%*/0638"3&)064&4#"4&%0/3&(*0/"-%&."/%*'"/*5&.*4/05*/450$,"5"-0$"-8"3&)064& "%%*5*0/"-$)"3(&4.":"11-: PAINT 743 AWLGRIP / AWLCRAFT 2000: COLOR INSPIRATIONS Bertram White Sand White Chalky White Morrinsville Double Cream Lunar White H8464 ⁄ F8510 H8428 ⁄ F8286 H8337 ⁄ F8183 H8647 ⁄ F8445 H8002 ⁄ F8016 H8413 ⁄ F8281 Hatteras Off-White Hatteras Off-White 4208 Biscuit Bristol Beige Grand Banks -
International Orange: 15 Artists Respond to the Golden Gate Bridge by Alyson Kuhn July 30, 2012
International Orange: 15 artists respond to the Golden Gate Bridge By Alyson Kuhn July 30, 2012 The Golden Gate Bridge opened to traffic on May 27, 1937. The International Orange exhibition — named after the bridge’s original paint color — opened 75 years later, on May 25, 2012. International Orange is inside Fort Point, a Civil War-era fort literally in the shadow of the San Francisco side of the bridge. Sixty thousand visitors enjoyed the show in its first nine weeks, including me. In a minute, I will rave about the projects of three artists whose primary material is … paper: life-sized paper gowns, a boutique where everything is International Orange and nothing is for sale, and a fact-packed magazine called Average. All extraordinary. Fort Point is gigantic, historic and not climate-controlled. It is usually windy and frequently foggy at this edge of the continent. The ambiance is intense — and this is part of what thrilled project curator Cheryl Haines about developing the exhibition here. Haines is the founding executive director of the FOR-SITE Foundation, whose tagline is “Art about place.” We chatted with Haines and Marnie Burke de Guzman, managing project director, about this massive undertaking. Can we start by talking about this location, location, location? Marnie Burke de Guzman: Many people who have lived in San Francisco forever have never been inside Fort Point. FOR-SITE’s goal is to have the art really underscore the history of any place we do an installation. The fort has been open on the weekend for many years, but most people have no idea what’s inside. -
Distributor Product Listing
DISTRIBUTOR PRODUCT LISTING Effective: April 2020 Phone - 800-955-6887 Fax - 800-999-3908 Email Purchase Orders to [email protected] Email Work Orders to [email protected] Email Sample Requests to [email protected] We appreciate your business! www.mcrsafety.com #weprotectpeople 2 PRODUCT GUIDE INDEX General Information Page(s) New Items - All products 3-5 Gloves for Food Processing Applications/What is Medical Grade 18 Hand Protection Test Method 26 Cut Score Matrix 72-75 Customizing Fees / General Information / Terms and Conditions 76-77 Vending Gear 6 Gloves Multitask Hand Protection 7-10 Leather Hand Protection 11-15 Welding Apparel/Hand Protection 16-17 Unsupported Hand Protection 19-20 Supported (Liquid/Chemical) Hand Protection 21-22, 34-37 Cotton Hand Protection 23-25 Cut Protection 26-32 String Knit Hand Protection 32-33 Coated Seamless Knit 34-35 Lens Type and Applications 38 Glasses Eyewear Accessories (Cases, Cords, Cleaning), Displays 39 Head Gear, Face Shields 40 Goggles 41 Protective Eyewear 42-55 Magnification Lens Options 56 Garments Common Applications for Garments 57 Flame Resistant Apparel 58-59 Welding Limited Flame Resistant Apparel 60 Disposable Clothing, Boots, Hats, Pants 60-61 T-shirts, High Visibility Safety Vests 61-63 Rainwear Protective Clothing by type of Style 64-67 Hats, Ponchos, Aprons, Sleeves, High Visibility Polypropylene Fencing 68 Rainwear Protective Clothing by type of Garment 69-71 What MCR Safety Offers You We Support our Distributors with exceptional resources: Two distribution facilities - Tennessee services most of our 9 adjoining states with next day LTL service; the east coast and Midwest with two day service. -
Essays on Colour
Essays on Colour ESSAYS ON COLOUR A collection of columns from Cabinet Magazine Eleanor Maclure Introduction For every issue the editors of Cabinet Magazine, an American quarterly arts and culture journal, ask one of their regular contributors to write about a specific colour. The essays are printed as Cabinet’s regular Colours Column. To date, forty-two different colours have been the subject of discussion, beginning with Bice in their first ever issue. I first encountered Cabinet magazine when I stumbled upon Darren Wershler-Henry’s piece about Ruby, on the internet. I have since been able to collect all of the published columns and they have provided a wealth of knowledge, information and invaluable research about colour and colour names. Collectively, the writings represent a varied and engaging body of work, with approaches ranging from the highly factual to the deeply personal. From the birth of his niece in Matthew Klam’s Purple, to a timeline of the history of Lapis Lazuli mining in Ultramarine by Matthew Buckingham, the essays have provided fascinating insights into a whole range of colours, from basic terms such as black and red, to the more obscure: porphyry and puce. While some focus very much on the colour in question, others diverge into intricate tales of history, chemistry or geopolitics. There are personal anecdotes, legends and conspiracies, but more than that, the essays demonstrate the sheer diversity of ways we can talk about colour. The essays gathered here have become far more than just the background reading they began as. The aim of this book is to bring together the works, as a unique representation of the different ways we relate to, experience and interpret colours. -
I ^He Uintah and Ouray X Reservation, Originally Established by President
Uintah & Ouray Ute 185 UINTAH & OURAY UTE ' I ^he Uintah and Ouray X reservation, originally established by President Abraham Lincoln in 1861, stretches over a land trust of over one million acres in the northeastern corner of Utah. Bordered to the north by the Uintah Mountains that reach as high as 13,000 feet, the land is home to about 3,200 Northern Utes. In what the Utes call weetus ("long-ago Ute history"), twelve different bands roamed throughout Utah and Colorado as well as over northern Wyoming and New Mexico. The Spanish, who arrived around 1600 in search of gold, named them "Yutah," from which derive both "Ute" and Utah. By 1867, the six Utah Ute bands had been forced onto the Uintah reservation. They became known as the Uintah Utes, or Uintah Noochew, Noochew ("the People") being their name for 1^. themselves (Uintah & Ouray Ute Indian Tribe, a special information handout compiled by the Ute Bulletin, Vol. 30, No. 14, 26 Mar. 1996). In 1881-82 three of the six Colorado Ute bands were also relocated to the Uintah reservation (the other three bands are now known as the Southern Utes and the Ute Mountain Utes). The flag representing these Northern Ute bands is faithful to their history and their Creation story. Ferdanan Manning, Jr. designed it in 1980; it was formally adopted by tribal council resolution. Northern Ute graphic artist Robert Colorow updated it in 1991 and defined its colors: yellow as "Spanish yellow," orange as "international orange," blue as "blue-bird," and red as "brick red"; all other color references are his.