Top 40 Singles Top 40 Albums
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Elton John Tumbleweed Connection Mp3, Flac, Wma
Elton John Tumbleweed Connection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Tumbleweed Connection Country: Japan Released: 2001 Style: Ballad, Classic Rock MP3 version RAR size: 1542 mb FLAC version RAR size: 1114 mb WMA version RAR size: 1806 mb Rating: 4.2 Votes: 445 Other Formats: WMA MIDI AUD MP4 APE XM ASF Tracklist Hide Credits Ballad Of A Well Known Gun Acoustic Guitar, Lead Guitar – Caleb QuayeBacking Vocals – Dusty Springfield, Kay A1 4:59 Garner, Lesley Duncan, Madeline Bell, Tony Burrows, Tony HazzardBass Guitar – Dave Glover*Drums, Percussion – Roger PopePiano – Elton John Come Down In Time A2 Acoustic Bass – Chris LaurenceAcoustic Guitar – Les ThatcherBass Guitar – Herbie 3:25 FlowersDrums – Barry MorganHarp – Skaila KangaOboe – Karl Jenkins Country Comfort Acoustic Guitar – Caleb QuayeAcoustic Guitar [12-String] – Les ThatcherBacking Vocals – A3 5:08 Dee Murray, Nigel OlssonBass Guitar – Herbie FlowersDrums – Barry MorganHarmonica – Ian DuckPiano – Elton JohnSteel Guitar – Gordon HuntleyViolin – Johnny Van Derek Son Of Your Father Backing Vocals – Kay Garner, Lesley Duncan, Madeline Bell, Sue And Sunny*, Tammi A4 3:46 HuntBass Guitar – Dave Glover*Drums – Roger PopeHarmonica – Ian DuckLead Guitar – Caleb QuayePiano – Elton John My Father's Gun Backing Vocals – Dusty Springfield, Kay Garner, Lesley Duncan, Madeline Bell, Tony A5 6:19 Burrows, Tony HazzardBass Guitar – Dave Glover*Drums – Roger PopeElectric Guitar, Acoustic Guitar – Caleb QuayePiano – Elton John Where To Now St. Peter B1 Backing Vocals -
Cashbox Insight&Sound
" cashbox insight&sound Sparks: Coffee Shop Rock The Hollies — Not Just A Bunch of Pretty Faces For Ron Mael. the Chaplinesque keyboard player of Sparks, it had been a lonq morn- "I'd have to describe our music as middle of the road rock," said Bernie Calvert ing. bassist for the Hollies, as he explained why, after eleven years in the business, the First there was the trading off of stares with a Hyatt House hanger on, followed by Hollies are still around while many groups seem to have vanished off the face of the the frantic checking of a rumor that Robert Plant was in town and had taken a room earth to his like I next ("craziness that don't need"). Fortunately for Ron the rumor proved The Hollies came out of Manchester. England when the British boom first hit the false. shores of America The Beatles led the way along with the Stones. The Dave Clark These distractions out of the way, Ron, along with sibling counterpart Russell, set- Five, The Animals. Gerry and the Pacemakers, Herman's Hermits, Freddy and the tled down with Cash Box to talk about various aspects of their musical career. (A Dreamers, Billy J Kramer, the Searchers, the Bachelors and many more The Hollies career on the rise thanks to the success of “This Town Ain't Big Enough For The Both survived the Mersey Beat boom, Peter Paul & Mary and the American folk craze, Of Us" and "Achoo ') Peter Fonda and the psychedelia, "Yummy, Yummy I've Got Bubblegum In My Tum- "The best way to describe our music is to call it coffee shop rock,” laughed Ron my, "and even today's loud electronic -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
Bomb Scare Halts Siena Activities Given the Option of Leaving Or Staying
