IEPF Suspense A/C – Shares Due to Be Transferred

Total Page:16

File Type:pdf, Size:1020Kb

IEPF Suspense A/C – Shares Due to Be Transferred LAKSHMI ELECTRICAL CONTROL SYSTEMS LIMITED LIST OF SHAREHOLDERS NOT CLAIMED DIVIDEND DURING LAST 7 YEARS AND DETAILS OF RELATED SHARES TO BE TRANSFERRED BY THE COMPANY TO IEPF SUSPENSE ACCOUNT SLNO FOLIO/DEMAT ID NAME DIV09 DIV10 DIV11 DIV12 DIV13 DIV14 DIV15 VALID SHARES 1 00009 PRADEEP NAGINDAS CHRISTIAN 133.00 159.00 239.00 265.00 106.00 265.00 371.00 53 2 00032 KALPANA 258.00 309.00 464.00 515.00 206.00 515.00 721.00 103 3 00044 MURUGAPPAN 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 4 00049 SANJAY RANCHHODBHAI PATEL 500.00 600.00 900.00 1000.00 400.00 1000.00 1400.00 200 5 00067 DAXA CAPITAL MARKET & CONSULTANCY P LTD 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 6 00101 RITA KATIRA 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 7 00102 SUBHASH KATIRA 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 8 00114 SRINIVASAN 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 9 00129 CHOCKALINGAM 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 10 00222 HAROON 250.00 300.00 450.00 500.00 200.00 500.00 700.00 100 11 00227 MADHU KRISHNA KARKERA 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 12 00230 CHARI 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 13 00294 ESOOF ESMAIL BADAT 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 14 00310 BHAIRAVAN 515.00 618.00 927.00 1030.00 412.00 1030.00 1442.00 206 15 00407 PRAKASH SHARMA 5.00 6.00 9.00 10.00 4.00 10.00 14.00 2 16 00514 SURYA PRABHA AHUJA 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 17 00618 SANJEEV KUMAR JOSHI 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 18 00742 SURESH KUMAR BHAIYA 5.00 6.00 9.00 10.00 4.00 10.00 14.00 2 19 00759 UMA MAHESHWARI GUDIBANDI 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 20 00763 CHERUKAT VIJAYKUMAR 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 21 00771 HANUMAN SAHAYA RAWAT 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 22 00782 RAMKUMAR 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 23 00843 MOHANLAL HORILAL GULHATI 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 24 01174 MOHAMEDBHAI DAUDBHAI GACHI 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 25 01192 NEELABEN PRAVINKUMAR PATEL 33.00 39.00 59.00 65.00 26.00 65.00 91.00 13 26 01258 SUBBAIAH 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 27 01278 CHHAYABEN DINESH PATEL 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 28 01296 IVAN D"LIMA 515.00 618.00 927.00 1030.00 412.00 1030.00 1442.00 206 29 01315 RADHIKA KRISHNAN 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 30 01316 MOHAN M.DARYENENI 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 31 01335 SHOBHA JHAWAR 5.00 6.00 9.00 10.00 4.00 10.00 14.00 2 32 01378 BABURAMAN 5.00 6.00 9.00 10.00 4.00 10.00 14.00 2 33 01506 VISALA VELAGAPUDI 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 34 01510 RADHIKA A.ARADHYE 5.00 6.00 9.00 10.00 4.00 10.00 14.00 2 35 01546 NIKUNJ ARVIND SHAH 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 36 01582 DEVAKI PARVATHI 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 37 01627 KRISHNA PRASAD GARAPATY 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 38 01640 MOHINA SATISH KULKARNI 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 39 01668 RAMESH KUMAR SONI 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 