Bomb scare halts Siena activities given the option of leaving or staying. and harmful to the community. However, By BOB ARNOLD Yet another bomb scare The Siena team returned to the court and administrative leaders are powerless to Staff Writer was called In on Wednesday began warming up in order to continue stop them. William Haas, Director of the at 2:02 p,m. The caller ad In two separate instances this past the game that was left at an 18 to 18 Physical Plant, feels that though little vised the switchboard oper week bomb scares interrupted campus standstill. By team vote, the Sacred can be done in the way of prevention ator that the bomb would go activities. On Thursday, February 12, the Heart players decided that they would when a bomb threat is made, those in off in Siena Hall in an hour Siena vs. Sacred Heart basketball game rather not play under the circumstances. charge must take "every necessary and a half. Immediately, Bill was delayed and later stopped when the Many of the players were from the New precaution" to ensure the safety of all. Haas, Director of Physical Sacred Hfeart team decided not to York City area where recent airport Siena policy concerning bomb scares Plant, had the building continue when a threat was made. On the bombings had killed many. They felf it prescribes evacuation, search, and then evacuated. Not five minutes following day, classes were halted be would not be worth the risk to finish the letting the public decide whether or not later, the caller reiterated cause of another bomb scare. -
Stewart Speer: a Drummer Who Won't Let the Odds Beat
STEWART SPEER: A DRUMMER WHO WON’T LET THE ODDS BEAT HIM by Eric Myers ___________________________________________________ [This article appeared in the Sydney Morning Herald on September 15, 1981.] his week the legendary 53-year-old drummer Stewart Speer embarks on a 10- week tour of Australia with Max Merritt, the former Australian rock star now T based in England. This period of employment breaks a long drought for an important figure in Australian jazz history. Apart front a similar tour with Merritt last year, Speer has worked only occasionally since returning two years ago from England, where he spent most of the 1970s. Max Merritt & the Meteors, L-R, Speer, Lance Dixon, Merritt, Martin (Fuzz) Deniz, John Gourd… 1 Speer, with cigarette dangling… “I would like to be playing more, but I’m not sure about how to go about it,” said Speer recently. “I wouldn’t mind a regular gig, maybe with some electric players. I like a bit of noise.” “Of course I have been sick since I came back from England,” he says, ticking off an impressive series of afflictions — leg ulcers, cellulitis, gout and arthritis are just some of them. Physically, he is an awesome man — some 22 stone, although he is down from last year’s 25 stone — with a flowing white beard and long grey hair which seems to grow out of the sides of his ever-present peak cap. In performance, he establishes a formidable presence behind the array of cymbals and tom-toms which make up the modern drum-kit. Always there is a huge cloud of smoke pouring upwards from the cigarette which dangles nonchalantly from his lips. -
Bus Stop-The Hollies Lyrics & Chords