SLNO FOLIO/DEMAT ID NAME DIV09 DIV10 DIV11 DIV12 DIV13 DIV14 DIV15 VALID SHARES 40 01669 PUNAM CHAND SUNAR 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 41 01671 NAND LAL SONI 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 42 01706 SUBRAMANIAN 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 43 01708 MAGANLAL N.MEHTA 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 44 01765 MALAGI 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 45 01771 MAHESH BHOOTRA 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 46 01783 GIRIRAJ BANG 5.00 6.00 9.00 10.00 4.00 10.00 14.00 2 47 01784 RAMKRISHNA AGARWAL 25.00 30.00 45.00 50.00 20.00 50.00 70.00 10 48 01785 GAURAV AGARWAL 25.00 30.00 45.00 50.00 20.00 50.00 70.00 10 49 01792 AMARBHAI S.DANGAR 400.00 480.00 720.00 800.00 320.00 800.00 1120.00 160 50 01825 VIVEK A.R. SINDHIA 130.00 156.00 234.00 260.00 104.00 260.00 364.00 52 51 01842 SUSHIL KUMAR BHANDARI 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 52 01882 VISALA VELAGAPUDI 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 53 01885 VENKATARAMAN 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 54 01886 MAHESH BHOOTRA 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 55 01934 LOKANADHAM MOHAN 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 56 01999 MONEYLINE INVESTMENTS PVT LTD, 35.00 42.00 63.00 70.00 28.00 70.00 98.00 14 57 02016 RAMKUMAR 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 58 02077 JAMEELA BEEVI 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 59 02097 ANJANA PAULOSE 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 60 02153 ASHOK JAIN 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 61 02176 SHAKUNTALA VASANT SHAH 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 62 02197 MANDAVILLI RAMA KRISHNA RAO 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 63 02215 INDRA 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 64 02265 UMA TRIPATHI 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 65 02284 VENKATESWARAN 133.00 159.00 239.00 265.00 106.00 265.00 371.00 53 66 02322 UMESH JAGGI 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 67 02324 KUMARAN 250.00 300.00 450.00 500.00 200.00 500.00 700.00 100 68 02349 PANKAJ S.GADODIA 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 69 02353 RAMAKRISHNAMA RAJU 133.00 159.00 14.00 15.00 6.00 15.00 21.00 3 70 02382 SUBBU 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 71 02394 SRIDHAR 25.00 30.00 45.00 50.00 20.00 50.00 70.00 10 72 02497 SUNDAR 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 73 02530 PUSHPA CHECHANI 5.00 6.00 9.00 10.00 4.00 10.00 14.00 2 74 02582 ARVIND MANEKLAL MODY 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 75 02583 ARVIND MANEKLAL MODY 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 76 02605 DEBNATH BERA 250.00 300.00 450.00 500.00 200.00 500.00 700.00 100 77 02623 BHARAT JOSHI 125.00 300.00 450.00 500.00 200.00 500.00 700.00 50 78 02633 MANDAVILLI RAMAKRISHNA RAO 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 79 02664 SUBRAMANIAN 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 80 02698 MUKESH BANSAL 63.00 75.00 113.00 125.00 50.00 125.00 175.00 25 81 02952 OM PRAKASH SINGH 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 SLNO FOLIO/DEMAT ID NAME DIV09 DIV10 DIV11 DIV12 DIV13 DIV14 DIV15 VALID SHARES 82 02979 SHAH 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 83 02985 GIRISH BHANSALI 63.00 75.00 113.00 125.00 50.00 125.00 175.00 25 84 03141 RAVICHANDRA 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 85 03265 RUGMINY AMMAL 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 86 03334 DR.PARAMJIT SINGH SIDHU 250.00 300.00 450.00 500.00 200.00 500.00 700.00 100 87 03402 KESHAVLAL R.CHAUDHARI 250.00 300.00 450.00 500.00 200.00 500.00 700.00 100 88 03427 AMARNATH 500.00 600.00 900.00 1000.00 400.00 1000.00 1400.00 200 89 03487 MURALI 250.00 300.00 450.00 500.00 200.00 500.00 700.00 100 90 03711 MITRA BASU 130.00 156.00 234.00 260.00 104.00 260.00 364.00 52 91 03821 KARTHIKEYAN 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 92 03843 KAKARAPARTHY VENKATA MURUTHY RAO 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 93 03872 SOHANLAL JETHI 260.00 312.00 468.00 520.00 208.00 520.00 728.00 104 94 03894 NATHAN 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 95 03900 PARASMAL JAIN 63.00 75.00 113.00 125.00 50.00 125.00 175.00 25 96 03913 ATTAM B.OSTWAL 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 97 03939 RAJENDRA SANGAPPA HOOLAGERI 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 98 04101 AJAY KUMAR GOEL 5.00 6.00 9.00 10.00 4.00 10.00 14.00 2 99 04226 MURALI DHARAN 30.00 36.00 54.00 60.00 24.00 60.00 84.00 12 100 04227 SHOBHA GANESH BHAT 5.00 6.00 9.00 10.00 4.00 10.00 14.00 2 101 04612 SANATHANA DHARMA GURUKULAM LTD 63.00 75.00 113.00 125.00 50.00 125.00 175.00 25 102 04927 HALEEL RAHMAN 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 103 05138 MAHESH SHANTILAL PAREKH 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 104 05173 JUGAL KISHORE MARODIA 5.00 6.00 9.00 10.00 4.00 10.00 14.00 2 105 05202 ALOK MEHTA 63.00 75.00 113.00 125.00 50.00 125.00 175.00 25 106 05290 SUJATA MORADIA 63.00 75.00 113.00 125.00 50.00 125.00 175.00 25 107 05308 AYUB 30.00 36.00 54.00 60.00 24.00 60.00 84.00 12 108 05454 BHAGIRATH KRISHNA PAI 500.00 600.00 900.00 1000.00 400.00 1000.00 1400.00 200 109 05532 SUDESH CHANDER 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 110 05611 SITA MAKHARIA 5.00 6.00 9.00 10.00 4.00 10.00 14.00 2 111 05629 KAILASH MANTRY 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 112 05630 KAILASH MANTRY 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 113 05832 PRATIBHA PRAKASH KSHIRE 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 114 05903 SHIGRAM COMMERCIAL LTD 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 115 06066 JYOTI S.SATAV 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 116 06210 KAUSHAL H.MEHTA 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 117 06215 SHARMA 5.00 6.00 9.00 10.00 4.00 10.00 14.00 2 118 06222 MUTHIYALU 40.00 48.00 72.00 80.00 32.00 80.00 112.00 16 119 06230 HARESH G.PATEL 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 120 06235 ADARSH KHANNA 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 121 06281 SULTAN AHMED 250.00 300.00 450.00 500.00 200.00 500.00 700.00 100 122 06363 MANIMEGALAI 15.00 18.00 27.00 30.00 12.00 30.00 42.00 6 123 06375 SHARMA 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 SLNO FOLIO/DEMAT ID NAME DIV09 DIV10 DIV11 DIV12 DIV13 DIV14 DIV15 VALID SHARES 124 06408 UMESH KUMAR 250.00 300.00 450.00 500.00 200.00 500.00 700.00 100 125 06442 KADIRVELU 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 126 06448 NAJEEB KHAN 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 127 06519 KAMLESH BHATT 125.00 150.00 225.00 250.00 100.00 250.00 350.00 50 128 06525 SESHADRI 8.00 9.00 14.00 15.00 6.00 15.00 21.00 3 129 06696 JAYALAKSHMI 8.00 9.00 14.00 15.00 6.00 15.00 21.00