Music resources from www.traditionalmusic.co.uk For personal educational purposes only Bus Stop-The Hollies lyrics & chords Bus Stop-The Hollies Am G Em 2x Am Bus stop, wet day, she's there, I say Please share my umbrella Bus stop, bus goes, she stays, love grows Under my umbrella C G Am All that summer we enjoyed it Dm Em Wind and rain and shine Am That umbrella, we employed it Em Am By August, she was mine C B7 Em D C Every morning I would see her waiting at the stop Am B7 Em B7 Sometimes she'd shopped and she would show me what she bought C B7 Em D C Other people stared as if we were both quite insane Am B7 Em Someday my name and hers are going to be the same Am That's the way the whole thing started Silly but it's true Thinkin' of a sweet romance Beginning in a queue C G Am Came the sun the ice was melting Dm Em No more sheltering now Am Nice to think that that umbrella Em Am Led me to a vow C B7 Em D C Every morning I would see her waiting at the stop Am B7 Em B7 Sometimes she'd shopped and she would show me what she bought C B7 Em D C Other people stared as if we were both quite insane Am B7 Em Someday my name and hers are going to be the same Am Bus stop, wet day, she's there, I say Please share my umbrella Bus stop, bus goes, she stays, love grows Under my umbrella C G Am All that summer we enjoyed it Dm Em Wind and rain and shine Am That umbrella, we employed it Em Am By August, she was mine. -
[Warning - This Film Contains Nudity and References to Drugs]
[Warning - This film contains nudity and references to drugs] [What A Life! Rock Photography by Tony Mott - a free exhibition until 7 February 2016. Solid Gold - Jeff Apter & Philip Morris, Metcalfe Theatre, State Library of NSW, 5th December 2015] [Dressed in a black shirt and dark jeans, grey-haired Philip Morris sits beside his interviewer Jess Apter, a bald man dressed casually] [JEFF APTER] Thank you. Before starting, I want to say I was really fortunate to be able to work with Philip on this book. [Jeff Apter holds up a coffee table book] [JEFF APTER] And it was one of the more interesting exercises, wasn't it? Because we were given a directive to come up with... Was it 200 photos? ..for this book. [PHILIP MORRIS] That's right. [JEFF APTER] And Philip's archive is so fantastic and so rich, that I think we got it down to, what, 600? [PHILIP MORRIS] Yeah. [Audience laughs] [JEFF APTER] Was it 600 to start with? It was something like that. And it's staggering, really. It's a really great document of Australian rock history at a really interesting turning point. So to get it down to this... It's begging for a second edition, by the way. There's so many great photos. So it was a real honour to be able to... to do that. It was a lot of fun. [PHILIP MORRIS] Yeah, it was. [JEFF APTER] We actually had built into our contract... Our agreement was an understanding that we would never work in a boring situation. -
Turning Gigabytes Into Gigs: “Songification” and Live Music Data, Academic Quarter, Vol
This is the published version Verhoeven,DK, Davidson,A, Gionfriddo,A, Verhoeven,J and Gravestock,P 2014, Turning Gigabytes into Gigs: “Songification” and Live Music Data, Academic quarter, vol. 9, Autumn, pp. 151-163. Available from Deakin Research Online http://hdl.handle.net/10536/DRO/DU:30068812 Reproduced with the kind permission of the copyright owner Copyright: 2014, Aalborg University kvarter Volume 09. Autumn 2014 • on the web akademiskacademic quarter Turning Gigabytes into Gigs “Songification” and Live Music Data Professor Deb Verhoeven Deb Verhoeven is Professor and Chair of Media and Communication at Deakin University. She is the Deputy Director of the Centre for Memory, Imagination and Invention (CMII) and in 2013 was rec- ognised as one of Australia’s most innovative academics. Dr Alwyn Davidson Alwyn Davidson is an early career researcher specialising in the di- gital humanities and geovisualisation at Deakin University. Alwyn’s research interests include the visualisation of humanities data, the application of GIS and spatial techniques, and the analysis of cultur- al datasets. Alex