Recommended publications
  • Allotted List for Diploma in Nursing for Women Course 2020-2021 Session
    DIPLOMA IN NURSING FOR WOMEN 2020 - 2021 SESSION Chengalpet Medical College JOINED GROUP COMMUNITY SNO RANK ARNO NAME T.MARKS STATUS SCIENCE 1 11 859 REEMA M SC 80.00 SCIENCE 2 216 3628 ARUNADEVI M MBC/DNC 71.25 SCIENCE 3 410 28 SWETHA K L MBC/DNC 68.00 SCIENCE 4 494 1384 PRIYADHARSHINI S MBC/DNC 67.00 SCIENCE 5 629 3196 VENMATHI D SC 65.50 SCIENCE 6 659 375 AKSHAYA V SC 65.38 SCIENCE 7 798 2997 BAVANI E MBC/DNC 64.25 SCIENCE 8 839 1922 VARSHA K BC 63.75 SCIENCE 9 869 1402 JAYASRI S MBC/DNC 63.50 SCIENCE 10 901 2675 VAISHNAVI R MBC/DNC 63.25 SCIENCE 11 915 2583 GEETHA S MBC/DNC 63.00 SCIENCE 12 1102 1981 PAVITHRA N MBC/DNC 61.50 SCIENCE 13 1137 1914 HEMAMALINI S MBC/DNC 61.25 SCIENCE 14 1165 1830 RAJESHWARI M MBC/DNC 61.25 SCIENCE 15 1217 3055 SUSI P SC 60.75 SCIENCE 16 1304 1204 GAJALAKSHMI M SC 60.00 SCIENCE 17 1312 158 MAHALAKSHMI L SC 60.00 SCIENCE 18 1323 273 CHRISTY PRIYANKA M BC 60.00 SCIENCE 19 1391 3444 SWETHA S SC 59.50 SCIENCE 20 1421 3677 VAISHNAVI M SC 59.25 SCIENCE 21 1436 188 DEEPALAKSHMI T SC 59.13 SCIENCE 22 1467 890 CHRISTINPREMA A BC 59.00 SCIENCE 23 1565 2677 KEERTHANA S BC 58.25 SCIENCE 24 1601 2967 SHARMILA.M SC 58.00 SCIENCE 25 1630 2186 MANIMALA T MBC/DNC 57.75 SCIENCE 26 1695 3257 DEVAYANI D ST 57.50 SCIENCE 27 1724 2655 UMA G ST 57.25 SCIENCE 28 1747 2865 SOUNTHARYA R SC 57.00 SCIENCE 29 1787 365 MARIYA SELVI B BC 56.75 SCIENCE 30 1825 1440 HERSHIN S BC 56.50 SCIENCE 31 1830 203 CHRISTYPRIYA I BC 56.50 SCIENCE 32 1905 3381 AGASTHIYA A SC 56.00 SCIENCE 33 1938 1761 MANILA E SC 56.00 SCIENCE 34 1981 821 SATHIYAPRIYA
    [Show full text]
  • Of 426 AUTO YEAR IVPR SRL PAGE DOB NAME ADDRESS STATE PIN
    Page 1 of 426 AUTO YEAR IVPR_SRL PAGE DOB NAME ADDRESS STATE PIN REG_NUM QUALIF MOBILE EMAIL 7356 1994S 2091 345 28.04.49 KRISHNAMSETY D-12, IVRI, QTRS, HEBBAL, KARNATAKA VCI/85/94 B.V.Sc./APAU/ PRABHODAS BANGALORE-580024 KARNATAKA 8992 1994S 3750 425 03.01.43 SATYA NARAYAN SAHA IVRI PO HA FARM BANGALORE- KARNATAKA VCI/92/94 B.V.Sc. & 24 KARNATAKA A.H./CU/66 6466 1994S 1188 295 DINTARAN PAL ANIMAL NUTRITION DIV NIANP KARNATAKA 560030 WB/2150/91 BVSc & 9480613205 [email protected] ADUGODI HOSUR ROAD AH/BCKVV/91 BANGALORE 560030 KARNATAKA 7200 1994S 1931 337 KAJAL SANKAR ROY SCIENTIST (SS) NIANP KARNATAKA 560030 WB/2254/93 BVSc&AH/BCKVV/93 9448974024 [email protected] ADNGODI BANGLORE 560030 m KARNATAKA 12229 1995 2593 488 26.08.39 KRISHNAMURTHY.R,S/ #1645, 19TH CROSS 7TH KARNATAKA APSVC/205/94,VCI/61 BVSC/UNI OF 080 25721645 krishnamurthy.rayakot O VEERASWAMY SECTOR, 3RD MAIN HSR 7/95 MADRAS/62 09480258795 [email protected] NAIDU LAYOUT, BANGALORE-560 102. 14837 1995 5242 626 SADASHIV M. MUDLAJE FARMS BALNAD KARNATAKA KAESVC/805/ BVSC/UAS VILLAGE UJRRHADE PUTTUR BANGALORE/69 DA KA KARANATAKA 11694 1995 2049 460 29/04/69 JAMBAGI ADIGANGA EXTENSION AREA KARNATAKA 591220 KARNATAKA/2417/ BVSC&AH 9448187670 shekharjambagi@gmai RAJASHEKHAR A/P. HARUGERI BELGAUM l.com BALAKRISHNA 591220 KARANATAKA 10289 1995 624 386 BASAVARAJA REDDY HUKKERI, BELGAUM DISTT. KARNATAKA KARSUL/437/ B.V.SC./GAS 9241059098 A.I. KARANATAKA BANGALORE/73 14212 1995 4605 592 25/07/68 RAJASHEKAR D PATIL, AMALZARI PO, BILIGI TQ, KARNATAKA KARSV/2824/ B.V.SC/UAS S/O DONKANAGOUDA BIJAPUR DT.
    [Show full text]
  • Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM
    Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM Open Feedback Dialog About : Wallpapers Newsletter Sign Up 8226 films, 13750 profiles, and counting FOLLOW US ON RECENT Sync Sound and Indian Cinema Tere Naal Love Ho Gaya The lead pair of the film, in their real life, went in the The recent success of the film Lagaan has brought the question of Sync Sound to the fore. Sync Sound or Synchronous opposite direction as Sound, as the name suggests, is a highly precise and skilled recording technique in which the artist's original dialogues compared to the pair of the are used and eliminates the tedious process of 'dubbing' over these dialogues at the Post-Production Stage. The very first film this f... Indian talkie Alam Ara (1931) saw the very first use of Sync Feature Jodi Breakers Sound film in India. Since then Indian films were regularly shot I'd be willing to bet Sajid Khan's modest personality and in Sync Sound till the 60's with the silent Mitchell Camera, until cinematic sense on the fact the arrival of the Arri 2C, a noisy but more practical camera that the makers of this 'new particularly for outdoor shoots. The 1960s were the age of age B... Colour, Kashmir, Bouffants, Shammi Kapoor and Sadhana Ekk Deewana Tha and most films were shot outdoors against the scenic beauty As I write this, I learn that there are TWO versions of this of Kashmir and other Hill Stations. It made sense to shoot with film releasing on Friday.
    [Show full text]
  • Modern-Baby-Names.Pdf
    All about the best things on Hindu Names. BABY NAMES 2016 INDIAN HINDU BABY NAMES Share on Teweet on FACEBOOK TWITTER www.indianhindubaby.com Indian Hindu Baby Names 2016 www.indianhindubaby.com Table of Contents Baby boy names starting with A ............................................................................................................................... 4 Baby boy names starting with B ............................................................................................................................. 10 Baby boy names starting with C ............................................................................................................................. 12 Baby boy names starting with D ............................................................................................................................. 14 Baby boy names starting with E ............................................................................................................................. 18 Baby boy names starting with F .............................................................................................................................. 19 Baby boy names starting with G ............................................................................................................................. 19 Baby boy names starting with H ............................................................................................................................. 22 Baby boy names starting with I ..............................................................................................................................
    [Show full text]
  • Has the Advent of Social Media Ended the Culture of Superstardom in Bollywood?
    IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 11, Ver. 8 (November. 2017) PP 43-44 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Has the advent of social media ended the culture of superstardom in Bollywood? Urvi Parikh1 Ravindra Katyayan2 1Research Scholar, JJT University, Vidyanagari, Jhunjhunu, Rajasthan – 333001 2Research Guide, JJT University, Vidyanagari, Jhunjhunu, Rajasthan – 333001 [[email protected]]. Abstract: Superstar as a term is synonymous with Bollywood. The glamorous world of Bollywood has witnessed the rise of several stars, making a mark with their talent, charm and charisma. While some manage to swoon the audience over their looks, there are some who sweep them off their feet and are tagged as the Superstars of Bollywood! From Dilip Kumar to Shah Rukh Khan, B-town has many names in this list of superstars. But lately, we only have stars. The culture of superstar has become redundant. Reason? May be the advent of social media. With easy accessibility and direct contact with a star over social media has brought down the curiosity that once existed around the film stars. The kind of stardom that has been enjoyed by the likes of Rajesh Khanna, Dilip Kumar, Amitabh Bachchan, Shah Rukh Khan, Salman Khan, Aamir Khan, Akshay Kumar and Ajay Devgn, is missing with the actors of the newer generation. Keywords: Bollywood, Social Media, Shah Rukh Khan, Amitabh Bachchan, Salman Khan, Superstars of Bollywood, Twitter ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 09-11-2017 Date of acceptance: 23-11-2017 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION Indian cinema has completed a century since the first film was made by Dadasaheb Phalke back in 1917.