Gionfriddo Alex Gionfriddo is a librarian at the AFI Reseach Collection (a film and tv research library) within the School of Media and Communi- cation at RMIT University. Alex is the co founder (with Deb Verho- even) and administrator of The Ultimate Gig Guide, and has worked on various cultural databases including the award winning bonza database. Alex has played in bands for 19 years (mainly with Dyna- mo) and at major music festivals in Melbourne. James Verhoeven is a software development professional, with a primary interest in the design, development and management of business applications. -
4KQ's Australia Day
4KQ's Australia Day A FOOL IN LOVE JEFF ST JOHN A LITTLE RAY OF SUNSHINE AXIOM A MATTER OF TIME RAILROAD GIN ALL MY FRIENDS ARE GETTING MARRIED SKYHOOKS ALL OUT OF LOVE AIR SUPPLY ALL THE GOOD THINGS CAROL LLOYD BAND AM I EVER GONNA SEE YOUR FACE AGAIN THE ANGELS APRIL SUN IN CUBA DRAGON ARE YOU OLD ENOUGH DRAGON ARKANSAW GRASS AXIOM AS THE DAYS GO BY DARYL BRAITHWAITE BABY WITHOUT YOU JOHN FARNHAM/ALLISON DURBAN BANKS OF THE OHIO OLIVIA NEWTON-JOHN BE GOOD JOHNNY MEN AT WORK BECAUSE I LOVE YOU MASTER'S APPRENTICES BIG TIME OPERATOR THE ID/JEFF ST JOHN BLACK EYED BRUISER STEVIE WRIGHT BODY AND SOUL JO KENNEDY BOM BOM DADDY COOL BOOM SHA LA-LA-LO HANS POULSEN BOPPIN THE BLUES BLACKFEATHER CASSANDRA SHERBET CHAIN REACTION JOHN FARNHAM CHEAP WINE COLD CHISEL CIAO BABY LYNNE RANDELL COME AROUND MENTAL AS ANYTHING COME BACK AGAIN DADDY COOL COME SAID THE BOY MONDO ROCK COMMON GROUND GOANNA COOL WORLD MONDO ROCK CRAZY ICEHOUSE CURIOSITY (KILLED THE CAT) LITTLE RIVER BAND DARKTOWN STRUTTERS BALL TED MULRY GANG DEEP WATER RICHARD CLAPTON DO WHAT YOU DO AIR SUPPLY DON'T FALL IN LOVE FERRETS DON'T YOU KNOW YOU'RE CHANGING BILLY THORPE/AZTECS DOWN AMONG THE DEAD MEN FLASH & THE PAN DOWN IN THE LUCKY CO RICHARD CLAPTON DOWN ON THE BORDER LITTLE RIVER BAND DOWN UNDER MEN AT WORK DOWNHEARTED JOHN FARNHAM EAGLE ROCK DADDY COOL EGO (IS NOT A DIRTY WORD) SKYHOOKS ELECTRIC BLUE ICEHOUSE ELEVATOR DRIVER MASTER'S APPRENTICES EMOTION SAMANTHA SANG EVIE (PART 1, 2 & 3) STEVIE WRIGHT FIVE .10 MAN MASTER'S APPRENTICES FLAME TREES COLD CHISEL FORTUNE TELLER THE -
Pop Music History: the 1960S “Bri?Sh Invasion”
Pop Music History: The 1960s “Brish Invasion” Everyone loves the songs of the early 1960s. Do you know how those songs and bands became popular? Here is what happened. During World War II, many men went away to fight. The war ended in 1945. Soon they were back home and working again. They began to get married. They began to have families. All of a sudden, it seemed, many people were having babies. There were a LOT of babies. They call this me in the 40s and 50s the “Baby Boom.” Then in the 1960s, all those babies were growing up. Now they were teenagers. 70 million! It was a modern age. They called it the Jet Age. Kennedy was President. Young people liked new things, and new music. They liked “mod.” Teenagers oen like to be different from their parents, as they grow up. The 1960s teens had their own culture. Some boys grew their hair longer. They loved pop music. Everyone forgot about Elvis when the Beatles appeared on TV on the Ed Sullivan show in the U.S. in 1964. The Beatles became so popular so quickly, the press called their arrival in the U.S. the “Brish Invasion.” Teens loved the blues‐based, guitar‐ led sound of the Beatles and other Brish groups. They bought all their records. They requested the songs on the radio. They went to their concerts. Other performers were popular, too. Dusty Springfield had big hits, including “I Only Want to Be With You” in 1963. The Hollies had lots of hits, including “Bus Stop” in 1966. -