    [Show full text]
  • Girish Kasaravalli Film Festival 25 / 26 / 27 / 28 / 29 July 2015
    Bharatiya Vidya Bhavan Bengaluru Presents Girish Kasaravalli Film Festival 25 / 26 / 27 / 28 / 29 July 2015 • Gulabi Talkies • Naayi Neralu • Kraurya • Thayi Saheba • Ghatashraddha • Tabarana Kathe • Dweepa • Kanasembo Kudureyaneri • Haseena • Koormavatara Photo Exhibition on Girish Kasaravalli organised by Sri. K.S. Rajaram, Noted Photographer Venue : Khincha Auditorium, Bharatiya Vidya Bhavan, Race Course Road, Bengaluru - 560 001 All are cordially Invited Girish Kasaravalli Girish Kasaravalli (December 3, 1950) is a ilm director of the Kannada cinema, and a pioneer of the parallel cinema movement. Known internationally, he has won the National Film Award for Best Feature Film four times - Ghatashraddha (1977), Tabarana Kathe (1986), Thaayi Saheba (1997) and Dweepa (2002). In 2011, he was awarded Padma Shri, the fourth highest civilian award by Government of India. A gold medalist from the Film and Television Institute of India, Pune, Kasaravalli started his career in ilms with Ghatashraddha (1977). Over the next 30 years he directed 11 ilms and a tele serial. The ilm he made to fulill his diploma, Avashesh, was awarded the Best Student Film and the National Film Award for Best Short Fiction Film for that year. He has received thirteen National Film Awards. The International Film Festival of Rotterdam held a retrospective of Girish Kasaravalli's ilms in 2003. Girish Kasaravalli Film Festival - 2015 - Calendar of Events July 25, 2015, Saturday Programme 10.30 a.m. Inauguration : Smt. Umashri Hon’ble Minister for Kannada and Culture, Women and Child Development, Govt. of Karnataka Chief Guests : Dr. L. Hanumanthaiah, Ex MLC, Chairman, Kannada Development Authority Dr. Vijaya, Noted Film Journalist Smt.
    [Show full text]
  • II : Women's Studies K-3718 ±Üâ.£.®Æãà./P.T.O
    Test Paper : II T EST BOO Test Subject : women’s studIES Test Subject Code : K-3718 K LET Roll No. SE RIA (Figures as per admission card) L N O OMR Sheet No. : ____________________ . Name & Signature of Invigilator/s Signature : _________________________________ Name : _________________________________ Time : 2 Hours Maximum Marks : 200 Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 100 A»Ü¦ìWÜÚWæ ÓÜãaÜ®æWÜÙÜá Instructions for the Candidates 1. D ±Üâo¨Ü ÊæáàÆᤩ¿áÈÉ J¨ÜXst ÓܧÙܨÜÈÉ ¯ÊÜá¾ ÃæãàÇ… ®ÜíŸÃÜ®Üá° ŸÃæÀáÄ. 1. Write your roll number in the space provided on the top of this page. 2. D ±Ü£ÅPæ¿áá ŸÖÜá BÁáR Ë«Ü¨Ü ®ÜãÃÜá (100) ±ÜÅÍæ°WÜÙÜ®Üá° JÙÜWæãíw¨æ. 2. This paper consists of Hundred multiple-choice type of questions. 3. ±ÜÄàPæÒ¿á ±ÝÅÃÜí»Ü¨ÜÈÉ, ±ÜÅÍæ° ±ÜâÔ¤Pæ¿á®Üá° ¯ÊÜáWæ ¯àvÜÇÝWÜáÊÜâ¨Üá. Êæã¨ÜÆ 5 ¯ËáÐÜWÜÙÜÈÉ 3. At the commencement of examination, the question booklet will be given ¯àÊÜâ ±ÜâÔ¤Pæ¿á®Üá° ñæÃæ¿áÆá ÊÜáñÜᤠPæÙÜX®Üíñæ PÜvÝx¿áÊÝX ±ÜÄàQÒÓÜÆá PæãàÃÜÇÝX¨æ. to you. In the first 5 minutes, you are requested to open the booklet and (i) ±ÜÍæ°±ÜâÔ¤PæWæ ±ÜÅÊæàÍÝÊÜPÝÍÜ ±Üvæ¿áÆá, D Öæã©Pæ ±Üâo¨Ü Aíb®Ü ÊæáàÈÃÜáÊÜ compulsorily examine it as below : ±æà±ÜÃ… ÔàÆ®Üá° ÖÜÄÀáÄ. ÔrPÜRÃ… ÔàÇ… CÆÉ¨Ü A¥ÜÊÝ ñæÃæ¨Ü ±ÜâÔ¤Pæ¿á®Üá° (i) To have access to the Question Booklet, tear off the paper seal on ÔÌàPÜÄÓܸæàw. the edge of the cover page. Do not accept a booklet without sticker (ii) ±ÜâÔ¤Pæ¿áÈÉ®Ü ±ÜÅÍæ°WÜÙÜ ÓÜíTæ ÊÜáñÜᤠ±ÜâoWÜÙÜ ÓÜíTæ¿á®Üá° ÊÜááS±Üâo¨Ü ÊæáàÇæ seal or open booklet.
    [Show full text]
  • FORM 9 List of Applications for Inclusion Received in Form 6
    ANNEXURE 5.8 (CHAPTER V , PARA 25) FORM 9 List of Applications for inclusion received in Form 6 Designated location identity (where Constituency (Assembly/£Parliamentary): Mettur Revision identity applications have been received) 1. List number@ 2. Period of applications (covered in this list) From date To date 16/11/2020 16/11/2020 3. Place of hearing * Serial number$ Date of receipt Name of claimant Name of Place of residence Date of Time of of application Father/Mother/ hearing* hearing* Husband and (Relationship)# 1 16/11/2020 Aravind S Senthilnathan (F) 1/15-6-1, Marriyamman Kovil Street, Kolathur, , 2 16/11/2020 MEENALOSANI ANANDKUMAR (H) 6/112, MASILAPALAIYAM, SAMPALLI, , 3 16/11/2020 Balakrishnan k Kuppusamy k Kuppusamy 361, Panjankadu, Poraiyur, , Balakrishnan k k (F) 4 16/11/2020 mahendran ramesh (F) 154/60a6, kavery nagar , mettur dam , , 5 16/11/2020 santhru santhru Mariyappan Ellammal (F) 13/k6A2, Sakthi Nagar, mariyappan komburan kadu, Mettur dam, , 6 16/11/2020 SABARINATHAN SOUNDAPPAN (F) 2-10, Marichetti compond, chinthamaniyur, , 7 16/11/2020 MANIMEGALAI SABARINATHAN (H) 2-10, Marichetti compond, chinthamaniyur, , 8 16/11/2020 SOUDESHWARI SOUNDAPPAN (H) 2-10, Marichetti compond, chinthamaniyur, , £ In case of Union territories having no Legislative Assembly and the State of Jammu and Kashmir Date of exhibition at @ For this revision for this designated location designated location under Date of exhibition at Electoral * Place, time and date of hearings as fixed by electoral registration officer rule 15(b) Registration Officer¶s Office under $ Running serial number is to be maintained for each revision for each designated rule 16(b) location # Give relationship as F-Father, M=Mother, and H=Husband within brackets i.e.
    [Show full text]
  • 21 Aug Page 07.Qxd
    SWAPNIL SANSAR, ENGLISH WEEKLY,LUCKNOW, 28,MARCH, (07) Tragedy Queen of Indian Cinema Contd.From Page no.06 the film's music and lyrics were by Roshan and Sahir to August, Meena Kumari was in the hands of Dr. Sheila Sherlock.Upon Ludhianvi and noted for songs such as "Sansaar Se Bhaage Phirte Ho" and recovery, Meena Kumari returned to India in September 1968 and on the fifth "Mann Re Tu Kaahe". Ghazal directed by Ved-Madan, starring Meena Kumari day after her arrival, Meena Kumari, contrary to doctors' instructionsAAfter their and Sunil Dutt, was a Muslim social film about the right of the young generation marriage, Kamal Amrohi allowed Meena Kumari to continue her actiresumed to the marriage of their choice. It had music by Madan Mohan with lyrics by work. Suffering from cirrhosis of the liver, although Meena Kumari temporarily Sahir Ludhianvi, featuring notable filmi-ghazals such as "Rang Aur Noor Ki recovered but was now much weak and thin. She eventually shifted her focus Baraat", performed by Mohammed Rafi and "Naghma O Sher Ki Saugaat" on more 'acting oriented' or character roles. Out of her last six releases namely performed by Lata Mangeshkar. Main Bhi Ladki Hoon was directed by A. C. Jawab, Saat Phere, Mere Apne, Dushman, Pakeezah & Gomti Ke Kinare, she Tirulokchandar. The film stars Meena Kumari with newcomer Dharmendra. only had a lead role in Pakeezah. In Mere Apne and Gomti Ke Kinare, although Critical acclaim (1962) Sahib Bibi Aur she didn't play a typical heroine role, but her character was actually the central Ghulam (1962) character of the story.