The BBC Band: Song List
The BBC band: Song List THE KINKS All Of The Day And All Of The Night ABBEY ROAD Album You Really Got Me Come Together Something THE DAVE CLARK FIVE Maxwell’s Silver Hammer Because Oh Darling Coming Home Octopus’s Garden I Want You (She’s So Heavy) THE WHO Here Comes The Sun Can’t Explain Because Substitute You Never Give Me Your Money Sun King THE HOLLIES Mean Mr. Mustard Bus Stop Polythene Pam Look Through Any Window She Came In Through The Bathroom Window Golden Slumbers BADFINGER Carry That Weight Come And Get It The End Her Majesty THREE DOG NIGHT Celebrate RUBBER SOUL Album Drive My Car THE EASY BEATS Norwegian Wood Friday On My Mind You Won’t See Me Nowhere Man PAUL REVERE & THE RAIDERS Think For Yourself Kicks The Word Michelle FOUR SEASONS What Goes On Big Girls Girl Sherry I’m Looking Through You Rag Doll In My Life Can’t Take My Eyes Off Of You Wait If I Needed Someone THE BYRDS Run For Your Life Mr. Tambourine Man Turn, Turn, Turn GRASS ROOTS Rock n Roll Star Midnight Confessions Wait A Million Years BEE GEES Two Divided By Love Run To Me To Love Somebody Words Lonely Days, Lonely Nights 1910 Mining Disaster - Golden Slumbers ZOMBIES - Good Day Sunshine Time Of The Season - Got To Get You Into My Life She’s Not There - Hello Goodbye - Here Comes The Sun DEEP PURPLE - Her Majesty Hush - Hide Your Love Away - I Feel Fine PROCOL HARUM - If I Needed Someone Whiter Shade Of Pale - I’m Looking Through You - In My Life WINGS - I Should Have Known Better Jet - I Want To Hold Your Hand - I Want To Tell You - I Want You (She’s So Heavy) - If I Fell - If I Needed Someone - I’ll Be Back SONG LIST ALPHABETICAL ORDER - Kansas City - Kicks “PAUL REVERE & THE RAIDERS” - A Hard Day’s Night - Lady Madonna - All Day And All Of The Night “THE KINKS” - Look Through Any Window “THE HOLLIES” - All My Loving - Maxwell’s Silver Hammer - And Your Bird Can Sing - Mean Mr. -
12Th Mar ID Artist Title Price Vinyl Sleeve Comment
12th Mar ID Artist Title Price Vinyl Sleeve Comment New in D08G305 10cc HOW DARE YOU! £8.00 1976, gatefold cover, original liner sleeve and press release. New in D08G304 10cc THE ORIGINAL SOUNDTRACK £10.00 VG+ Near mint 1975, gatefold cover and lyric insert. D08H49 ABBA GREATEST HITS £12.00 Near mint Near mint Fabulous copy, looks unplayed D08H52 ABBA SUPER TROUPER £10.00 Near mint Near mint Great copy, looks unplayed D08H46 ABBA THANK YOU FOR THE MUSIC £8.00 Near mint Near mint Great copy, looks unplayed D08H203 ABBA THE SINGLES £10.00 VG++ VG+ Great double D08H48 ABBA VOULEZ-VOUS £8.00 Near mint Near mint Great copy, looks unplayed D08G74 ABBA ARRIVAL £8.00 VG++ VG 1976, great copy! D08H318 ABC THE LEXICON OF LOVE £8.00 VG+ VG+ Nice copy D08H382 ABC THE LEXICON OF LOVE £10.00 Near mint VG+ Great copy D08H319 ADAM & THE ANTS KINGS OF THE WILD FRONTIER £10.00 VG+ VG 1980 D08H320 ADAM & THE ANTS KINGS OF THE WILD FRONTIER £12.00 VG+ VG+ Includes catalog insert D08H174 AGNETHA FALTSKOG WRAP YOUR ARMS AROUND ME £6.00 Near mint VG+ 1983 copy, looks unplayed D08G117 AL JARREAU WE GOT BY £8.00 VG++ VG+ 1975, original photo and press release repros. D08G145 ALICE COOPER FOUR TRACKS FROM £6.00 Near mint Near mint Four-track 12" single, 1977. D08G143 ALICE COOPER GOES TO HELL £20.00 Near mint Near mint 1976, originl liner sleeve. Appears unplayed! D08H306 ALICE COOPER GOES TO HELL £20.00 Near mint Near mint 1976, great copy D08H145 ALICE COOPER GREATEST HITS £15.00 VG+ Near mint 1974 compilation.