    [Show full text]
  • Cherubic Baby
    The time evolution of iconographic conventions in the public sphere is a fascinating thing. Of course it is obvious that a more relevant sphere of enquiry is the origin of specific iconographic patterns and their semiotic significance. But that is something for the semioticians and culture theorists of the popular to decipher. I am instead fascinated by how these conventions evolve-why some things don’t change while others change radically in a fairly short time frame? Anyone passing through a small town in North India can’t help notice the proliferation of fruit juice sellers. I am not talking about the seasonal sugarcane juice sellers but instead fixed shops which run through the year. These establishments, which came into being in a big way in the late seventies-early eighties, were aided by two technological developments-one, the introduction of the “mixie” at affordable prices and second the availability of fruits and vegetables from distant parts of the country because of the transport revolution. The mixie, in reality a pseudo food processor became common as a kitchen appliance only when relatively cheap local clones began to be sold. The fruit juice seller would sell mango milk shakes and some other juices during the summers, “mausami” juice through the year (since this has an almost totemic hold on our psyche as “the” health drink) and carrot and pomegranate juice in the winters. It is important to realize that until the introduction of packaged fruit juices, juice was considered a relative luxury-one had seasonal fruit at home but juice was something for the ailing (anyone would recall the cluster of fruit juice sellers outside of hospitals- and papaya vendors of course!).
    [Show full text]
  • Bollywood Sounds
    Bollywood Sounds Bollywood Sounds The Cosmopolitan Mediations of Hindi Film Song Jayson Beaster-Jones 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Oxford University Press 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Beaster-Jones, Jayson. Bollywood sounds : the cosmopolitan mediations of Hindi film song / Jayson Beaster-Jones. pages cm Includes bibliographical references and index. ISBN 978–0–19–986254–2 (pbk.
    [Show full text]
  • National Conference
    I.T.S. Engineering College & COMMUNE Jointly announce COMMUNE CACCS 2012 “COMMUNE Conference on Advancements in Communication & Computing Systems” (March 24-25, 2012) Visit us at: www.thecommune.info, E-Mail us at: [email protected] Venue: I.T.S. Engineering College, Knowledge Park III, Gr. Noida COMMUNE - The technical society founded in 2007 by I.T.S Group of Institutions started in the year 1995 with a academicians, researchers and practicing engineers, steps single campus at Mohan Nagar, Ghaziabad and then had spread ahead with its key objective of enhancing the research its wings to create the second campus in the year 2000 at capabilities in India by stimulating a highly interactive Muradnagar and two more campuses at Gr. Noida in the year environment through its platform to exchange the state-of-art 2006. The Group now has 8 institutions, more than 700 full technologies and amalgamating the highly technical expertise time faculty members and 8000 strong students fraternity. from the academia and industry. COMMUNE team has been formulated concentrating on the I.T.S Engineering College, a part of I.T.S Group of Institutions inclusion of professionals from the academia as well as came into functioning in 2006 at Knowledge Park, Gr. Noida. industry. Online infrastructure has been framed for managing Presently, this college is running B.Tech. programme in various events such as conferences/seminars/workshops Computer Science & Engg., Electronics & Communication considering the online submission of papers, thorough review Engg., Electrical & Electronics Engg., Mechanical Engg. and processes, publications and pre and post event communication Information Technology.
    [Show full text]